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Preisdatenbank abonnierenVENETIAN MURANO GLASS SIX LIGHT CHANDELIER EARLY 20TH CENTURY in blue and pale brown glass, comprising a centre baluster stem with narcissi and scrolling leaves above six scrolling candle arms with dished flower-form cups, ending in a dropped finial, fitted for electricity 80cm high, 65cm deep
A CHINESE GUAN-TYPE BOTTLE VASEQING DYNASTYThe compressed bulbous body surmounted by a tall flared neck with an everted rim, decorated with horizontal ribbed bands, covered overall in a bluish-grey glaze suffused with a matrix of light and dark crackles, 26.2cm. Provenance: from an English private collection, Sussex.
Josef Lorenzl (1892-1950) for Goldscheider Model of a dancer, circa 1923 Painted and glazed ceramic Impressed 'Laurenzl', stamped to underside 'MADE IN AUSTRIA, 'Goldscheider/Wien' and numbered '5267, 101, 11' 45 cm high Literature Robert E. Dechant, Filipp Goldscheider, 'Goldscheider: History of the Company and Catalogue of Works', Regensburg, Munich 2007, p. 404 (shown as a lamp) Condition Report: Overall general surface were to include light scratches and marks throughout, There is an area of rubbing and wear to glaze on edges of cape, one small chip to edge of cape. The base with one small chip and visible restorations and overpainting. Small loss to end of one finger. Signs of overpainting and therefore possible restoration to face. There is a visible blemish/possible restoration to lower back.
Finn Juhl (1912-1989) for House of Finn Juhl Pair of 'Pelican' lounge chairs, originally designed 1940, executed circa 2015 Walnut, wool upholstery Each with manufacturer's plaques 73cm high, 88 wide (2) Condition Report: Chairs are structurally sound and sturdy. Upholstery with light wear from use some very faint marks to seat of one chair. Supports with small scuffs and marks.
Manner of Paul Kiss Art Deco floor lamp, circa 1930 Wrought iron, glass 173cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Lamp with general surface wear throughout to include scratches, marks and signs of oxidisation throughout. Lamp is without light fittings but electrical wire is present.
Charles Harva Four Art Deco lamps, circa 1930 Craquel glazed ceramic Each bearing maker's mark Tallest 24cm high, 31.5cm high including light fitting (4) It is the buyer's responsibility to ensure that electrical items are professionally rewired for useCondition Report: All lamps with general surface wear to include light scratches and scuffs commensurate with age and handling, metalware with patination and marks throughout. The heptagonal lamp with small chips and tapered lamp with some minor losses to glaze
William John Marriner for Fulham Pottery Alberware range 'FMA' & 'FMC' mantel vases, circa 1937 Glazed earthenware Printed manufacturer's marks FMA : 20cm high, 43cm wide ; FMC : 14cm high, 44cm wide (2)Condition Report: Light general surface wear to include minor marks otherwise in generally good clean condition
Hans Olsen (1919-1992) for Frem Røjle Möbelfabrik 'Dinette' dining table, circa 1962 Teak Stamped manufacturer's marks 75cm high, 106cm diameter, 156cm extended Condition Report: Overall general wear to include light scratches and scuffs. There is a difference in colour to one of the leaves. There are some small losses to veneer to edges of table. Legs screw properly and securely.
Constance Spry (1886-1960) for Fulham Pottery Napoleon's hat vase, circa 1935 Unglazed earthenware with glazed interior Impressed facsimile signature and incised 'C.S 155. 7' 20.5cm high, 43cm wide Condition Report: Overall general surface wear to include light marks and minor scuffs. Interior glaze with craquelure throughout, some minor brown marks and two hairlines running into rim.
Clarice Cliff (1899-1972) Group comprising : 'Bizarre Fantasque' range 'Blue Chintz' pattern jug (Newport Pottery) ; 'Bizarre' range 'Sliced Circle' pattern jug (Newport Pottery) ; 'Fantasque' range 'Broth' pattern jug (Lawleys Norfolk Pottery Stoke) ; 'Fantasque' range 'Cherries' pattern tea cup and saucer (Lawleys Norfolk Pottery Stoke), circa 1930s Glazed and hand painted ceramic Tallest 19.5cm high (4) Condition Report: 'Bizarre Fantasque' range 'Blue Chintz' pattern jug - overall general surface wear to include light scratches and scuffs commensurate with age and use, there are small losses to painted finish particularly to dark blue bands to flower decoration.'Bizarre' range 'Sliced Circle' pattern jug - There is a chip to spout as well as three chips to base, there is also a hairline crack to rim. Painted decoration with small losses and general surface wear to include light scratches an scuffs.'Fantasque' range 'Broth' pattern jug - Overall general surface wear to include light scratches and scuffs commensurate with age and use, there is a small loss to painted finish to spout.'Fantasque' range 'Cherries' pattern tea cup and saucer - tea cup with hairline to one side as well as general surface wear to include light scratches and minor rubbing to decoration. The saucer with rubbing to painted finish particularly to inner circles and to rim.
