534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenTwo Boxed Corgi Toys Vintage Models, 409 Forward Control Jeep FC-150. Light blue body, red grille, shaped spun wheels and 420 Ford Thames Airbourne Caravan, two tone lilac body, cream interior, shaped spun wheels, models are in near mint original condition, 409 tiny factory silver paint mark to roof, blue/yellow picture boxes are good to excellent, 420 box has creases, small indentation to one picture side. (2 items)
Corgi Toys 464 Commer Police Van, dark blue body ‘Police’ cast into sides, blue roof light, red interior, spun wheel hubs, in near mint condition, correct special Corgi club leaflet/instructions, with an excellent original yellow and blue illustrated card box ‘New Finish and improved flasher unit label on side of box.
CBG Mignot Napoleonic light Infantry, green uniforms, yellow trim, twenty-three Infantrymen marching at the slope, with three Officers with swords and drummer, (good condition, eight lack bayonets, four repainted), (27).Please Note: We do not offer In house shipping for Toy Soldiers please see shipping information.
Two Boxed Corgi Toys Vintage Model Cars, 316 NSU Sport Prinz, metallic light red body, yellow interior, shaped spun wheels in near mint bright original condition, with an excellent original illustrated box. 3/9 in pencil to one end flap and 233 Heinkel-I Economy Car, red body, yellow interior, flat spun wheels, in near mint original condition, blue/yellow illustrated box, is in excellent original condition, 3/- to one end flap. (2 items)
Astra Guns and Searchlights, Pom-Pom gun light green, boxed Rocket gun with loader and five rockets, ¼ mile beam Searchlight (incomplete) and grey Searchlight, (fair to good condition, boxes fair), (4). Please Note: We do not offer In house shipping for Toy Soldiers please see shipping information.
Two Maxwell Toys India No 566 Esso Petrol Tankers, 1. red body, black plastic wheel hubs, jewelled headlights, 2. Light grey body, black plastic wheels, jewelled headlights, clear varnished over painted, both in near mint original condition, with cellophane wrapping, illustrated boxes are good to excellent.(2 items)
Three Recent Issue Boxed Tinplate Robots, Horikawa Toy Star Strider Robot, Limited edition, battery operated, R-1 Robot One, 2003 Limited edition, black stipe edition, fully working with certificate and ME200 Thunder Robot, battery operated, light flickers, but motor not working, all in excellent condition. (3 items)
Britains R.E Pontoon sections and R.A.M.C, set 203 R.E Pontoon section Full dress, light harness, set 1254 R.E Pontoon section Active Service dress both with wooden boats and roadway sections, set 145 RAMC four horse team, collar harness twisted metal traces, two drivers and two seated orderlies, (good to fair condition), (21). Please Note: We do not offer In house shipping for Toy Soldiers please see shipping information.
Three Boxed Vintage Corgi Toys, 409 Forward Control Jeep,pale blue, shaped spun wheels, 420 Ford Thames Airbourne Caravan, two tone lilac and 465 Commer Pick Up Truck, red/yellow,one front light loose, all in good used original condition, blue/yellow illustrated boxes are in good original condition, some edge/age wear.(3 items)
Two Corgi Toys Forward Control Jeeps FC-150, 409 Forward Control Jeep, light blue body, red grille, smooth wheel hubs and 470 Forward Control Jeep with Detachable Hood, blue body, grey detachable hood, yellow interior, spun shaped wheel hubs, both in near mint to mint original condition, illustrated boxes are very good to excellent original condition. (2 items)
Britains set 1334 four-wheel Lorry, round nose, khaki finish, with driver (very good condition) 1953 and RARE 25pdrs in light green and dark blue, with gun 1201 in mid blue (good condition), 1947, (5).Please Note: We do not offer In house shipping for Toy Soldiers please see shipping information.
