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Forum Auctions
Los 4

Rome.- Donati (Alessandro) Roma vetus ac recens..., third edition, engraved frontispiece, 2 folding maps & 4 plates (2 folding), numerous engraved illustrations, many full-page, numismatic woodcuts, lacking Aa6 as often (?cancelled) but with final blank, frontispiece lacking small portion from fore-margin just touching edge of image, some light browning, ex-library copy with ink stamps to verso of title and plates, contemporary limp vellum, rubbed, splits to joints, spine frayed at head and with old tape marks to joints, 4to, Rome, Filippo Rossi, 1665.

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Forum Auctions
Los 52

Horror.- Villiers de l'Isle-Adam (Auguste, Comte de ) Nouveaux Contes cruels, first edition, half-title, original printed wrappers, chipped at foot of spine, lightly browned, unopened, Paris, La Librairie Illustrée, 1888 § Gautier (Théophile) Poésies...qui ne figureront pas dans ses oeuvres précédées d'une Autobiographie, first edition, one of 150 copies on Hollande, in an edition of 162 copies, half-title, etched portrait frontispiece, title printed in red and black, double-page of engraved music, occasional spotting or light staining, contemporary aubergine glazed wrappers, the upper detached, chipped, unopened, Paris, 'Imprimèrie particulière' [but Brussels: Poulet-Malassis], 1873 § Andersen (Hans Christian) Nouveaux contes, first edition in French of this collection, mounted oval photographic portrait frontispiece, lightly browned, later endpapers, original printed wrappers, upper joint split, but holding firm, soiled and rubbed, rare, Versailles, E. Aubert, 1874; and 17 others, 19th century, or related, v.s. (20)

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Forum Auctions
Los 6

Admirables Secrets (Les) d'Albert le Grand, half-title, title in red & black, engraved frontispiece and 4 plates, title with fore-margin cut away, light browning, contemporary mottled calf, spine gilt, varnished, spine and corners worn, Lyons, heirs of Beringos brothers, 1753 § L'Apotheose du Dictionnaire de l'Academie, et son Expulsion de la Region Celeste, half-title, engraved frontispiece, woodcuts, lightly water-stained in parts, modern half calf, spine gilt with red roan labels, The Hague, Arnout Leers, 1696; and 2 others, 8vo et infra (4)⁂ The first is a collection of writings dubiously attributed to the great 13th century theologian and scientist, including treatises on gynaecology, the properties of herbs, precious stones & animals, physiognomy, preservation against the plague, fevers etc.

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Forum Auctions
Los 69

Theatre.- Association copy.- Crawford (Francis Marion) Francesca da Rimini. Drame en cinq actes dont un prologue. Représenté au Théâtre Sarah-Bernhardt, le 22 avril 1902, translated by Marcel Schwob, number 3 of 20 copies on Japon, this a presentation copy from the author and translator to Maurice Bernhardt, son of the dedictatee, half-title with inscription, sheets trimmed to different sizes, light dust-soiling to some margins, contemporary dark green crushed morocco by Franz, gilt, spine in compartments and with inlaid morocco floral decorations and the monogram of Maurice Bernhardt, spine faded, t.e.g., small 4to, Paris, Librairie Charpentier et Fasquelle, 1902.⁂ An attractive association copy. Presented to Maurice Bernhardt, manager of the Théâtre Sarah-Bernhardt, where the play premiered, and son of the dedicatee, the great actress Sarah Bernhardt, who had commissioned the play.

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Forum Auctions
Los 77

Heraldry.- Pietrasanta (Silvestro) Tesserae gentilitiae, first edition, engraved pictorial title by F. Greuter after F. Romanelli, oval portrait of the dedicatee by Natalis, plate of Barberini arms and numerous coats of arms within text, 2ff. Latin/Italian vocabulary at end, title and portrait torn and repaired, with loss to image of title and border text of portrait, couple of very small marginal wormholes at head, some marginal water-staining and spotting or light foxing, 20th century vellum-backed boards, upper corners worn, some staining, folio, Rome, Francisco Corbelletti, 1638.⁂ Pietrasanta is regarded as the originator of the system by which the blazoning of engraved arms is indicated by employing different techniques of engraving as a code for colours.

