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Los 26

TOLKIEN, J. R. R. The Fellowship of the Ring, second ed., second impression, 1967._The Fellowship of the Ring, second ed., third impression, 1968._The Two Towers, second ed., first impression, 1966._The Return of the King, second ed., first impression, 1966. Good set, some light toning, each has unclipped d.j. with some rubbing/chipping at extremities, bookplate at front paste down on The Return of the King, London: George Allen & Unwin. (4) _TOLKIEN, J. R. R. Pictures of Tolkien, FIRST ed., with slipcase, 33 x 31cm, London: George Allen & Unwin, 1979._TOLKIEN, J. R. R. The Fall of Numenor, deluxe ed. with slipcase, fine copy, London: Harper Collins, 2022 (6)

Los 47

SELDON, Anthony. The Foreign Office, 4to, author's SIGNED dedication to Howe, slight spotting at head edge, d.j. a little bumped, London: Harper Collins, 2000._McINTOSH, Ronald. Challenge to Democracy, author's SIGNED dedication to Howe, light spotting at head edge, London: Politico's, 2006._SELDON, Arthur. The State is Rolling Back, author's SIGNED dedication to Howe, Howe bookplate, near-fine, London: E & L Books, 1994._GOODHART MP, Philip. Referendum, some toning/marking, London: Tom Stacey ltd., 1971._GILDER, George. Wealth & Poverty, author's SIGNED dedication to Howe, a light toning at edges, London: Buchan & Enright, 1982._BUTLER, Sir Michael. Europe More Than a Continent, Howe bookplate, annotation (underlining), London: Heinemann, 1986._QUIN, Joyce. The British Constitution, author's SIGNED dedication to Howe, near-fine, Bishop Auckland: Northern Writers, 2010._PATTEN, Chris. The Tory Case, author's SIGNED dedication to Howe, paperback, general age tone, London: Longman, 1983._RADICE, Giles. The New Germans, author's SIGNED dedication to Howe, near-fine, London: Michael Joseph, 1995._Political Thought From Plato to NATO, intro. by Brian Redhead and with a SIGNED dedication from him to the Howes, some annotation by Howe, a general toning and small ink stain, London: BBC, 1984._YOUNG, Hugo. This Blessed Plot, author's SIGNED dedication to Howe, Howe bookplate, some pages marked by post-it notes and underlining by Howe, near-fine, London: Macmillan, 1998._HENDERSON, Nicholas. The Private Office, author's SIGNED dedication to Howe, Howe bookplate, some light spotting at edge, London: Weidenfeld & Nicolson, 1984._ATKINSON, Rodney. The Emancipated Society, author's SIGNED dedication to Howe, Howe bookplate, near-fine, Newcastle upon Tyne: Compuprint, 1988._KYNASTON, David. The Chancellor of the Exchequer, signed dedication from Keith Stainton and the Sudbury and Woodbridge Conservative association, light rubbing at d.j. extremities, Lavenham: Terence Dalton, 1980 (14) From the library of Geoffrey and Elspeth Howe. Geoffrey Howe (1926-2015) held two of the Great Offices of State in the UK Government: Chancellor of the Exchequer and Foreign Secretary. He also served as Deputy Prime Minister and Leader of the House of Commons. His prominent position in UK politics in the 1980s and 1990s meant he had a profound influence over domestic, and international, policy making during a turbulent and historic era. His wife Elspeth Howe (1932-2022) also worked in politics, and later became a crossbench Member of the House of Lords serving as Baroness Howe of Idlicote.

Los 130

Lyonstown Stud, in two volumes (Race & Stud Records, Pedigrees), tall 8vo (30.5cm), finely bound in full crushed morocco lettered in gilt, all edges gilt, well-preserved, clean & bright, a few pages with light folds to extreme corners, else fine, housed in a scuffed slipcase, Kingston-upon-Thames: Victoria, 1985 ❧ Believed to be on of only six copies, two of which were apparently given to HM Queen Elizabeth II

Los 189

Mr Brainwash (French 1966-), 'Time Change', 2018, unique oil and collage on canvas, signed recto, signed and dated verso, bearing the Artists unique ID number verso; canvas: 40.5 x 51cm; 52 x 61cm inc frameARR canvas: 40.5 x 51cm; 52 x 61cm inc frame In very good/artists condition No rips or tears to the canvas No signs of paint loss or restoration There is some light waving/creasing to the canvas and discolouration verso, this is due to the fact the work has been produced on a recycled canvas There is some minor wear/lift to the corner of the collage section on the right, likely due to materials used/artists condition This work has been framed in an ornate frame by the artist/to the artists specification.