Corgi Toys Vintage 447 Ford Thames Walls Ice Cream Van, light blue/cream body, ‘Walls Ice Cream’ decals to doors, shaped spun wheels, in near mint original condition, complete with an excellent illustrated inner-card box, original salesman and boy figures, inner card packing, correct Corgi model club leaflet, outer illustrated box is in very good original condition, with all end flaps, missing decal sheet, decals have been applied.
Boxed Matchbox Lesney Regular Wheels and Major Packs, Catalogues, including: 4d Dodge Stake Truck,blue stake body,5c Routemaster BP Visco Static, in D type box,12b Landrover, green body black plastic wheels, 27d Mercedes 230SL white, missing end flap to box, 36c Opel box with 31c Lincoln Continental,37c Dodge Cattle truck, with two cattle, 48c Dodge Dumper Truck, 51b Tipping trailer, with three barrels, 55c Ford Galaxie Police Car, red roof light, 57c Land Rover Fire Truck, blk plastic, 60b site hut truck,64b MG 1100, green body, 74b Daimler fleetline bus cream body, Esso decals,M-4 Fruefhauf Hopper Train, M-6 Racing Car Transporter, K-14 Taylor Jumbo crane, missing end flap, models are in good to excellent original condition, boxes are fair to good, 1963, 2 x 1964, 1965, 2 x 1966, catalogues are fair to good, some biro graffiti, layout R2, three original sleeves, in excellent condition, R1, R3 &R4, plus Majorette 377 Semi carrier, Sernam Truck & Trailer,Autocar Air France, 310 Autobus, Series 3000 Elf Tanker, Renault Saviem Bourgey Montreuil and Solido 385 Renault Saviem Horse Transporter, all in mint boxed condition. ( 33 items)
Four Dinky Toys Trojan Vans, 31a Trojan Esso, red body, maroon hubs, some paint touch ups. 31c Trojan Chivers Jellies, green body, mid green wheels hubs, some slight paint touch ups, 31d Trojan Oxo, blue body, sky blue wheel hubs, some paint touch ups to wings,454 Trojan Cydrax, light green body/wheel hubs, some slight paint retouching and 471 Austin A 40 Van Nestles, red body, yellow wheel hubs, a few tiny paint touch ups. (5 items)
Linemar Japanese Battery Operated Drumming Mickey Mouse, copyright @Walt Disney Productions, Mickey Mouse with lithographed drum and sticks, tinplate face, legs/shoes, checked cloth shorts, black plush cloth body, in very good original condition, some wear to top of drum, when tested eyes light up, but drumming/walking mechanism not working , lidded box is in good original, some edge wear,tiny repair to one end of lid, with battery leaflet. Approx. H. 28cm (11 inches)
Five Brooklin Scale cast metal Automobiles 1/43 scale,No.13 Ford Thunderbird, red body, 1956, BRK.17 Studebaker Champion Starlight Coupe, black body, 1952,BRK.19 Chrysler 300C, red body, 1955, BRK20 Buick Skylark, metallic light green/white hood, 1953 and BRK.23 Ford Fairlane 2 Door Victoria, turquoise/white, 1956, all in mint boxed original condition except for No.13, has small paint chip to roof and BRK.23, a few paint tiny chips. (5 items)
Five Brooklin Scale cast metal Automobiles 1/43 scale,No.1 Pierce Arrow Silver Arrow, metallic silver blue, 1933, No.6 Packard Light 8, metallic silver/silver blue,1932, No.12 Hudson Greater 8, orange/cream, 1931, No.15 Mercury 2 door coupe, cream body, 1949 and No.16 Dodge Van Bimbo, dark brown/black body, front bumper loose, all in mint boxed original condition. (5 items)
Scarce Lehmann (Germany) Tinplate Clockwork Echo Motorcyclist EPL 725, circa 1920's lithographed and painted tinplate Echo motorcycle, light blue, with dark blue spoked wheels, detailed rider, with brown jacket, trousers and hat, working fixed key clockwork mechanism, overall in very good original condition, nice patina. Approx L.23 cms (9 inches)
* Jackson (Samuel Phillips, 1830-1904). A Dead Calm far at sea, 1858, fine large-scale watercolour on paper, showing a ship in calm waters, signed and dated lower left, some light brown discolouration notably to the upper right, 62 x 96 cm (24.5 x 37.75 ins), period gilt gesso frame, glazed (frame size 73.5 x 104.5 cm), with two original manuscript labels to verso, one inscribed (probably by the artist) 'A dead calm far out at sea, S.P. Jackson, 1 Cambridge Place, Clifton, Bristol', the other titled with a poemQTY: (1)NOTE:According to William Benjamin Owen, Jackson's strength lay in firm and careful execution, and in restrained harmonies of tone and colour. In such early work as his Hazy Morning on the Coast of Devon (1853) he favoured restful sunlight effects. His handling of grey mist and clouds always skilfully interpreted the placid West Country atmosphere (DNB).A fine exhibition-sized watercolour in period frame. This work is recorded as one of the earliest by Jackson; his Devon and Cornish seascapes won the praise of John Ruskin.
