An Austrian cold painted bronze Orientalist table lamp by Bergman, modelled with two Arabs next to a mosque, the steps adorned with a rug with swords, a hookah, coffee pot, a beaker and a plate, the reverse stamped with 'B' in a vase and also inscribed 'Beng', late 19th century, 35.7cm high, 11.8cm wide, 10.8cm deep. See Joseph Zobel, Antique Vienna Bronzes, p.198 for an identical lamp with its canopy. Lot 383 – Bergman lamp. Unfortunately this isn’t in the best of condition with overall losses to the cold pained decoration. The tip of the minaret is missing and also the stem supporting the birds and the whole canopy is also missing. The seated figure is loose and needs re-fixing to the base. It is rather grubby and dirty with some old verdigris spots. There is no light fitting inside the minaret. Some old cracks and losses to the glass inserts inside the tower. This hasn’t been restored but needs some attention. Old marks and dents to minarets and overall the tower is a little loose. Some of the applied swords are a little loose.
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A German papier mache box, 19th century, painted with a young lady, 7cm x 10cm x 2.5cm, together with another rectangular box painted with a scene of Greenwich Hospital and a Russian papier mache beaker, with girls admiring a Russian man through a wattle fence(3) CONDITION REPORT: both boxes show natural crackling to surface, larger box has slight losses to corners, some light rubbing, similar condition to cup
A Continental gilt metal and enamelled rectangular box, 18th/19th century, the exterior with diaper and guilloche enamel decoration, the interior with a scene of a harbour landscape, possibly the Bay of Naples, 6.5 wide, together with another larger box of similar design decorated to the interior with a ruined building, 8.5cm wide(2) CONDITION REPORT: to exterior both cases have natural bubbling to enamel, light rubbing to gilding, to interiors various degrees of hairline firing cracks
A Victorian walnut games compendium, 19th century, to contain chess set, draughts men, board and other pieces, 32cm wide CONDITION REPORT: exterior of box has been refinishes, natural crack to side, light wear overall, chess pieces complete, draughts a harlequin set, other pieces show wear and tear, board shows use
A late Victorian cast and wrought iron gasolier billards light, later converted and painted, with central column and scrolling supports, the scrolling arms emitting from spherical bosses, terminating in circular cage form shade supports, with cloth shades, 80 cm high x approximately 210 wide (It is the buyer's responsibility to ensure that electrical items are professionally rewired for use)
A pair of French gilt bronze twin light candelabra,19th century, modelled with central fluted columns with floral tops, on spreading stiff leaf and lobed stepped bases, the fluted arms emitting from the columns terminating with swag moulded drip pans and sconces, 23.5cm high(2) CONDITION REPORT: overall in good condition, gilding is lightly rubbed in places consistent with age
An English mahogany and rosewood banded sarcophagus form needlework box, late 18th/early 19th century, with lions mask handles to the side, the lifting lid to reveal doors to the interior lid with stationary pocket behind, with lifting compartmented tray to main body, above frieze drawer, on lions paw feet, 23cm wide CONDITION REPORT: minor losses to edges, light surface staining, veneers expanding in places from carcass, all condition due to age and use, interior paper lightly stained
A French premiere partie boulle work and ebonised drinks cabinet, 19th century, the top and front applied with brass and red tortoise shell marquetry, lifting to show a removable ormolu and rosewood carriage containing bottles and glasses, overall gilt with vermicule decoration, the case 27.5cm x 33.5cm x 25cm CONDITION REPORT: overall case has areas of lifting to brass, cracks in base wood noted in base and sides, light overall wear, overall rubbing to the gilding on glass ware, one glass missing,
A Gothic taste gilt metal ecclesiastical candlestick, late 19th/20th century, overall decorated with trailing ivy leaves and architectural elements, on leaf form bases, converted to electricity, the lamp 60.5cm high(It is the buyer's responsibility to ensure that electrical items are professionally rewired for use) CONDITION REPORT: overall minor wear and tear, light scratching and minor domestic dirt
A pair of gilt metal twin light candelabra, 19th century, in the Neoclassical style, the bodies formed of rope twist openwork legs, emitting branches terminating in beaded sconces, with quatrefoil bases, on toupie feet, 40cm high, including cloth shades, converted to electricity(2) (It is the buyer's responsibility to ensure that electrical items are professionally rewired for use)