Carl Kauba (1865-1922) Two Art Nouveau figural vases, circa 1900 Parcel gilt bronze Both signed 'c.Kauber' and stamped 'Geschutzt 4472' Each approximately 19.5cm high (2)Condition Report: Good even patina throughout, light general surface wear commensurate with age and handling. The gilding to the figures has largely worn away.
Dieter Rams (b.1932) for Vitsoe '606' wall mounted modular shelving units, comprising 11 uprights, 19 deep shelves, 12 shallow shelves, 2 two drawer units, 2 desk shelves, originally designed 1960, executed circa 1990-2000 Powder coated steel 11 Uprights – 171cm high 2 two drawer units – 39.5cm high, 66cm wide, 27.5cm deep 17 shelves – 66cm wide, 32cm deep 2 shelves – 66cm wide, 38cm deep 12 shelves – 66cm wide, 23cm deep 2 laminated wood desk shelves - 66cm wide, 38cm deep (quantity) Condition Report: Overall general wear throughout to include light scratches and scuffs, three shelves with oxidisation marks to top surface. Colour of all parts is off white/cream.Dimensions –X 11 Uprights – 171cm high X2 two drawer units – 39.5cm high, 66cm wide, 27.5cm deep X17 shelves – 66cm wide, 32cm deep X2 shelves – 66cm wide, 38cm deep X12 shelves – 66cm wide, 23cm deep X2 laminated wood desk shelves - 66cm wide, 38cm deep
Manner of Stilnovo Two light floor lamp, second half 20th century Lacquered metal, brass, marble 180cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for useCondition Report: Overall general wear to include light scratches and scuffs. Domed shade with some small dents and losses to lacquer on edges. Conical shade is loose from brass mount, would require re-fitting. - brass mount and shade both misshapen where they meet. All brass work with even patination throughout. Marble with light general wear. Fitted with non uk plug.
Charles & Ray Eames for Herman Miller Model '670' lounge chair and '671' ottoman, circa 1960/70 Rosewood veneered plywood, leather, aluminium Lounge chair with manufacturer's label, comes with additional loose original fire labels 670 lounge chair : 83.5cm, high, 84cm wide ; 671 Ottoman : 42cm high, 65.5cm wide, 56cm deep (2) CITES no. 24GBA10G0O962 Condition Report: Chair and ottoman are structurally sound and sturdy. The leather is original with creases, light scuffs and wear but has developed a good patina. The shells are in good general condition with only light scratches and scuffs. The chair feet with losses to lacquer. The ottoman with oxidisation to pole support and scuffs and losses to lacquer on supports and feet.
Rodolfo Dordoni (b.1954) for Foscarini Pair of 'Lumiere' desk lamps, circa 1990 Glass, steel 34.5cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Shades in good overall clean condition with only minimal surface wear, the stands with only minor light surface scratches. The switches are standard. Please note they have European plugs
Leone Panisson Large Murano glass vase, circa 2010 Zanfirico Lattimo and Battuto glass with internal aventurine decoration Inscribed 'Leone Panisson 1/1' 45.5cm high Condition Report: There is a minor ding to the very tip of finial, otherwise only very light surface wear commensurate with handling.
Florence Standfast for Constance Spry (1886-1960), produced by Fulham Pottery Large twin handled mantle vase, circa 1930s Unglazed earthenware with glazed interior Stamped maker's marks 20.5cm high, 47cm wide Provenance Fred Wilkinson collection (Director of Constance Spry Ltd) Private collection Footnote This lot was originally kept at Winkfield Place, where, in 1946, Constance Spry set up a residential college to teach young women the art of flower arranging Condition Report: Light general surface wear, minor blemishes and marks throughout, small firing crack to underside.
