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Los 172

NO RESERVE Jerome (Jerome K.) The Second Thoughts of an Idle Fellow, ink ownership inscription to pastedown, 1898; The Angel & the Author - and others, light foxing, 1908 § Leacock (Stephen) Over the Footlights, dust-jacket, spine ends and corners a little chipped, spine a little darkened, light surface soiling, chip to lower joint, 1923 § Andom (R., pseudonym) The Same Old Troddlers, dust-jacket, spine a little browned, tear to head of lower joint and fore-edge, creasing, n.d., first editions, original cloth, generally excellent or near-fine; and 12 others, humour, 8vo (16)

Los 228

Atlases.- Martin (Robert Montgomery, editor) The Illustrated Atlas..., and Modern History of the World, Geographical, Political, Commercial, and Statistical, engraved pictorial title, 2 engraved comparative plates of rivers and mountains in the eastern and western hemispheres and 80 engraved maps with vignette illustrations and hand-coloured in outline, some light marginal soiling, title with short tear to lower edge just extending into imprint, some maps with stab-holes to outer edge, loose in binding, contemporary half straight-grain morocco, worn, folio, J. & F.Tallis, [c.1856].⁂ Map of Mexico, California and Texas including vignette of gold-panning and with gold regions highlighted in yellow.

Los 68

NO RESERVE Foreign art.- Fabre (Josep Palau i) Picasso: From the Ballets to Drama (1917-1926), Barcelona, 1999 § Cork (Richard) David Bomberg, Newhaven, C.t., 1987 § Wilson-Bareau (Juliet) and Manuela B. Mena Marqués. Goya: Truth and Fantasy, The Small Paintings, Madrid, 1994 § Elsen (Albert) Seymour Lipton, colour frontispiece and some plates tipped-in, captioned or pictorial tissue-guards, some a little creased, 1970, original boards or cloth, dust-jackets, some light bumping to spine ends, last a little soiled, else excellent copies; and 77 others, foreign art and artists, v.s. (81)

Los 187

NO RESERVE Poetry.- Duncan (Ronald) The Rape of Lucretia, Opera in Two Acts... Music by Benjamin Britten, signed presentation inscription from Britten, original wrappers, some fading, 1946 § Prince (F. T.) Collected Poems, signed presentation inscription from the author to Patrick Garland, original cloth, dust-jacket, price-clipped, some fading, Menard Press, 1979 § Todd (Ruthven) The Planet in My Hand, signed presentation inscription from the author to Stephen Spender, original cloth, dust-jacket, light fading to spine, 1946 § Reading (Peter) Shithead, limited edition, signed by the author, original boards, dust-jackets, Squirrelprick Press, 1989; and c.75 others, poetry, generally excellent or near-fine, 8vo (c.80)

Los 147

Achebe (Chinua) Arrow of God, first American edition, original cloth, dust-jacket, some light rubbing and creasing to head and foot, but a bright and near-fine example overall, 8vo, New York, 1967.⁂ The last in Achebe's celebrated African trilogy, rare.

Los 34

NO RESERVE Gardens.- Jones (Barbara) Follies & Grottoes, second, enlarged, edition, 1979 § Hunt (John Dixon) & Peter Willis. The Genius of the Place: The English Landscape Garden 1620-1820, light spotting, ex-library copy with stamps, 1975 § Hyams (E.) Capability Brown and Humphry Repton, 1971 § Cowell (F.) Richard Woods (1715-1793): Master of the Pleasure Garden, 2009 § Saudan (M.) & Sylvia Saudan-Skira. From Folly to Follies: Discovering the World of Gardens, Cologne, 1997, illustrations, some colour, original cloth or boards with dust-jackets, the first with nick to spine; and 9 others on gardens, v.s. (14)

Los 200

NO RESERVE Stapledon (Olaf) Odd John, light browning to spine, 1935 § Zelazny (Roger) Creatures of Light and Darkness, jacket a little rubbed at extremities, 1970 § Williamson (Jack) Humanoids, jacket with light rubbing and creasing to head and foot, New York, 1949 § Bradbury (Ray), Isaac Asimov, Philip K. Dick, John Wyndham, Agatha Christie and others. Beyond the Barriers of Space and Time, jacket with light rubbing and creasing to spine ends and corners, 1955, first or first English editions, original boards, dust-jackets, generally excellent or near-fine; and 24 others, science fiction, 8vo (28)

Los 18

NO RESERVE Archaeology.- Artis (Edmund Tyrell) The Durobrivae of Antoninus...Roman Station in the vicinity of Castor, Northamptonshire, first edition, folding hand-coloured engraved map and 59 engraved or lithographed plates and plans, some with aquatint, 4 folding or double-page, 10 hand-coloured, light spotting or water-staining to a couple of plates, bookplates of George E.Foe and Will.Stephenson, contemporary half roan, rubbed and stained, spine worn and torn, upper cover detached, folio, for the Author, 1828.⁂ Handsome work on the various Roman sites around Castor, Northants., including views, plans and plates of the mosaics, building materials, furnaces, pottery, jewellery, and household utensils.