An Edwardian mahogany and inlaid clock/barometer, the case of clover leaf outline, decorated with line inlaid and tendril decoration, with a central thermometer flanked by a clock with white enamel dial and Roman numeral chapter ring and a barometer with printed Gothic script indicators, with a presentation plaque to Mr T H Woodhouse, dated August 8th, 1912, complete with key, 25.5cm high CONDITION REPORT: light areas of tape damage to surface of body, minor splits to veneers, some looseness to clock attachment to base
A William IV or early Victorian octagonal rosewood and brass inlaid wall clock, with beaded edge and pierced brass work to case, the white painted dial with Roman numeral chapter ring, possibly signed W Gray Leicester, the single fusee movement with pendulum, 39cm high CONDITION REPORT: dial shows overall losses to painted numerals and fading to names of makers, white paint is crazed overall consistent with age, light hairline cracks to wood work, some lifting to veneers on face
A French brass carriage clock, 20th century, the rectangular case with fluted columns, the face enclosed within Corinthian column surround, with black Roman numeral chapter ring and pierced Gothic plaque centre to dial, with repeat button to top and double barrel movement with coiled gong striking, 165cm high CONDITION REPORT: overall the case is rubbed with losses of gilding, some light pitting, otherwise in stable condition
A pair of fifteen light gilt metal and lustre hung chandeliers, the central columns of foliate scrolling form, with scrolling leaf form corona, with pendant crystal balls, emitting two tiers of scrolling reeded arms terminating in leaf form drip pans, with faux candle fittings, 64cm high(2) CONDITION REPORT:
A French mahogany ormolu vitrine, 19th century, with white marble top above a clear glazed body with single door, decorated with a classically inspired frieze of putti to the top and figural roundel to base, on curved cabriole legs, with key, 165 cm high x 68 cm wide x 35 cm deep CONDITION REPORT: marble top has one or two scores, overall light domestic dirt, woodwork in good condition, to include three glass shelves, wear noted to bottom of interior of cabinet
A French ormolu and inlaid walnut bonheur de jour, with gallery above superstructure consisting of central cabinet with mirrored door above short drawer, flanked on both sides with three short drawers, above table top with oval shaped leather inset, above a single long frieze drawer, on cabriole legs, 123 cm high x 106cm wide x 55cm deep CONDITION REPORT: overall pleasing appearance and colour, overall general domestic wear light scratches, good veneer repair to centre top cupboard, overall minor veneer losses to expected high points on piece, ie legs, drawer fronts, leather surface has losses/wear
A set of eight Chippendale style dining chairs, 19th century, the carved foliate back splat with scrolling arms, raised on cabriole legs with acanthus leaf decoration, upon claw and ball feet, (8). CONDITION REPORT: overall good contional, light ware and general scratches and small splits, minor staining
A French Louis XVI style display cabinet, 20th century, overall applied with gilt metal mouldings, with moulded top, above glazed doors, with cupboards below, on tapering legs, 155cm high x 121cm wide x 40cm deep CONDITION REPORT: minor losses of veneer ovewrall, light scratching overall, loose legs plus possible losses , plus possible lost panel to top
A Theon Memphis style lamp base, 20th century, 37cm high, together with three other lamp bases, to comprise a lamp with blue metal base and white shade, a green glass standard lamp and a chrome and white enamelled metal light on a blue stand. (4) CONDITION REPORT: all lamps show signs of domestic wear and will need to be cleaned, main lamp has light scratches to black base, some chips, otherwise all pieces are in good/reasonable condition
An American gilt metal and glass Art Deco lamp, early 20th century, in the Tiffany taste, the domed sectional shade with foliate decoration to the spandrels, with cream and caramel glass, on a bulbous foliate support with circular base, 67cm high. (It is the buyer's responsibility to ensure that electrical items are professionally rewired for use) CONDITION REPORT: 817 Please note this lamp is made of patinated and gilt metal, with glass. Overall condition is good, wear to gilding, light corrosion to connection between stem and base
A set of three glass and aluminium framed wall lights, c 1940-1950, the glass shades formed into oak leaves, above tiered bases, 28cm high. (3) (It is the buyer's responsibility to ensure that electrical items are professionally rewired for use) CONDITION REPORT: There is one wall light with no damages to the leaves, the other two have damages to leaves, but over all there is enough good shade parts to make a pair, with spares.
