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534297 Los(e)/Seite
Los 770
A Victorian figured walnut tabletop stereoscope with sliding fret cut main panel and hinged eyepiece, sold with two boxed sets of 'The Edinburgh Stereoscopic Atlas of Anatomy (New Edition Section III & IV)', also a Paragon China plate detailing the University of Aberdeen extension 1906, designed and produced for J. W. Baker, and a similar gilt decorated example (5). CONDITION REPORT Overall very good but used condition, showing light signs of use including minor scuffs, scrapes, chips, etc. The cases for the stereoscopic cards are worn, as to be expected. The two cabinet plates appear to be in good order.
Los 949
A late 19th century large and impressive Regency-style silver plated candelabra, three light twist with vase-shaped sconces embellished with acanthus leaf detail, on single stick base of tapered form and acanthus covered knop, to circular base with floral and ribbon border, impressed mark for Thomas Wilkinson & Co, height 48cm.
Los 1024A
A 1980 Isle of Man Pobjoy Mint double sovereign, with additional Queen Mother portrait above the cape to the reverse, approx 16g. CONDITION REPORT There are slight markings to the rim, where it was previously mounted. Further very light surface scratches visible on close inspection. Otherwise appears ok.
Los 1122
A 9ct gold dainty flat chain necklace, length approx 52cm and two pendants, one heart-shaped with a lattice set with eight square cut sapphires, with tiny claw set diamonds to top and bottom sides and necklace hoop, the other a 9ct gold Edwardian-style open frame pendant, with pear-shaped light blue stone, combined approx 4.5g (3).
Los 197
A large Union flag, approx 137 x 268cm, a red flag/banner printed with 'God Save the King' in white text, also printed 'British Made' to the bottom right corner, approx 73.5 x 90cm and two Coronation flags/banners, one approx 67.5 x 87cm, the other approx 68 x 84cm (4). CONDITION REPORT The Union flag has a large blue stain, possibly ink, to the lower edge. Also many holes and small frayed areas, as well as a lot of foxing/spotting. The 'God Save the King' flag with some light foxing and spotting, also a ghost image of the letter 'S' after the word 'King'. The two Coronation flags with some foxing and light staining.
Los 215
A collectors' lot to include three mid-20th century pottery lamp bases, cream ground with incised decoration highlighted in brown, a brass and amber glass ceiling light fitting, a Japanese pot, a ruby glass bowl in a silver plated mount, a pair of pressed brass candlesticks, various witch balls/glass floats, etc.
Los 406
A quantity of mixed glassware to include Bells Scotch Open whisky tumblers, an Esso centenary 1888-1988 glass tankard, cake stand, various pin dishes, and four boxed Harrods cut glass items, a pair of night light glasses, a hurricane lamp/vase, crystal bottle coaster, and a set of six crystal coasters, also a baluster vase with etched pattern and a smaller example.
Los 48
A reproduction mahogany line inlaid and crossbanded three-drawer side table, raised on square tapering supports, 69 x 138 x 33cm (af). CONDITION REPORT There are some scuffs and grazes to the polished top surface, with further light signs of wear, including scuffs, scrapes, stains, etc throughout.
Los 545
A 1960s full-length wedding dress, with fitted bodice and V-neck collar, long sleeves with long pointed buttoned cuffs, with train, bust approx 36", waist approx 26", with the original large rectangular net and lace veil (2). CONDITION REPORT The bag the dress and veil were wrapped in had a note inscribed 'My wedding dress and veil 1961'. Some light staining, including to the hem of the dress and cuffs. There is a small paper note pinned to the interior neck of the dress, stating 'We regret that the stains on this article cannot be removed, although every effort has been made', which would imply that the dress was professionally cleaned after being worn. Further paper label attached to inner neckline with safety pins. Possibly hand made, unlined, with hand sewn hem. No labels. Creased from storage. The veil also with some light staining. Otherwise good condition.
Los 63
A Georgian-style oak dresser, the boarded plate rack with three shelves flanked by a pair of panelled doors, above a base of two central drawers, flanked by a further pair of doors, with shaped apron, raised on cabriole supports, 206 x 168 x 48cm. CONDITION REPORT There is some notable fading and staining throughout the main surface and the shelves to the upper section. The front lower section of the cabriole front supports have notable chips missing, with further signs of light wear throughout commensurate with use and age.