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Forum Auctions
Los 81

*** Please note, the description of this lot has changed *** NO RESERVE Seneca (Lucius Annaeus) Opera, quæ exstant, edited by Lispius & Gronovius, 3 vol., engraved additional pictorial title to vol.1, a few portraits or illustrations within text, printed titles with woodcut printer's devices, woodcut head- and tail-pieces and decorative initials, [Willems 1477], Amsterdam, Daniel Elzevier, 1672; Tragoediae cum notis J. F. Gronovii auctis, engraved pictorial title, woodcut decorative initials, repair to outer margin of title and within text of final f. of index, with loss of part of the odd letter in case of latter, Amsterdam, Boom, 1682, together 4 vol., occasional spotting and light staining, uniformly bound in 19th century mottled calf, gilt, spines in compartments, vol.1 spine label and head of upper joint chipped, all but vol. 1 joints starting, but holding firm, vol. 1 with upper cover detached, a few corners worn, rubbed, 8vo (4) ⁂ Of this edition of the works Willems says it is 'très estimé, et on le recherche d'autant plus qu'il n'a jamais été réimprimé.'

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Forum Auctions
Los 82

NO RESERVE Athanasius (Saint) Opera omnia, 2 vol. in 3, half-title, engraved portrait frontispiece (bound in later), map of Egypt, head-pieces and historiated initials, privilege f. at end of vol.3, spotted, some marginal worming, mostly in vol.2, occasional light staining, lightly browned, engraved Garter bookplates of St. George's chapel, contemporary panelled calf, blind-stamped Order of the Garter centre-pieces, rather worn, but holding, folio, Paris, Jean Annison, 1698.

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Forum Auctions
Los 83

NO RESERVE Swift (Jonathan) Le conte du Tonneau. Contenant tout ce que les arts, & les sciences ont de plus sublime, et de plus mysterieux, [translated by Justus van Effen], 2 vol. in 1, first edition in French, titles in red and black and with woodcut printer's device, woodcut head- and tail-pieces and decorative initials, blank f. separating text and table in both vol., some spotting and staining, browning (mostly light), contemporary mottled calf, richly gilt spine in compartments and with later, but to style, red morocco label, upper joint splitting, but holding firm, corners worn, rubbed, [Teerink/Scouten 263], large 12mo, The Hague, Henri Scheurleer, 1721.⁂ First French edition of The Tale of the Tub, 1704.

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Forum Auctions
Los 84

NO RESERVE Pöllnitz (Carl Ludwig von) Lettres et Memoires...Voyages, 2 vol., Frankfurt, For the Company, 1738; Nouveaux Memoires...L'histoire de sa vie, et...ses premiers voyages, 2 vol., Frankfurt, For the Company, 1738, together 4 vol., engraved frontispiece to both vol.1, titles in red and black and with engraved vignette or woodcut ornament, occasional spotting and light staining, 19th century sheep mottled in green, spines gilt and with red morocco label, vol.2 of second mentioned with small chip to head, all vol. corners little worn, rubbed; and a 4 vol. set of Marmontel in contemporary half morocco, 1801, 8vo & 12mo (8)

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Forum Auctions
Los 9

La Fontaine (Jean de) Contes et Nouvelles en Vers, 2 vol., engraved additional pictorial titles by Vidal, title-vignettes, portrait by Macret after Ficquet, 80 plates after Eisen and 43 tail-pieces, note to binder leaf at end of vol.1, occasional light marginal soiling or foxing, engraved bookplate of Alfred Braithwaite, a good wide-margined copy in contemporary mottled calf, gilt, g.e., rubbed, handsomely rebacked with tooled gilt spines and morocco labels, corners repaired, [Cohen-de Ricci 571-572], 8vo, [Paris], 1777.