Los 180

NO RESERVE Naipaul (V. S.) A Flag on the Island, jacket with light fading to spine, 1967; In a Free State, 1971; The Adventures of Gurudeva, ink ownership inscription, jacket with very light sunning to spine, 1976 § Gordimer (Nadine) A World of Strangers, light browning to endpapers, jacket with very light browning to spine, spine a little chipped at head, 1958 § White (Patrick) Riders in the Chariot, jacket with light rubbing and creasing to head and foot, spine a little frayed at head, 1961 § Coetzee (J. M.) Foe, jacket with light fading to spine, 1986, first or first English editions, original boards, dust-jackets, excellent or near-fine; and 22 others by the same and similar, 8vo (28)

Los 209

NO RESERVE Yeats (William Butler) On the Boiler, second printing (as usual), the odd spot, original blue pictorial wrappers, small adhesion mark to upper cover, light creasing and toning to edges, Dublin, Cuala Press, [1939]; and c.35 others, modern literature, 8vo (c.35)

Los 205

NO RESERVE Waugh (Evelyn) The Ordeal of Gilbert Pinfold, jacket with light browning to spine, a few small chips or very short tears to head, 1957 § Golding (William) Enderby Outside, light spotting, jacket price-clipped and with light spotting, light discolouration to spine, 1968 § Burgess (Anthony) The Right to an Answer, jacket with 2 short tears to head with neat tape repairs to verso, 1960 § Durrell (Lawrence) Constance or Solitary Practices, 1982, first editions, original boards, dust-jackets; and 30 others by the same and similar, 8vo (34)

Los 174

NO RESERVE [Mansfield (Katherine)] "Matilda Berry", D. H. Lawrence and John Middleton Murray, contributors. The Signature, number 3, original wrappers, light creasing, ink inscriptions to upper cover, 1915 § Mansfield (Katherine) The Dove's Nest, light foxing, ink ownership inscription, original cloth, 1923; Something Childish & other stories, light foxing, browning and ink inscription to endpapers, original cloth, 1924, first editions; and 2 others by the same, 8vo (5)

Los 181

NO RESERVE Newby (P. H.) Something to Answer For, first edition, original cloth, dust-jacket, some light rubbing and minor creasing to head and foot, but a near-fine example generally, 8vo, 1968.⁂ The first winner of the booker prize.

Los 177

NO RESERVE Murdoch (Iris) The Bell, jacket light browned at spine and margins, lower panel a little chipped at head, with original publishers wraparound band, 1958; A Word Child, signed by the author on bookplate, jacket spine lightly faded, 1975; The Book and the Brotherhood, signed by the author, light fading to jacket spine, 1987, first editions, original boards, dust-jackets, excellent or near-fine, 8vo (3)

Los 232

East Indies.- Santini (Paolo) Les Indes Orientales..., map showing India, Thailand, Cambodia, Vietnam, Malaysia, the island of Sri Lanka, the Maldives, and a portion of Sumatra, and includes Singapore, engraving with hand-colouring, sheet 530 x 625 mm (20 7/8 x 23 1/2 in), central vertical fold with minor splitting to foot, some surface dirt to edges, light handling creases, unframed, Venice, Remondini, 1779; together with four other maps of the region, including Bowen's A New and Accurate Map of the Empire of the Great Mogul, d'Apres de Mannevillette's Carte de la partie comprise entre la sortie du détroit de Malac and A chart of the eastern coast of the Gulf of Bengal, and with Jansson's map of the Spice Islands, Insularum Moluccarum Nova Descriptio, enrgavings, some hand-colouring, various sizes, all unframed, 17th and 18th century (5)

Los 189

NO RESERVE Poetry.- Ros (Amanda M.) Fumes of Formation, original cloth, dust-jacket, light browning to spine, surface soiling to panels, spine ends and corners a little chipped, extremities rubbed, 1933 § Farjeon (Eleanor) Young Folk and Old, original wrappers, High House Press, 1925 § Phillips (Stephen) New Poems, light foxing, browning to endpapers, original cloth, dust-jacket, spine faded, spine ends and corners a little chipped, 1908 § Thomas (R. S.) Laubbam Sprache, translated by Kevin Perryman, limited edition, signed by the author, original half cloth, Denklingen, Babel, 1998, first editions; and c.80 others, poetry and poets, generally excellent or near-fine, 8vo (c.85)

Los 7

NO RESERVE Architecture.- Hawksmoor (Nicholas) Architectural Designs for All Souls College, Oxford, 6 engraved plates, without the accompanying booklet but with a large engraving of South Prospect of St.Paul's by Will.Emmett loosely inserted (on laid paper, c.480 x 700mm., creases from folds, light spotting, T.Bowles, 1702), plates loose as issued in original cloth portfolio with ties, paper label to upper cover, oblong elephant folio, [Oxford], [1960].⁂ Kerry Downes issued his first book on Hawksmoor in 1959, and another in 1969. Until then Hawksmoor was not a highly regarded architect, being overshadowed by his masters Wren and Vanbrugh, but this changed with Downes's appraisal and the resulting recognition prevented the demolition of Christ Church, Spitalfields.