A Continental brushed aluminium and white plastic wall light, possibly Italian 1970's, the façade of cone shaped chromed metal and white glass shades suspended in front of lamp holders, 42cm x 45.5cm. (It is the buyer's responsibility to ensure that electrical items are professionally rewired for use) CONDITION REPORT: aluminium has minor scratches all over, plus a few shades with deep scores, glass elements seem ok, no cracks, general discolouration
After Salvador Dali, Spanish, 1904-1989, a Lampara Cajones lamp base, originally designed in 1937, this example late 20th century, with a line of drawers within the base, with pleated shade, metal plaque to base, 90.5cm high (It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.) CONDITION REPORT: Light domestic usage, dirt and dust comparative with age The lamp shade has some marks and is slightly grubby in parts Marks/dents to bottom and top of base One of the draws is loose and can be detached from the base (It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.) Overall in good condition
A Hukin & Heath silver plated twin compartment bonbon dish, the design by Dr. Christopher Dresser 1878-1881, with cane covered loop handle, stamped to base H&H with eagle mark, and design number 2223, approx 14.5cm high x 21cm wide. CONDITION REPORT: A few small areas of wear to the plating and light surface pitting. Small amount of breakage to cane handle covering.
After Pierre Bonnard, French 1867-1947- "Bonnard Vuillard et la Nabis. Musée National d'Art Moderne, Paris, 1955", printed by Mourlot, Editions des Musées Nationaux, Paris, lithographic poster printed in colours on wove paper, 70.5x50cm, (framed) (VAT charged on hammer price) CONDITION REPORT: in a glazed frame may or may not be stuck down unexamined out of the frame with small margins, light- and time staining otherwise apparently in good original condition
A Philippe Starck faux Cararra marble rectangular desk, late 20th/early 21st century, with integral light, on square legs, 72 cm. high x 135 cm. wide. (It is the buyer's responsibility to ensure that electrical items are professionally re-wired for use.) CONDITION REPORT: noted overall in good condition, some marks and scratches consistent with age and commercial use
A Philippe Starck faux Cararra marble rectangular desk, late 20th/early 21st century, with integral light, on square legs, 72 cm. high x 173 cm. wide. (It is the buyer's responsibility to ensure that electrical items are professionally re-wired for use.) CONDITION REPORT: noted overall in good condition, some marks and scratches consistent with age and commercial use
A Philippe Starck faux Cararra marble rectangular desk, late 20th/early 21st century, with integral light, on square legs, 72 cm. high x 173 cm. wide. (It is the buyer's responsibility to ensure that electrical items are professionally re-wired for use.) CONDITION REPORT: noted overall in good condition, some marks and scratches consistent with age and commercial use
A rectangular teak and hardwood sideboard, attributed to Archie Shine, with four drawers, and two long doors, on tapering cylindrical legs, 76cm high x 228cm wide x 58cm deep. CONDITION REPORT: top has ring marks, rubbing to edges, significant rubbing in one area, some light chips to drawer front, some marks to doors, domestic wear to interiors of drawers,
Jivan Ram, Raja (fl. 1825-1840) - Portrait of Lieutenant Jasper Trower, of the Bengal Horse Artillery Oil on canvas Signed and dated Jeewun Ram 1827 lower left, with indistinct Sanskrit inscription underneath 35.5 x 31 cm. (14 x 12 1/4 in) Provenance: the Trower family; by descent to the present owner Comparative literature: William Sleeman, Rambles and Recollections , London, 1844, vol. ii, pp.285-7 J.P. Losty, Of Far Off Lands and People: Paintings from India 1783-1881 , Indar Pasricha Fine Art exh. cat., London, 1993) J.P. Losty, Indian Portraiture in the British Period , The Indian Portrait, 1850-1860', ed. by Rosemary Crill and Kapil Jariwala, National Portrait Gallery, 2010 J. P. Losty, A new portrait miniature by Jivan Ram acquired , Asian and African studies blog, British Library website, 12th January 2014 A previously unrecorded and unpublished oil