* ANNABEL GOSLING (BRITISH b 1942), AFTERNOON SUN, BURGUNDY oil on canvas, signed 92cm x 61cm Framed. Label verso: Woodhay Picture Gallery, The Holt, Newbury, Berkshire. Note: Born at Overbury, Worcestershire, Annabel Gosling has been a full-time painter since the age of sixteen. She studied at the Ipswich School of Art, The Byam Shaw School of Drawing and Painting and Angers Beaux Arts in France. She was awarded Scholarships by both the Leverhulme Foundation and the Byam Shaw. Since the age of 20, when she first exhibited at the Royal Academy Summer Exhibition, she has had numerous London solo exhibitions at West End galleries. She has also shown regularly with mixed exhibitons, including the Royal Academy Summer Exhibition, the Royal Society of British Artists and the New English Art Club. She was awarded the Meynell Fenton Prize at the Discerning Eye. Her commissions have included those from the Savoy Hotel, the Royal family of Abu Dhabi and a large fresco ceiling for Pavilion Opera. In the course of her career she has journeyed extensively, travelling throughout India, Spain and the Mediterranean in search of the distinctive light that permeates all of her paintings.
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* TOM BARRON, ROCKS AND SHORES, SANNA oil on canvas, signed; titled verso 40cm x 40cm Framed. Note: Tom is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.
* TOM BARRON, ROCKS AND SHORE, MACHRIHANISH oil on canvas, signed; titled verso 30cm x 30cm Framed. Note: Tom is a Scottish landscape and seascape painter, whose thoughtful and romantic work captures the Scottish landscape in a raw, natural way, depicting the light, climate and beauty of his homeland with authenticity and power. Tom Barron's paintings are exhibited and sold through the Whitewall network of over forty galleries in the UK.
* TIM DOLBY (BRITISH b 1954), BURNISHED Verre Églomisé, signed 60cm x 90cm Framed. Note: The term Verre Églomisé is derived from the French for glass (verre) and Glomy (églomisé) from Jean-Baptise Glomy an 18th Century Parisian art dealer who re-popularised the technique. It is a very old technique first used in pre Roman times but became popular again in the 15th Century and has been used in many art and craft forms with a resurgence of interest taking place now. Essentially it involves a mix of applying Gold leaf, painting and engraving onto the back of glass. This requires the Artist to be able to build up the image in reverse to what is the norm when painting on the front side. That is to say, the top layer goes on first and subsequent layers are applied until finally you apply the background layer. Gold leaf is applied using a substance called Isinglass to create a firm bond between leaf and glass. It comes from the swim bladders of fish and creates an invisible bond leaving the leaf with a mirror like surface on the glass. When combined with enamel paint the result are paintings which are highly dynamic as they catch the light and reflect differently as you move around the room. Over the years, Tim Dolby has developed a mastery of the technique in a unique contemporary style.
Victorian Light Infantry Officers Sword with 32 1/2 inch slightly curved broad single fullered blade, with engraved detail including Victorian Crown and Light Infantry bugle cipher, Coat of Arms and Ashton Under Lyne Volunteers 1860 Ensign Lee, with half basket hilt with crowned bugle and steel scabbard
ESTIMATE £3000 - £4000Chassis number 613933 - This example of 14 Light 6 Model ASXSB as initially introduced on June 14th 1933 (ASX denoting the larger 1781cc engine) was available only in "DeLuxe" specification which gave the buyer a sliding sun roof, two windscreen wipers, rear seat folding centre arm rest, a patented "No Draft" ventilation system along with a larger power output and all at no extra charge thus making it the same price of £215 as the standard 14 model. Production ended during August 1934 by which time 23,294 had rolled of the Luton assembly lines. From our research it appears that this car was originally registered in Flintshire, North wales, as DM 8865 , a number range issued in this area until 1936. With a DVLA registration date of July 9th 1959 which is some 23 after the car was produced it is impossible to decide why this is the case although an educated guess might lead one to believe the car was laid up at the outbreak of WW2 and remained so until 1959. The original registration was removed in 2002 and the car reallocated the DAS 948 number it carries today. This example would appear to have had little or no restoration and has an excellent patina, the car drives when started and the vendor and current registered keeper states he has driven the car locally on several occasions. We have no other information regarding this example. DAS948 Miles:90,913 Keepers:. Year:1934 MOT: Doors:4 Color:Black