Los 197

Rhys (Jean) Good Morning Midnight, first edition, second issue without endpaper, original cloth, fine, dust-jacket, price-clipped, light browning to spine, minor chipping to spine ends and corners, very short tears to head and foot of upper panel with some light creasing, an excellent example overall, 8vo, 1939.

Los 194

NO RESERVE Rendell (Ruth) The New Girl Friend and other stories, 1985; An Unkindness of Ravens, 1985; Live Flesh, 1986; The Veiled One, 1988, first editions, signed or with signed presentation inscriptions from the author, original boards, dust-jackets, some light fading to spines, else fine; and 3 others by the same, 8vo (7)

Los 190

NO RESERVE Poetry.- Stevenson (Robert Louis) New Poems, first edition, original cloth, dust-jacket spine very lightly browned, some light surface soiling, 1918; Poems, limited editions, original limp vellum, ties partly defective, 1913 § Gascoyne (David), Martyn Crucefix, Marius Kociejowski, Christopher Middleton, Norm Sibum and C.H. Sisson. Enitharmon Poetry Pamphlets, 6 vol., each number 36 of 50 copies signed by the author, original wrappers, slip-case, 1993 § Prynne (J. H.) News of Warring Clans, first edition, original wrappers, some fading, Trigram Press, 1977; and c.70 others, poetry and poets generally excellent or near-fine, 8vo (c.75)

Los 208

Yeats (William Butler) The Wild Swans at Coole, first English edition, "Presentation Copy" blindstamp to title, Robert Lynd's copy with his ink ownership inscription to endpaper, original cloth, spine dulled, spine ends and corners bumped, light wear to extremities, 8vo, 1919.⁂ A good association copy, Robert Lynd (1879-1949), writer, journalist and Irish nationalist.

Los 152

NO RESERVE Blunden (Edmund).- William (Collins) The Poems, edited by Edmund Blunden, number 10 of 50 copies on japon signed by the editor, frontispiece, light offsetting, original morocco-backed boards, spine faded, 1929 § Blunden (Edmund) Poems, number 17 of 200 poems signed by the author, bookplate to pastedown, original cloth, spine faded, 1930 § Graves (Robert) and Laura Riding. Letters to Ken, number 134 of 200 copies, original morocco, Brunswick Press, 1997 § Brooke (Rupert) Collected Poems, limited edition, illustrations by G. Raverat, modern half calf, Medici Society, 1919; and 11 others by the same and similar, 8vo (15)

Los 101

Music (Bocchi Sextet).- Memorie di Enrico Bocchi, 2 albums, relating to recitals given by the Bocchi Italian Sextet directed by violinist Arrigo Bocchi, some in Italy and most in England, also including: a letter from a friend from the trenches in France, 1916, numerous printed concert programmes (some before the Prince of Wales, the Grosvenor Club etc.) letters of engagement and payment, newspaper cuttings, folds, all laid down, original red cloth, gilt, 1 album upper joint split, others splitting, other vol. lacks spine, creased and soiled, oblong 4to, 1888-1900 (2). ⁂ Includes a letter to Rodolfi Bocchi from Second Lieutenant Donald Hargreaves Tremellen (d. 1917), Duke of Cornwall's Light Infantry; killed at Arras, "I've been nearly outed three times in the last few days. Once a rifle grenade passed just over my head and exploded the other side of the parados (the back wall of a trench)... ."

Los 173

NO RESERVE Lawrence (D.H.) Lady Chatterley's Lover, first authorised English edition, browning and neat ink ownership inscription, spine ends and corners a little bumped and frayed, 1932 § Eliot (T. S.) The Confidential Clerk, first edition, light dampstain to front free endpaper, dust-jacket, light cockling, light sunning to spine, minor fraying to head of spine, 1954 § Aldington (Richard, editor) Fifty Romance Lyric Poems, limited edition, signed by the editor and Bruce Rogers, glacine dust-jacket, spine ends and corners chipped, New York, 1928, original cloth, generally excellent or near-fine; and 28 others by the same and similar, 8vo (31)

Los 153

NO RESERVE Bowles (Paul) Their Heads are Green, plates, 1963 § Coover (Robert) The Origin of the Brunists, jacket with light rubbing to extremities, 1966 § Pasternak (Joe) easy the Hard Way, signed presentation inscription from the author to Maurice Chevalier, plates, jacket spine a little sunned, spine ends and corners a little chipped, closed tear to head of lower panel, New York, 1956 § Matthiessen (Peter) At Play in the Fields of the Lord, jacket price-clipped, jacket spine and panels a little browned, some chipping to head of spine, New York, 1965, first editions, original cloth, dust-jackets, generally excellent; and 26 others, American literature, 8vo (30)