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Bushey Auctions
Los 141

A pair of gilt metal and cut glass single light girandoles with faceted drop pendants on fluted circular bases, 23.5cm (h)

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Bushey Auctions
Los 272

Yellow gold, light coral and emerald dress ring, tested 14ct, approx total weight 19.6g

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Bushey Auctions
Los 313

A pair of hallmarked silver three light candelabra, knopped fluted baluster stems on raised square bases chased with shells, the detachable scrolling arms with cylindrical nozzles and central flame terminal, Birmingham 1974 by Robert Welch, 60cm (h) (A/F)

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Bushey Auctions
Los 92

A quantity of 19th century continental porcelain to include a pair of five light candelabra and a table centre piece profusely decorated with figures, flowers and leaves, 46cm (h)

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Duke's
Los 151

A SET OF THREE GILT METAL TWIN LIGHT WALL APPLIQUES IN LOUIS XV STYLE, second half 20th century, comprising an opposing pair and a third to match, all cast as entwining foliage, 48cm high including electrical fitments; and a pair of gilt metal single light wall appliques

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Duke's
Los 154

A PAIR OF CARVED AND GILTWOOD TWIN LIGHT WALL APPLIQUES, 20th century, the electrical fitments in urn sockets on branches issuing from backplates modelled as swags supporting ewers, 64cm high, 25cm wide

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Duke's
Los 226

A PAIR OF ADJUSTABLE BRASS TABLE LAMPS BY FARADAY & SONS, the adjustable light fitting attached to the square columnar shaft on a circular pedestal base, Height 62cm

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Mitchells
Los 125

A Mid Century light oak chest of drawers of Meredew design 106 cm x 76 cm x 50 cm

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Mitchells
Los 149

A boxed Hama 46036 dynamic microphone, A pro video cam corder light and Hama video sound mixer VSM/512

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Mitchells
Los 79

A Beaver and Tapley light oak "The Penguin Bookshelves" 71 cm x 71 cm x 33 cm

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Cheffins
Los 27

two with lampwork butterflies amidst flowers, with etched marks and each dated 2002, 9.5cm and 8.5cm diameter; two with lampwork flowering chrysanthemums, one dated 2001 and the other 1998, 9cm and 8cm diameter; one of crown design, with multicoloured ribbons and filigree twists radiating from a central cane, signed and dated 2003, 8cm diameter; and a further Lundberg paperweight in the form a globe, dated 1999, 8cm diameter (6)Condition report: All weights in seemingly very good condition, free from damage or repair.  Very light wear to undersides only.

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Cheffins
Los 370

§ Alfred Daniels RBA, RWS (British 1924-2015) London Embankmentsigned and dated 'alfred Daniels 1968'oil on canvas70 x 90.5cmCondition report: Canvas tension is a little slack, the top of the canvas with a stretcher bar mark. The surface is rough and a little dirty, with some yellowing of white passages of paint, some light scratches and accretions throughout and with some very small white flecks and drips of paint. There is a vertical liquid stain running from the lower section of the bridge through the signature on the right hand side and to the left of this there is a small puncture in the canvas. On the left hand side of the image, next to the turret, there is a similar tear to the canvas. See additional images.

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Cheffins
Los 92

of cylindrical form decorated with tenmoku glaze, impressed seal mark, 11cm high; together with a stoneware octagonal bowl, unmarked, 13.5cm diameter, and a stoneware square dish, also unmarked, 20.5 x 20.5cm (3)Condition report: Both the jar and cover and the bowl are in seemingly good condition, free from damages or repair, the tray has a couple of areas of missed glaze the the outer edge and some light rim fritting.

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Cheffins
Los 47

set with alternating red and green and blue and green twisted ribbons separated by latticino spirals radiating from a central millefiori signature cane dated 19738cm diameterCondition report: In very good condition, noting only very light surface marks.

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Cheffins
Los 306

After Isamu Noguchi (1904-1988), a model IN-50 coffee table, the shaped triangular glass top on an ebonised birch base40 x 126 x 105cmCondition report: With some light scratching to glass and scuffs to base commensurate with use.