Los 74
A 19th century oak side table, with a pair of carved panelled drawers interspersed with carved acanthus leaf panels, raised on carved and block supports united by an undertier, 84 x 135 x 53cm. CONDITION REPORT Light surface wear visible throughout. Some polished back in to the surface, others more recent and more clearly visible. Further nicks visible throughout, nothing too severe. All damage appears commensurate with age and use.
Los 72
A Britains Mechanical Transport and Air Force Equipment lorry mounted searchlight (lacking light), together with two Bren gun carriers, another tracked vehicle and three mobile guns (playwear and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 312
A modern Arts and Crafts style doll's house, the hinged double-front revealing a staircase and four rooms, height 80cm, width 109cm, depth 62cm, together with a collection of Mackintosh-style furniture and accessories, china, glassware, rugs, dolls and light fittings.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Los 482
A good quality, light honey coloured circular (or oval when extended with 2 leaves) pedestal kitchen table with a set of 8 matching ladder back chairs; With original invoice: Solid smoked hickory Tulip table, 48" and 2 x 12 " leaves, Vendor paid £2000, approx. 22 years ago, . It was made by Walter of Wabach. USA; 121 cm diameter closed - ; AND matching hickory shaker style high backed chairs x 8. all in very good condition.
Los 17
ÉMILE GALLÉ (Nancy, France, 1846 - 1904).Art Nouveau vase; France, ca. 1900.Acid-etched cameo glass.Vase with an organic-inspired design, as was typical of the Art Nouveau period and the creations of Émile Gallé. It has a simple, prismatic structure with clean lines, which avoids interrupting the overall view of the decoration. It consists of leaves and branches with fruit in cameo glass in ochre, green and acid-etched brown.Signed on the side.Provenance: Private collection Spain, formed between 1970 and 2010.Good preservation. Wear and tear due to use and the passage of time.Measurements: 30 x 7,5 x 7 cm.Émile Gallé began his career working for his father, who owned a glass and ceramics factory, making designs with floral and heraldic motifs. Very interested in botany, he studied it in depth during his youth, alternating with drawing classes. Between 1862 and 1864, at his father's request, he travelled around Italy, England and Germany, taking an interest in the applied arts but also in subjects that he would later reflect in his works, such as music, philosophy and nature. On his return he settled in Meisenthal, where his family's glass furnaces were located, in order to fully learn the craft of glassmaking. He also travelled to London and Paris to see the collections of their museums. In 1874 he took over his father's factory and soon achieved great international success, winning prizes at international exhibitions and selling his works to important collections and museums. In 1878 he presented his first creations at the Universal Exhibition in Paris, many of which were inspired by the Japanese artists Hokusai (1760-1849) and Hokkei (1780-1856). In this important exhibition, Gallé discovered three techniques that were to prove decisive for his production: the remarques of the Pantin Glassworks, the cameo engraved glass of the English (inspired by the Portland Glass in the British Museum) and the superimposition of layers of different coloured glass presented by Eugène Rousseau. Émile Gallé was undoubtedly a man fully representative of his time. He was a poet, an artist par excellence, capable of translating his emotions and desires into matter, someone who found in the alchemy of glass, in its light, in its nuances, a form of language. Because of this talent and his mastery, his glassworks became the most famous in France around 1900. He was also the founder and president of the Nancy School, whose principles he always followed. He introduced into his pieces all kinds of experimental and innovative techniques, as well as some traditional ones. One of these was the introduction of metal sheets between the different layers of glass, thus enhancing the magical effect of his most exclusive pieces. As far as possible, Gallé imposed the characteristics of a style that evolved into free and refined expressions, applying an enormous variety of themes and decorative techniques on opaque and coloured glass, which continue to amaze to this day. Today, pieces by Émile Gallé can be seen in the Hermitage Museum in St Petersburg, the Metropolitan Museum in New York, the Musée d'Orsay in Paris, the Brohan Museum in Berlin and the Victoria & Albert Museum in London, among many others.