Los 156

NO RESERVE Burroughs (Edgar Rice) The Chessmen of Mars, plates, 1923 § Grey (Zane) Tales of Fishes, plates, [1919] § London (Jack) Burning Daylight, 1911; Jerry of the Islands, plates, New York, 1917 § Coppel (Alec) I Killed the Count, dust-jacket, a few short tears and creasing to head, 1939, first or first English editions, light browning to endpapers, original cloth, some light fading to spines, light bumping to spine ends and corners, generally excellent or near-fine; and 15 others, similar, 8vo (20)

Los 167

NO RESERVE Goldman (William) No Way to Treat a Lady, jacket with light fading to spine, New York, 1964 § Wheatley (Dennis) Mayhem in Greece, signed presentation inscription from the author, jacket with light browning to spine, 1962 § Harris (Thomas) The Silence of the Lambs, light toning to text margins, 1988 § Anderson (Kent) Night Dogs, signed by the author, Tucson, AZ, 1996, first or first English editions, original boards, dust-jackets, generally excellent or near-fine; and 21 others, thrillers and detective fiction, 8vo (25)

Los 78

Bible, Hebrew.- Forster (Nathaniel, editor) Biblia Hebraica. Torah Nevi'im u-Ketuvim, title in Latin, text in Hebrew, bookplate to pastedown, title working loose, light stains to margin of title, some small marginal tears and chips to first few leaves, occasional light marginal browning, occasional light staining not affecting text, corner repaired to 3M⁴, contemporary blue polished calf, gilt, red morocco spine label, lightly scuffed with small abrasion to upper cover, joints a little rubbed, [Darlow & Moule 5151], 4to, Oxford, Clarendon Press, 1750.⁂ ⁂ "An unpointed edition based on E. van der Hooght's text. The earliest edition of the Hebrew Bible (apart from the London Polyglot) to be printed in England". - Darlow, 5151.

Los 182

NO RESERVE Nordhoff (Charles) and James Norman Hall. Hurricane, jacket spine lightly browned, spine ends and corners a little chipped, portion torn away from head of lower panel, chip and short tear to head of upper panel, 1936 § All Clear Aft. Episodes at Sea, light spotting, jacket with light surface soiling, a few short closed tears and some creasing to head and foot, 1936 § Carr (John Dickson) Captain Cut-Throat, jacket spine ends and corners a little chipped and creased, 1955 § Cozzens (James Gould) SS. San Pedro, jacket spine lightly browned, 1931, first or first English editions, original boards, dust-jackets; and 16 others, historical or naval fiction, 8vo (20)

Los 12

Architecture.- Vitruvius Pollio (Marcus) I Dieci Libri dell'Architettura, woodcut architectural title, initials and numerous illustrations and diagrams, some full-page, a few double-page and 2 folding, occasional light foxing or browning but generally a good clean copy, pencil inscription of Kerry Downes, later vellum, spine gilt with red & black roan labels, a little rubbed, [Fowler 410], Venice, F.Senese & J.Chrieger, 1567; and a stained and defective copy of Caporali's translation of Vitruvius of 1536, 4to & folio (2)⁂ Second edition of the translation and commentary by Daniele Barbaro.

Los 67

NO RESERVE British art.- Joyce (Paul) Hockney on 'Art', 1999 § Hockney (David) David Hockney, edited by Nikos Stangos, 1977 § 20th-Century Art Book (The) 1996, colour-printed illustrations and plates, original cloth or boards, dust-jackets, light bumping or creasing to spine ends, last with minor paint marks to upper panel, else clean and fresh copies; and 37 others, British art and art reference, v.s. (41)

Los 183

NO RESERVE Ó Faoláin (Seán) Midsummer Night Madness, jacket with light sunning to spine, light creasing to head, 1932; A Nest of Simple Folk, jacket with very light browning to spine, small chip to foot of spine, 1933 § Yeats (Jack B.) The Amaranthers, light staining to front free endpapers, jacket spine browned, light toning to panels and flaps, spine ends and corners a little creased and chipped, 1936 § Reid (Forrest) W. B. Yeats. A Critical Study, frontispiece, light browning to title, 1915, first editions, original cloth, all but the last with dust-jackets, generally excellent; and c.45 others by the same and similar, Irish literature, 8vo (c.50)

Los 162

NO RESERVE Cunninghame Graham (R.B.) Charity, dust-jacket, spine ends and corners a little chipped, light rubbing to extremities, 1912 § De Morgan (William) The Old Madhouse, jacket panels and spine browned, spine ends and corners a little chipped, 1919 § Hardy (Thomas) Time's Laughingstocks and other verses, bookplate to pastedown, 1909 § Zangwill (I.) Dreamers of the Ghetto, light discolouration to upper cover, 1898 § Brailsford (Henry Noel) The Broom of the War-God, 1898, first or first English editions, light browning to endpapers, original cloth, light fading to spines, generally excellent or near-fine; and 33 others, similar, 8vo (38)

