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Tate Ward
Los 301

Stik (British 1979-), 'Holding Hands (Red, Orange, Yellow, Blue & Teal)', 2020, a complete set of 5 offset lithographs in colours on wove paper, all signed in black pen; sheets: 50 x 50cm each (5) (framed)ARRsheets: 50 x 50cm each (5)In very good conditionNo knocks or tears to any of the sheets Some minor waving to the sheets, visible in raking light Some minor handling creases across the sheets, visible upon close inspectionOne horizontal and one vertical fold to each sheet, as originally issued All sheets have been framed in black frames, with conservation grade anti-reflective art glassThese works have not been examined outside of the frames.

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Tate Ward
Los 303

The London Police (British Collaboration), 'All Hail Sir David Of Bowie', 2013, acrylic on canvas, signed and dated in black ink to the canvas overlap; canvas: 100 x 100cmARRcanvas: 100 x 100cmIn Very Good ConditionNo sign of paint loss or restorationNo tears or rips to the canvasSome potential areas of very light cracking to the paint, this is most likely the result of the primed canvas and is only visible under very close inspection and does not take away from the imageSome possible light markings to the white edges of the canvas, this is frequently seen with white canvases In Very Good Condition

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Tate Ward
Los 90

Takashi Murakami (Japanese 1962-), 'DOB & Me: On The Red Mound Of The Dead', 2013, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet: 50.2 x 50.2cmsheet: 50.2 x 50.2cmIn very good condition No knocks, tears or creases to the sheetThis work has been framed One minor light scratch to the upper left hand edge of the frame, visible in raking lightThis work has not been examined outside of the frame.

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Ewbank's
Los 2000

CHANEL vintage black quilted lambs leather single flap bag with gold coloured hardware, chain strap and burgundy leather lining. Serial number 2620004 1991-1994 Boxed with dust bag.Condition Report: Good condition commensurate with age. Would benefit from colour restoring polish. Addendum: There is some scuffing to the corners and light scratches inside the flap and lining consistent with age and gentle use.

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Ewbank's
Los 2001

CHANEL vintage 1989-1991 black/dark quilted navy lambs leather double flap bag with gold hardware and burgundy leather lining. Authenticity card present. Also dust bag. Serial number 1494860Condition Report: Good condition commensurate with age. Would benefit from colour restoring polishADDENDUM: The bag has light scuffs on all the corners and storage marks from rubbing of the chain on the inside flap. Photos added. The bag is thirty years old and has been used.

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Ewbank's
Los 2031

One BURBERRY light brown leather handbag with top handle and zip and gold coloured hardware. Burberry check lining, care card, original receipt tag and dust bag.Condition Report: Excellent condition

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Ewbank's
Los 2032

Large TODS light tan butter-soft leather double top handle handbag with detachable long strap. Silver coloured hardware.Condition Report: Gently used. Good condition.

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Ewbank's
Los 2044

MULBERRY LILY light beige/rose/stone flap bag with dust bag. Gold coloured hardware, chain strap with fob and padlock. turn-lock fastening, one zipped pocket. Suede lining in cream. Condition Report: Good condition. Slight scratching to lock plates on both sides and small pink mark on inside flap. Finger marks on the front and back look more prominent in the photos than they actually are. Would probably clean off with some clear polish

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Ewbank's
Los 2046

YSL (YVES SAINT LAURENT) 1970s vintage silk scarf. Floral pattern in black,white,red,blue,green. Hand rolled edges. late 1970sCondition Report: Good condition commensurate with age. Some light marks

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Ewbank's
Los 2047

CHANEL1980s vintage square silk scarf in cream and navy. Hand rolled edgesCondition Report: Good condition commensurate with age. Very light marks

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Ewbank's
Los 2058

TOMMY NUTTER Savile Row tailor bespoke-made dinner-suit/ tuxedo suit. Cream single breasted dinner jacket and black wool evening trousers in TOMMY NUTTER zipped cover with TOMMY NUTTER wooden hanger. (Cream dinner jacket and black wool evening trousers.)Jacket 42-44" chest. Trousers 36" waist, 31" legCondition Report: Some light marks on jacket. May need dry cleaning. Trousers clean.