Los 15
Mark Kaiser Aurora Borealis in Bordeyri, Iceland, 2022 Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mark Kaiser was born in Worcestershire and has been painting and drawing since the age of three. In the summer after graduation he was contacted by EMI Records who were particularly interested in an illustration he'd created out of burnt Chinese newspapers and this was subsequently seen by the then up-and-coming band Radiohead who wanted to entitle their EP 'Chinese Burn'. The band loved it and exhibited the finished painting in their house. Among his artistic inspirations are Vincent Van Gogh, Gustav Klimt, Frida Kahlo, Edward Hopper, Gustave Baumann, Simon Palmer and Paul Gauguin. Mark lives in Warwickshire and paints from a busy studio filled with travel books. He exhibited his work at Artistic License Gallery in Primrose Hill, London for many years and was represented by the gallery at the Affordable Art Fair in Battersea many times. The exhibitions were sell-outs and resulted in many private commissions. His work has inspired many musicians, actors, architects and poets. "I like to entertain people with my work, to educate, and to recall memories of favourite destinations that people have been to. My main focus is on architecture, travel and colour. There is a wealth of subject matter on offer and there is no end to that reference material - all one has to be is selective in the choice on offer. There is a story to each piece, in essence I am a storyteller, only working in colour and form instead of the written word. Education Hagley RC High School Stourbridge College of Art Suffolk University Putney School of Art Select Exhibitions/Awards Affordable Art Fair Battersea Artistic License Primrose Hill GX Gallery Denmark Hill Bohemia Galleries York Montpelier Gallery Stratford-upon-Avon Gallery Representation Montpelier Gallery Stratford-upon-Avon Statement about AOAP Submitted Artwork Aurora Borealis, Bordeyri, Iceland The small house in Bordeyri sits amongst the symphony of light behind it as the snow-covered ground all around is bathed in a semi-green hue of light. It's dark out beyond the green aurora, it's bitterly cold but the winter chill is warmed by the inviting light emanating from the house. The scene is one of hope, that no matter what darkness is around us there is always light piercing the shadows. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
Los 153
Hannah Murgatroyd Verdell I, 2022 Oil on Arches Huile Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born in Bristol, UK, 1976, Hannah Murgatroyd was raised on Dartmoor. Living and working in Bath, she is a mentor for Turps Art School. Moving between painting and drawing, digitally and physically, what I paint comes from a life lived - yet - that life feels like a dream dissolving under my hand. It is through sensations of mark, light and colour that I seek painting's potential for reverie, revelation and respite. Education Postgraduate Drawing Year, Royal Drawing School, London 2005-2006 MA Communication Art & Design, Royal College of Art, London, 2003-2005 BA Illustration, (1st ), University of Brighton, Brighton, 1996-1999 Select Exhibitions/Awards Contemporary British Painting Prize' (highly commended), Unit 1 Gallery / Workshop, London, UK, 2022 'Nature / Nurture' Aora Space virtual museum, worldwide, 2021 'Dreamlands: Part 1 & 2' OHSH Projects, London, UK, 2021 'Hawks in her Hair', Alice Black Gallery, London, UK, 2020 'Monster/Beauty: An Exploration of the Female / Femme Gaze' curated by Marcelle Joseph, Lychee One, London, UK, 2020 'Paintings on, and with, Paper', Cob Gallery, London, UK, 2020 Draw Art Fair, Saatchi Gallery, 'Bucolica' solo presentation with Von Goetz, London, UK, 2019 'Women Can't Paint', Turps Gallery, London, UK, 2018 'Landscape As A Peopled World', (solo), Exeter Phoenix, Exeter, UK, 2017 'Exeter Contemporary Open 2014', (first prize) Exeter Phoenix, Exeter, UK, 2014 Statement about AOAP Submitted Artwork I painted the postcards alongside painting a diptych, Verdell, using the colours and marks of a verdant, hushed world, inspired by memories of wilderness in Dartmoor and Malaysia. These past years, landscape and spaces have come to the fore in my work, propelled by thoughts around an architecture of the gaze. Of the human looking upon both landscape and the city, of looking inward, of defining through painting a physical and emotional space to worship the tangible and intangible. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 182