Los 168

NO RESERVE Greene (Graham) Ministry of Fear, name erased from endpaper with 2 small holes resulting, spine spotted and faded, 1943; The End of the Affair, new endpapers, spine faded, jacket price-clipped and spotted, short tear to head of lower panel, minor chipping to spine ends and corners, 1951; Our Man in Havana [2 copies], jacket spine with very light browning, spine ends and corners a little chipped and creased, 1958; The Comedians, jacket with light discolouration to spine, light rubbing and creasing to tips of spine and corners, 1966, first editions, original cloth, dust-jackets, generally excellent; and 10 others by the same, 8vo (16)

Los 164

NO RESERVE Faulks (Sebastian) Birdsong, very light toning to jacket, 1993 § Hollinghurst (Alan) The Swiming-Pool Library, toning to text margins, jacket spine lightly sunned, 1988 § Ackroyd (Peter) The Diversions of Purley, jacket with light sunning to spine, 1987, first editions, original boards, dust-jackets § Lodge (David) The Man Who Wouldn't Get Up and other stories, 1998 § Boyd (William) Protobiography, 1998, limited editions signed by the authors, original cloth, Bridgewater Press § Swift (Graham) Ever After, uncorrected proof copy, number 20 of 30 copies signed by the author, original wrappers, all generally excellent or near-fine; and 44 others by the same and similar, 8vo (50)

Los 158

NO RESERVE Carey (Peter) My Life as a Fake, first edition, signed presentation inscription from the author to Tariq Ali, jacket upper panel with short tear to head and some patch of foxing to foot, light discolouration to spine, Sydney, 2003; True History of the Kelly Gang, first English edition, signed by the author, "Ned Kelly's Australia" map loosely inserted, jacket with light sunning to spine, 2001; Jack Maggs, first English edition, signed presentation inscription from the author, jacket with light creasing to spine ends, 1997, original boards, dust-jackets, excellent or near-fine; and 6 others by the same, 8vo (9)

Los 293

Orchids.- Millican (Albert) Travels and Adventures of an Orchid Hunter: An Account of Canoe and Camp Life in Colombia, while Collecting Orchids in the Northern Andes, first edition, colour frontispiece and 21 plates, illustrations, original red pictorial cloth, gilt, spine a little dulled, light rubbing to tips of spine and corners but a remarkably bright and fine example overall, 8vo, 1891.

Los 201

NO RESERVE Stern (James) Something Wrong, first edition, signed presentation inscription from the author, light fading to spine, 1938; The Man who Was Loved, first American edition, signed presentation inscription from the author, dust-jacket, spine ends and corners chipped, extremities rubbed, New York, 1951 § Masefield (John) Martin Hyde, first English edition, dust-jacket, spine sunned, spine ends and corners a little chipped, n.d. § Lee (Laurie) Peasants' Priest. A Play, first edition, original wrappers, preserved in custom chemise, Canterbury, 1947, all but the last in original cloth; and c.50 others, modern literature, 8vo (c.55)

Los 11

A French 1816 Model Cuirassier's SwordThe Blade Dated 1813With tapering fullered blade stamped with inspector's marks on one side at the forte and etched with dated Klingenthal manufactory details along the back (worn), regulation brass hilt of three bars swept-up to join the knuckle-guard, the latter stamped '5390', and leather-covered grip bound with a strand of twisted brass wire, in original steel scabbard (some light pitting) with two suspension rings 95.7 cm. blade For further information on this lot please visit Bonhams.com

Los 113

An 18-Bore Flintlock Silver-Mounted Turn-Off PistolBy James Freeman, London, Circa 1725With two-stage cannon barrel, border engraved action signed beneath the steel-spring, octagonal breech section becoming polygonal and engraved 'London' on the top flat, foliate engraved tang retained by a screw at the top of the breech, border engraved cock (repaired) and steel, plain trigger-guard with trefoil-shaped finial, moulded highly figured swelling butt, cast and chased mounts comprising a foliate panel either side of the tang with monster-head finial, pierced foliate side-plate, vacant foliate escutcheon, and grotesque mask butt-cap (some light rust patination), London proof marks and Freeman's barrelsmith's mark 13.5 cm. barrelFootnotes:James Paul Freeman was admitted to the freedom of the Gunmakers' Company on 5 July 1716, and in the same year took over the premises in St. Martins Lane previously occupied by Andrew Dolep to whom he had been turned over in 1705. He was elected Master in 1732 and died in 1736. Both he and his son James are noted for their breech-loading pistolsFor further information on this lot please visit Bonhams.com