ESTIMATE £6000 - £8000Chassis number 1G5210 - supplied new on April 10th 1970 by "George Newman & Co Ltd, Northways Parade, Swiss Cottage, Finchley" for a renowned and titled Scottish Ophthalmologist to King Edward VIII, King George VI and Queen Elizabeth II. This first owner had been born in Tealing by Dundee and was at this time residing in St. Johns Wood, registering the car in his Companies name "Tealing Books" the car remained with his widow after his death in 1978 until 1983 when her Ladyship, having close connections with The University of London expressed a wish to sell the car to the University, an AA report was duly commissioned and a copy remains within the history file. In the event the University elected not to proceed with the purchase and at 16650 miles the car was subsequently purchased by another titled gentleman and Principle of the University of London and later the Vice Chancellor of the University of Hull, who was to remain the second owner of the car until his retirement in 1991. The cars history records a service at 26465 miles during July 1991 in Hull, along with a good selection of previous invoices during this ownership. From the history file we can see that the car finds its 3rd owner during September 1991 this time in the Market Town of Lutterworth, Leicestershire, where the car was to remain until the current registered keeper and vendor acquired the car during September 2010. The car retains its original Owners Service Policy dated April 14th 1970 and Routine Service Booklet with the first Free Service signed by G Newman. The XJ6 was launched during September 1968 in 2.8 and 4.2 guise this an early Series 1 example distinguishable by having the rear reflectors within the boot reverse light cluster as opposed to below the rear light cluster and chrome gauge bezels as opposed to black ones. An unusual feature, inherited from the Mark X and original S Type saloons, was the provision of twin fuel tanks, positioned on each side of the boot, and filled using two separately lockable filler caps, one on the top of each wing above the rear wheel arches. For 1969 the XJ6 achieved the acolade of "Car of The Year" with a total 2.8 production run 19322 examples. BYE410H Miles:41,796 Keepers:3 Year:1970 MOT:23/06/2020 Doors:4 Color:Grey
ESTIMATE £50,000 - £60,000Chassis number: J701R11245 - Originally built in 1970 for US specification, where we are told this vehicle was in San Diego from 1970. It was eventually shipped to the UK, where it was registered on 26th May 1989 and converted to right hand drive. We are informed the car underwent a comprehensive over hall in 2008, which included converting to triple SU carburettors and the engine converted to run on unleaded petrol. After nearly 10 years storage, the vehicle has received some light re-commissioning, consisting of a replacement battery, electronic ignition, recent carb refurb, brake refurb, water pump, and an oil change.DNP109H Miles:24,137 Keepers:3 Year:1970 MOT: Doors:2 Color:Beige
Circa 1930s American Appliqué Quilt, decorated in a nine patch double wedding ring pattern in white, internally patched with pink and blue cotton, within a scalloped edge and blue cotton trim, white to the reverse, made in Fernandina, Florida, 160cm by 200cm .From the Jan Hassard Heritage Collection Part IIFront shows slight wear, reverse has a couple of light brown marks.
Circa 1930s American Appliqué Quilt, decorated with four pink flowers with stems to the centre, framed within a pink cotton frame, and pink flower heads and leaves appliquéd to the border, quilted and embroidered overall, within a scalloped edge, trimmed with pink cotton, made in Vermont, 195cm by 200cm . From the Jan Hassard Heritage Collection Part IISlight wear overall, light brown mark to the reverse.
Early 20th Century African American Quilt, incorporating decorative printed cottons in the Square-within-a-square patchwork design, South Carolina, with a checked cotton to the reverse, 175cm by 200cm; A Similar Cot Quilt, in the same patchwork design using wools, with a pink reverse, Charleston, South Carolina, 100cm by 115cm (2).From the Jan Hassard Heritage Collection Part IILarger quilt - edges have been cut, fading and some light coloured stains. Cot quilt - several small holes to some of the wools, black border has stained the reverse in numerous areas around the edge.
Late 19th Century White Cotton Coverlet, appliquéd overall with large flower heads, in floral sprigged printed cottons in pink, purple, green, brown and white, white to the reverse, 165cm by 216cm. Some staining to the centre fold, another light stain down another fold, one of the brown petals has worn and shows stitched repairs.