Los 116

Bridget Riley (British 1931-), 'About Lilac', 2007, screenprint in colours on wove paper, signed, dated, titled and numbered from an edition of 75, sheet; 80 x 49cmARR †* This lot is to be sold outside of the auctioneers margin scheme, VAT will be added to the hammer price. In very good condition No visible knocks, tears or creases to the sheet Very light markings to the upper left hand section of the sheets white border, visible upon close inspection This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

Los 71

Joan Miro (Spanish 1893-1983), 'La Melodie Acide', 1980, three lithographs in colours on wove paper, all numbered 774/1500 in pencil, bearing the Artist's signature to the plate; sheets: 33 x 25cm each; 51.5 x 43.5cm in mount (3)ARR sheets: 33 x 25cm each; 51.5 x 43.5cm in mount (3) In good condition No tears to the sheets Very light hand creases to upper edge of left and right images (as pictured) Minor wear to the upper edge of the right sheet (as pictured) and some very minor markings to the backgrounds of all sheets, visible upon close inspection All works have are attached to white mounts, leaving all corners and edges of the sheets visible There are markings around the mounts, these are away from the prints The works are not framed.

Los 172

Banksy (British 1974-), 'Morons', 2006, screen print in colours on Arches paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm (framed)ARRProvenance: This work is accompanied by a Pest Control Certificate of Authenticity sheet: 56 x 76cm (framed) Provenance: This work is accompanied by a Pest Control Certificate of Authenticity In very good condition No visible knocks or tears to the sheet There are very soft handling creases shown to middle right hand edge, upper left hand section and middle lower edge of the sheet. These are visible in raking light and upon close inspection There are some extremely minor 'speckles' to the sheet, visible upon very close inspection and potentially from time of production This work has been framed in a black frame with a white mount This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity

Los 24

Connor Brothers (British Duo), 'Hope (Orange)', 2022, giclee with silkscreen varnish on wove paper, signed, dated, and inscribed PP in pencil, the main edition was 75; sheet: 75 x 50cmARR sheet: 75 x 50cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition There are some light markings to the sheet verso, these are not visible recto This work has been stored flat and has not been framed.

Los 165

Yoshitomo Nara (Japanese 1959-), 'Cosmic Girls: Eyes Opened/Eyes Closed', 2008, two offset lithographs in colours on smooth wove paper, from an edition of 500, each with the artist's copyright stamp, published by BALTIC Center for Contemporary Art, Gateshead; sheets: 72 x 52cm (2) (framed)sheets: 72 x 52cm (2) (framed)In good condition No visible knocks or tears to the sheets There are a few minor handling creases to the sheet and some light waving Both works have been framed 'edge to edge' in individual wooden frames These works have not been examined outside of the frames.

Los 92

Suanjaya Kencut (Indonesian 1994-), 'All In Home', 2022, screenprint in colours on wove paper, signed and inscribed AP aside from the main edition of 100; sheet: 76.2cm x 58.4cmsheet: 76.2cm x 58.4cmIn very good condition,No knocks or tears to the sheetDeckled edges in good conditionMinor crease to the lower right hand section and minor handling crease to the upper left hand edge of the sheetSome light markings around the border of sheet and extremely minor imperfections to corners, only visible upon close inspectionThis work is stored flat and has not been framed.

Los 173

Banksy (British 1974-), 'CND Soldiers', 2005, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 350 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In very good condition No knocks, tears or creases to the sheet A light border of discolouration to the extreme edges of the sheet, potentially due to prior mounting/framing Numbering and signature are clear  Various 'marks' across the paper, these are markings of the paper used and are not damage Framed in a wooden frame, this work has been examined in and outside of the frame. Provenance: Accompanied by a Pest Control Certificate of Authenticity.

Los 12

Arjen (Dutch 1960-), 'An Eye To The Future', 2022, fine art print on pigment paper, signed and numbered from an edition of 175; sheet: 60 x 60cmARR sheet: 60 x 60cm In good condition No knocks or tears to the sheet There are some handling creases to the sheet, most prominent around the sheets border in raking light There is minor wear/creasing to all corners of the sheet, visible upon close inspection This work has been stored flat and has not been framed.

Los 19

Charming Baker (British 1964-), 'Half Pint (Gold)', 2009, Silkscreen varnish and Lascaux gold over archival ink giclee printed on Somerset satin, signed and numbered from an edition of 50, published by Jealous gallery, sheet; 59 x 66 cmARR sheet; 59 x 66 cm In good condition No tears to the sheet There is some light creasing across the lower edge of the sheet and to all corners, and to the middle left hand edge/section of the sheet Minor wear around the sheets edges and some light markings to the border and to the sheet verso, visible upon close inspection This work has been stored flat and has not been framed.