* Dutch School. Figures on a Frozen River, April 11th 1811, brown ink on laid paper, watermarked 1801, depicting a small group of three figures in the foreground, one holding a long forked fishing spear gesturing to a seated figure in a wooden sledge fishing chair and another figure resting on the back of the chair, a gentleman skating behind them, signed 'D. Koning' and dated lower left, additional pencil study of the lower half of a nude male figure to verso, pale mount stain, a few minor spots, short closed tear to lower right margin, sheet size 20.5 x 26.5 cm (8 x 10 3/8 ins), corner mounted to later backing paper, together with:Dutch School. Walking Cattle along Country Path through Wooded Glade, mid-late 18th-century, black chalk on laid paper, depicting a bucolic scene with man on pony and lady walking beside directing three cattle along path, and man resting beside tree looking towards distant buildings beyond, some light creasing along lower edge and small repair to lower right corner, few light spots mostly to sky, sheet size 19 x 24.3 cm (7 1/2 x 9 1/2 ins), window mountedQTY: (2)
* Unterberger (Ignaz, 1748-1797). Venus, surrounded by cupids with torches, mezzotint on laid paper with indistinct watermark, upper left with area of restoration (60 x 22 mm), small puncture hole to back of Venus's upper arm, light crease to lower edge, blue ink collector's stamp to verso (indistinct), adherred to card mount with adhesive tape at verso corners and midway at edges, plate size 200 x 198 mm (7 7/8 x 7 6/8 ins), sheet size 217 x 211 mm (8 1/2 x 8 5/16 ins), framed and glazed (34 x 39 cm)QTY: (1)NOTE:Unterberger was a painter, mezzotinter, and inventor, born into a family of artists from Cavalese (Trento). Around 1769, he worked with his older brother Christoph in Rome, in the circle of Mengs. By 1776, he had returned to Vienna and gained recognition in 1795 when the exhibition of his Hebe caused a sensation. The Emperor purchased it and subsequently appointed Unterberger as court painter. In the 1780s, he began printmaking and developed a grounding machine which shortened the time for preparing a copper plate for mezzotinting from three weeks to just one day.
* Venetian School. Seated Male Nude, 17th century, red chalk on light pale grey-green laid paper, with indistinct watermark, numbered 2 in pencil to lower right corner, and a further pencil number to lower left corner '176', extreme lower left blank corner replaced, some marks and pale discolouration, sheet size 392 c 280 mm (15 3/8 x 11 ins), hinge-mounted, antique-style gilt frame, together with Italian School. Three Male Heads, 17th century, brown wash, heightened with white body colour on oval laid paper, numbered 36 in an early hand to upper margin, laid on modern backing paper, stained to match, secured to backing board with tape to top of sheet verso, sheet size 23.4 x 33.5 cm (9 1/4 x 13 1/4 ins), mountedQTY: (2)NOTE:Provenance: Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge.