18th Century Needlework / Sampler, Worked by Mary Ann Charlesworth, Aged 10, Dated 1784, the central light brown linen ground worked with an alphabet and religious verse, surrounded by various embroidered flowers and thistles, with a mount covered with earlier cream silk, embroidered with similar style flowers and leaves in greens, pinks, yellows and blues, in a later wooden frame, 51cm by 39cm
Three 1920s Day Dresses, comprising a turquoise silk sleeveless dress with scalloped edge to the cream neckline and hem on the pleated skirt; a wheat yellow cotton 3/4 length sleeve dress, printed with a square repeat pattern in blue, mustard yellow and raspberry; and a blue and brown striped silk long sleeve dress, the long neckline with horizontally striped modesty panel, met by two decorative buttons (3) . Turquoise - some small pin holes to reverse and some staining to reverse lower skirt. Yellow dress - some light wear. Striped dress - several small holes to the reverse, occasional further small hole/stain.
Assorted 1920s-1950s Ladies Costume, comprising deep blue sleeveless evening dress, with pleated detail to bust and ostrich feather trim to skirt, zip fastening to side; dark purple chiffon evening dress, with sheer overskirt and sleeves, beaded detail to bodice over-layer, zip fastening to side; Fenwick French Salon white rabbit cropped jacket; cream satin cropped bed jacket, quilted with flowers and lined in pink; and a crazy-patchwork house coat/dress, quilted in vibrant colours and trimmed in purple velvet (5) . Deep blue dress - 30'' bust, 38'' shoulder to hem, some staining to bust area, feathers 'flattened' in places; Purple dress - 30'' bust, 35'' shoulder to hem, some staining/spotting in places. Fur jacket - 32'' bust, 19'' shoulder to hem, 8'' underarm to cuff, hole near one cuff, some stains to lining and fur, wear overall. Bed jacket - some light stains and thread pulls/wear. Patchwork coat - 30'' bust, 17'' underarm to cuff, 55'' shoulder to hem, some tears to pink patched around cuffs on on reverse, some other tears/holes signs of wear, lining with tears particularly to area joining collar, colours still bright and most patches in good condition,
Four 1920s Day Dresses, comprising a dark cream collared dress, with button down details and attached turquoise bow; a cream, light brown and blue striped long sleeve dress, with attached necktie to the V-neckline; a lilac and cream finely striped 3/4 length sleeve dress, the square neckline with cream buckle details; together with a dress of the same design in pink and cream (4). Dark cream dress - various light stains and overall wear. Brown/cream striped - various stains, several small holes to reverse of bodice. Lilac & cream striped dress - small pin hole to reverse. Pink & cream striped dress - a few tiny stains.
Four 1920s Day Dresses, comprising a buttermilk sleeveless dress with part-pleated skirt; a terracotta Summer jacket, with spiralised rosette detail to waist fastening; a cream and brown gingham long dress, with pussy bow detail and cap sleeves, buttons to nape of neck; and a candy pink dress with cream and brown horizontal striped panels (4). Buttermilk dress - some wear. Terracotta dress - some staining and grubby marks, spiral detail lacking a fastener/hook, shredding to underside of collar. Gingham dress - light wear. Candy pink - with various holes, tears, wear and staining.
Assorted 20th Century Ladies Costume and Accessories, comprising an Edwardian cream silk wedding dress ensemble, comprising dress and matching over-bodice (contained in a Leak & Thorp, York box); 1920s/30s light pink bed jacket, printed with sprigs of flowers, three satin type bows to the front; 1940s black floral patterned dress with waist peplum and tie, button fastening to reverse; 1950s moss green wool coat, with brown fur collar and large buttons; 1950s floral housecoat, densely printed with large flower heads; 1970s Christian Dior moss green wool jumper with tiered detail to waist and bellowed cuffs; Christian Dior rabbit wool blend pink ribbed jumper, with purple collar and cuffs; two 1970s Angela Gore cotton day dresses, one in light blue (size 12), the other turquoise (size 14); three pairs of various Edwardian shoes, stockings, gloves etc
Circa 1940/50s Ladies Separates, comprising a Janet Colton cream lace mounted shell top; Ship n' Shore cream sleeveless top with ruffle trim (size 34); black lace mounted top with short sleeves, buttons to the front and waistband; Donald Davies of Dublin/I Magnin & Co cream wool long sleeve shirt (size 16); E Perlin pale pink seersucker style short sleeve shirt; London Pride yellow floral printed cotton long sleeve shirt (size 16); Morphita brown shell top with cut velvet decoration; Duncan Wright brown corduroy coat, double breasted with large stylish pockets to the front; Tootanel Shantex brown shell top decorated with leaves; Gold Cross Garment shirt dress in brown cotton printed with circles; blue straight skirt with white spots; navy blue and white spotty dress, with collar and double breasted buttons to the front, three quarter length sleeves, navy blue inserts to the pleats front and back; floral