Los 12

A Broadsword In Early 17th Century Style19th CenturyWith tapering double-edged blade with medial ridge along both sides, flattened at the forte on each side and inlaid in latten with indistinct French inscription, hilt in German style comprising straight flat quillons each with button terminal, upper and lower side-rings each with recessed central feature cut with vertical lines, curved arms linked at the bottom to an inner-guard of four slender crossed bars and large upper thumb-ring, faceted ovoidal pommel cast with chevrons, and swelling leather-covered wooden grip (some damage, light pitting overall) 91.7 cm. bladeFor further information on this lot please visit Bonhams.com

Los 344

An Extremely Fine Cased Pair Of French 32-Bore Flintlock PistolsBy Boutet A Versailles, No. 103, Circa 1815-18With charcoal grey twist swamped octagonal polygroove rifled barrels each inlaid with decorative gold bands at the muzzle and forward of the breech, the upper side flats signed in elaborate gold script enriched with wheat and laurel, top flats each cut with a tapering sighting groove, a gold-inlaid arrow with chased flights and gold serial number beyond, rose gold sights, richly blued octagonal breeches each inlaid with five gold stars within the groove and flanked by a rectangular gold-lined maker's stamp, gold-lined touch-holes, bright border engraved grooved tangs each decorated with foliage and numbered '1' and '2' respectively, bright flat bevelled detented locks each signed 'Boutet A VERSAILLES' and decorated with a design of symmetrical foliage on the tail, lightly engraved swept gold-lined pans, cocks and steels each engraved with foliage, the latter with roller acting against a ramp on the steel-spring, highly figured half-stocks each with rounded butt chequered within shaped borders, ovoidal pommels each carved in relief as a flower-head, the stigma carved in ebony, burnished steel mounts decorated in neo-classical taste and comprising pierced side-nail plates each engraved with foliage between fluted wings, border engraved trigger-guards with symmetrical foliage on the bow, trigger-plates each with acanthus urn finial surmounted by an arrangement of fruit and flowers, border engraved vacant gold escutcheons and barrel-bolt escutcheons, filed adjustable set triggers, and retaining virtually all their original finish: in original fitted mahogany case lined in green baize with light green ribbon borders and full accessories comprising brass-mounted powder-flask with red leather-covered body, bright steel combined bullet-mould and lug-wrench, brass-mounted turnscrew, hammer, ramrod and powder-measure, wooden mallet, bright steel charge extracting rod with brass-mounted worm, pricker and oil bottle of octagonal section, and complete with a spare pair of steels engraved en suite with the pair fitted to the pistols, the exterior of the lid (old splits and minor repairs) with silver escutcheon with scalloped border and elaborately engraved 'Manuf.re à Versaille Entrep.re Boutet', the whole set in fine condition 22.9 cm. barrelsFootnotes:ProvenanceProperty from the collection of W. Graham Lewis, formerly on loan to the Walters Art Museum, Baltimore, Maryland, USA between 1971 and 2001, Sotheby's Olympia, Fine Antique Arms, Armour & Militaria, 7 December 2001, lot 293Nicolas-Noël Boutet (1761-1833) is considered to be one of the greatest recorded gunmakers. From 1793 to 1818 he was artistic director of the Manufacture Nationale de Versailles were he was responsible for the production of some of the finest luxury and presentation arms ever made. See La Manufacture d'armes de Versailles et Nicolas Noël Boutet, Manufacture Nationale, Imperiale Et Royale 1793-1818, exhibition catalogue, Musée Lambinet, Versailles 23 November 1993 - 6 March 1994, passim A similar pair of pistols by the same maker and numbered '93' are in the Victoria and Albert Museum (inv. no. M.38, 38a-1960)For further information on this lot please visit Bonhams.com