Charlie Chrobnik Untitled (1), 2022 Unique Giclée Print of Acrylic on Canvas Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlie Chrobnik is a British-Ukrainian artist currently enrolled on the MA Painting programme at Royal College of Art. He was recently awarded the RCA Disability Scholarship. Since graduating with a BA in Fine Art from Central Saint Martins, Charlie has regularly exhibited his paintings in group shows throughout London. Education Royal College of Art (Current). Central Saint Martins (Past). Select Exhibitions/Awards RCA Disability Scholarship Statement about AOAP Submitted Artwork My work centres around health and healing through the lens of religious iconography and spirituality. Visually translating an experience of illness, disability or disordered eating through metaphor, I aim to show an immediate subject of trauma being pulled into a different space, an abstract fantastical space devoid of pain, situating illness within delicate, dreamlike and "pretty" scenes. A focus on beauty in both the figurative subject painted, the laboured, smoothed, thin layers of acrylic paint, the pink aura, realism next to gestural washes of light, and the renaissance-like veiled bodies. Contrasting this with reoccurring shorthand symbols for sickness - the paintings end up somewhere between ethereal and nightmarish. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 183
Charlie Chrobnik Untitled (2), 2022 Unique Giclée Print of Acrylic on Canvas Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlie Chrobnik is a British-Ukrainian artist currently enrolled on the MA Painting programme at Royal College of Art. He was recently awarded the RCA Disability Scholarship. Since graduating with a BA in Fine Art from Central Saint Martins, Charlie has regularly exhibited his paintings in group shows throughout London. Education Royal College of Art (Current). Central Saint Martins (Past). Select Exhibitions/Awards RCA Disability Scholarship Statement about AOAP Submitted Artwork My work centres around health and healing through the lens of religious iconography and spirituality. Visually translating an experience of illness, disability or disordered eating through metaphor, I aim to show an immediate subject of trauma being pulled into a different space, an abstract fantastical space devoid of pain, situating illness within delicate, dreamlike and "pretty" scenes. A focus on beauty in both the figurative subject painted, the laboured, smoothed, thin layers of acrylic paint, the pink aura, realism next to gestural washes of light, and the renaissance-like veiled bodies. Contrasting this with reoccurring shorthand symbols for sickness - the paintings end up somewhere between ethereal and nightmarish. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 184
Charlie Chrobnik Untitled (3), 2022 Unique Giclée Print of Acrylic on Canvas Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlie Chrobnik is a British-Ukrainian artist currently enrolled on the MA Painting programme at Royal College of Art. He was recently awarded the RCA Disability Scholarship. Since graduating with a BA in Fine Art from Central Saint Martins, Charlie has regularly exhibited his paintings in group shows throughout London. Education Royal College of Art (Current). Central Saint Martins (Past). Select Exhibitions/Awards RCA Disability Scholarship Statement about AOAP Submitted Artwork My work centres around health and healing through the lens of religious iconography and spirituality. Visually translating an experience of illness, disability or disordered eating through metaphor, I aim to show an immediate subject of trauma being pulled into a different space, an abstract fantastical space devoid of pain, situating illness within delicate, dreamlike and "pretty" scenes. A focus on beauty in both the figurative subject painted, the laboured, smoothed, thin layers of acrylic paint, the pink aura, realism next to gestural washes of light, and the renaissance-like veiled bodies. Contrasting this with reoccurring shorthand symbols for sickness - the paintings end up somewhere between ethereal and nightmarish. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 185
Charlie Chrobnik Untitled (4), 2022 Unique Giclée Print of Acrylic on Canvas Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Charlie Chrobnik is a British-Ukrainian artist currently enrolled on the MA Painting programme at Royal College of Art. He was recently awarded the RCA Disability Scholarship. Since graduating with a BA in Fine Art from Central Saint Martins, Charlie has regularly exhibited his paintings in group shows throughout London. Education Royal College of Art (Current). Central Saint Martins (Past). Select Exhibitions/Awards RCA Disability Scholarship Statement about AOAP Submitted Artwork My work centres around health and healing through the lens of religious iconography and spirituality. Visually translating an experience of illness, disability or disordered eating through metaphor, I aim to show an immediate subject of trauma being pulled into a different space, an abstract fantastical space devoid of pain, situating illness within delicate, dreamlike and "pretty" scenes. A focus on beauty in both the figurative subject painted, the laboured, smoothed, thin layers of acrylic paint, the pink aura, realism next to gestural washes of light, and the renaissance-like veiled bodies. Contrasting this with reoccurring shorthand symbols for sickness - the paintings end up somewhere between ethereal and nightmarish. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 197