printed short sleeve shirt dress, with pink, yellow flowers on a burgundy ground; a navy blue cut work dress with floral lining fabric, short sleeves, boat shaped neck; grey silk type dress printed with lace pattern, elbow length sleeves, buttons to the bodice, black velvet collar, cuffs and pockets, inverted pleat to the skirt; pale pink dress mounted with black machine lace, black velvet collar, button placket and cuffs to the short sleeves; brown woven and cut work sleeveless shirt dress and matching jacket with round neck, long sleeves and button to the front; large navy blue and light blue wool check swing jacket with long sleeves, side pockets and collar; black circular/flared skirt printed with blocks of coloured flowers; Jobrey black, green and gold striped cotton skirt with gathered waist and lining (20). Janet Colton top - slight staining. Ship n'Shore top - hem cut. Black lace top - couple of loose threads. E Perlin shirt - slight wear. London Pride - slight wear. Morphita - slight wear. Duncan Wright coat - some wear and fading. Tootanel Shantex top - seams under both arms are loose. Gold cross garment dress - lacking belt and slight wear. Blue straight skirt - stitched repair to the kick pleat at the back and slight wear. Spotty dress - lacking belt and slight wear. Floral dress - button holes repaired, some wear and lacking belt. Navy cut work dress - lacking belt, slight staining and wear under the arms and overall, rusting zip. Grey dress - lacking belt, slight fading under the arms and wear to the velvet. Pale pink dress - no belt, thread pulls to the lace, wear under each arm and staining to the lining of the sleeve. Brown dress and jacket - slight wear and fading under the arms of the dress, jacket has slight wear and some discolouration to the lining. Navy checked jacket - lining has a hole and some discolouration, slight fading and wear to it. Black skirt - slight wear. Jobrey skirt, repairs to the waist and slight wear.
Circa 1950s Printed Cotton Day Dresses, including a Wendy green and white large printed check dress, buttons to the waist, long sleeves and pleated skirt and belt; floral printed short sleeve shift dress, pleats to the skirt, fitted bodice and matching jacket; St Michael green printed cotton shirt, three quarter length sleeves (38'' bust), green short sleeve dress with white floral horizontal stripes, belt missing (size 14); Lily Gay yellow and grey striped dress with large black flower heads, A-line skirt, belt missing; black and blue sleeveless sundress, bows to shoulders, pleated skirt, printed with Egyptian figures; green and white checked sleeveless dress; Kayser Bendar pale pink short sleeve dress printed with black and white flowers, fabric belt (size 34); blue and white striped sleeveless dress, neck tie to the collar and attached belt; Brilkrie Models blue cotton dress printed with black and white flower heads, wrap style bodice, black trims and bow appliqués (size 16); and Nine Printed Cotton Aprons (rail and box). Wendy dress - good condition. Floral dress and jacket - some wear and a couple of loose threads. St Michael green dress - slight wear, green striped dress - slight wear. . Lily Gay striped dress - slight wear. black and blue sundress - some loose threads and slight wear. Green and white check dress - slight wear. Kayser Bendar - slight wear. Blue and white striped dress - slight wear, couple of light marks to the back. Brilkrie Models - slight wear.
Circa 1950/60s Evening Wear, including a purple and pink brocade full length strapless dress with hooped petticoat, ruched bust and bow to hip; black net dress with black velvet straps, woven with metallic blue threads, ruched bodice, two black velvet bows, full skirt; black velvet sleeveless cocktail dress with notched neckline, appliquéd to the skirt with black and coloured silk embroidered flowers; Murielle Glasgow blue silk full length strapless dress appliquéd with flower heads; pink spaghetti strap shift dress, Indian gilt woven decoration and glass 'jewels'; blue brocade dress with spaghetti straps, faux wrap bodice with white trim; blue chiffon and lace mounted cocktail dress with multi pleated chiffon bodice, short sleeves and straight lace skirt; blue and gold floral brocade full length dress with pleated shoulder straps, sleeveless and pleated skirt; Blanes black velvet full length dress with velvet spaghetti straps and large sequin detailing (size 14); Jean Patou Paris black velvet evening coat, round collar and double breasted style buttons (10). Purple/pink brocade dress - 33'' bust, some light staining to the lining of the bodice, slight wear overall. Black net and blue metallic dress - 34'' bust, wire loose to underskirts, velvet straps worn and re-stitched, slight wear overall. Murielle Glasgow blue dress - wear around the top of the bodice, alterations, slight fading in some areas, loose threads to the flower heads. Pink dress - slight wear. Blue brocade dress - slight wear overall. Blue chiffon dress - some fading and wear. Blue and gold brocade dress - slight wear. Blanes dress - sequin losses and some wear to the velvet. Jean Patou - slight fading and wear.
