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Preisdatenbank abonnierenâ–² Julian Trevelyan RA (1910-1988) 'Hay-cart'etching and aquatint in colours, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '29/65'plate 35 x 48cmCondition ReportFramed: 62 x 82cmLight cockling with some small scattered speckles of foxing. A slight crease mark to the margin in the centre of the left edge. A couple of thunderbugs trapped behind the glazing. Not viewed out of glazed frame.
â–² Eugène Baboulène (French, 1905-1994) 'Le Matin, Port de Toulon' signed 'E. Baboulene' l.r., also signed, inscribed with title and dated '1961' verso, oil on canvas 60 x 81cmProvenance: With Frost & Reed, London.Condition ReportFramed 78 x 99cmLight surface dirt. There are a couple of very fine cracks starting to emerge to the centre of the top edge but overall the paint appears to be stable. Not examined under UV light, for a full report please contact the department.
English School, 20th century The street seller oil on canvas61 x 51cmProvenance: Christie’s, King Street, 1983 - £750.Condition ReportFramed: 79 x 67cmLight surface dirt. Some slight creasing to the canvas in the lower left quarter. Rubbing to the extreme bottom edge. On close inspection a little cracking is starting to emerge in places but overall the paint appears to be stable. Under UV light some unevenness to the varnish is apparent. Please refer to additional condition images.
â–² Ben Nicholson OM (1894-1982) 'Abstract Composition, 1936'lithograph in colours, 1973sheet 66.5 x 80cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome light crease marks to the margins. The printed area is unaffected and overall the work presents well.
â–² Christoforos Savva (Cypriot, 1924-1968) Still life of a pot plant, fruit and a vase on a tablesigned 'C H Savva' l.r., oil on canvas41 x 51cmProvenance: Gifted by the artist to the owner's late father, Mr Samuel Dresner, who was at art school with him in the 1950s.Condition ReportFramed: 55 x 65cmSurface dirt with minor scuffs and abrasions. Rubbing to the left edge. A small loss to the left edge, lower centre. Two repaired tears to the centre of the right edge measuring 2cm and 2.5cm in length respectively, with a further 3cm long abrasion in the same area. Some minor losses to the lower edge. Pinholes to the corners. Examined under UV light there is no obvious restoration.
â–² Vasilis Zenetzis (Greek, 1935-2016) 'The Acropolis, Athens'signed in Greek l.l., also signed, inscribed, and dated 'Oct 99' verso, oil on canvas50 x 70cmProvenance: Acquired by the current owner directly from the artist.Exhibited: Ebury Galleries, London;The Greek Cypriot Brotherhood Centre, London, Vasilis Zenetzis One Man Show, 23-31 October 1999, catalogue no.40.Condition ReportFramed: 70 x 90cmWell presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Clive Barker (b.1940) 'Homage to Magritte #2' (gold);'Homage to Marlon Brando #1' (gold)two screenprints, each signed and dated 'Clive Barker 1969' in pen l.r., inscribed with title, and numbered '5/10' and '7/10' respectively76 x 51cm, unframed (2)Condition ReportMagritte: Small crescent shaped crease marks throughout. The corners are a little bent and dog eared. Crease and fold marks to the bottom edge. Light surface scratches.Brando: Crease marks and light surface scratches.
Jonas Wood (American, b.1977) 'Large Shelf Still Life', 2017offset lithograph in colours, published for the Shio Kusaka/Jonas Wood exhibition, 30 September 2017 - 8 February 2018, at the Museum Voorlinden, the Netherlands 58 x 58cm, unframedCondition ReportPreviously rolled with very light handling creases visible to the reverse. A small nick to the right side of the top edge. A further tiny nick to the bottom of the right edge, however, in our opinion, presents well overall.
Anatoliy Demenko (Ukrainian, b.1979) 'We Are All Friends Here'signed l.l., also signed, inscribed in Cyrillic and dated '2023' verso, oil on canvas51 x 70.5cmThe artist has taken inspiration from the work of Henry Scott Tuke.Condition ReportFramed: 62 x 81cmWell presented and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² Alexandre Jacob (French, 1876-1972) Cottage viewsigned 'A. Jacob' l.r., with artist's studio stamp verso, oil on board22 x 27cmCondition ReportFramed: 30 x 36cmAppears to be in good condition overall. There are a couple of small dark marks to the window of the building in the upper right, please see images, but this does not detract from enjoyment of the work. Under UV light no retouching or restoration is apparent. Ready to hang.