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Ewbank's
Los 2066

BEGG & Co 100% fine cashmere cream coloured pashmina type scarf. RRP £400. Brand new with tag. (Possible light marks from storage.)Condition Report: Good condition unworn

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Wokingham Auctions
Los 10

A Rolex Oyster Perpetual Air-King-Date Precision stainless steel-cased wristwatch, 34mm, with black dial, model 5700, automatic movement, later black leather strap, serial no. 2785573 for 1969, in working order, light wear from occasional use

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Wokingham Auctions
Los 156

A late Victorian silver tea set comprising teapot, sugar bowl and jug of oval form with embossed decoration, initialled, by Mappin & Webb, Sheffield, 1887 together with a matching coffee pot (handle of lid missing) and creamer, with dedication, hallmarked for Goldsmiths & Silversmiths (William Gibson & John Lawrence Langman), Sheffield, 1904, 1716g, light wear from ordinary use, slight dents (5)

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Galerie Bassenge
Los 4090

Architecture & Design -- Photographer unknown. Notre-Dame du Haut, Ronchamp, architect Le Corbusier. 1950s. 3 vintage gelatin silver prints. Each circa 28,9 x 23 cm. Flush-mounted to board.Includes a view of the new pilgrim hostel. – Corners slightly bumped, some light surface scratches, otherwise in good condition.Provenance: The estate of Dr. Adolf Behne.

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Galerie Bassenge
Los 4133

Edgerton, Harold -- "Bobby Jones Multiflash Golf Swing". 1938. Vintage gelatin silver press print. 13 x 16,2 cm. Typed German press text label affixed to the verso.The Atlantic photo agency stamp on the verso indicates that this print was most likely used for its first German publication in 1939. An image from this same series is in the collection of SFMOMA. – Some light surface scratches, otherwise in very good condition.

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Galerie Bassenge
Los 4021

Daguerreotypes -- Photographer: Henry Pollock (b. 1810, active 1849-89). Portrait of a distinguished man holding a letter. Early 1850s. Quarter-plate daguerreotype with gilt ornamental surround with stamped photographer's name and location (BALTo), behind glass in leather case with red velvet lining and embossed flower ornaments on front and back cover.Pollock was among the early daguerreotypists in Baltimore. Among the local photographers, he was the most renowned and respected. His distinguished and opulently furnished studio rooms, and especially the separate dressing room for ladies, were an attraction for the wealthy upper class in Baltimore. He used particularly high-quality lenses and large-format cameras that could shoot unusually large plate formats. His name (lower left) and Balt(imore) (lower right) are always stamped on his plain mounts. – A few light corrosion spots on plate, otherwise a clear image in very good condition.

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Galerie Bassenge
Los 4179

Häusser, Robert -- Postwar German architecture: The new main train station and Reuchlinhaus (Schmuckmuseum), Pforzheim. 1950s. 2 vintage ferrotyped gelatin silver prints on Agfa paper. Each circa 17 x 23 cm. Each with photographer's stamp and annotated/with layout marks in pencil on the verso.Corners bumped, some light surface scratches more visible at an angle, train station print with layout marks in lower and upper edges on left side, otherwise in good condition.

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Galerie Bassenge
Los 4038

Konstantinou, Dimitrios -- View of the Acropolis seen from the King's Palace; Frontal view of the Erechtion. Circa 1861. 1 lightly albumenized salt print, 1 salt print. Each circa 26,5 x 36,5 cm. Each tipped in upper corners to paper (slightly soiled/worn), annotated in ink in lower right corner on mount.Some light handling crease marks, a few light marks from glue in upper corners, otherwise strong prints in very good condition.Lit.: Bodo von Dewitz (ed.). Das Land der Griechen mit der Seele suchen. Photographien des 19. und 20. Jahrhunderts. Cologne 1990, ill. p. 87.Dorothea Ritter. Im Lichte des Helios. Griechenland in frühen Photographien aus der Sammlung Siegert. Munich 1999, ill. p. 17 (variant).

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Galerie Bassenge
Los 4278

Ray, Bill -- "Marilyn Singing Happy Birthday". 1962/printed later. Oversized gelatin silver print. 56 x 38 cm (60,5 x 50,5 cm). Signed and dated by the photographer below the image in white margin.Bill Ray was a Life staff photographer and photographed many Hollywood celebrities. His work has been shown at ICP, New York and has been on the covers of Newsweek, Fortune and Smithsonian magazines. – Light handling mark in right margin, otherwise in very good condition.