Saint Laurent 'Rive Gauche' Floral Drop Waist Dress, Circa 1970s, patterned throughout in pink, orange and blue flowers, with frilled shawled collar to the boat neckline, the mullet skirt frilled and pleated, zip fastening to side (size 38); together with Two Gina Fratini Dresses, one example in emerald green wool with frilled sleeves, neckline and waist, zip fastening to reverse (size 12), the other in a simple midnight blue rayon, zip fastening to reverse (size 10) (3) . Blue Gina dress with light stain to skirt, otherwise all appear in good condition with very mild wear.
Gentlemen's Assorted Shoes and Suits, comprising a pair of Churches velvet loafers embroidered with pheasants (size 8.5); pair of black leather tasselled loafers (size 8); pair of Alfred Sergeant black leather tasselled loafers (size 7.5); pair of brown tooled leather brogues (no size); pair of brown leather brogue/boots (no size); Christian Dior double breasted grey pinstripe suit; another unlabelled grey pinstripe suit; and a Daks London blue wool double breasted jacket (qty). Christian Dior suit - trousers - 34'' waist, 30'' inner leg, jacket - 38'' chest, 28'' shoulder to hem, 15.5'' underarm to cuff, overall good condition with some light wear. Unbranded - trousers - 34'' waist, 30'' inside leg, jacket - 34'' chest, 28'' shoulder to hem, 17'' underarm to cuff, some slight wear. Daks jacket - 36'' chest, 30'' shoulder to hem, 17'' underarm to cuff, some small stains and with wear. Shoes with various pairs, all in worn condition.
Six Necklaces and Two Necklace and Earring Sets, by Butler & Wilson, comprising of a green and blue floral example; a yellow metal and simulated pearl example; a blue and lilac floral example; a blue, pink and orange floral example; a pink and light brown floral example; a purple, red, black and yellow beaded row example; a pink and black disc necklace with matching earrings; and a yellow and red floral necklace with matching red disc earrings, all with boxes (8)
Group of Ladies Assorted Formal and Occasion Hats, comprising a Peter Bettley for Harrods light green tiered hat with large flower; Trikki by Edna Wallace dove grey pillbox hat with ribbon detail; Frederick Fox navy blue and champagne brimmed hat with sculpted detail to front; black woven hat with silk ribbon detail; Philip Somerville ivory woven hat with silver/grey trim and feathers; white mink fur hat; Herbert Johnson blue velvet hat; similar John Boyd hat, patterned with pink and purple stripes; and a burgundy velvet similar hat (five boxes)
19th Century Ottoman Linen Embroidered Panel, made up of smaller panels stitched together, decorated with Isnik style floral motifs with a gold stem hung with gold leaves, incorporating blue, peach, green, black, yellow, green and silver coloured threads, 35cm by 140cm; Another Smaller Panel, incorporating four large peach coloured windmill sail style flower heads, with silver embroidery and alternating to the petals are green stems with small spiky leaves, made up of two panels, mounted with cut work design of flower heads, 49cm by 60cm; A Valance woven with six blocks of nine similar flower heads in peach, green and metallic threads, on three striped linen cloths stitched together, 45cm by 136cm; a Linen Floral Sprigged Embroidered Cloth, comprising half the cloth decorated in bright coloured silks woven as floral sprigs, 34cm by 85cm (4). Embroidered panel - one stitched repair, couple of small areas of small brown marks, and slight wear. Four flower head panel - some light staining and discolouration, mainly to the backing cloth, areas of wear to the edges, some loose threads and slight fading. Valance - very faded in comparison to the reverse, some discolouration to the backing cloth, stitched repair near one edge. Floral sprigged cloth - a couple of holes to the top row of sprigs, also some areas of wear to the linen overall, slight fading.
