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534325 Los(e)/Seite
Los 333
Cigarette cards Smith's, selection of mostly Football related cards inc Footballers (brown back) six cards nos 1, 3, 20, 36, 52 & 55, Footballers, (blue back, no series title) two cards nos 46 & 92, Footballers, titled, (dark blue backs) four cards, nos 98, 122, 124 & 134, and light blue backs, three cards nos 98, 124 & 134 plus Football Club Records 1917, three cards, nos 40, 46 & 50, & (different series 1922) three cards, nos 11, 40 & 46 plus Prominent Rugby Players, two cards, nos 7 & 9, (mixed condition, 2 fair, rest gen gd)
Los 481
Stamps, GB+ a collection of mint GB in a new lighthouse stockbook; QV Definitives to QEII decimal commemorative; items of note 1951 Festival Highvalues LMM, Wembley 1925 LMM, 1887 Jubilee 9d LMM, and a number of pre-decimal phosphor issues; together with PHQ cards, FDC, a collection of flown covers, royalty thematics, Channel Islands presentation packs, UV light and Linder magnifying glass. (good) (parcel)
Los 78
§ ANISH KAPOOR C.B.E., R.A. (INDIAN/BRITISH B. 1954) RED DISC Signed and dated 2011 verso, coated stainless steel 30cm (11.75in) diameter Note: Born in Bombay (now Mumbai), India in 1954, Anish Kapoor has since the 1970s lived and worked in London, studying at Hornsey College of Art and Chelsea School of Art throughout that decade. His intensely distinctive sculptural works have made him a name across the creative and connoisseurial worlds, and it is no exaggeration to describe him as one of the most influential artists of our time. Representing Britain at the XLIV Venice Biennale in 1990, Kapoor went on to win the Turner Prize in 1991, was awarded a CBE in 2003 and a knighthood in 2013, for services to the visual arts. He has had solo shows in such institutions as the Royal Academy of Arts and the Turbine Hall at Tate Modern. Kapoor's simultaneous gravitas and popularity may be attributed to the instantaneous grasp his sculpture achieves over the viewer's mind and feelings; the work asks of you both engagement and astonishment, casting a spell on their audience on several levels, and they are often theatrical, as the word "audience" suggests. Frequently executed at extremes of scale, Kapoor's work is both a feat of engineering and of transmutation of form. He works in the most physical, tangible and earthly of materials - pigment, stainless steel, stone, resin and wax - yet his sculptures utilise understanding of what might be termed the physical sciences through art to suggest, through the utterly physical, the unutterable, and eventually the metaphysical. The concave (therefore also convex) disc, perhaps the sculptural form at which his work most comes to rest philosophically, is the model or epitome of these qualities. The viewer is drawn to look into the strange bottomlessness of the reflective surface, absorbed by the work through its depth of pigmentation and the endlessly shape-shifting forms created within the low bowl. This mesmerising, dream-holding quality means that the viewer experiences and feels the work as opposed to merely observing it; the sculpture engages its viewer, or holder, at a suggestive and psychological, as well as a pleasing physical, level. This work is the product of the artist's profound capacity to render in form his continuing conversation with the world that speaks about light and darkness, presence and absence, the solid and the intangible. The work illustrated here for sale is one such classic disc form. The domestic scale is also a highly unusual and desirable quality given the more familiar and all but "untameable", vast proportions of Kapoor's work.
Los 332
Eugene Galien-Laloue (1854-1941) "Boulevard Sous La Neige" signed, inscribed on a plaque attached to the frame and also bearing various labels verso, watercolour and gouache, on tinted paper, 22.5 x 32.5 cm, **Provenance, With, Callaghan Fine Paintings & Works of Art, 22, St.Mary's Street, Shrewsbury, SY1 1ED, May, 2007. The picture is fitted with museum quality glass. The artist was born in Paris and was mainly known for his portrayal of Parisian street scenes. In 1877 he was a student of Charles Laloue, a long time member of the Artistes Francais. During the early part of his career he used a number of pseudonyms to overcome an exclusive contract with a major gallery. These included the names, L.Dupuy, J.Lievin, and E.Galiany, all of which are listed in the catalogue Raisonne. He worked mainly in gouache with a light expressive style, and captured the atmosphere of the French street scene of the early 1900's with an accuracy that reflected that iconic era. Indeed he was one of the first painters to historically represent these bustling streets, and as such has been a great influence to a host of later artists, such as Edouard Cortes and Antoine Blanchard.