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Galerie Bassenge
Los 4236

Lazi, Adolf -- Still life composition with objects. 1950s. Vintage large-format ferrotyped gelatin silver print on Agfa-Brovira paper. 39 x 30 cm. Photographer's stamp and annotated in pencil on the verso. Pinholes in corners, edges curled, some crease marks and creases in upper corners, light surface soiling, otherwise in good condition.

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Galerie Bassenge
Los 4226

Klein & Peyerl Photographers -- "Malabar - Fishermen at Sunset". 1920s. Vintage sepia-toned gelatin silver print on thick chamois paper. 29,2 x 21,2 cm. Photographer's blindstamp in lower right corner, photographer's studio stamp, therein inventory number in pencil as well as titled and annotated in pencil on the verso.The earliest mention of Wiele and Klein dates from 1890, when it is mentioned as a prize winner at the Madras Fine Arts Exhibition. After 1918, Wiele returned to England and Theodor Klein bought out his shares. In the 1920s, Michael Peyerl joined the company as a partner to operate the company as a photographic studio until World War II. Klein & Peyerl existed in other business areas until 1987. – A few light surface scuff marks, otherwise an attractive atmospheric print in very good condition.

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Galerie Bassenge
Los 4123

Clark, Edward -- Marilyn Monroe. 1950/printed later. Gelatin silver print. 27 x 22,7 cm (35,5 x 27,8 cm). Signed and editioned 6/99 by the photographer in ink in lower margin.Light handling mark in lower right, otherwise in very good condition.

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Galerie Bassenge
Los 4053

Ottoman Empire -- Photographers: Abdullah Frères and Alphonse Rubellin. Attractive portrait album showing a wide range of people living in the Ottoman Empire. 1860s-1880s. 103 cartes-de-visite albumen prints, all with early photographer's logo (some hand-stamped), address and name and most titled and numbered in ink in contemporary hand on mount verso, inserted in album window mat boards (some damaged, slightly soiled), bound in contemporary tooled leather album (rubbed) with brass and glass ornaments (some missing) and brass clasp. This extensive collection of cartes-de-visite portraits documents the vast cultural and ethnic diversity in the Ottoman Empire. 64 cartes-de-visite show various peoples of the Empire. Among them are Afghan, Algerian, Georgian, Greek, Persian, Turkish and Jewish people. Also includes a wide range of street sellers with their goods, beggars, warriors, Orthodox priests and other high-ranking persons such as Kececizade Mehmed Fuad Pasha (1814-1869). – Some faded, some light scuff marks, otherwise most in very good condition. Lit.: Bahattin Öztuncay. The Photographers of Constantinople. Pioneers, studios and artists from 19th century Istanbul. Istanbul 2006 (2nd edition), ill. p. 380 and compare 494-499 (street sellers).

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Galerie Bassenge
Los 4113

Burkhard, Balthasar -- Mexico City, Los Angeles and Chicago from above. 1999. 9 gelatin silver prints. 34,5 x 50,5 cm. Each with photographer's stamp on the verso.The Swiss photographer Balthasar Burkhard mainly worked in black and white and printed his photographs himself, often in huge dimensions, and framed his images in iron frames behind glass. He often worked in cycles. His cityscapes, landscapes or deserts are mostly taken from a bird's-eye-view perspective - photographed from helicopters or atop skyscrapers. He is internationally recognized as an important minimalist artist, with works in several international museums and public collections. An exhibition of his work was recently shown at the Fotomuseum Winterthur and Museum Folkwang in Essen. The majority of images offered here are Mexico City. These smaller formats are unique as Burkhard usually printed these images in very large sizes circa 130 x 250 cm. – Some light buckling in edges, a few with bumped corners, one with crease mark in upper right, otherwise in good condition.