Amy Bravo Tooth Sprout, 2022 Acrylic, Graphite and Wax Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Amy Bravo is a Cuban/Italian American visual artist located in New York. Education 2019 BFA Communications Design (Illustration), Pratt Institute Exp. Spring 2022, MFA Painting, Hunter College Select Exhibitions/Awards 2018, 'Volume 2: The Anniversary Show", Tectonic Space in Baltimore, MD 2018, 'Red Envelope Show', Flushing Town Hall in Queens, NY, curated by Albert Chau 2019 Featured in the Brooklyn Museum's Pop-Up Library as part of the Frida Kahlo: Appearances Can Be Deceiving opening 2019, 'Turista', Thesis show at Pratt Institute, self-curated in Brooklyn, NY 2020, 'Portrait: Identity and Expression', Site:Brooklyn, Brooklyn, NY curated by Claire Voon 2020: 'Red Envelope Show', City Point, Brooklyn, NY, curated by Albert Chau 2020: 'YB2P' Catinca Tabacaru, Harlem, NY, curated by Danny Baez. 2020: 'Young Artists: One", Fridman Gallery, curated by James Bartlett 2020: '100 Drawings from Now" The Drawing Center, New York, NY curated by Rosario Guiraldes 2020: 'Admirational Invitational' Studio E Gallery, Seattle, WA, curated by represented artists 2020: 'Paradoxe', Serving the People, Online Exhibition, curated by Tyler Glenn 2021 'Cruising the Horizon: New York' The Latinx Project at NYU, New York, NY, curated by Marissa Del Toro 2021 'Flame Tree' Regular Normal, New York, NY, curated by Bony Ramirez 2021 'These Opalescent Dreams of Mine', Selena's Mountain, Brooklyn, NY, curated by Olivia Swider 2021 'Still Around: Here', The Magic Hour Seaport Art Walk, New York, NY, curated by Andrea Delph, Danny Baez and Anne-Laure Lemaitre 2021 'Genesis: Light and Beauty', Strada Pop-Up, New York, NY, curated by Layal Srouji 2021 'Amy Bravo, Anjuli Rathod and Larissa DeJesus Negron', Selena's Mountain at SWAB Art Fair, Barcelona, SP, curated by Olivia Swider 2021 'Convalescence of Tongues', Grove Collective, London, UK, curated by Jacob Barnes You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 198
Amy Bravo Kiss (Machete), 2022 Embroidery Thread, Acrylic, Graphite, Wax Pastel and Metallic Pigment on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Amy Bravo is a Cuban/Italian American visual artist located in New York. Education 2019 BFA Communications Design (Illustration), Pratt Institute Exp. Spring 2022, MFA Painting, Hunter College Select Exhibitions/Awards 2018, 'Volume 2: The Anniversary Show", Tectonic Space in Baltimore, MD 2018, 'Red Envelope Show', Flushing Town Hall in Queens, NY, curated by Albert Chau 2019 Featured in the Brooklyn Museum's Pop-Up Library as part of the Frida Kahlo: Appearances Can Be Deceiving opening 2019, 'Turista', Thesis show at Pratt Institute, self-curated in Brooklyn, NY 2020, 'Portrait: Identity and Expression', Site:Brooklyn, Brooklyn, NY curated by Claire Voon 2020: 'Red Envelope Show', City Point, Brooklyn, NY, curated by Albert Chau 2020: 'YB2P' Catinca Tabacaru, Harlem, NY, curated by Danny Baez. 2020: 'Young Artists: One", Fridman Gallery, curated by James Bartlett 2020: '100 Drawings from Now" The Drawing Center, New York, NY curated by Rosario Guiraldes 2020: 'Admirational Invitational' Studio E Gallery, Seattle, WA, curated by represented artists 2020: 'Paradoxe', Serving the People, Online Exhibition, curated by Tyler Glenn 2021 'Cruising the Horizon: New York' The Latinx Project at NYU, New York, NY, curated by Marissa Del Toro 2021 'Flame Tree' Regular Normal, New York, NY, curated by Bony Ramirez 2021 'These Opalescent Dreams of Mine', Selena's Mountain, Brooklyn, NY, curated by Olivia Swider 2021 'Still Around: Here', The Magic Hour Seaport Art Walk, New York, NY, curated by Andrea Delph, Danny Baez and Anne-Laure Lemaitre 2021 'Genesis: Light and Beauty', Strada Pop-Up, New York, NY, curated by Layal Srouji 2021 'Amy Bravo, Anjuli Rathod and Larissa DeJesus Negron', Selena's Mountain at SWAB Art Fair, Barcelona, SP, curated by Olivia Swider 2021 'Convalescence of Tongues', Grove Collective, London, UK, curated by Jacob Barnes You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 199