â–² Hugh Boycott Brown RSMA (1909-1990) 'Norfolk Landscape', 1946inscribed with artist's name, title and date verso, also with an oil sketch of a still life of hydrangeas in a vase verso, oil on board34 x 49cmCondition ReportFramed: 35 x 60.5cm Light surface dirt with a couple of small abrasions where the paint is more thickly applied and appears to be rubbed. Not examined under UV light, for a full report please contact the department.
â–² Edward Burra (1905-1976) Costume design;verso Three figuressigned 'E. J. Burra' l.r. verso, watercolour over pencil51 x 51cm Condition ReportFramed: 72 x 71cmTime staining with light cockling. Some small spots and speckles of light surface dirt. The design at the front has a slight abrasion to the paper in the centre of the left edge with a faint brown line of staining in the same area. Some further light brown staining to left of the character's shoulder, also on the left side, please see iamges. There are some small bugs trapped behind the glazing but the work itself does not appear to be affected. Not viewed out of glazed frame.
â–² Lionel Bulmer (1919-1992) 'Sea Defences'signed 'L Bulmer' l.r., oil on board30 x 30.5cmProvenance: With Messum's Fine Art, London.Condition ReportFramed: 42 x 42cmAppears to be in good condition. Well presented and ready to hang. Not viewed under UV light, for a full report, please contact the department.
â–² Edward Bawden RA (1903-1989) 'The Blue Tractor', 1962linocut in colourssheet 58 x 79cmProvenance: With the Zwemmer Gallery.Condition ReportFramed: 78 x 99cmLight time staining. Very light cockling with a slight undulation to the right of the bottom edge. A very small crease mark to the left of the bottom edge. On close inspection some light handling creases are visible to the white (unprinted) areas of the buildings but this does not detract from overall enjoyment of the print. The print has deckled edges. Not viewed out of glazed frame. Please see additional condition images.
Henry Scott Tuke RA RWS (1858-1929) A young man among rocks at the water's edgesigned 'H. S. TUKE' l.r., oil on board27 x 20cmProvenance: The private collection of the late Sir Donald Cory.Condition ReportFramed: 41 x 34.5cmLight surface dirt with a small amount of rubbing to the upper right edge. On close inspection it is possible to see some fine cracks are starting to emerge to the face and torso of the boy but overall the paint appears stable.The board is sound and in plane. Examined under UV light it appears that a thick varnish has been applied which makes reading difficult and may obscure restoration. Please refer to additional condition images.
â–² Sir William Russell Flint RA ROI (1880-1969) Study of a seated girlsigned 'W Russell Flint' l.c., black chalk13 x 9.5cmCondition ReportFramed: 34.5 x 29.5cmSome soft smudging and light surface dirt. There is a small area where the paper is lighter in the bottom left corner with some slight discolouration, please see images. The work is on laid paper. Ready to hang. Not viewed out of glazed frame.
â–² Fred Yates (1922-2008) 'Fowey'signed 'F J Yates' and inscribed with title verso, oil on board13 x 10cmCondition ReportFramed: 31.5 x 28cmSome very small losses to the bottom edge but presents well overall and is ready to hang. Not examined out of glazed frame or under UV light, for a full report please contact the department.
â–² Gerd Winner (German, b.1936) 'Catfish Row, N.Y.' a set of five aquatints in colour, each signed and dated 'Winner 79' in pencil l.l., and numbered '20/26', printed on Vélin Arches 300gsm at Kelpra Studio, London, and published by Kelpra Editions, complete with title page and presented in the original portfolioeach sheet 92 x 68.5cmCondition ReportThe prints appear to be in good condition. The title page has a wide border of faint discolouration with a small dirty smudge just beneath the title. Some light dirty marks and scuffs to the exterior of the portfolio with a small tear/ abrasion lower centre. Overall the portfolio measures 94.5 x 70 x 2cm.
â–² Sir Frank William Brangwyn RA (1867-1956) Men at work on a ladderpencil and red chalk, squared for transfer60 x 15cmCondition ReportFramed: 74 x 27.5cmDiscolouration to the paper with creasing, rips and tears, please refer to additional condition images. Light cockling. Not viewed out of glazed frame.
John Copley RBA (1875-1950) Sunlight breaking through the clouds over a hilly landscapewatercolour over pencil, heightened with white29.5 x 41.5cmCondition ReportFramed: 52 x 62.5cmLight time staining. A little discolouration to extreme edges caused by the acidic mount but presents well overall. Not viewed out of glazed frame.
â–² John Aldridge RA (1905-1983) Pond a preparatory study for Aldridge's 'Mill in Essex' lithograph, c.1938, with a further sketch verso, pencil 20.5 x 32cm Provenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale; purchased by the current owner from the Fry Art Gallery, Saffron Walden. Condition ReportFramed: 30.5 x 41cm Time staining with light crease marks to the top left corner. There is a small brown spot of foxing to the left of mill in the upper left corner, and brown stain to the upper right corner, please see images. Not viewed out of glazed frame.