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Galerie Bassenge
Los 4299

Schmidt, Michael -- "Photographien - Steine". 1975. 7 vintage gelatin silver prints. Various sizes circa 14,5 x 14,5 cm (23,8 x 17,7 cm) and 14,5 x 21,5 cm (17,7 x 23,7 cm). Each signed, dated and editioned V/V (A.P.) by the photographer in pencil on the verso. In original brown linen portfolio.The German photographer Michael Schmidt began taking pictures at age 20. He is a representative of the socio-documentary photography in Germany and his work is marked by a sober and reality-based style. In 1976, he founded the "Werkstatt für Photographie" in Kreuzberg, Berlin. Known best for his Berlin series, which shows the city empty and in a transitory state, Schmidt is considered one of the major German photographers of the "New Topographic Movement" and he worked up until his untimely death in 2014. – A few light creases in margins, otherwise rich tonal prints in very good condition.

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Galerie Bassenge
Los 4081

Architecture & Design -- Photographer: Sasha Stone (1895-1940). Interior of the German Pavilion at the World's Fair in Barcelona, designed by Mies van der Rohe. 1929. Vintage gelatin silver print. 16 x 22,7 cm. Berliner Bild Bericht agency stamp on the verso, framed under museum glass in fine wooden frame.View of the spectacular interior of the Barcelona Pavilion with the free-standing stone wall of onyx doré on a wide travertine floor and the diaphanous room separators. Mies van der Rohe's spatial concept is particularly evident in this view. One recognizes the simplicity and clarity of the layout and the interaction of the exquisite materials. A rare documentation of this extremely modern, streamlined design by Mies van der Rohe. The structure was van der Rohe's first major work, which was unfortunately torn down after the exhibition. – Corners slightly bumped, retouched spot in upper left, light indentation mark in upper right, otherwise a fine tonal print in very good condition (not examined outside frame).Lit.: Vitra Design Museum (ed.). Mies van der Rohe. Möbel und Bauten in Stuttgart, Barcelona, Brno (exhibition catalogue). Weil am Rhein 1998.

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Galerie Bassenge
Los 4174

Güler, Ara -- "Carriers Waiting for Work at the Oil Quay, Istanbul ". 1954. Large-format gelatin silver print on strong paper. 40,3 x 50 cm. Signed by the photographer in silver marker in lower right corner; photographer's stamp on the verso.Lower right corner slightly bumped, a few minimal handling marks, light fold mark upper left, otherwise a strong print in very good condition.

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Galerie Bassenge
Los 4045

[*] Marconi, Gaudenzio -- Male nude. Circa 1870. Albumen print. 25 x 15,5 cm. Number 198 in the negative in lower area, mounted to board.The Swiss/Italian photographer Gaudenzio Marconi later worked in France and Belgium. His high quality nude photographs, such as the one offered here, were famous and sought after by many artists. Rodin especially appreciated his photographs. – Some light surface scuff marks, otherwise a strong print in very good condition.

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Galerie Bassenge
Los 4070

Tripe, Linnaeus -- "No. 64. Amerapoora. Mohdee Kyoung". 1855. Salt print from a waxed paper negative. 26 x 34 cm. Signed by the photographer in ink in lower right corner, mounted to original album page (slightly buckled/fold marks), printed paper label with title and number below the image on the mount.Tripe took the first photographs of Burma and used a large-format 15 x 12 inch camera. His architectural and topographical views are of great documentary importance as they are among the earliest surviving photographs of Burma. Some of his waxed paper negatives are in the collection of the Royal Photographic Society. – A few light spots in sky area, otherwise in very good condition.

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Galerie Bassenge
Los 4227

Klinger, Max -- Photographer: Otto Haeckel (1872-1945). Max Klinger in his studio in front of his large painting "Die Kreuzigung Christi". Circa 1910. Vintage gelatin silver print. 18 x 24 cm. Photographer's stamp and annotated in pencil on verso.The image shows Max Klinger sitting in his large studio room in front of his famous painting "Die Kreuzigung Christi" (today in Museum der Bildenden Künste Leipzig). His marble sculpture "Amphitrite" (1895) can be seen in the left corner, on the right is "Badendes Mädchen (1897). – Some light handling marks, otherwise in good condition. Lit.: Julius Vogel. Max Klingers Kreuzigung Christi. Leipzig 1918.

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Galerie Bassenge
Los 4256

Micro Photography -- Photographer: Eric. A. Phoenix. Micro photograph of freshwater organisms. 1940s. Vintage gelatin silver print. 25 x 20 cm. Mounted to board, annotated below image on mount, exhibition label on mount verso.A few light scuff marks, otherwise in very good condition.