Los 361

A Very Fine Pair Of Flintlock Silver-Mounted Over-and-Under Holster PistolsBy Joseph Heylin, Cornhill, London, London Silver Hallmarks For 1760, Maker's Mark JAWith two-stage barrels slightly flared towards the muzzles, the border engraved octagonal breeches finely decorated with rococo foliate scrollwork involving martial trophies, the upper flats signed within foliated ribbons, tangs each secured by two screws and engraved with foliage against a cross-hatched ground, border engraved flat locks each signed on a rococo and foliate ribbon on the rounded tail, cocks decorated en suite, external main- and steel-springs each chiselled with foliage, moulded figured rounded butts (minor old defects) each carved in relief with shells around barrel tang, mounts comprising trigger-guards each engraved with a martial trophy on the bow, heavy spurred pommels cast and chased with flowering foliage in relief against a finely punched ground, the spurs engraved with foliage and graduated beadwork, large vacant escutcheons each with a border of flowering foliage en suite, and original silver-tipped ramrods, one with iron worm (iron parts with some light scattered pitting), London proof marks and Heylin's barrelsmith's mark (2)23 cm. barrels Footnotes:ProvenanceRobert-Jean Charles (1904-1979), Paris, March 1938 for FF 5,000 (according to a handwritten note in one barrel)W. Keith Neal Collection, P255Christie's London, Fine Antique Firearms from the W. Keith Neal Collection, 25 October 2001, lot 240 ExhibitedThe Game Fair, Longleat House, 1962The Art of the Armourer, Victoria and Albert Museum, 19 April - 5 May 1963, cat. no. 248 The Game Fair, Shuttleworth Old Warden Park, 27-29 July 2001LiteratureW. Keith Neal and D.H.L. Back, Great British Gunmaker 1740-1790, 1975, p. 109, pls. 381-384Joseph Heylin, gunmaker and stonebow maker, was made free of the London Gunmaker's Company by redemption in 1757, was elected Assistant in 1773, Upper Warden in 1776, and Master in 1777. He was contractor to the East India Company, 1773-1777, to the Hudson's Bay Company, 1775-1777, and to the African Merchants Company in 1760. Also on the livery of the Worshipful Company of Vintners, his career was interrupted by bankruptcy in 1779 and he died in 1801Noted for his brass-barrelled blunderbuss-pistols, he is also the maker of a pair of flintlock silver-mounted holster pistols with solid silver barrels and lock-plates formerly in the collection of Norman Dixon and sold in these Rooms 18 April 2012, lot 318 (£51,650 including premium). For more information see Norman Dixon, Georgian Pistols... 1971; passim'Joseph Heylin, A Georgian Gunmaker 1730-1801', The Journal of the Arms & Armour Society, Vol. XVII, No. 3 (March 2002), pp.155-189; and J.F. Hayward, The Art of the Gunmaker, Vol. II 1660-1830, 1963, p.203, pl.65For further information on this lot please visit Bonhams.com

Los 52

An Exceptional Cased .36 Percussion Manhattan Series IV Five-Shot RevolverNo. 68855, Circa 1865With blued sighted barrel (light scratches around the barrel-wedge) stamped with manufacturer's details and patent date along the top flat, blued cylinder roll engraved with five foliate panels framing naval and military combat scenes, case-hardened frame, hammer and rammer, silvered trigger-guard and back-strap, the latter engraved with owner's name 'Philip H. Waterlow', varnished figured rounded grips, matching numbers, and in exceptional condition retaining virtually all its original finish: in contemporary English mahogany case fitted and lined in green baize incorporating a compartment for ammunition, and retaining the original blued iron bullet mould stamped with Manhattan manufactory details, and combined turnscrew/nipple-wrench, the exterior of the lid with oval brass escutcheon elaborately engraved with owner's name 'Philip H. Waterlow', London proof marks 10.2 cm. barrelFootnotes:ProvenanceChristie's London, Antique Arms, Armour and Militaria, 16 July 2003, lot 215Philip H. Waterlow is likely to be Sir Philip Hickson Waterlow, second baronet, who succeeded his father Sir Sydney Hedley Waterlow, a well-known philanthropist, member of parliament, and Lord Mayor of LondonFor further information on this lot please visit Bonhams.com

Los 62

A Pair Of Saxon 20-Bore Flintlock Holster PistolsZella, Circa 1700With three-stage sighted barrels, octagonal breeches and fluted top flats, the left side-flats stamped with maker's marks, 'HS', a sprig between in an oval (Neue Støckel 3131) and initials 'LK' (Neue Støckel 3806), plain tangs, rounded locks with brazed pans, the inside of one struck with maker's mark (similar to Neue Støckel 2797), and the other with maker's mark 'IB' above a fleur-de-lys in a shield (Neue Støckel 3222), moulded figured full stocks (one fore-end with old break at the forward barrel-pin), iron mounts comprising flat bevelled side-plates, spurred rounded pommels, trigger-guards each with pointed moulded finial, turned baluster ramrod-pipes (one with minor damage), and iron ramrods, probably original (some light pitting) (2)29 cm. barrels For further information on this lot please visit Bonhams.com

Los 69

A Brass-Barrelled English Lock BlunderbussBy Thomas 1 Green Of London, Late 17th/Early 18th CenturyWith two-stage barrel flared at the muzzle, octagonal breech becoming polygonal and with a ramp notched for sighting at the rear, plain tang, indistinctly signed flat lock with repaired pointed tail and separate pan, flat ring-neck cock with safety-catch (inoperative) at the rear, moulded figured full stock (old bruising, broken through and repaired at the grip, repaired beneath the tail of the lock and on both sides of the fore-end at the muzzle), brass mounts comprising butt-plate, the long pointed heel tang with moulded borders, trigger-guard with pointed foliate finial, single turned baluster ramrod-pipe, and old horn-tipped ramrod with iron worm (tang and lock with light pitting), London proof marks and Green's barrelsmith's mark 42 cm. barrel Footnotes:Thomas 1 Green was apprenticed to Edward Nicholson in 1686 and free of the Gunmakers' Company in 1693. He was elected Master of the Gunmakers' Company in 1720. He is recorded 'att ye Fowler' in the Minories in 1714 and was Gunmaker to Ordnance, 1697-1715, and to the Royal Africa Company in 1721. He was appointed Viewer and Proofmaster to the Hudson's Bay Company in 1715. Following his death in 1728 the business was carried on by his widow, AgnesFor further information on this lot please visit Bonhams.com