Manner of Cesare Lacca Magazine rack, c.1950 Stained beech, glass, brass 44.5cm high, 48cm wide, 23cm deepCondition Report: Magazine rack is structurally sound and sturdy with tight joints. There are some small chips to bottom corner of glass panels as well as general light wear throughout. The wooden sections have quite a thick lacquer – there are small areas with losses to lacquer as well as areas with craquelure to lacquer, the brass parts with even patination throughout.
Dora Billington (1890-1968) Large bowl decorated with abstract design, circa 1930-50 Glazed earthenware Impressed mark 'DB' 14cm high, 34cm diameter Footnote Dora Billington is regarded as a seminal figure in the British studio pottery movement of the 20th century. Billington taught pottery for most of her life (between 1919 and 1955) at the Royal college of Art and Central Saint Martins respectively. Although she was an incredibly skilled and influential potter in her own right, her life and work remains under documented. Today she is better known for the people she taught than for her own work. Her students included Alan Caiger-Smith, William Newland, Margaret Hine, Kenneth Clark, Ann Wynne-Reeves, Gordon Baldwin, Quentin Bell, Katherine Pleydell-Bouverie, Stella Crofts, Ursula Mommens, Ray Finch, Ruth Duckworth to name but a few. Condition Report: Small area (approx. 2cm wide) of re-glued chip to rim, fine hair line emanating from said chip. There is another fine hairline to rim. Fine craquelure to glaze throughout. General overall surface wear to include light scuffs and marks commensurate with age and use.
Florence Standfast for Constance Spry (1886-1960), produced by Fulham Pottery Fern-sided 'No. 80' mantle vase, circa 1935 Unglazed earthenware with glazed interior Impressed facsimile signature and incised '80' 16cm high, 40cm wide Condition Report: Overall general surface wear to include light marks and minor manufacturing blemishes. Interior glaze with craquelure throughout and one hairline. Stand and lower edge of vase with brown staining/discolouration
Deirdre Burnett (1939-2022) Large hand built sculpture of organic form, second half 20th century Glazed earthenware Impressed 'DB' 42.5cm high (ARR) Provenance Estate of Deirdre BurnettCondition Report: Light general surface wear throughout, after thorough inspection I could only find three very minor fleabite chips to edges, otherwise in generally good clean condition.
Élisabeth Garouste (b.1949) & Mattia Bonetti (b.1951) Two 'Koala' lounge chairs, circa 1990 Velvet upholstery, bronze Cast marks 'BG' to bronze feet 82cm high, 75cm wide (2)Condition Report: Both chairs structurally sound and sturdy. Overall general light wear to fabric commensurate with use. The blue chair has s faint stain to one armrest and there are some stains to front edge of cushion and to frieze below. Blue chair is without liner to underside and one rear foot is lacking plastic cap. Purple chair is lacking two plastic caps to feet.
Malcom David Walker (1933-2010) for Dalescraft Pair of armchairs, circa 1960 Teak, leather upholstery Manufacturer's labels 76cm high, 54.5cm wide (2)Condition Report: Both chairs structurally sound and sturdy. Chair frames have been re-finished, there is a small indentation to backrest/top of upright to one chair. There are some minor scuffs and scratches to both chairs. Leather with light wear from use.
Arne Jacobsen (1902-1971) for Fritz Hansen 'Egg' chair and ottoman, circa 2005 Cast aluminum, wool upholstery With manufacturer's labels and identification no. cards Chair : 106cm high, 80cm wide ; Ottoman : 43cm high, 55cm wide (2) Literature Carsten Thau & Kjeld Vindum, 'Arne Jacobsen', Arkitektens forlag/Danish Architectural, Copenhagen, 2001, ppg. 471-472Condition Report: Chair and stool structurally sound and sturdy, Chair in generally good clean condition with only light surface wear from use. The stool with some black stains to underside.
Robin Day (1915-2010) for Hille Model '700' lounge chair, circa 1956 Sycamore and walnut veneered plywood, enamelled steel, Leather upholstery 67cm high, 88cm wide Literature Penny Sparke, 'Did Britain Make It?: British design in context 1946-86', The Design Council, London, 1986, p. 161 Lesley Jackson, 'Robin & Lucienne Day: Pioneers of Contemporary Design', London, 2011, p. 64Condition Report: Chair is structurally sound and sturdy. Overall general wear to include some light scratches, scuffs and minor dings to lacquer. There are some minor nibbles to edge of ply in places. The leather with some slight discolouration. There are signs of oxidisation to supports.