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Galerie Bassenge
Los 4117

Callahan, Harry -- "Acme Sign Shop, Providence". 1977/printed 1980-81. Dye transfer print. 22,3 x 34 cm (28,2 x 35,4 cm). Signed by the photographer in pencil in margin lower right; number notations in pencil on the verso.Harry Callahan was born in Detroit, Michigan and started photographing in 1938. In 1946, he was appointed by László Moholy-Nagy to teach photography at the Institute of Design in Chicago. By the time he retired in 1977, he was teaching at the Rhode Island School of Design. His technical method was to go out almost every morning, walk the city he lived in and take numerous pictures. He then spent almost every afternoon making proof prints of that day's best negatives. He also traveled extensively. Yet, in spite of all his activity, Callahan, by his own estimates, produced no more than half a dozen final images a year. – Some light handling marks in margins, otherwise in very good condition with strong colors.

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Galerie Bassenge
Los 4180

Häusser, Robert -- Postwar German architecture: Train station Heidelberg; High rise in Heidelberg. 1950s. 2 vintage ferrotyped gelatin silver prints on Agfa-Brovira paper. Each circa 17,5 x 23,5 cm. Each with photographer's stamp(s), annotated/with layout marks in pencil on the verso.Corners bumped, a few creases/handling marks, slight edge wear, some light surface scratches more visible at an angle, high rise print with airbrushing for publication, otherwise in good condition.

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Galerie Bassenge
Los 4004

Austria -- Photographer unknown. Views of Austria. 1860s. 28 large-format albumen prints. Each circa 24 x 33 cm and smaller. Mounted to red-edged album boards (time-stained in edges and some foxing), bound in contemporary red leather album (rubbed in edges, scuff marks, soiled) with gilt-embossed monogram L.C. on front cover.Five photos show the Semmeringbahn circa ten years after completion. Other images show Salzburg, Gmunden, Gastein, Berchtesgaden, Dürnberg, Ischl, Salzburg and Graz. The views of Vienna with the new Ringstr. and other sites are especially interesting. – Some photos with light surface scuff marks, otherwise in good to very good condition.

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Galerie Bassenge
Los 4295

Sawada, Kyoichi -- Family escaping bombing in Vietnam. 1965. Vintage gelatin silver press print. 20,5 x 25,5 cm. United Press International agency stamp and typed press text label cutting affixed to the verso.The Japanese photographer Kyoichi Sawada worked for United Press International and received the 1966 Pulitzer Prize for Photography for his combat photography of the Vietnam War during 1965. Two of his photographs were selected as "World Press Photo of the Year" in 1965 and 1966. This image, showing a Vietnamese mother and her children wading across a river to escape a bombing of their village, won the award in 1965. Sawada died in 1970 while on assignment in Cambodia. – A few light handling marks, otherwise in very good condition.

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Galerie Bassenge
Los 4198

Hoffmann, Kitty -- Fall fashion photos. 1930s. 3 vintage (1 ferrotyped) gelatin silver prints. Each circa 22,5 x 16,5 cm. Each with photographer's copyright stamp, Schostal agency label, typed press text label and 1 also with additional agency stamps on the verso. Kitty Hoffmann studied at the Graphische Lehr- und Versuchsanstalt in Vienna where her teachers included Rudolf Koppitz. She then became an assistant in Trude Fleischmann's studio. After 1922 she opened her own studio in Vienna. Numerous images of her work were published in the fashion and illustrated press of the day. A portion of her estate is in the collection of the Photomuseum des Landes Oberösterreich, Bad Ischl. – Corners bumped/creased, some edge wear, one with stronger creasing, some light handling marks, otherwise in good condition.

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Galerie Bassenge
Los 4037

Konstantinou, Dimitrios -- General view of the Acropolis and the South Slope from the southwest; The west side of the Parthenon. 1864/65. 1 salt print, 1 lightly albumenized salt print. Each circa 27 x 36,5 cm. Acropolis print signed by the photographer (Constantine) in the negative in lower left corner, each tipped in upper corners to paper (slightly soiled/worn), annotated in ink in lower right corner on mount.The so-called "Fränkischer Turm" can be seen on the view of the Acropolis. The tower was torn down in 1875 with the financial support of Heinrich Schliemann. – Light fading in edges, some handling crease marks, a few light marks from glue in upper corners, otherwise in very good condition.Lit.: Dorothea Ritter. Im Lichte des Helios. Griechenland in frühen Photographien aus der Sammlung Siegert. Munich 1999, ill. p. 64 (variant) and p. 80 (variant).