19th Century Ottoman Linen Towel, embroidered to each end with blue and cream silk flower heads, with blue zigzag border to each end, 47cm by 150cm; Another Woven Linen Towel, embroidered with four silvered domed hats to each end, with blue petalled flowers to the top, on a checked ground, 49cm by 120cm; Small Embroidered Panel, comprising two stitched cloths featuring a central orange flower head with silvered stems and decoration, blue and orange flowers, each piece 24cm by 25cm; and a Similar Ottoman Linen Embroidered Rectangular Panel, with a deep textured stripe to the top of the panel, hem is embroidered with eight large floral motifs comprising four flower heads in either green or peach, enclosed within four silvered spiky leaves, each 21cm by 22cm, overall panel size 55cm by 188cm (4) Provenance: Pepper Arden Hall: Sir Herbert Chermside was a military attaché to Turkey in 1877, then worked in Egypt and Kurdistan till 1890. Blue and cream flowerhead towel - couple of brown marks, stitched repairs to the centre and several repairs to each end, and small holes. 'Hat' towel - thread pull to the linen and slight discolouration, several areas of wear to the embroidery, possibly pulled by the embroidery, and slight fading. Two panels orange flowers - several stitched repairs, numerous silk thread losses, slight wear, fading and discolouration. Rectangular panel - slight discolouration to the backing cloth and some light spotting overall, slight fading and wear, some loose threads.
Pair of Gucci 'Ace GG Supreme' Trainers/Sneakers, the grey canvas printed with GG monogram, with blue and red signature side stripes and metallic blue snake ayers to back of right shoe, red to the left (size 38), with dust bags . Some light marks/signs of wear. Some small staining to laces. Creasing to leather interior.
Mulberry Lily Tan Leather Shoulder Bag, with gilt metal chain-weave strap and signature 'postman's lock' fastening, suede lined interior, internal fob impressed serial no. '10417245', attached leather clochette housing small padlock, 20cm by 27cm by 9cm, with dust bag . Metal fittings with some very light scratches. Leather with some light signs of use/scratches (more so to the reverse). Otherwise good condition overall.
Hermès ''Les Jardiniers du Roy'' Silk Scarf, Designed by Maurice Tranchant, printed centrally with a large arrangement of flowers in an urn, surrounded by gardeners, within a green border printed with further flowers, 90cm square, with box and cardboard sleeve; a Christian Dior Silk Scarf, printed with capuchin monkeys amongst tropical flowers and leaves, 88cm square; and a Lladro Silk Scarf, printed with herons amongst reeds, rushes and tiger lilies next to a pond, 88cm square (3). Hermes scarf and box - in good condition, paper within box with staining and cardboard sleeve with some lifting and tears to flaps. Christian Dior scarf - with some pink ink stains near left hand monkey, some other light stains, overall wear. Lladro scarf - some light wear and loose threads to rolled hem.
Gucci Canvas Shoulder Bag, patterned in the GG diamond design, with green and red signature canvas stripe to centre, with long adjustable brown leather strap, 15cm by 22cm by 6.5cm, with dust bag . Some light signs of wear, interior with further wear including a biro stain. Dust bag with stain.
Strathberry Midi Tote Handbag, in burgundy, navy and vanilla, with adjustable and detachable long strap, with signature gold-tone bar closure, 24cm by 29.5cm by 12cm, with dust bags, box, dispatch note and care card. Appears unused and in extremely good condition. Box with a few light marks.
Mamod SL2 0-4-2 loco, green, converted to gas firing, fitted with upgraded pistons, pony truck and radio controlled servo to the regulator for directional working, with pressure gauge, gas cylinder in cab, and other embellishments, some light corrosion adjacent to chassis (VG) In specially made wooden carrying box (G-VG). No boiler certificate
Five various boxed Britains modern release toy soldier sets to include Ref. Nos. 00127 The Highland Light Infantry, No. 8801 Essex Regiment, No. 8827 The 16th County of London The Queen's Westminster's, No. 8804 The Prince Albert Somersetshire Light Infantry, and No. 8826 The Royal Marine Artillery, all appear as issued
A JDP of France circa 1920s tinplate and clockwork saloon model No. 7354 comprising of two-tone dark blue and light blue body with black detailing, with original red spoked wheels with dummy grey tyres, appears complete with original driver and steering wheel and working rear doors, clockwork mechanism in working order (VG)
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