A Chinese glazed and incised pottery tripod dishTang dynastyThe buff body supported by three short feet, incised to the centre and glazed in blue, green, and ochre with floral designs, 17.4cm diameter.唐 三彩印花三足盤Provenance: M.L.Von Callenberg, 79 (label)Condition Report: Expected old wear. Some firing imperfections including light warping.
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A pair of Chinese hongmu chairsQing dynasty, 19th century With shaped rectangular backs, the slightly curved back splats carved in shallow relief with bats suspending baskets of peaches, 105cm high at the back, 50cm high at the seat x 52cm wide x 41cm deep (2).清十九世紀 紅木椅一對Condition Report: General expected old wear with some small nicks to edges, light fading and marks and scuffs. Expected age related shrinkage and cracking. At least one area of infilling to one of the seats and a repair to the top rail of the same chair. The other chair also has areas of repair, including the joints of the back rails onto the seats. Please refer to images.
A Chinese blue and white and copper red oviform snuff bottleQing dynasty, 19th century, apocryphal Yongzheng markWith thick, flat lip, painted overall to the oviform body with a continuous scene of eighteen playful monkey clambering about a tree, fighting and grooming each other, the base with underglaze blue six-character mark, 5.6cm high.清十九世紀 青花釉裡紅動物紋鼻煙壺 青花楷書「大清雍正年製」寄託款Condition Report: Light wear, including light scratching and traces of surface residue in places, minor firing imperfections including some pitting around mouth, otherwise good.
A Chinese inscribed white jade rectangular table screen20th centuryCarved to one side with scholars within landscape setting, inscribed to the reverse with the Daoist classic Ling Fei Jing, with a spinach jade stand, the plaque 15 x 20 x 1.5cm.二十世紀 白玉雕松山隐士圖《灵飞經》插屏Condition Report: One small crude repair to the stand. Light nicks to edges of stand and plaque. Generally good.
A pair of Chinese famille rose 'figurative' jardinièreRepublic periodPainted with ladies within landscape, 29cm diameter (2).民國 粉彩繪仕女園景圖紋花盆一對 Condition Report: Expected light wear and rubbing to enamels. One jardinière with star check to the exterior, by the calligraphy, approx. 60x85mm, but only very partially going through the body and visible through the interior, and a smaller star-shaped glaze line next to it, which does not appear to go through the body. There is also a patch of plaster-like surface residue stuck to the interior.The other jardinière also with large star crack, as well as a rim chip and associated rim hairline approx. 13cm long.
A pair of Chinese underglaze blue and iron-red 'dragon' bowlsEarly 20th century, Jiangxi Ciye Gongsi marksEach typically painted and enamelled with iron-red dragons amongst clouds to the exterior, the bases with six-character marks in regular script in parallel horizontal lines, 11cm diameters (2).二十世紀早期 青花礬紅龍紋碗一對,青花楷書「江西瓷業公司」款Condition Report: Light wear otherwise good.
A Chinese imitation-Qingbai 'lotus' box and coverQing dynasty, 18th centuryThinly potted and standing on a recessed base, covered overall in a pale bluish-white glaze, 7cm diameter, fitted box.清十八世紀 青白釉蓮紋蓋盒Condition Report: A couple of minuscule nibbles to the edges of rims and some very light firing imperfections.
A Chinese enamelled 'lone fisherman' snuff bottleQing dynasty, Daoguang mark and periodOne side finely enamelled with a scholar fishing on a river from a boat, the reverse with dogs playing, the shoulders set with mock-embossed mask-and-loop handles, the base with iron-red four-character seal mark, 5.8cm high.The main scene on the present lot illustrates the famous poem by Tang poet Liu Zongyuan: 孤舟蓑笠翁,独钓寒江雪 (guzhou suoli weng, dudiao han jiang xue), which may be translated as: on the tranquil river, a lone boat drifts, where an old man, clad in a straw raincoat and hat, fishes in solitude amidst the snow-covered, icy waters.清道光 琺瑯彩寒江獨吊圖紋鼻煙壺 梵紅「道光年製」款Condition Report: Light wear. Insignificant put to middle of mark. Traces of surface residue around foot.
A green-glazed vase, huHan dynastyThe compressed globular body flanked by a pair of moulded handles each in form of mythical beasts with bulging eyes and a loop ring issued from the bottom of the nose, covered overall in a green glaze with fine crackles, the interior with light brown glaze, 35cm high. 漢 綠釉壺Provenance: Ben Janssens Oriental Art (receipt).來源: Ben Janssens Oriental Art(收據)。Footnotes: W. SHANSHAN is a London and Paris based gallery that is specialized in ancient art. The gallery exhibits a selection of rare artworks, particularly Asian ceramics, bronzes, stone sculptures from the Neolithic period to 10th century.