â–² After Pablo Picasso 'Carmen', 1949etching, from an unnumbered edition of 289 printed by Atelier Roger Lacourière, Paris, on Montval wove, to illustrate an 1845 novella by Prosper Mérimée31 x 24cmProvenance: Purchased from Wiseman Originals, London.Condition ReportFramed: 46.5 x 37.5cmTime staining with some discolouration to the edges of the sheet. The print is part of a larger sheet folded in half and printed with text, please see additional condition images. Overall the sheet measures 33 x 52cm. Light cockling with some small spots of foxing starting to emerge. Unsigned.
â–² Duncan Grant (1885-1978) 'Design for an Arch'signed with initials l.c., pencil and coloured crayon14 x 19cmProvenance: With Louise Hallett, London;'British Friends of the Art Museums of Israel', auction held at the Victoria and Albert Museum, 26 October 1987, lot 4.Condition ReportFramed: 32.5 x 36.5cmTime staining with pin holes in the upper corners and a vertical fold running through the centre. Some light smudging. The work is inscribed 'fixed' in the u.r. corner. Not viewed out of glazed frame.
â–² David Cowan Dobson (1894-1980) Portrait of a lady, half-length seated, in a fur coat and pink scarfsigned 'Cowan Dobson' and indistinctly dated l.l., oil on canvas77 x 64cmCondition ReportFramed: 95 x 81cmSurface dust and dirt with some light scuffs. The canvas has been pierced in the upper right and there is a light scratch measuring 9cm in length just beneath, please refer to images. There is a further small pierced hole just above the sitter's head. Not examined under UV light, for a full report please contact the department.
Anatoliy Demenko (Ukrainian, b.1979) 'Swimmers on the Beach'signed l.l., also signed, inscribed in Cyrillic, and dated '2023' verso, oil on canvas70 x 46.5cmThe artist has taken inspiration from the work of Henry Scott Tuke.Condition ReportFramed: 81.5 x 58cmIn good condition and ready to hang. Not examined under UV light, for a full report please contact the department.
â–² John Piper CH (1903-1992) 'Sunningwell, Oxfordshire' (Levinson 377)lithograph in colours, 1985, signed 'John Piper' in pencil l.r. and numbered '35/70', published by Marlborough Fine Artplate 54 x 70cmCondition ReportFramed: 73 x 88cmLight cockling but presents well overall. The print is crisp and the colours are bright. Unexamined out of glazed frame.
â–² Roger de la Corbière (French, 1893-1974) Bretagne Saint-Lunairesigned 'R. de la Corbière' l.r., oil on canvas61 x 92cmCondition ReportFramed: 74 x 104.5cmLight surface dirt. There is a vertical line of faint discolouration lower centre, please see images. A slight raised line in the canvas to the sky in the upper right. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
Henry Scott Tuke RA RWS (1858-1929) A street scene, North Africa, possibly Algiers, 1925watercolour24 x 14cmProvenance: The private collection of the late Sir Donald Cory.Condition ReportFramed: 37 x 28.5cmFoxing and light time staining, please refer to images. The colours appear to be a little muted. Not examined out of glazed frame.
â–² Laurence Stephen Lowry RBA RA (1887-1976) 'Punch and Judy'lithograph in colours, printed by the Baynard Press for School Prints Ltd., Londonsheet 49 x 76cmCondition ReportFramed: 65 x 85cmSome small rips and tears to the red border on the right side of the bottom edge. Light time staining. Not viewed out of frame.
â–² Prunella Clough (1919-1999) 'Mining Landscape', 1961signed 'Clough' l.r., oil on board38 x 34cmProvenance: The Estate of Christopher Bangs.Condition ReportFramed: 52 x 48cmLight surface dust and dirt to the crevices of the impasto. Appears to be in otherwise good order. Not examined under UV light, for a full report please contact the department.
Henry Scott Tuke RA RWS (1858-1929) The four-masted sailing ship 'Pinmore' at anchor signed 'H. S. TUKE' l.r., inscribed 'Pinmore/J D Clink/Greenock' l.l., pencil 17.5 x 24cm;and anotherSteam shippencil5 x 13cm (2)Provenance: With Abbott & Holder, May 2000;the private collection of the late Sir Donald Cory.A label verso states the drawing was originally from a sketchbook signed with Tuke's initials and dated 1898.Condition ReportThe four masted sailing ship, Pinmore at anchor: framed, 28 x 33cmTime staining with a small handling crease visible to the background in the upper left quarter. Some very light discolouration to the extreme edges. Steam ship: framed, 13.5 x 20.5cmTime staining with light cockling and some faint dirty smudges. Not examined out of glazed frames.