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Cheffins
Los 402

Jean Hippolyte Marchand (French 1883-1940) Rue Lamark, 1923signed 'Marchand' (lower right)oil on board32 x 39.5cmCondition report: Oil on board with a thin layer of varnish that has accumlated a light layer of dirt and has yellowed in places. Paint layer appears stable overall, though there is a small abrasion and loss of paint to the lower left hand side. Some small accretions across the surface, particularly evident to the sky, and one or two light scuffs. The lower left hand corner is degraded and damaged. See additional images.

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Cheffins
Los 414

§ Rowland Suddaby (British 1912-1973) Exotic Porticosigned 'R. Suddaby' (lower right)watercolour, gouache and ink52.5 x 74.5cm Provenance: With Austin/Desmond Fine Art Limited, AscotCondition report: Not examined out of the frame. Discolouration to some areas of the paper support and with some blemishes throughout, some of which appear to be flyspecks and light foxing and others part of the artist's technique, likewise, pencil marks made by the artist are visible beneath paint layers. The right hand side with a vertical crease running the length of the work, the left hand with a wavy 30cm vertical crease. Both areas of the chequered floor with some abrasion and associated paint loss, revealing the pink ground beneath the black squares. Other areas of minor paint loss can be seen in the clouds and between the vase and fruit bowl. See additional images.

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Cheffins
Los 259

the contours of the three-legged chairs designed to fit exactly around the table, branded marks74 x 106cmCondition report: Complete with central integral leaf, colour differs from lack of light exposure, in good overall condition, some light surface marks to top surface, some scuffs and scratches to rim of table and legs of both table and chair from use. Extends to app. 155cm.

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Cheffins
Los 19

of tapering form and moulded in relief with vertical bands of stylised leaves, wheel etched mark and further numbered 99213cm highCondition report: Some light chipping around the edge of the foot rim, otherwise in good condition.

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Cheffins
Los 310

A contemporary glass coffee table, formed from a single sheet of glass with waisted ends44 x 95 x 50cmCondition report: Some light surface scratching but generally good.

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Cheffins
Los 30

one of frit harlequin design with a central tear bubble surrounded by a ring of eight further tears over a scattered and dimpled ground, with original paper label and etched signature, 8.5cm diameter; the second with a purple lampwork flower over a white stave basket, signed with 'PY' cane, rough pontil mark to base, 7.5cm diameter; the third with six complex canes surrounding a central cane of close packed millefiori, on a speckled pink ground, signed with 'H' cane, 5.5cm diameter (3)Condition report: All three weights in good condition noting some very light surface scratching.

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Cheffins
Los 288

with galleried tiers raised on casters77 x 71 x 46cmCondition report: With only light surface marks, in overall very good condition.

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Cheffins
Los 350

§ § Elisabeth Vellacott (British 1905-2002) Rock formation pencil drawing 34 x 49cmProvenance: Acquired directly form the artist by the present ownerCondition report: Some light smudges and some very minor foxing to the sky, otherwise in good, clean condition

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Cheffins
Los 113

of three dancing female nudes mounted to a variegated green marble base, etched signature, with applied plaque inscribed "Blackpool Dance Festival, Honours Trophy Group Dancing, Presented by Arthur Lowcock Esq."39 x 55cm overallLiterature: Catley, Bryan, Art Deco and Other Figures, Antique Collectors' Club, Suffolk, 1978, p.190Condition report: All three figures are loose in the base, some light chipping of marble, surface pitting and loss of finish, a line around the left-hand figure's elbow, potentially a fine crack.  See additional images.

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Cheffins
Los 346

§ § Anthony Gross CBE, RA (British 1905-1984) Dryadssigned 'anthony gross' (lower right); numbered 11/50 (lower left)etching37.5 x 52cmCondition report: Not examined out of the frame. The surface with overall toning and discolouration, deeper in colour in the plate than in the margins. Some very light scattered foxing visible in the plate and margins, and some slight undulation of the surface, otherwise in good condition.