Amy Bravo Come To My Place, 2022 Acrylic, Graphite, Wax Pastel and Metallic Pigment on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Amy Bravo is a Cuban/Italian American visual artist located in New York. Education 2019 BFA Communications Design (Illustration), Pratt Institute Exp. Spring 2022, MFA Painting, Hunter College Select Exhibitions/Awards 2018, 'Volume 2: The Anniversary Show", Tectonic Space in Baltimore, MD 2018, 'Red Envelope Show', Flushing Town Hall in Queens, NY, curated by Albert Chau 2019 Featured in the Brooklyn Museum's Pop-Up Library as part of the Frida Kahlo: Appearances Can Be Deceiving opening 2019, 'Turista', Thesis show at Pratt Institute, self-curated in Brooklyn, NY 2020, 'Portrait: Identity and Expression', Site:Brooklyn, Brooklyn, NY curated by Claire Voon 2020: 'Red Envelope Show', City Point, Brooklyn, NY, curated by Albert Chau 2020: 'YB2P' Catinca Tabacaru, Harlem, NY, curated by Danny Baez. 2020: 'Young Artists: One", Fridman Gallery, curated by James Bartlett 2020: '100 Drawings from Now" The Drawing Center, New York, NY curated by Rosario Guiraldes 2020: 'Admirational Invitational' Studio E Gallery, Seattle, WA, curated by represented artists 2020: 'Paradoxe', Serving the People, Online Exhibition, curated by Tyler Glenn 2021 'Cruising the Horizon: New York' The Latinx Project at NYU, New York, NY, curated by Marissa Del Toro 2021 'Flame Tree' Regular Normal, New York, NY, curated by Bony Ramirez 2021 'These Opalescent Dreams of Mine', Selena's Mountain, Brooklyn, NY, curated by Olivia Swider 2021 'Still Around: Here', The Magic Hour Seaport Art Walk, New York, NY, curated by Andrea Delph, Danny Baez and Anne-Laure Lemaitre 2021 'Genesis: Light and Beauty', Strada Pop-Up, New York, NY, curated by Layal Srouji 2021 'Amy Bravo, Anjuli Rathod and Larissa DeJesus Negron', Selena's Mountain at SWAB Art Fair, Barcelona, SP, curated by Olivia Swider 2021 'Convalescence of Tongues', Grove Collective, London, UK, curated by Jacob Barnes You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 200
Amy Bravo Sweeter, 2022 Acrylic, Graphite, Wax Pastel and Embroidery Thread on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Amy Bravo is a Cuban/Italian American visual artist located in New York. Education 2019 BFA Communications Design (Illustration), Pratt Institute Exp. Spring 2022, MFA Painting, Hunter College Select Exhibitions/Awards 2018, 'Volume 2: The Anniversary Show", Tectonic Space in Baltimore, MD 2018, 'Red Envelope Show', Flushing Town Hall in Queens, NY, curated by Albert Chau 2019 Featured in the Brooklyn Museum's Pop-Up Library as part of the Frida Kahlo: Appearances Can Be Deceiving opening 2019, 'Turista', Thesis show at Pratt Institute, self-curated in Brooklyn, NY 2020, 'Portrait: Identity and Expression', Site:Brooklyn, Brooklyn, NY curated by Claire Voon 2020: 'Red Envelope Show', City Point, Brooklyn, NY, curated by Albert Chau 2020: 'YB2P' Catinca Tabacaru, Harlem, NY, curated by Danny Baez. 2020: 'Young Artists: One", Fridman Gallery, curated by James Bartlett 2020: '100 Drawings from Now" The Drawing Center, New York, NY curated by Rosario Guiraldes 2020: 'Admirational Invitational' Studio E Gallery, Seattle, WA, curated by represented artists 2020: 'Paradoxe', Serving the People, Online Exhibition, curated by Tyler Glenn 2021 'Cruising the Horizon: New York' The Latinx Project at NYU, New York, NY, curated by Marissa Del Toro 2021 'Flame Tree' Regular Normal, New York, NY, curated by Bony Ramirez 2021 'These Opalescent Dreams of Mine', Selena's Mountain, Brooklyn, NY, curated by Olivia Swider 2021 'Still Around: Here', The Magic Hour Seaport Art Walk, New York, NY, curated by Andrea Delph, Danny Baez and Anne-Laure Lemaitre 2021 'Genesis: Light and Beauty', Strada Pop-Up, New York, NY, curated by Layal Srouji 2021 'Amy Bravo, Anjuli Rathod and Larissa DeJesus Negron', Selena's Mountain at SWAB Art Fair, Barcelona, SP, curated by Olivia Swider 2021 'Convalescence of Tongues', Grove Collective, London, UK, curated by Jacob Barnes You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 218