* Piranesi (Francesco, 1758/59-1810). Veduta del Piedestallo del' Apoteosi di Antonino Pio, e di Faustina sua moglie nella Piazza di Monte Citorio, circa 1776-1779, etching and engraving on heavy wove paper, with margins, a very good dark impression, very light soiling to outer blank margins, plate size 490 x 705 mm (19 1/4 x 27 3/4 ins), sheet size 520 x 735 mm (20 1/2 x 29 ins)QTY: (1)NOTE:Focillon 573; Wilton-Ely 713.
* Martens (Henry, 1790-1868). Charge of the Light Brigade, Balaklava, watercolour on paper with traces of pencil, heightened with white body colour, signed with initials HM to lower right, 38.5 x 61 cm (15 x 24 ins) mount aperture, period gilt moulded frame, glazed, with early printed framer's label of J. P. Ballard, Reading Fine Art Gallery, 21 Cross Street, Reading, to verso, frame size 58 x 81 cm QTY: (1)
* Landerer (Ferdinand, 1730/46-1795). The Alchemist, after Martin Johann Schmidt, circa 1765, etching on laid paper, a good impression of this rare print, with margins, light soiling to margins and pale waterstain to lower right outer corner, early collector's signature in brown ink of H. Mothorp and dated 1803 to verso, plate size 317 x 202 mm (12 1/2 x 8 ins), sheet size 337 x 223 mm (13 1/4 x 8 3/4 ins)QTY: (1)NOTE:Nagler 6.
* Buckland Wright (John, 1897-1954). Composition 3, 1934, wood engraving on thin laid paper, signed, titled, dated and numbered '1/30' in pencil, block size 8.8 x 13.6 cm (3 1/2 x 5 1/4 ins), sheet size 14 x 19.5 cm, very light time toning, tipped onto mount, framed and glazed (22.5 x 25 cm)QTY: (1)
AR * Grant (Duncan, 1885-1978). New Year Greetings card from Duncan Grant to Lady Ottoline Morrell, 1933, watercolour and pencil on card, with inset printed calendar for 1933, over which the artist has attached a shaped overlay depicting a large rose, inscribed by the artist underneath the overlay 'A Happy New Year from Duncan', some marks and light soiling, small indent near centre of the image, 203 x 152 mm (8 x 6 ins)QTY: (1)NOTE:Provenance: Collection of Lady Ottoline Morrell (1873-1938); thence by descent.Duncan Grant became a close friend of Lady Ottoline Morrell and her husband Philip, and was a frequent visitor to their home at Garsington Manor in Oxfordshire where they lived from 1915 to 1928. In 1916, Philip Morrell had represented Duncan Grant at his military tribunal, and Ottoline offered Garsington to him (and other conscientious objectors) as a refuge and place of employment as farm workers.
* Baskin (Leonard, 1922-2000). Dead Bird, etching on heavy wove paper, artist's proof, signed and inscribed and 'for Pat... for waxing the Belon (?)', some scattered light spots, plate size 152 x 370 mm (6 x 14 1/2 ins), sheet size 385 x 565 mm (15 1/4 x 22 1/4 ins)QTY: (1)NOTE:Provenance: Given by the artist to Patricia Milne-Henderson (1935-2018); thence by descent.
* Cotman (John Sell, 1782-1842). South Door, Framlingham Earl Church, Norfolk, circa 1817, pencil on paper, inscribed 'Framlingham Earle' by the artist in pencil to lower left margin, some light scattered spots, 32 x 23 cm (12 1/2 x 9 ins) mount aperture, framed and glazedQTY: (1)NOTE:Provenance: Patricia Jaffé née Milne-Henderson (1935-2018), art historian.The original drawing for one of Cotman's series of 50 etchings of Norfolk subjects, all taken from his own drawings, entitled Specimens of Norman and Gothic Architecture in the County of Norfolk, published in Yarmouth between 1816 and 1818.