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Cheffins
Los 32

each of flattened circular form with lily pad design and applied with frogs and dragonflies in silver, 13.5cm diameter (5)Condition report: One of the dragonflies is loose, the frog is also loose on the weight with the single frog.  Condition is otherwise good with no apparent faults, some light surface wear to undersides only,

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Cheffins
Los 58

containing various millefiori and latticino canes4.5cm diameterCondition report: With only very light surface marks.

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Cheffins
Los 318

Toulouse Lautrec (Henri de, 1864-1901), Divan Japonais, 1893, lithograph, from Maitres de L'Affiche, embossed with blind stamp, unframed40 x 29cmCondition report: Slightly toned and discoloured throughout. The margins with a few small tears on the edges (one to the right hand edge, one to the lower edge, and one to the left hand edge). The lower left hand corner has been repaired fairly crudely and the top right hand corner has a small knock. The lower margin has what appears to be a brown water stain. There are various small spots, smudges and light creases to the margins overall. The image itself has a small pinprick sized hole on the left hand side, some light scratches (most evident on the darker areas) and a little fading to the lighter areas.

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Cheffins
Los 514

§ § Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Standing Mansigned and dated 'Eduardo Paolozzi / 1987' (lower right); numbered 80/100 (lower left)etching24 x 13cmCondition report: Not examined out of the frame. Some very minor and isolated foxing spots, and some very light toning of the paper. Otherwise in good condition.

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Cheffins
Los 487

§ § Hock-Aun Teh (Malaysian-Scottish 1950-) A letter from homesigned with monogram (centre right); artist's label to the reverseacrylic on board81 x 113cmFootnote: A self-described “kampung boy” at heart, Malaysian born artist, Hock-Aun Teh, has gained international acclaim for his vigorous and dynamic abstract compositions, which have been exhibited throughout Asia and Europe and are held in public collections including The National Visual Arts Gallery in Kuala Lumpur, National Art Museum of China, Beijing and Glasgow’s Gallery of Modern Art, Glasgow. Born to Chinese parents in, Sungei Gedong, a remote Malaysian village, in 1950, Teh spent his early childhood training in traditional Chinese ink painting and calligraphy, before being accepted to study at The Glasgow School of Art in 1970. The first person of Asian descent to graduate from Glasgow’s Drawing and Painting Department, Teh’s work has been praised for its anomalous fusion of the delicacy and lyricism of traditional calligraphic lines with the gestural hyper-masculinity associated with abstract expressionism.Condition report: The frame is quite loose. The surface with a light layer of dust. A few fibre inclusions beneath the paint layer. Thr right hand side with a small abrasion and subsequent paint loss and the lower edge with a larger abrasion (approx 10cm) with paint loss.Overall there is a scattering of very minor surface accretions, but overall in good condition. See additional images.

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Cheffins
Los 250

with pull-out slide to either end and raised on gently out swept legs64 x 67 x 41cmCondition report: Light scuffs and marks commensurate with age and use.

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Cheffins
Los 197

with date code for 21st October 1969, strung with six strings, six further strings accompanyingProvenance: Given by Roger to his brother Alan and thence by descent within the familyThe proceeds from the sale of this lot will be shared equally and donated to MIND and Arthur Rank Hospice Charity. Footnote: One of the most internationally significant cultural touchstones of the 20th century, Roger ‘Syd’ Barrett, both man and legend, is revered not only as an individual, but as a totemic figure, capturing the nihilism, hedonism and excess of the 1960s.After his departure from Pink Floyd in 1968, Barrett briefly embarked on a solo career, releasing two albums, The Madcap Laughs and Barrett, in 1970, but spent most of his time cocooned in the basement of his childhood home in Cambridge, where he boarded up the windows and ensconced himself within a jungle of paintings, records and musical equipment. The present lot is believed to date from around this time and is thought to have been referenced by Barrett in an interview with Rolling Stone Magazine, dated December 23rd 1971. Speaking to Mick Rock, from his garden at 183 Hills Road, Cambridge, Barrett, then aged just 25, is reported to have produced the guitar, which is noted by Rock to be a Yamaha, before beginning to strum a new version of Love You, from his album Madcap. Barret continues, "I worked this out yesterday. I think it's much better. It's my new 12-string guitar. I'm just getting used to it. I polished it yesterday”. Shortly after his interview with Mick Rock, Barrett retreated almost entirely from both the music industry and the public eye, and instead dedicated his time and energy to painting.The guitar is sold together with a copy of the 1971 edition of Rolling Stone Magazine.Condition report: IN good overall condition, strung with only 5 strings, a few light surface marks and scratches.