painting by the Indian artist Raja Jivan Ram, whose work, miniatures and oils, are rarely available on the open market. Oil paintings by Ram are almost exclusively held in public institutions, with small collections in the British Library, London, and the Bodleian Library, Oxford. Ram is recorded in contemporary literature by William Sleeman who described him as an excellent portrait-painter, and a very honest and agreeable person, [who] was lately employed to take the Emperor's portrait ( op. cit., vol. ii, pp. 285-7). A preliminary drawing is unfortunately all that remains of the portrait described by Sleeman, but the fact that the Mughal Emperor Akbar II (1806-37) commissioned his portrait to be painted by Ram highlights the regard that the artist had with the Indian, as well as the British, elite. [The drawing is now held in the British Library s India Office and Private Papers collection, ref.: Add.Or.3167] The high regard held for Ram by his contemporaries is further shown with his appointment in the 1830s by the famous Begum Samru of Sardhana (1745-1836), whose palace was decorated with some twenty of his oil paintings ( op. cit., Losty, Jan. 2014). The European influence on Indian portrait painting, which began in the 18th century, and was continued by artists travelling and working in India such as George Chinnery (1774-1852) and Thomas Hickey (1741-1824), is clearly apparent in the portrait of Lieutenant Jasper Trower. The most comparable portrait by Ram to the present work is that of Captain Robert McMullin, which is similarly dated 1827, and may well have been executed in close succession (currently held by the British Library, ref.: F863). The sitter, Lieutenant Jasper Trower (c.1807-1845) of the Bengal Horse Artillery, later a Captain in the 7th Light Field Battery, was killed in action during the Battle of Mudki, Punjab, 1845. We have been unable to find any record for an oil painting by Raja Jivan Ram available on the open market for the last 20 years.
Paul Lucien Maze (1887-1979) - A view of Henley Regatta from the Thames, with St. Mary's Church beyond Pastels and coloured chalks, on light grey coloured paper Signed lower right 37 x 55 cm. (14 1/2 x 21 1/2 in) Provenance: Paul Lucien Maze, and thence by descent. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
![Edward Lear (1812 - 1888) - Buon Ricovero, 1843; Villa Caesia, 184[?]3 A pair, watercolour, heightened with white, on light b](https://cdn.globalauctionplatform.com/3f4fb962-0dee-4e77-a1fc-a44c00f300ad/3de08e5f-f800-4a42-ce3b-59f144471342/468x382.jpg)
Edward Lear (1812 - 1888) - Buon Ricovero, 1843; Villa Caesia, 184[?]3 A pair, watercolour, heightened with white, on light blue paper Both signed lower right, inscribed and dated Buon Ricovers, 1843, and Villa Caesia, 184 [?] 3 , respectively 8 x 14 cm. (3 1/8 x 5 1/2 in), and 7.5 x 17.5 cm. (3 x 6 7/8 in ) Unframed, (2) Provenance:John Scandrett Harford (1787-1866); thence by descent to the present owner.
Edward Lear (1812 - 1888) - Ponte di Nona, 1844 Watercolour, over pencil, heightened with white, on light blue grey paper Signed and inscribed Ponte di Nona lower left, dated Thursday. Feby. 1844 lower right 11 x 18.5 cm. (4 1/4 x 7 1/4 in) Unframed Provenance:John Scandrett Harford (1787-1866); thence by descent to the present owner.For two further drawings of Ponte di Nona by Lear, painted one year later than the present work, see Houghton Library, Harvard University, Edward Lear Landscape Drawings , 1834-1884 (MS Typ 55.11, MS Typ 55.26, TypDr 805.L513), nos. 377 and 378.
Edward Lear (1812 - 1888) - Santa Maria di Luco, 1844 Black chalk, pencil, heightened with white, on light grey paper Signed and dated 1844 lower right, inscribed S. Maria di Luco lower left 9.5 x 20 cm. (3 3/4 x 7 7/8 in) UnframedProvenance:John Scandrett Harford (1787-1866); thence by descent to the present owner. Engraved: Edward Lear, Illustrated Excursions in Italy, 1846, pl. 5 " we were well pleased with the beautiful view of the Lake, and the group of Alba and Velino, now diminished by distance, yet forming a fine back-ground to the picturesque church and walls." [ op. cit., Lear, 1846, p. 21]
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