* Whistler (James Abbott McNeill, 1834-1903). Thames Warehouses, 1859, etching on laid paper, signed and dated in the plate, the fourth 'b' state of five, indistinct watermark, with large margins, some light scattered spotting, minimally secured to mount with tape in two places to sheet verso, plate size 7.4 x 19.9 cm (3 x 8 ins), sheet size 15.5 x 26 cm (6 x 10 1/4 ins), window mountedQTY: (1)NOTE:Kennedy 38; Glasgow 46 (iv b/v).
* Mercier (Philippe, 1689-1760). Leçon d'Amour, after Jean-Antoine Watteau, etching and engraving on laid paper, with engraved dedication to the Comte de Caylus to lower margin, plate size 465 x 595 mm (18 1/4 x 23 7/16 ins), with thread margins, sheet size 470 x 610 mm (18 1/2 x 24 ins), several marks and short closed tears to margins, one or two small spots to image, together withLe Prince (Jean-Baptiste, 1734-1781). 'O fortunatos nimium, sua si bona norint Agricolas: Virg. Georg. II [Oh Happy Farmers did they but know the beauty they possess, Virgil, Georgics, Book II], 1768, uncoloured etching with aquatint on laid paper, some light soiling and marks to margins, trimmed near platemark, sheet size 400 x 555 mm (15 3/4 x 21 7/8 ins), plus Massard (Jean, 1740-1822). La Cruche Cassée, after Jean-Baptiste Greuze, 1773, etching and engraving on laid paper, some overall soiling and waterstain to left margin, trimmed to platemark, sheet size 502 x 365 mm (19 3/4 x 14 3/8 ins), and three others similar: J. B. Lucien, Tête d'Ange, after Bouchardon, after Chevalier Lanfranc, Philippe de Larmessin, Le Jeu de Pied de Beuf, after Nicolas Lancret, and Henri Gerard, The Unexpected Bouquet, after Marguerite Gerard (1761-1837) QTY: (5)NOTE:Mercier: Dacier & Vuaflart 263.
* Baskin (Leonard, 1922-2000). Self Portrait, 1977, lithograph on heavy wove paper, an artist's proof, aside from the edition of 200 numbered impressions, signed, and marked A. P., additionally inscribed 'for Adrian & Lucretia from Lisa & Leonard, 1978', small blind stamp to lower left corner, some light spotting mainly to margins, sheet size 51 x 60.5 cm (20 x 24 ins)QTY: (1)
* Aquila (Pietro, 1650-1692). Ganymede, Polyphemus, Acis and Galatea, after Annibale Carracci, Rome: Jo Jacob de Rubeis ad Templ. S. Maria de Pace, circa 1674 [but slightly later] hand-coloured engraving, some light mainly marginal spotting, sheet size 46 x 72 cm, together with 5 other hand-coloured engravings by Aquila after Carracci: Leander and Hero; Iole and Hercules; Pan and Syrinx, plus Hyacinth and Apollo; Polythemus and Galatea (with small marginal chips and repairs), plus plates II-IV from the decorations of the portico of the Farnese Palace (one with small light marginal water stain, slight marginal dust-soiling), these three plates 73 x 46 cm QTY: (6)NOTE:The first three plates are numbers 1, 3 & 10 by Pietro Aquila (1650-1692) after Annibale Carracci (1560-1609) whose monumental frescoes decorated the ceiling in the Palazzo Farnese in Rome.
* Baskin (Leonard, 1922-2000). Rembrandt, circa 1960, etching with aquatint on Arches heavy wove, an artist's proof, signed and inscribed 'her favorite for Patricia', some scattered light spots, plate size 450 x 370 mm (17 3/4 x 14 1/2 ins), sheet size 750 x 555 mm (29 1/2 x 22 ins), wood frame, glazedQTY: (1)NOTE:Provenance: Given by the artist to Patricia Milne-Henderson (1935-2018); thence by descent.