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Cheffins
Los 69

pattern no. 11561, comprising six sups, six saucers, six side plates and a sandwich plate; together with a Shelley Queen Anne 'Red Daisy' pattern tea set, pattern no. 11497, comprising six cups, six saucers, six side plates, a sandwich plate, milk jug and basin (40)Condition report: Blue Iris - One cup is cracked, some wear and rubbing commensurate with age and use, otherwise generally good.Red Daisy - with one cracked side plate and one cracked saucer, otherwise in generally good condition, noting only light wear and rubbing commensurate with age.

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Cheffins
Los 223

with three central drawers flanked by cupboard doors to either side79.5 x 168 x 53cmCondition report: In good sturdy overall condition, clean with only light surface marks and scuffs, no keys present.

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Cheffins
Los 391

Berthe Morisot (French 1841-1895) Young Girl with a Cat, after a portrait of Julie Manet by Renoirdrypoint etching, cancelled plate12.5 x 10.5cmCondition report: The work is unsigned and unframed, but hinge mounted with tape along the top edge. The surface is typically toned and with some light undulation, one small foxing mark at the top edge of the image.

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Cheffins
Los 235

the square canted top raised on four supports which curve to meet a cross stretcher, with ebonised feet, the whole veneered in figured walnut41 x 61 x 61cmCondition report: Light surface marks and scratching commensurate with age and use.

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Cheffins
Los 303

with bevelled edges50 x 50 x 50cmCondition report: Some light surface scratches only, overall in good condition.

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Cheffins
Los 364

§ § Gwyneth Johnstone (British 1914-2010) Spanish Hillssigned with initials (lower right)oil on board36 x 47.5cmCondition report: A light layer of dust and dirt throughout, and with small mould spots and accretions evident, particularly to the sky and lower left hand edge. The rough, textured appearance appears to be part of the artist's technique rather than the result of any damage. Between the trees and bush on the lower right of the image there is a very small area of paint loss.

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Cheffins
Los 51

with six alternating pink and white millefiori circlets around a central pale pink circlet7.5cm diameterCondition report: A shallow scratch/bruise to the top surface, otherwise only light surface wear and scratching.

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Cheffins
Los 291

the rectangular top above a fall-front enclosing shelves and pigeonholes, above a pair of cupboard doors with single drawer below110.5 x 82 x 44cmCondition report: In good clean condition with only very light marks from use.

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Cheffins
Los 61

one painted with a central swan within a chrysanthemum border, the reverse with concentric circles in light and dark blue with 'W. De. Morgan & Co., C.P', 20.5cm diameter, the other with a radiating foliate design, signed to the reverse 'W. De. Morgan, Fulham, C.P', 23.5cm diameter (2)Condition report: The smaller plate with chips to the rim, broken and glued, the other with rim chipping and fritting and heavy crazing.

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Cheffins
Los 286

with three central drawers flanked by a single cupboard to either side, raised on casters69 x 155 x 44cmCondition report: A few light surface marks and scratches from use, but overall in very good condition.

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Cheffins
Los 461

§ § John Bratby RA (British 1928-1992) The Missoni Dress & the Salute Domes - Self Portrait with Patti in Venicesigned 'BRATBY' (lower right)oil on canvas121 x 90cmCondition report: The surface has accumulated a light layer of dirt and some slight yellowing of small areas of paint, particularly around the more impasto areas. The canvas is slightly loose in the frame, though in plane and with good tension.