Chris Daniels Machbands Study XX, 2002 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born 1981, Harrogate, UK. Lives and works in London Education Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1 Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Chris Daniels Machbands Study XXI, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born 1981, Harrogate, UK. Lives and works in London Education Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1 Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Chris Daniels Machbands (Chroma) Study, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born 1981, Harrogate, UK. Lives and works in London Education Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1 Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Chris Daniels Machbands (Chroma) Study II, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born 1981, Harrogate, UK. Lives and works in London Education Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1 Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Anna Calleja Homebound, 2022 Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain. Education First class honours in BA (hons) Fine Art from Falmouth University Select Exhibitions/Awards Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives Statement about AOAP Submitted Artwork These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Anna Calleja Scissors, 2022 Chalk and Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain. Education First class honours in BA (hons) Fine Art from Falmouth University Select Exhibitions/Awards Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives Statement about AOAP Submitted Artwork These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Anna Calleja Censu, 2022 Ink and Chalk on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain. Education First class honours in BA (hons) Fine Art from Falmouth University Select Exhibitions/Awards Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives Statement about AOAP Submitted Artwork These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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Anna Calleja Morning Light, 2022 Ink and Chalk on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anna Calleja (b.1997) is a Maltese multidisciplinary artist primarily working in paint, print and sculpture. Calleja has exhibited across the UK and abroad, at Spazju Kreattiv in Valletta, at Tate St. Ives, Porthmeor Studios, and at the Mall Galleries in London amongst others. Calleja was the recipient of a Winsor and Newton Young Artist Award at the Royal Institute of Oil Painters Annual Exhibition for her 2020 painting 'Alone in Quarantine'. Calleja was recently a finalist for the Premju ghal-arti award for Best Young Artist of the Year, an award by the Malta Arts Council that celebrates the main achievements in the Maltese cultural scene. Her work retires to the comfort and melancholy of home, using the process of painting to create quiet moments of introspection. She looks back on her own notions of comfort to confront an anxious present and grapple with an uncertain future. Calleja's interest lies in dualities; the tension and dissonance between comfort and melancholy, isolation and connection, love and pain. Education First class honours in BA (hons) Fine Art from Falmouth University Select Exhibitions/Awards Awards: Finalist Premju Ghal-Arti Best Young Artist, 2022 (pending results) Winsor and Newton Young Artist Award, ROI Annual Exhibition 2020 Best Emerging Young Artist, ARTZ ID, 2020 C-A-S-T Residency, Helston 2019 Midas Award at the Newlyn Art Gallery and the Exchange 2019 Malta Arts Scholarship, 2017-2020 Exhibitions: 2022 Domestic Bliss, Beaux Arts Bath, Bath Works on Paper 4, Blue Shop Cottage, London Sea Sunset Moon, Spazju Kreattiv, Valletta, Malta 2021 Anna Calleja: On Hold, New Craftsman Gallery, St. Ives RP Annual Exhibition, Mall Galleries, London Homebound solo exhibition, Palazzo de La Salle, Valletta, Malta Launch Exhibition, Morgans, Falmouth ROI Annual Exhibition, Mall Galleries, London 2020 Extraordinary Postcards for Extraordinary Times, Newlyn Art Gallery Postcard Exhibition, Highgate Art Gallery, London 2019 Environments, Tate St. Ives Tate Collective Producer at Otobong Nkanga: Ustudio, Tate St. Ives Anna Calleja and Will Calver, Porthmeor Studios, St. Ives Statement about AOAP Submitted Artwork These four works (one oil painting and three ink drawings) sit in between comfort and melancholy suspended in quietude. I look back on my own notions of comfort to confront an anxious present and grapple with an uncertain future. Two of the ink drawings depict my cat, sitting still in silent ambivalence or bathed in morning light. While the world grows ever more turbulent, divisive and moves steadily towards climate crises, the cat passively sleeps on, as do we. 'Homebound' portrays a figure suspended in time, between past and present, life and death and comfort and melancholy while 'Scissors' plays on the Ancient Greek myth of Atropos, one of the three fates, who holds the shears that cut the thread of life. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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