AR * Anderson (Stanley, 1884-1966). The Goose Fair, Albi, 1931, etching with drypoint on wove paper, signed in pencil, additionally inscribed in pencil by the artist '1st state 2 proofs -', one of only two impressions made of the first state before the published edition of 75, a fine impression, minimally secured to mount with tape in two places to sheet verso, light mount toning, plate size 23.2 x 34.1 cm (9 1/4 x 13 1/2 ins), sheet size 29 x 43.5 cm (11 1/2 x 17 ins), window mountedQTY: (1)NOTE:Meyrick & Heuser 175 (i/iv).
* Cree (Janet, 1910-1992). Prunella, circa 1930s, tempera on canvas board, signed lower right, artist's label to board verso, label of The Phoenix Gallery, Lavenham to frame verso, some light surface dirt, a few small chips to the extreme edges, canvas size 25.6 x 21.9 cm (10 x 8 1/2 ins), framed and glazedQTY: (1)NOTE:Janet Cree is most noted for her portraits in tempera which have an early-Italian feel. She studied with Ernest Jackson at Byam Shaw School of Drawing and Painting. Cree exhibited at the Royal Academy, Phoenix Gallery in Lavenham and elsewhere. Her 1932 work The Oriental Portrait was acquired by the Tate Gallery.
* Ghisi (Giorgio Mantovano, 1520-1582). Venus and Adonis, after Teodoro Ghisi, circa 1570, engraving on laid paper, without watermark, lettered within the image in a tablet, lower left, 'TEODORO GHISI IN' and with Ghisi's monogram 'G MAF', a strong, well-contrasted impression, probably of the second state (of 7), old (19th century) pencil description to verso, some light overall spotting and toning to outer edges, with thread margins, lower right corner torn and nearly repaired to verso (without loss), plate size 320 x 225 mm (12 5/8 x 8 7/8 ins), sheet size 327 x 228 mm (12 7/8 x 9 ins), adhered to later backing paper at upper corners only, card window mount, with John Leech Gallery, 10 Lorne Street, Auckland, New Zealand, to versoQTY: (1)NOTE:Bartsch XV.402.42; Boorsch, Lewis & Lewis 42.
* Sandby (Paul, 1731-1809). Landscape with Travellers, 1758, etching on paper, 'P Sandby Inv Sculp' inscribed lower left, Brodbury House Gallery label to frame verso, plate size 24 x 19 cm (9 1/2 x 7 1/2 ins), framed and glazed (36.5 x 30 cm), together with Waterloo (Anthonie, 1609-1690). Three landscapes, etching on paper, each inscribed to the upper margin 'Antoni Waterlo fe. et in.' or 'Antoni Waterlo in. et ex.', some light toning, largest mount aperture 13.5 x 15 cm (5 1/4 x 6 ins), uniformly framed and glazed (the largest approx. 19 x 21.5 cm)QTY: (4)
* Wilson (Richard, 1713-1782). Villa Negroni, Rome, black chalk on pale blue-grey laid paper, inscribed by the artist to lower edge 'Villa Negroni', some light overall spotting, sheet size 170 x 200 mm, mounted (along extreme left margin only) to early 20th-century card with brown wash ruled framing border, with early 20th-century ink inscription to verso, giving the artist's name and the title of the work, together with an account of the history of the villa, plus a reference to another drawing of the same villa by J. Henderson in the British Museum ('no. 54 in album'), card mount 585 x 420 mmQTY: (1)NOTE:Provenance: John Bulloch Souter (1890-1971), painter, sculptor and printmaker, born in Aberdeen; thence by descent.A similarly sized drawing of the Villa Negroni by Richard Wilson on the same blue-grey paper, measuring 222 x 194 mm, was sold at Christies, London, Old Master and British Drawings and Watercolours including works from the Collection of Jeon Bonna, 2 July 2019, lot 200.The Villa Negroni once stood near the Baths of Diocletian, at Rome. Only the Casino now remains at the south-west corner of the Piazza delle Terme. This was built by Domenico Fontana in 1580 for Cardinal Felice Berutti, afterwards Pope Sixtus V.