A Chinese bronze tripod incense burnerLate Qing dynasty, apocryphal Xuande markOf typical form, with upright loop handles, the base with cast sixteen-character mark, 16.3cm wide at the handles.清晚期 銅三足爐 十六字宣德寄托款Condition Report: The exterior has been polished slightly. Expected light wear and casting imperfections.
Two Chinese export famille rose 'European subject' cups and saucersQing dynasty, 18th centuryOne cup and saucer painted with a courting couple, the other painted with two ladies in conversation on a terrace, the saucers 13.5cm diameter (4).清 十八世紀 外銷西洋人物紋茶杯碟兩套Provenance: The 'ladies' cup and saucer, Sotheby's Angelo Caldas Collection, 5th August 1990, Lot 181.來源:女士紋飾杯碟,蘇富比Angelo Caldas Collection,1990年8月5日,第181號拍品 Condition Report: Saucer with two ladies - one third of the rim with professional restoration, and a hairline crack to the other side. Tea bowl - 1 inch hairline to rim. Light wear throughout.
Corgi Toys A Pair - (1) 224 Bentley Continental Sports Saloon - Two-Tone black and silver with spare wheel, (2) 236 Austin A60 "Motor School" - Light Blue, silver trim and side flashes, red interior and roof turning disc (some super detailing) - conditions are Good to Good Plus in Fair boxes (2)
Dinky Toys 982 Bedford Pullmore car Transporter - Mid-blue cab, rigid and supertoy hubs, light blue twin rivet Trailer - Good overall still displays well in a Fair to Good blue and white striped lift off lid box complete with 998 tinplate loading ramp - Good Plus in a Good yellow carded sleeve
Corgi Toys 271 "James Bond" Aston Martin DB5 (1/36th) - Silver-grey body, red interior with "James Bond" figure, light gold trim - Excellent Plus (slight pitting to rear bumper) inner carded tray and outer striped window box are Good Plus (very small tear to corner) with 2 x Bandit figures in sealed bag
Dinky Toys 112 "The New Avengers" Triumph TR7 "Purdey's" Car - yellow, black including interior, speedwheels - Near Mint in a Good window box, 106 "The Prisoner" Mini Moke - White, plastic canopy, spun hubs - Good (some light fading) in a Fair carded picture box also comes with a REPRODUCTION Issue (3)
Corgi Toys GS19 "Chipperfields" Gift Set - (1st issue) Containing Land Rover - Red, light blue metal tilt, lemon interior, spun hubs and with Trailer Blue and red with spun hubs, plus Elephant in cage - conditions are Good Plus overall - inner carded tray is Excellent with a Fair outer blue and yellow carded picture box See-Photo
Dinky pair of tractor & Truck - (1) No.301 Field Marshall Tractor burnt orange with silver trim, light tan figure driver, silver metal wheels; (2) Dinky 422 Fordson Thames Flat Truck - green, mid-green ridged hubs with black smooth tyres, tow hook, silver trim - Good to Excellent unboxed. (2)
Matchbox Speed Kings pair (1) K62 Citroen SM Emergency Doctors Car - white body,"Doctor & Red Cross" labels amber windows & roof light, lemon yellow interior with white steering wheel, ivory tow hook, red base, 4-spoke wheels (2) similar but lighter amber windows, without labels & with silver painted base (3) K54 AMX Javelin - metallic magenta body with racing number 7 labels, dark green windows, lemon yellow interior, silver painted base, 5-spoke front & Maltese Cross rear wheels - Excellent to Near Mint, Unboxed (3)
A PALE GREEN AND RUSSET JADE CARVING OF A WATER BUFFALO17th/18th centuryThe pebble smoothly carved with the legs tucked underneath the rotund body, the tail with finely incised hair sweeping across its left haunch, the face with almond-shaped eyes beneath curling horns, the stone of pale green tone with light brown patches. 8.6cm (3 1/2in) long.Footnotes:十七/十八世紀 青玉帶沁色臥牛Provenance: an English private collection來源: 英國私人收藏Compare with a related yellow jade carving of a water buffalo, 17th/18th century, which was sold at Bonhams London, 13 May 2010, lot 267. See also a small yellow and russet jade carving of a buffalo, 17th century, which was sold at Sotheby's Hong Kong, 9 October 2022, lot 3679.For further information on this lot please visit Bonhams.com