Los 1573
An Elkington & Co plated table centrepiece stand, of rococo rustic form, with putto supports, scrolling arms and on a triform base, for use either as a five light candelabra, the top supporting a faceted glass bonbon dish, or as a six light candelabra, with the principal light raised at the top, height of stand excluding glass bowl 66.5 cms.
Los 25
A French champleve enamelled gilt brass four-glass mantel clock Retailed by... A French champleve enamelled gilt brass four-glass mantel clock Retailed by James Shoolbread and Company, London, late 19th century The circular eight-day gong striking movement with Brocot escapement regulated by decorative pendulum and stamped with oval A.1 trademark over serial number 5155 4 8 to backplate, the dial with puce and light blue enamelled rosette to centre within gilt chapter ring with Arabic cartouche numerals and inscribed JAS. SHOOLBRED & CO., MADE IN PARIS to inner edge, with pierced steel hands and conforming enamel bezel over pendulum centred with a matching enamel rosette to the lenticular bob, the frosted gilt bevel-glazed case with canted enamel moulding to top over cavetto cornice and enamelled caddy-moulded uprights, the base with futher cavetto moulding and canted enamel decorated apron, on turned feet, 27.5cm (10.75ins) high.
Los 28
A French gilt brass and champleve enamelled mantel clock in the Louis XV... A French gilt brass and champleve enamelled mantel clock in the Louis XV taste Unsigned, circa 1900 The circular eight-day gong striking movement with stamped VINCENTI & CIE, MEDAILLE D'ARGENT roundel beneath vertically mounted platform lever escapement to backplate, the circular cream enamel Arabic numeral dial with concentric floral trail polychrome painted centre and scroll-pierced gilt hands set behind convex bevel glazed leaf cast hinged bezel, the waisted rococo scroll cast case with leafy surmount to the ogee-shaped upstand fronted with light blue ground polychrome enamelled foliate panel above further conforming infill decoration around dial and to front beneath within elaborate leafy scroll borders, the sides with enamelled cartouche panels within a matted ground, on integral pierced scroll feet with conforming apron between, 33.5cm (13.25ins) high.
Los 521
A quantity of Hornby Dublo boxed 00 gauge models of rolling stock, etc, to include Model No 4312 Goods Break Van WR, Model 4627 Salt Wagon, further Model Nos to include 4647, 4305, 4625, etc, together with further related accessories to include Hornby Dublo 5045 Colour Light Signals, other boxed model railway accessories by Aurora, Minitrix, etc
Los 632
Two English earthenware children's miniature cribs, 19th Century To include two green glazed cribs, one having basket weave decoration and a treacle glazed chair, length of crib 15cm, height of chair 9cm (minor chips). (illustrated) CONDITION REPORT: crib with square panelled decoration with all over light crazing and hairline crack to rim, basket weave crib with chip to rim and minor glaze chipping to foot stand, chair is good.
Los 647
Three Pearlware figures, 19th Century The first depicting a bust of a bearded gentleman with long black hair, height 9cm, the second model of a cat, height 8cm, the third model of a lion, length 8cm, also a two Leeds pottery figures, one depicting a lady with arrows in a quiver with dog beside her, and a child draped in clothing. (illustrated) CONDITION REPORT: Leeds figure with chipping to glaze and fingers, crack to body figure of girl, minor glaze chipping, otherwise good bust of man, light crazing Lion - hairline crack to rim Cat: glaze chipping to ear and body
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534325 Los(e)/Seite