* Manner of Frances Hayman (circa 1708-1776). Portrait of a Clergyman, circa 1760, oil on canvas of a seated clergyman, once thought to be Sir William Molesworth of Pencarrow (though this appears to be incorrect), small abrasion and loss to right hand, a few small repairs, some light craquelure, exhibition number 140 attached to foot of frame, 61 x 43 cm, framed (69 x 50 cm)QTY: (1)NOTES:Provenance: The Molesworth-St. Aubyn Family, Pencarrow, Cornwall, UK; Rev. J. L. Watson, Crawley, Winchester, purchased from Cull Antiques, 5th June 2004 (copy of the purchase invoice available from the auction office).
AR * Webb (Joseph, 1908-1962). A Master's House, 1930, etching and drypoint on cream wove paper, from the edition of 50 impressions, signed in pencil, additionally inscribed 'A Master's House. III rd state' lower left and 'Printed by H. Welch Esq. Oldfield House. Brook Green' to lower margin in another hand, with margins, light mount staining, remnants of old tape in two places to upper extreme margin, plate size 175 x 347 mm (7 x 13 1/2 ins), sheet size 270 x 450 mm (10 1/2 x 17 1/2 ins)QTY: (1)NOTE:Guichard 24.
* Attributed to John Melhuish Strudwick (1849-1937). Head of a Young Woman, pencil on paper, with three additional smaller sketches to lower margin of a male figure, and a faint sketch of the head of a dog, some marks and small losses to sheet edges, and a few short closed tears, two further small compositional studies in pencil to verso, one of a young woman standing in front of a low colonnade, the other a sketch of two young women reading in an interior, some light soiling, sheet size 354 x 252 mmQTY: (1)NOTE:Provenance: Estate of Michael Jaffe (1923-1997); thence by descent.The treatment of the head of the young woman is typical of Strudwick's output, and the three smaller sketches of the male figure on the side of the sheet appear to relate to the figure of the old man tolling the bell in the upper left corner of Strudwick's famous painting A Golden Thread first exhibited in 1885 (Tate Collection).
* Goya (Francisco, 1746-1828). Por que fue sensible (Because she was susceptible), from Los Caprichos, 1799 [but later], etching and aquatint on wove paper, plate 32 from Los Caprichos, from the fifth edition, printed by the Calcografica for the Real Academia Madrid, 1881-1886, light spotting to blank margins, plate size 215 x 150 mm (8 1/2 x 6 ins), sheet size 285 x 210 mm (11 1/4 x 8 1/4 ins)QTY: (1)NOTE:Harris, Goya: Engravings and Lithographs (1964), 67.
* Hogarth (1697-1764). The Four Stages of Cruelty (First Stage of Cruelty, Second Stage of Cruelty, Cruelty in Perfection & The Reward of Cruelty), 1751, four engravings on thick laid paper, mixed states: First and Second Stages both 1st states, Perfection 2nd state, Reward 3rd state, plate size 385 x 320 mm and similar, with margins, some marks and light soiling, and several closed tears to sheet edges without loss, stitch marks to left blank margins, sheet size 570 x 440 mm (22 1/2 x 17 1/4 ins) and slightly smaller, together with two further Hogarth engravings: Characters & Caricaturas, 1743, and one with title removedQTY: (6)NOTE:Paulson 187-190. Mixed states: First and Second Stages are both first states (with prices to lower margin), Perfection is second state (letter in engraving reads "Dear Tommy, My Mistress has been the best of Women ...", Reward is third state ('James Field' over left skeleton, and price to lower margin).