Los 57

Ed Ruscha (American 1937-), 'A Particular Kind Of Heaven', 1983, Fine Arts Museums of San Francisco exhibition poster; sheet: 61 x 92cmsheet: 61 x 92cmIn very good conditionNo knocks or tears to the sheetLight handling crease to the left side of the sheet, visible upon close inspectionThis work has been stored flat and has not been framed.

Los 38

Cy Twombly (American 1928-2011), 'Three Notes from Salalah Poster', 2008, offset lithograph in colours on wove paper, from an unknown edition, published by Gagosian Gallery; sheet: 76 x 56cmsheet: 76 x 56cmIn good condition No visible knocks or tears to the sheetSome light handling creases to the sheet, visible upon close inspection Some staining/marks to the sheet, believed to be from the time of production and not considered damage Deckled edges in good condition This work has been stored rolled and has not been framed.

Los 234

Pure Evil (British 1968-), 'Double Exposure (pink/blue)', 2013, unique hand-finished screenprint in colours on 300gsm Fedrigoni Paper, signed and numbered 1/1 in pencil, 98 x 83 cm including frame ARR 98 x 83 cm including frame In very good/artists condition No visible knocks, tears or creases to the sheet There is some very minor wear around the edges/corners of the sheet, visible upon very close inspection Some light markings to white section/border of sheet, likely from time of production This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

Los 31

Connor Brothers (British Duo), 'Tell Him I Was Too Fucking Busy - Or Vice Versa', 2019,hand-finished giclee with silkscreen varnish on wove paper, signed, dated, and inscribed AP in pencil, aside from the main edition; sheet: 122 x 76cmARR sheet: 122 x 76cm In very good/artists condition No knocks or tears to the sheet Light creasing to the lower edge of the sheet and some minor waving visible in raking light Deckled edge in good condition Minor markings to the sheet verso, these are likely to have been from the time of production This work has been stored flat and has not been framed.

Los 104

Yoon Hyup (Korean 1982-), 'In The City', 2023, UV pigment print with silkscreen varnish on 410gsm Somerset Tub-sized paper, signed and numbered from an edition of 200 in pencil, published by Avant Arte; sheet: 66 x 52.4cmsheet: 66 x 52.4cmIn very good condition No knocks, tears or creases to the sheetSome very light handling marks around the edges of the sheet, visible upon close inspection This work has been stored flat and has not been framed.

Los 47

David Hockney (British 1937-), 'Royal Academy Exhibition Posters (4), 2021, a set of four offset lithographs; sheet: 76.2 x 50.8cm (each) (4)In overall good conditionTop left sheet - Wear and tear along the left hand edge, including a small tearTop right sheet -Edge wear to the bottom right hand edge of the sheetHandling creases can be seen in raking light, predominantly along the bottom edgeBottom left sheet - Two extremely minor creases to the bottom corners, visible upon very close inspectionHandling creases can be seen in raking lightBottom right sheet - Minor edge wear along left edge of sheetStored rolled, not framed

Los 143

George Condo (American 1957-), 'Untitled', 1989, three etchings on Hahnemühle paper, all signed and numbered 14/55 in pencil, published by Pace Prints, New York; sheets: 32.5 x 25.2cm each (3) sheets: 32.5 x 25.2cm each (3) In good condition No visible knocks or tears to any of the sheets There are some light handling creases shown to the sheets and some waving to the right hand edge of the first image (as pictured) A couple of very light markings shown to white borders and verso, visible upon close inspection These works have been stored flat and have not been framed.

Los 15

Bob Dylan (American 1941-), 'All Along The Watchtower', 2018, limited edition print on 300gsm Somerset paper, signed and numbered from an edition of 495 in pencil; sheet: 44.5 x 73cmsheet: 44.5 x 73cmIn very good condition No visible knocks or tears to the sheetOne very light crease to the left hand side of the sheet and very minor crease to the upper edge, visible upon close inspectionExtremely minor mark to the right hand section of the sheet verso, this is not visible rectoDeckled edges in good condition This work has been stored flat inside its original slipcase and has not been framed.

Los 70

Jerkface (American 1982-), 'It's A Me (Variant)', 2023, archival inkjet on 300gsm Entrada rag paper, signed and numbered from an edition of 8 in pencil; sheet: 61 x 61cm (framed)sheet: 61 x 61cm (framed)In very good condition No visible tears or creases to the sheetThere is some light wear to the upper/lower edge and lower right-hand corner, visble upon close inspection Very light marking to the right-hand side of the sheets white borderThis work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visibleThis work has not been examined outside of the frame.