Los 81

A Rare 18-Bore Flintlock D.B. Covert GunBy John Manton, London, No. 1237 For 1790With rebrowned twist sighted barrels signed along the rib, breeches each with gold line and engraved with a starburst between, gold-lined touch-holes, plain tang grooved for sighting, signed flat bevelled locks (one mainspring and one cock retaining screw replaced, top of one steel repaired, one cock a working replacement, probably by the maker) each with stepped tail, semi-rainproof pan and roller acting on a ramp on the steel spring, figured half-stock (old bruising and some repairs, the latter mainly around the lock cavities) with cheek-piece and chequered grip, border engraved steel mounts comprising butt-plate decorated with a gundog retrieving a gamebird in a landscape on the heel tang, trigger-guard retaining traces of blueing and decorated with gamebirds in a landscape on the bow and with a foliate scroll on the scrolled tang, large pineapple finial, and rear ramrod-pipe with foliate finial, silver escutcheon engraved with owner's crest, and later brass-mounted ramrod (some wear and light rust patination), London proof marks 43.7 cm. barrels Footnotes:Previously unrecordedThe crest is that of Viscount George Ashburnham of St. Asaph (1760-1830), later 3rd Earl Ashburnham. The family home is Ashburnham Place, SussexFor further information on this lot please visit Bonhams.com

Los 286

A JB GLOBAL LIGHT OAK SIDEBOARD THREE DRAWERS ABOVE THREE CUPBOARD DOORS 138.5 X 83 X 42.5CM

Los 528

λ A selection of miniature fans, of mixed materials, together with a small white mother of pearl dance card fan or Carnet de Bal, wedge-shaped, the upper guard inscribed in black with the word “Bal”, each of the six interior ivory “pages” retains names written in pencil, fitted with a slender gold chain for the pencil, daisy at the rivet, 21cm long; six small fans: a plain dark wood example with plain leaf; a pale wood example with paper leaf painted with flowers in light sea-green; a bone example with upper guard carved with flowers, the thin paper leaf painted with white flowers; another such bone fan; a larger, early 20th century Chinese fan, the silk leaf painted with waterside flowers and reeds, the cream flowers to the left embroidered in silk thread, as is the orange butterfly, plain bone monture, 15cm long; a bone fan of similar size, the pale blue silk gauze leaf painted with very similar reeds and flowers, the white flowers and moth also embroidered in silk threads, 15cm long (7)

Los 616

John Walsh Walsh, a large Arts and Crafts opalescent glass pendant light shade and fitting, ogee onion form, optic moulded with straw opal foliate tendril design, in the Art Nouveau style, the shade supported within a gilt brass hanging support, on chain, shade 29cm high, opening 11.5cm diameter, hangs 82cm long

Los 617

An Arts and Crafts copper pendant light fitting, the crown form shade cage with lobed and foliated straps, suspended from a planished curled leaf ceiling rosette, 28cm high, fitting diameter 10.5cm

Los 619

An Art Deco copper and Bakelite three light pendant, a central fluted cone supporting a three arm drum, each branch terminating in flaming torches, with pink frosted glass shades, 54.5cm high, 60cm diameter, together with a pair of Art Deco chrome plated three branch pendant lights, each triangular section central bar with three bracket form arms, supporting downward facing fittings, suspended from a tubular rod, 59cm high, 28cm diameter (3)

Los 619A

A cut glass and gilt metal pendant light fitting, the hemispherical shade hobnail cut, suspended from three chains

Los 729

Paul Ysart, orange fish with pink fins floating over a light ground, with eight controlled bubbles to the edge, signed H verso, polished base, diameter 70mm

Los 760

John Walsh Walsh, an Arts and Crafts straw opal glass light shade, gourd form, relief moulded with naturalistic leafy tendrils, 21.5cm high, each opening 10.5cm diameter

Los 779

An Art Deco pate de verre glass pendant light, in the style of Muller Freres and Daum, shallow dished form, mottled orange and blue, suspended on three chains, 44cm diameter

Los 890

Stefan Dakon for Goldscheider, 'Bubi; (Louise Brooks), modelled as a standing young lady with light curly hair, model 6210 designed circa 1930, impressed signature to base, incised mark and impressed 394 11, 34cm high

Los 141

Boxing Joe Calzaghe signed 10x8 colour photo. Welsh former professional boxer who competed from 1993 to 2008. He held world championships in two weight classes, including the unified WBA (Super), WBC, IBF, WBO, Ring magazine and lineal super-middleweight titles, and the Ring light-heavyweight title. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Los 278

A TIFFANY STYLE CEILING LIGHT WITH FLORAL DECORATION 32CM DIAMETER

Los 280

A LARGE TIFFANY STYLE CEILING LIGHT WITH BUTTERFLY DECORATION 43CM DIAMETER

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