* Breenbergh (Bartholomeus, Deventer 1598-1657 Amsterdam). Italianate Landscape with soldiers and hunting dogs going, early morning, oil on wood panel, showing a group of soldiers and hunting dogs on a path, with buildings on a rocky outcrop and distant view of the Apennine mountains, with printed red label to verso of Thos. Agnew & Sons Ltd. bearing the number W.O. 0668-73, and printed label for Christie's Old Master Paintings and Sculpture sale, December 2019, lot 208, the wood panel with chamfered edges to verso, 26 x 38.5 cm (10 1/4 x 15 1/8 ins), old ebonised wood frameQTY: (1)NOTE:Provenance: with E. T. Parker & Co., Bristol by 1914; with Thos. Agnew & Sons Ltd.; Professor Michael Jaffé (1923-1997); thence by descent; Christie's, London, Old Master Paintings and Sculpture, December 2019, lot 208. The printed catalogue note for this lot states 'We are grateful to Professor Marcel Roethlisberger for confirming this attribution on the basis of a photograph'.Bartholomeus Breenbergh lived and worked in Rome from 1619, where he was influenced by the Italian landscapes of his older compatriot Cornelis van Poelenburgh. He was one of the founder members of the society of Dutch and Flemish artists in Rome, the Bentvueghels (Birds of a Feather), or Schildersbent (Band of Painters), by whom he was nicknamed Het Fret (The Ferret). Breenbergh's use of the panoramic landscape with dramatic contrasts of light and shade, and buildings drenched in sunlight (as in the present work) influenced the French landscape painter Claude Lorrain, who arrived in Rome around the same time.
* Bauer (Marius Alexander Jacques, 1867-1932). Een Straat In Constantinopel (A Street in Constantinople), 1893, etching, initialled in pencil to lower right, image size 47.5 x 63 cm (18 6/8 x 24 3/4 ins), mounted, framed and glazed (72.5 x 86.5 cm), together with De Koningin Van Sheba Te Jeruzalem (The Queen of Sheba at Jerusalem), 1893, etching, No. 97 [of 100 impressions] and initials in pencil to lower margin, image size 32 x 33 cm (12 1/2 x 13 ins), mounted, framed and glazed (58 x 55.5 cm), plus 4 other etchings by the same artist comprising: De Reiniging van den Tempel (Christ Cleansing the Temple) trial proof, De Schoone Slaapster (The Sleeping Beauty), Romance, and Een Fakir in Den Tempel van Madura (A Fakir in the Temple at Madura), all from a limitation of 100 impressions, all signed or initialled in pencil to lower margin, some occassional spotting and toning, largest image size 23 x 18 cm (9 x 7 1/8 ins), all in matching cream mounts (56 x 40.5 cm), together with Een Optocht met Vaandels (A Procession with Banners), 1902, etching, trial proof, initialled in pencil to lower right, image size 37.5 x 32.5 (14 3/4 x 12 3/4 ins), mounted, framed and glazed (64 x 55.5 cm), plus Intocht van een Koning (Entry of a King), 1894, etching on cream wove paper, numbered titled and initialled in pencil to lower margin, 115/150 impressions, some very light toning, image size 30.5 x 46.5 cm (12 x 18 1/4 ins), sheet size 37 x 54 cm (14 1/2 x 21 1/4 ins), and two other etchings by Bauer comprising: Een Kruidenbazaar te Cairo (A Herb Bazaar in Cairo), 1926, 79/100 impressions, and Eene Overdekte Straat in Cairo (A Roofed Street in Cairo), 1922, 50/100 impressions, both numbered and initialled in pencil to lower margin, some overall toning, largest sheet size 45.5 x 29 cm (17 7/8 x 11 3/8 ins), in card mounts (55.5 x 40.5 cm)QTY: (10)
Loading...
![* Goya (Francisco, 1746-1828). Por que fue sensible (Because she was susceptible), from Los Caprichos, 1799 [but later], etch](https://cdn.globalauctionplatform.com/dbfcb19a-ca36-4f41-a887-b2890120a2d4/c4e951d3-7fdc-4ca9-956c-b29500aae45b/468x382.jpg)