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Galerie Bassenge
Los 4175

Güler, Ara -- Istanbul, Arnavutköy. 1960s/printed later. Gelatin silver print. 40 x 27 cm. Signed by the photographer in ink in lower right; photographer's stamp on the verso.A few light handling marks, otherwise in very good condition.Provenance: Acquired directly from the photographer.

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Galerie Bassenge
Los 4307

[*] Sewcz, Hans Martin -- "Große Hamburger Straße, Ecke Auguststraße, Ost-Berlin". 1979/printed later. Panoramic gelatin silver print. 24 x 57 cm (34,2 x 60,5 cm). Signed, titled, dated and editioned E.A. by the photographer in pencil as well as photographer's stamp on the verso.Pressure point from verso in upper mid area, light handling mark lower left, otherwise in very good condition.Lit.: Marc Barbey (ed.). Hans Martin Sewcz. Berlin-Mitte, Mai 1979, Berlin 2011, ill. p 15.

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Galerie Bassenge
Los 4124

Clark, Edward -- Marilyn Monroe. 1950/printed later. Gelatin silver print. 27 x 22,7 cm (35,5 x 27,8 cm). Signed, titled and editioned 6/99 by the photographer in ink in lower margin.Light ink mark in lower margin, otherwise in very good condition.

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Galerie Bassenge
Los 4327

Tillmans, Wolfgang -- "Faltenwurf TzK". 1996. Digital print mounted in green/black cardboard box (some traces of use, edges rubbed). 32,5 x 43 x 3 cm. Signed and editioned 87/100, by the photographer in pencil on box verso. From an edition of Texte zur Kunst."With this work, Wolfgang Tillmans returned to his artistic beginnings. Before he took photographs, he worked with copiers, consciously eliminating the difference between reproduction and orientation. In his work, the object acquires an almost hyperreal presence. The effect of the real fools the viewer before she/he recognizes the calculated and fictitious nature of the photograph in the detail and enlargement. In the process, the usual order of time in photography is shifted. The image is not a document of past presence, but a promise of future fullness, thus belonging to the order of the phantasmatic .... It is therefore conceivable that the swimming trunks function as a fetish. This is supported by the fact that the banal object is nobilized by a pretentious wrapping. Fantasy and disappointment go hand in hand: on closer inspection, one recognizes the simple photographic paper box, thus exposing the well-stocked dream as a technically generated illusion". (Translated from www.TextezurKunst.de). – A few light surface spots, some light indentation pit marks in upper/lower left, otherwise in very good condition.

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Galerie Bassenge
Los 4068

Tolstoy, Leo -- Photographer: Scherer, Nabholz & Co. (1863-1918). Leo Tolstoy. 1894. Albumen print. 16 x 10,5 cm. Mounted to cabinet card with photographer's name and logo below the image on the mount; Russian logo on verso.Some light surface scuffing, otherwise in good condition.

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Galerie Bassenge
Los 4210

Industrial Photography -- Photographer unknown. Postwar European coal mining. 1950s. 11 vintage ferrotyped gelatin silver prints. Each circa 24 x 18 cm and reverse. Each with notation in pencil and several with typed press text label attached to the verso.The images show Belgian, Austrian, Turkish and German coal mining in the phase of reorganization after WWII supported by the Marshall Plan. – Some light handling marks, each with tape on the verso, otherwise in very good condition.

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Galerie Bassenge
Los 4016

[*] China -- Photographer: Lai Afong (c. 1859-1941, attributed to). Group portraits. 1880s/90s. 3 albumen prints. Each circa 21,5 x 27,5 cm. Each mounted to board.This group includes a portrait of two richly dressed Chinese women in a studio, a fortune teller and a court scene. – Some light surface scuffing, otherwise in good condition.

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Galerie Bassenge
Los 4030

Gastein -- Photographer: Würthle & Spinnhirn. Panoramic view of Gastein. 1896. 3 albumen prints, mounted as a 3-part panorama on 3 boards (slightly soiled in edges, some creases) joined with linen tape, photographer's name printed in center of middle board. Each circa 16,5 x 21,5 cm (entire size: 16,5 x 65 cm).A few light surface scuff marks, right photo with minimal nick in lower left corner, otherwise strong tonal prints in very good condition.