Los 138a

Endless (British), 'Lily Vuitton (Gold Edition)', 2017, mixed media with acrylic and spray-paint on 300gsm art paper, signed and numbered from an edition of 15 in black ink; 67 x 69cm inc frameARR 67 x 69cm inc frame ARR In very good condition No visible knocks or tears to the sheet Some light markings around the sheets white border Deckled edges in good condition This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

Los 93

Takashi Murakami (Japanese 1962-), 'DOB (White), 2004, offset lithograph in colours on wove paper, signed, dated and numbered from an edition of 300; sheet: 69 x 69cm (framed) sheet: 69 x 69cm (framed) In very good condition No visible knocks, tears or creases to the sheet Very light mark to the upper right hand corner of the sheet and some minor 'matter' to the upper edge of the sheet, visible upon close inspection This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

Los 162

Tracey Emin (British 1963-), ‘Further Back To You’, 2014, Polymer Gravure on 300gsm Somerset paper, signed, titled, dated, and numbered from an edition of 150 in pencil; sheet: 41.5 x 50.5cmARR sheet: 41.5 x 50.5cm In very good condition No knocks, tears or creases to the sheet Potential light colour variation around the border of the image, likely to be from time of production This work has been stored flat and has not been framed.

Los 186

Martin Whatson (Norwegian 1984-), 'Tiger', 2017, stencil, spray paint and marker on canvas, signed and numbered from an edition of 10 verso; canvas: 30 x 30cmARR canvas: 30 x 30cm In very good/artists condition No rips or tears to the canvas No signs of paint loss or restoration Some light markings across the upper section of the canvas, potentially from the time of production No apparent issues.

Los 53a

David Shrigley & Joan Cornella (Collaboration), 'Vote', 2022, a complete set of eight screenprints in colours on wove paper, with title page and original foam lined wooden box, signed by both artists and numbered from an edition of 125 to the title sheet, all prints numbered from an edition of 125 in pencil, published by AllRightsReserved; sheets: 32.4 x 46.4cm each (8)ARR sheets: 32.4 x 46.4cm each (8) In very good condition No visible knocks, tears or creases to any of the sheets Very light markings to the bottom middle sheet verso (as pictured), visible upon very close inspection and not visible recto These works have been stored flat inside their original box.

Los 160

Robert Indiana (American 1928-2018), 'Book Of Love', 1996, offset lithograph on fine art paper, signed, dated and numbered in roman numerals from the edition of 50, sheet; 66 x 50.8 cmsheet; 66 x 50.8 cmIn very good condition No visible knocks, tears or creases to the sheetExtremely minor imperfections to right hand corners and lower left hand extreme edge of the sheet, visible upon very close inspectionThere are a couple of very minor 'speckles' to the lower right section of the sheets white background, and very light markings verso This work has been stored flat and has not been framed.

Los 169

Banksy (British 1974-), ‘Flag (Silver)’, 2006, screenprint on silver cheomalux paper, numbered from an edition of 1000 in black pen verso, published by Pictures On Walls; sheet: 50 x 70cmARR sheet: 50 x 70cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In good condition No visible knocks or tears to the sheet There is some light waving to the sheet, this is mainly seen in raking light and is due to the nature of material Minor crease/indent to the left hand section of the sheets black background, visible upon close inspection Some light scratches to the black background of the sheet, only visible upon very close inspection This work has been framed 'edge to edge' in a black frame This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.

Los 166

Zara Muse (British 1971-), 'In Her Own Light', 2023, unique, acrylic on canvas, signed lower right; 115 x 115cm inc frameARR 108.5 x 108.5cm inc frame In Excellent Condition No sign of paint loss or restoration No apparent issues In Excellent Condition

Los 204

Stik (British), 'Standing Figure (UK Big Issue)', 2013, a complete set of four offset lithographs in colours on paper, all signed in black ink; sheets: 57 x 19cm each (4)ARR sheets: 57 x 19cm each (4) In good condition No knocks or tears to any of the sheets There are some light creases shown to all of the sheets A few very minor markings verso, visible upon close inspection Two horizotal folds to each of the sheets, as originally issued These works have been stored folded and have not been framed.