A PALE GREEN AND RUSSET JADE 'DEER AND LINGZHI' GROUP18th centuryThe pebble smoothly carved as a recumbent deer with head turned sharply towards its back clasping a sprig of auspicious lingzhi fungus in its mouth, the antlers extending down the neck to the legs tucked neatly beneath the large body, the stone of pale green tone with light russet-brown patches, wood stand.9.5cm (3 3/4in) long. (2).Footnotes:十八世紀 青玉雕鹿銜靈芝擺件Provenance: an English private collectionSpink & Son Ltd., London, 11th February 1988 (insurance valuation letter)來源: 英國私人收藏倫敦古董商Spink & Son Ltd.,1988年2月11日(保險評估信件)The lingzhi fungus held in the mouth of the deer is symbolic of long life as is the deer itself, which is often associated with Shoulao, the God of Longevity. Compare with a related jade carving of a recumbent stag, 17th/18th century, illustrated in Chinese Jades from the Collection of the Seattle Art Museum, Seattle, 1989, p.81, no.56. Compare also with a related pale green jade deer, in the Tuyet Nguyet collection, illustrated by H.K.Hui and T.Y.Pang, Virtuous Treasures: Chinese Jades for the Scholar's Table, Hong Kong, 2007, pl.101.See also a related white jade and russet jade carving of a deer, 18th century, which was sold at Bonhams London, 16 May 2019, lot 128.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
CHINESE ARTIST (CIRCA 1831)A Junk at Anchor in the Pearl RiverOil on panel, verso with oil painting of a ship and a lighthouse in the distance, framed. 38.1cm (15in) high x 52.7cm (20 3/4in) wide.Footnotes:中國藝術家(約1831年) 停泊在珠江上的帆船 板面油畫 有框 Provenance: Martyn Gregory, London來源: 倫敦古董商Martyn GregoryPublished, Illustrated and Exhibited: Martyn Gregory, Jubilee Exhibition 1977-2002, Hong Kong, 2002年, pp.70-71, no.88.展覽著錄: Martyn Gregory,《Jubilee Exhibition 1977-2002》,香港,2002年,第70-71,編號88It is exceptionally rare to find a Chinese painting on panel. The present lot depicts a Fujian sea-going junk, perhaps near the 'Second Bar' pagoda. The Lotus (Lianhua) pagoda, was a familiar sight to Western merchants, on the narrow passage of the Canton river. The reverse of the panel unusually contains another painting, created by a Western artist, presumably pre-dating the Chinese work. This second painting portrays an Indiaman off the coast of Kent, with a pilot boat approaching and a light house in the distance. It is indistinctly signed 'R...' and dated 6 May 1831 (lower left), and 'VAN...' (lower right).For further information on this lot please visit Bonhams.com
NAMCHEONG (ACTIVE 1840-1870)The Ship 'Shand' off Whampoa IslandOil on canvas, signed and inscribed 'Namcheong Painter' and 'Shand Whampoa Reach', framed. 55.9cm (22in) high x 76.2cm (30 1/2in) wide.Footnotes:南昌(活躍於1840-1870) 黄埔岛外的'商德'号船 布本油畫 有框 款識:Namcheong Painter和Shand Whampoa ReachProvenance: Martyn Gregory, London來源: 倫敦古董商Martyn GregoryPublished, Illustrated and Exhibited: Martyn Gregory, China in the Frame: Catalogue 101, London, 2020-2021, p.91, no.94展覽著錄: Martyn Gregory,《China in the Frame: Catalogue 101》,倫敦,2020-2021年,第91頁,編號94The ship, Shand, was noted in the 1850s for sailing between China, India, and the West Indies, as well as transporting emigrants from England to Australia. On 20 March 1853, it was reported in Boston that the British ship Shand, under the command of Captain Christie, had arrived from Calcutta after departing on 5 December. The Shand brought with her the passengers and part of the crew from the clipper ship Golden Light, which had left Boston on 12 February for San Francisco. The Golden Light had been struck by lightning during its maiden voyage and burned to the water's edge. Five days later, three of the ship's boats, carrying fifteen survivors, were rescued by the Shand. The captain and crew of the Shand treated the survivors with great hospitality (New York Times, 21 March 1853).For more information about the painter Namcheong, see C.Crossman, The Decorative Arts of the China Trade, Woodbridge, 1991, pp.138-148. It is very rare to find a work signed, with the ship and location all named.See a related painting of the 'Clipper Ship Hurricane', attributed to Namcheong, which was sold at Christie's New York, 2 February 2022, lot 33.For further information on this lot please visit Bonhams.com

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534297 Los(e)/Seite