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Galerie Bassenge
Los 4344

Wolff, Dr. Paul -- Silesian industry. 1930s. Vintage ferrotyped gelatin silver print on Agfa-Brovira paper. 23,5 x 16 cm. Photographer's stamp with negative number, layout marks/notes as well as typed paper caption label on the verso.Corners slightly bumped, some light surface rubbing, some retouching for publication, minimal edge wear, otherwise in very good condition.

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Galerie Bassenge
Los 4151

Film Photography -- Scene from the film "Metropolis". 1926/27. Vintage ferrotyped gelatin silver print. 21,3 x 28 cm (23,4 x 29,8 cm). Ufa logo and number 57 in the negative in lower left corner; Photo:Ufa reproduction limitation stamp and film title stamp on the verso.Although "Metropolis" did not enjoy the expected success during its premiere, audiences were impressed with the technical tricks and visual effects, which remain an iconic element of cinematography today. This scene shows the still intact "Heart Machine" of the worker's city just before the masses begin to storm it. – Some handling creases in margins, a few light handling marks, corners bumped, slight oxidation mirroring in edges, otherwise in very good condition.

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Galerie Bassenge
Los 4039

Konstantinou, Dimitrios -- (Attributed to). View of the Acropolis seen from the King's Palace garden; View of the Temple of Hephaestus, former Theseus Temple. Circa 1861. 2 lightly albumenized salt prints. Each circa 26,5 x 36,5 cm. Each tipped in upper corners to paper (slightly soiled/worn), annotated in ink in lower right corner on mount.One with light fading in edges, some light handling crease marks, a few light marks from glue in upper corners, one also with a few light spots in sky area, otherwise in very good condition.

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Galerie Bassenge
Los 4288

Ronkholz, Tata -- "Köln-Ehrenfeld, Alpenerstr., Ecke Borsigstr." from the 'Trinkhalle' series. 1982. Vintage ferrotyped gelatin silver print on Agfa paper. 25,7 x 36 cm (31 x 40,5 cm). Annotated wiith archive number 354 by the photographer in pencil on the verso.A few light handling dents, edges slightly curled, otherwise in very good condition.

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Galerie Bassenge
Los 4308

[*] Sewcz, Hans Martin -- "Auguststr. Berlin". 1979/printed later. Panoramic gelatin silver print. 24 x 57,4 cm (30,8 x 60 cm). Signed, titled, dated and editioned E.A. by the photographer in pencil as well as photographer's stamp on the verso.Light handling mark upper right, corners slightly bumped, otherwise in very good condition.Lit.: Marc Barbey (ed.). Hans Martin Sewcz. Berlin-Mitte, Mai 1979, Berlin 2011, ill. p 15.

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Galerie Bassenge
Los 4177

Gundlach, F.C. -- "Kostüm aus weissem Wollcrepe von Lanvin, Paris". 1966/printed later. Gelatin silver print. 40,3 x 29,6 cm (50 x 40,1 cm). Signed, titled and dated by the photographer in pencil and photographer's stamp on the verso.A few light handling marks in right area and one in lower left area, one small retouched spot in lower right, minimal buckling in lower edge, otherwise a fine tonal print in very good condition.Lit.: Klaus Honnef (ed.). F.C. Gundlach. Modewelten, Photographien 1950 bis heute. Berlin 1985, ill. p. 185.Published in: Annabelle.

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Galerie Bassenge
Los 4132

Doisneau, Robert -- Man carrying mannequins. 1959. Vintage ferrotyped gelatin silver print. 24 x 18 cm. Photographer's stamp and extensive layout notes/marks on the verso.Some handling marks/creases, bumped corners and light surface irregularities.

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Galerie Bassenge
Los 4321

Stock, Dennis -- Audrey Hepburn during the filming of "Sabrina", directed by Billy Wilder. 1954/printed later. Gelatin silver print. 42,7 x 29 cm (50,5 x 40,5 cm). Signed by the photographer in ink below the image in the margin.Most famous for his moody pictures of James Dean walking the streets of New York, the photographer Dennis Stock created many iconic images of 1950s/60s America. – Slightly buckled in edges, light handling mark in upper portion, otherwise a fine tonal print in very good condition.