â–² Ronald Searle (1920-2011) Christeningsigned and dated 'Ronald Searle/Novembr 24 1951' l.r., inscribed 'A strange procession/seen passing into/Saint James' this day/Novembr 24 1951' u.r., pen and ink and coloured crayon23.5 x 12.5cmCondition ReportFramed: 43 x 30cmTime staining. A 5mm tear and small scuff to the centre of the top edge. A couple of light surface abrasions to the left of the bottom edge. Not viewed out of glazed frame.
â–² Prunella Clough (1919-1999) 'Side Elevation', c.1972signed 'Clough' l.r., mixed media 26 x 30cmProvenance: The Estate of Christopher Bangs.Exhibited: Olympia, London, 'Prunella Clough', 2-7 March 2004, cat.no. PC-188.Condition ReportFramed: 46.5 x 50cmPossibly some very slight timestaining but appears to be in otherwise good condition. There is some light dust and dirt to the reverse of the glazing but the work itself is not affected. Not viewed out of glazed frame.
â–² David Shrigley (b.1968) 'When Life Gives You A Lemon, You Must Eat the Lemon'offset lithograph in colours, 2021, from an open edition80 x 60cm, unframedCondition ReportLight handling creases to the bottom half. A small 1cm crease mark to the left of the word 'ALL'. In otherwise good condition.
â–² James McIntosh Patrick RSA (1907-1998) 'Linn O'Dee'signed 'McIntosh/Patrick' l.l., and dated '1964' on a label verso, oil on canvas61 x 51cmProvenance: Mrs J Reid.Condition ReportFramed: 74 x 64cmThere are some small black spots and speckles to the sky in the upper right quarter, please see images, but the work presents well overall and appears to be in otherwise good condition. Not viewed out of glazed frame or under UV light, for a full report please contact the department.
â–² Damien Hirst (b.1965) 'The Last Supper'offset lithograph in colours, 2005, signed 'Damien Hirst' in pencil l.r.sheet 148 x 197cmCondition ReportFramed: 149 x 198cmSome small nicks, creases and abrasions to the extreme edges. Light cockling. Small white spots and speckles to the left edge. The print in mounted in a perspex frame which has some light surface scratches.
â–² George Underwood (b.1947) 'The Lion Tamer'signed and dated 'George Underwood 2004' l.r., oil on canvas112 x 87cm, unframedProvenance: With Portal Gallery, London.Condition ReportLight surface dirt but presents well overall and appears to be in otherwise good condition. Not examined under UV light, for a full report please contact the department.
â–² Bernard Dunstan RA (1920-2017) By San Stae, Venicesigned with initials l.l., oil on board28.5 x 21cmProvenance: With Thomas Agnew & Sons, London.Condition ReportFramed: 35.5 x 28cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² Reuven Rubin (Romanian-Israeli, 1893-1974) 'Jaffa Fisherman'signed 'Rubin' l.l., pencil and watercolour 47 x 36cmProvenance: Dalzell Hatfield Galleries, California;Los Angeles County Museum of Art, California, accession no. A.6672.54-1.Condition ReportFramed: 75 x 61.5cmTimestaining and light cockling. Not viewed out of glazed frame.
â–² Ethelbert White (1891-1972) 'The Sun Umbrella' signed 'Ethelbert White' l.r., inscribed with title verso, oil on canvas 60 x 73cm, together with a copy of 'Ethelbert White,1891-1972: Painter, Printmaker' by Hilary Chapman, published by Primrose Hill Press, 2003 (2) Condition ReportFramed: 81 x 93cm A very minor loss to red plant on the left side, please see additional condition images. Appears to be in otherwise good condition. Well presented and ready to hang. Examined under UV light no retouching is obvious.
Henry Scott Tuke RA RWS (1858-1929) Head of a boy pen and ink and wash 17 x 11.5cm; together with: Two boys pencil 12 x 17cm (2) Provenance: With Abbott & Holder, November 2000; the private collection of the late Sir Donald Cory. Labels verso state the drawings were originally from a sketchbook signed with Tuke's initials and dated 1898. Condition ReportFramed: 26.5 x 20.5cm Time staining and light cockling with slight discolouration starting to emerge to the extreme edges. 'Head of a boy' has some small spots of foxing. there is some light brown staining across the boy's nose and upper lip, please refer to images. Not viewed out of glazed frames.