Bruno Gambone (1936-2021) Cat sculpture from the 'Fantastic Animals' series, circa 1972 Glazed stoneware Signed to base 4.5cm high, 8.5cm long (ARR) Condition Report: Please Note - There are two significant losses to tail and some very minor flea bite nibbles to ears, otherwise only light surface wear
Deirdre Burnett (1939-2022) Tapered vase of organic form, second half 20th century Glazed earthenware Impressed 'DB' 25cm high (ARR) Provenance Estate of Deirdre BurnettCondition Report: Light general surface wear throughout, There are some minor firing cracks from manufacture, otherwise in generally good clean condition.
Lucian Ercolani (1888-1976) for Ercol Model 203 armchair & Model 205 ottoman Beech, wool upholstery Manufacturer's label to ottoman 203 armchair : 91cm high, 71.5cm wide ; 205 Ottoman : 38cm high, 55cm square (2)Condition Report: Chair and stool are structurally sound and sturdy. Chair and stool frames with overall general wear to include light scratches, scuffs and marks commensurate with age and use. Chair with dowel slightly proud to the end of one armrest. Chair and stool have been re-upholstered, upholstery with only light wear, chair has been re-strapped.
Deirdre Burnett (1939-2022) Three hand built vases, second half 20th century Lava glazed earthenware Impressed 'DB' Tallest 39cm high (3) (ARR) Provenance Estate of Deirdre BurnettCondition Report: Light general surface wear throughout, one vase with firing crack to rim and to body from manufacture, otherwise in generally good clean condition. One vase has an associated hand written note by Deidre.
Deirdre Burnett (1939-2022) Hand built sculpture of organic form, second half 20th century Glazed earthenware Impressed 'DB' 16.5cm high (ARR) Provenance Estate of Deirdre BurnettCondition Report: Overall light general surface wear, there is a minor visible firing crack to cylindrical base below petals. There are no obvious chips or damage. Would benefit from careful cleaning. In generally good condition.
Attributed to José Zanine Caldas (1919-2001) Centre table, circa 1970-1990 Acariquara tree trunk, glass 82cm high 130cm wide VAT charged on hammer priceCondition Report: Glass top with surface scratches and wear commensurate with use. Glass top sits on base with one rubber ring between glass and base, although it appears from marks to the top of the wood that there were originally three rubber rings to stop the glass from sliding. The base with light general surface wear throughout, there are some losses to the bottom edges of base.
Linley 'Aston' lounge chair and ottoman, together with matching side table, circa 2020 Walnut, leather upholstery Lounge chair : 73cm high, 100cm wide ; Ottoman : 33cm high, 67cm wide ; Side table ; 34cm high, 64cm wide, 30cm deep (3)Condition Report: All parts structurally sound and sturdy, leather upholstery in generally good clean condition throughout with only light signs of wear. feet to chair and stool with minor scuffs, there are a few small scuffs to table top.
Charles West for Fulham Pottery Three 'FWD' mantle vases, circa 1950 Glazed earthenware Two with printed manufacturer's marks one impressed 'FWD 2' 15.5cm high, 29.5cm wide (3)Condition Report: White glazed vases with light general surface wear, in good overall condition. The black glazed vase with some brown staining to interior and with very minor loss to lower edge of base.
Arts & Crafts Sideboard, circa 1900 Oak, ebonised wood, brass 173cm high, 190.5cm wide, 60cm deepCondition Report: Overall general wear throughout to include light scratches, scuffs, small marks/stains commensurate with age and use. Both cupboard doors slightly warped, lacking one shelf, otherwise in generally good clean presentable condition.
WMF (Wurttembergische Metallwarenfabrik) Art Nouveau figural epergne candelabrum, circa 1900 Electroplated metal, cut glass Stamped manufacturer's marks to underside 68cm highCondition Report: General surface wear to silver plate to include light scratches, marks and with even tarnishing throughout. The glass with internal watermarks throughout.
Poul Kjærholm (1929-1980) for Fritz Hansen Model 'PK80' daybed, originally designed 1957, executed 1983 Steel, Leather upholstery Manufacturer's label to frame 31cm high, 194cm wide, 81cm deep Condition Report: Structurally sound and sturdy, some general surface wear to leather to include faint scuffs commensurate with use, there is some wear to colour of leather on corners. The frame with light general surface wear to include faint scratches and scuffs.