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Galerie Bassenge
Los 4173

Güler, Ara -- "Kumkapi Fishermen Returning to Port in the First Light of Dawn, Istanbul". 1950. Large-format gelatin silver print on strong paper. 40,5 x 50 cm. Signed by the photographer in silver marker in lower right corner; photographer's stamp on the verso.After training to be an actor and studying economics, Ara Güler became a photographer and worked for the newspaper Yeni Istanbul. Later he worked for Time Life, Paris Match and Stern. In 1956 he met Henri Cartier-Bresson and Marc Riboud and became a member of Magnum. Ara Güler has received many important prizes. In 1961 Photography Annual named him among the seven best photographers of the world. In 1962 he was nominated 'Master of the Leica' and in 1968 MOMA named him one of the ten masters of color photography. – Small nick in left edge, a few light handling marks, one light fold mark in uper left, a few retouched spots, otherwise a strong print in very good condition.

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Galerie Bassenge
Los 4127

Danigel, Gerd -- Untitled (Berlin). 1988. Vintage gelatin silver print. 27 x 39 cm. Annoated on the verso.Slight edge wear, corners bumped, slightly buckled in edges, light vertical fold mark in right area, otherwise in very good condition.

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Galerie Bassenge
Los 4066

Swiss Alpine views -- Photographer: Joseph Tairraz (1827-1902). Views of the Swiss Alps. 1870s. 10 albumen prints. Each circa 13 x 21,5 cm. 6 signed by the photographer in the negative, mounted to album boards on one side of album page, bound in contemporary blue canvas album (edges rubbed, slight soiling) with gilt-stamped title Souvenir de Chamonix on front cover.The Tairraz family of Chamonix produced several generations of Alpine photographers. In 1857 Joseph Tairraz began taking daguerrotypes and took the first photographs at the summit of Mont Blanc in 1860. He provided tourists and mountaineers with souvenir portraits and mountain views. His son Georges, who was an apprentice to Pierre Petit in Paris, took over the studio circa 1882, which was then called "Tairraz Alpine Photographic Studio". The studio continued throughout the 20th century. – Some faded, some light surface scuffing, some with retouched spots, otherwise in good to very good condition.

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Galerie Bassenge
Los 4042

Lange, Oscar Victor -- Views of San Francisco. 1873/74. 10 albumen prints. Each circa 13 x 20 cm. Each with number in the negative, each mounted to Boudoir cards (some with soiling in edges), 8 with photographer's name/publisher's name printed on mount; each with photographer's name and series tiltles printed on mount verso.Oscar Victor Lange was a leading photographer and occasional landscape painter in the San Francisco Bay Area of California during the late 19th century. His work is typically credited as "O.V. Lange". He was born in Hoboken, New Jersey to German immigrants. Oscar received formal training as both an architect and artist. In 1873 Oscar moved to San Francisco and adopted the surname "Lange" while working with Ernest W. Newth making stereographs. In the 1880s, he opened his own studio and gallery on Market Street, moving to Montgomery Street in 1887. Lange's most widely photographed subjects were architectural and included structures in San Francisco, Oakland, the campus of the University of California, Berkeley, and the downtown section of Berkeley. He also photographed the workers of the Central Pacific and Southern Pacific railroad shops in Sacramento, California. – Some photos with light surface scuffing, a few with soiling/staining, otherwise strong prints in good to very good condition.

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Galerie Bassenge
Los 4108

Borodulin, Lev -- "Diver". 1960/printed later. Gelatin silver print on doubleweight paper. 21,5 x 19,4 cm (25,3 x 20,8 cm). Signed, titled, dated and annotated in Cyrillic letters by the photographer in pencil as well as collection and Ogonyok archive stamp on the verso.This image was reproduced on the cover of "Ogonyok" for the 1960 Olympic Games in Rome. – Small retouched spot in upper left corner a few light pressure marks, otherwise in very good condition.

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Galerie Bassenge
Los 4331

Unknown Photographer -- Circus arena. 1930s. Vintage gelatin silver print on chamois paper. 30,2 x 25,2 cm. Annotated in pencil on the verso.Some retouched spots, a few light scuff marks, otherwise in very good condition.

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