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Cheffins
Los 320

After Pierre Soulages (French, born 1919), 1972 Munich Olympic Games Poster, lithograph in colours101 x 63cmCondition report: Some light spotting/foxing, a small smudge along lower edge, not examined out of the frame.  Text beneath the logo reads 'c EDITION OLYMPIA 1972 GmbH 1970, MOURLOT IMP'

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Cheffins
Los 342

§ § Frank Brangwyn RA, RWS, RBA (Welsh 1867-1956) Fisherwomen with lobster pots; the reverse painted with figures by a riveroil on canvas129 x 96cmProvenance: Sale; Christie's 13 October, 1978, lot 108Sale; Tennants 15 May 1992, lot 409Condition report: The canvas is slightly undulating and tension is slightly slack. Canvas appears to have been restretched and attached to a used canvas, which shows painted figures on the reverse. The top left corner shows a rip to the very top of the canvas and the lower edges with some losses, the centre of the image with horizontal line corresponding to the top of the stretcher bar behind. Along the lower edge there appears to be a line of nine tacks beneath the canvas which have been overpainted. The lighter areas of paint are slightly dirty and discoloured and the passages of paint in the sky show some small dark mould spots and small brown accretions. There are other small accretions and light scraches elsewhere, including through the right arm of the central figure. In areas where the paint has been thickly applied, for example on the lobster pots and sitter's face, there are some small, fine cracks in the paint layer. The surface is overall quite glossy, though there is an matte area at the top left of the image. See additional photos.

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Cheffins
Los 466

§ § Théo Kerg (Luxembourgian 1909-1993) Blue abstract signed 'Théo Kerg' (lower right) oil on canvas54 x 45cmFootnote: A diminutive wedge of land, cradled between France and Germany, Théo Kerg’s native Luxembourg was instrumental in shaping the character of his work, which demonstrates a confluence of both French and German contemporary art and culture. Born in 1909, Kerg left Luxembourg in 1929 to study at the École nationale supérieure des Beaux-Arts, the Sorbonne and the Institut d'art et d'archéologie, before moving to Düsseldorf to study under Paul Klee and Oskar Moll at the Kunstakademie. In addition to having held in excess of 150 solo exhibitions and participating in over 350 group exhibitions, Kerg is also credited with pioneering the Tactilism movement. With unsettling sentience, Kerg’s tactilist canvases are in dialogue with environmental variables, such as lighting and atmospheric changes; expanding, contracting, and devouring themselves. These works, dating from the 1960s and 1970s, are in a constant state of flux. Rendered in a patchwork palette of blues and greens, the present lot is likely to date from the early 1950s.Condition report: With an overall light layer of dirt, most evident to the paler passages of paint on the lower right hand side. There appears to be a small abrasion in the top right corner with resultant loss, and a similar abrasion at the centre of the right hand edge. There are a few small accretions on the right hand side and some very minor fine cracks to the paint layer. The varnish appears to have been applied unevenly, leaving some areas glossy and other areas matte, in some very small areas the varnish has yellowed. Otherwise in good, presentable condition.

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Cheffins
Los 118

modelled as a woman with long flowing hair, unsigned54 x 29.5 x 10.5cmCondition report: With a chip to the tip of hair on one side on back edge and light nibbles elsewhere including the nose, a possible repair around the neck as some signs of filling, but unclear as to purpose - see images.

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Cheffins
Los 31

comprising a large facetted weight, 10.5cm diameter, two spoke weights, 7.5 and 8cm diameter, three concentric millefiori weights, 8cm, 7.5cm and 7.5cm diameter, and two others, 9.5cm and 8.5cm diameter, all with etched signatures and six with signature 'B' cane (8)Condition report: All weights in good overall condition, some light surface wear only.

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Cheffins
Los 285

the table raised on tapering legs, the chairs of hoop-back designthe table 71 x 153-224 x 90cmCondition report: In good overall condition, includes hinged extension leaves and securing bolts, a few light marks to top surface only.  A well looked after set.

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