Gerard de Witt (1884-1976) for Fulham Pottery 'Coralie' range 'DWM 2' flower vase, circa 1938 Glazed earthenware Impressed manufacturer's marks 24cm high Condition Report: Overall light general surface wear. There is a shallow chip to base approx. 1cm wide, there are also fine cracks with minor chips to the interior arms supporting the inner flower holder.
Yves Klein (1928-1962) 'Table Rose', late 20th century Pink pigment, Acrylic, steel Label to underside signed in pen 'R. Klein-Moquay' and with serial no. 'VG-TGXW' 38cm high, 126cm square Condition Report: Light general surface wear to glass top with some scratches, otherwise in generally good clean overall condition.
Ib Kofod-Larsen (1921-2003) for Mogens Kold Mobelfabrik 'Adam' lounge chair, circa 1965 Ziricote, burgundy leather upholstery Manufacturer's label 92cm high, 94cm wide Condition Report: Chair is structurally sound and sturdy, chair has been r-upholstered in leather. There is a small split to end of side rail, otherwise only light general wear to include scratches and marks commensurate with age and use.
Fratelli Toso Murano table lamp, circa 1950 Millefiori glass, brass 48cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Lamp is in generally good clean overall condition with only very light surface wear to commensurate with age and use, there are some very minor (not visible to the naked eye) fleabite nicks to bottom edge of shade. The brass work has tarnished to an even shade of dark brown. This lamp has a European plug.
Charles & Ray Eames for Vitra Seven model 'EA208' soft pad chairs, 1989 Aluminium, leather upholstery Manufacturer's labels 84cm high, 58.5cm wide (7) Condition Report: All chairs structurally sound and sturdy. The leather seats with wear to include scratches and scuffs, particularly to front edges of seats. One chair with two tears to corner of seat. The frames with general marks and light scratches commensurate with use.
Lady Tina Green & Pietro Mingarelli for Lalique 'Femme Bras Leves' bar from the Lalique Maison collection, edition number 009, circa 2015 Lacquered wood, moulded glass, chromed metal Manufacturer's plaque to interior 118cm high, 146.5cm wide, 56cm deep Footnote Designed by Lady Tina Green and Pietro Mingearelli for Lalique, The 'Femme Bras Leves' Bar features decorative panels which were originally created by René Lalique in 1928 to adorn the cars of the famous Orient Express train.Condition Report: In generally good clean condition. There is light general surface wear to include some small scratches and scuffs. There are two small indentations to inner edges of left cupboard door and door panel.
Arne Hovmand-Olsen (1919-1989) for Mogens Kold Set of six dining chairs, together with a teak dining table by Henning Kjærnulf for Vejle Stole og Møbelfabrik, circa 1960 Teak, woven cord Chairs with metal manufacturer's plaques Chairs : 78cm high, 48cm wide ; Dining table : 73cm high, 139cm wide, 239cm wide extended, 89cm deep (7) Condition Report: Table and chairs all structurally sound and sturdy. All with general wear to include some light scratches and scuffs commensurate with age and use. The table top with small marks/stains and blemishes. Extending leaves darker in colour to rest of table. The woven cord to chair seats are firm and intact, with some discolouration to all chairs.
Peter Hvidt & Orla Mølgaard-Nielsen for France & Son Model 'FD147' three seat sofa, circa 1960 Teak, woven cane Manufacturer's plaque to frame 83cm high, 164cm wide Condition Report: Structurally sound and sturdy with tight joints, the frame appears to have been re-finished with only light general surface wear. The caning has no splits or breaks, but shows signs of wear throughout - The upholstery with some small stains. The springs have been replaced and there are some small losses to the grooves that house the springs.
Pedro Friedeberg (b.1936) 'AJedrez Para Cuatro' sculptural chess set, 1998 Carved, painted and gilt mahogany Signed in paint, exhibition label to base 43cm high (ARR) Provenance Exhibited : Segunda Bienal Internacoinal Juguete Arte Purchased directly from the artist Private collection, LondonCondition Report: General surface wear to include light scratches and scuffs throughout. There are small losses to gilding to several gold pieces with a small chipped loss to the top of finger on the crescent moon piece. One foot of a red piece appears to have been re -placed, I would imagine by the artist. There is a small age related crack to the foot of one of the white pieces.
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