â–² Bernard Dunstan RA (1920-2017) Portrait of Damaris, 1975 signed with initials l.l., signed, dated and numbered '56' verso, oil on board33 x 24.5cmCondition ReportFramed: 44 x 35.5cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² Henry Collins (1910-1994) 'Winter Landscape'signed and dated 'Henry Collins 44' l.r., oil on canvas45.5 x 56cmCondition ReportFramed: 59 x 69cmRubbing to the edges. A couple of very minor losses. A little craquelure starting to emerge in places. There are two very fine impact cracks at the bottom of the area of green in the upper right quarter. Some cracking to the lower right corner with the potential for flaking. Faint stretcher marks to the right and bottom edges. Some retouching is visible above the log, bottom right. Under UV light some small spots of touching up are visible to the corners and edges, with further small patches of restoration evident to the lower right quarter. Please refer to additional condition images.
▲ Stephen Bone (1904-1958) Self-portraitsigned 'Stephen Bone' l.r., further signed l.l., oil on canvas61 x 51cm, unframedProvenance: From the artist’s family and thence by descent.Condition ReportSurface dirt with rubbing and surface abrasions to the edges. A 5cm vertical scratch to the lower edge, centre right, please see images. Not examined under UV light, for a full report please contact the department
Harold William Boutcher (fl.1893-1903) Study of a nude male modeloil on canvas91 x 61cmProvenance: The private collection of the late Sir Donald Cory.Condition ReportOverall: 99 x 69cmRelined. Craquelure and light surface dirt with a couple of extremely minor losses to the background. Some thinning to the paint in places. Light surface scratches to the bottom of the right edge. Under UV light there are spots of restoration visible to the sitter's shoulder and upper lower left thigh. A thick glossy varnish has been applied which may obscure further restoration. Please refer to additional condition images.
â–² Lionel Bulmer (1919-1992) 'Beginning of the Beach'oil on board30.5 x 30.5cmProvenance: With Messum's Fine Art, London.Condition ReportFramed: 42.5 x 42.5cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
Derek Carruthers (1935-2021) 'Boxed Animals'signed 'Carruthers' l.r., dated '4.91' verso, oil on canvas 50 x 40cmProvenance: From the studio sale of the artist.Condition ReportFramed: 62 x 52cmSpots and speckles light of surface dirt with some small dirty marks to the centre, please refer to image. On close inspection the canvas has extremly slight undulations in the top left and bottom right corners but when viewed on the wall this does not affect viewing enjoyment. Not examined under UV light, for a full report, please contact the department.
â–² Stella Vine (b.1969) 'Katie' (Price)signed, inscribed with title and dated '2004' verso, oil on board61 x 51cm, unframed;this lot includes a limited edition card for the exhibition 'Prozac and Private Views - Stella Vine', held at the Transition Gallery, London, 10 June - 4 July 2004, signed by the artist and numbered '39/200' (2)Condition ReportAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² After Pablo Picasso 'The Flute Player', 1959lithograph, signed in the plate, numbered '618/2000' in pencil l.r., on Arches wove65 x 48.5cm (visible);together with:'Don Quixote', 1955lithograph, signed in the plate52 x 35.5cm (visible) (2)Condition Report'The Flute Player': framed, 65 x 52.5cm 'Don Quixote': framed, 56.5 x 39.5cmTime staining and discolouration to the paper. Light cockling. The signatures are printed, not original. Not viewed out of glazed frames.
â–² Robert Chailloux (French, 1913-2006) Still life with earthenware vessels, apples and grapessigned 'Robert Chailloux' l.l., oil on canvas46 x 55cmCondition ReportFramed: 63 x 74cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
â–² Sir Eduardo Paolozzi RA (1924-2005) Carplaster18cm wide9cm deep7.5cm highProvenance: The artist's estate;thence by descent.Condition ReportSome small knocks and chips. Light surface scratches and surface dirt. A couple of larger chips to the underside of the base. Please see additional condition images.
Neil Welliver (American, 1929-2005) 'Si's Hill'screenprint in colours, signed 'Welliver' in pencil l.r. and numbered '64/144'image 92 x 91cmCondition ReportFramed: 103 x 103cmLight time staining to the margins. There are some watermarks along the bottom edge but the printed area does not appear to be affected. The bottom right corner is a little rippled. A small 2.5cm tear to the bottom margin, centre right. Light creasing to the centre of the top margin. A couple of small dirty marks to the centre of the bottom edge of the printed area and top right corner. A small surface abrasion to the clouds to the left of the top of the tree. On close inspection some light surface dirt and scuffs are visible, predominantly to the top of the tree, please refer to additional condition images. Not examined out of glazed frame.
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