Los 33

Connor Brothers (British Duo), 'Tell Me Beautiful Untrue Things', 2016, giclee, screenprint, acrylic, and oil on wove paper, signed, dated, and inscribed AP; sheet: 112 x 66cmARR sheet: 112 x 66cm In very good condition/artists condition No knocks, tears or creases to the sheet Slight waving to the sheet can be seen verso in raking light Minor indendations can be seen across the sheet recto, this is most likely due to the acrylic & oil elements of the work and is not considered damage Minor markings verso, most likely from time of production Stored flat, not framed

Los 170

Banksy (British 1974-), 'Golf Sale', 2003, screen print on paper, numbered from an edition of 750 in pencil, published by Pictures On Walls; sheet: 34 x 48cmARRProvenance: This work is accompanied by a Pest Control Certificate of Authenticity. sheet: 34 x 48cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In good condition No tears to the sheet There are some light handling creases, visible down the left hand edge and to the right hand section of the sheet, most prominent in raking light Some light markings shown to the left hand edge of the sheet, and some very light markings verso Light rubbing to the screenprinted area, this is frequently seen across this edition Extremely minor wear to the corners/extreme left hand edge of the sheet, visible upon close inspection There is some skimming/tape residue to the sheet verso visible on the four corners and upper edge, this is due to previous framing This work has been stored flat and is not currently framed. Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.

Los 245

Stik (British 1979-), 'Don't Panic', 2013, offset lithograph in colours on wove paper, signed in black ink; sheet: 60 x 42cmARR sheet: 60 x 42cm In very good condition No knocks, tears or creases to the sheet Very light markings to the white border, visible upon close inspection Two horizontal and one vertical fold to the sheet, as originally issued This work has been stored flat and has not been framed.

Los 495

Group of four 19th century Japanese ukiyo-e woodblock prints including:Utagawa Yoshitsuya (Japanese, 1822-1866). Two prints depicting the horse race at the Fujimori temple in Kyoto. From the series "Tokaido no uchi (The Stations of the Tokaido Road)," ca. 1863.Kawanabe Kyosai (Japanese, 1831-1889). Depicting the Shomei Gate in Kyoto. From the series "Tokaido no uchi (The Stations of the Tokaido Road)," ca. 1863.Kawanabe Kyosai (Japanese, 1831-1889). Depicting Noh players on stage. Possibly from the series "Tokaido no uchi (The Stations of the Tokaido Road)," ca. 1863.(Sheets) Height ranges form 13 1/2 in to 13 3/4 in; width ranges from 9 in to 9 1/2 in. (Matted, each) height: 20 in x width: 14 1/2 in.Condition: All sheets have been trimmed. There are small holes, mainly along the edges, of each sheet. The sheets are toned. There are some areas of light soiling. All sheets are hinged to a non-acidic matboard backing along the upper edge of the verso. All works housed between non-acidic mats. None are framed.

Los 632

French carved wooden wall bracket or shelf in the style of Louis XIV, 20th century. With gilt finish and a grey marble top, carved in the form of floral and foliate shapes.Height: 22 in x width: 22 1/2 in x depth: 12 1/4 in.Condition: There are losses to the gilt throughout along with flaking to the gilt decoration. Large cracks present: one along the front extending downwards from the top and through the front shell motif; a large crack running horizontally through the top shelf and the lower decoration; one extending from the top shelf downwards along the right side. Boreholes throughout the interior of the shelf. No major cracks to the marble. Minute chips along the edge. Light scratches to the top.

Los 507

Hiroshi Yoshida (Japanese, 1876-1950). Japanese woodblock print titled "Itoigawa nite: Asa (At Itoigawa in the Morning)" depicting a snowy mountain rising behind a lakeside village. Signature and title block-signed/impressed along the lower margin indicating a posthumous printing. Red seal in plate in the lower left corner of the image.Height: 10 1/2 in x width: 15 1/2 in.Condition: The colors are bold and bright. The sheet is toned. There is mat burn around the perimeter of the work. Some areas of foxing throughout, mainly in the sky. No major tears, losses, or restorations. A few light handling marks. Two small pieces of framing tape affixed to the verso. The work is not framed.

Los 609

Frederique Morrel (French, 20th/21st century). Needlepoint tapestry taxidermy chair or bench depicting a wolf, 2016. With applied fur tufts along the cheeks, ears, and tail. There are woven designs throughout including fruit, foliage, and floral motifs. Signature, date, and label affixed to rear right paw reading "Hand Re-Made in France" and "PieceUniquePiece"; marked along the underside with a stamp reading "le chiffre d'amour d'apres J.H.Fragonard."Height: 31 in x width: 14 1/2 in depth: 60 in.Condition: There are no major losses or restorations. There is light wear along high points of contact including the edges of the armrests. Some loose threads throughout, particularly along the roundest contours of the haunches, torso, and legs. Light wear along the feet.

Los 405

Warren MacKenzie (American, 1924-2018). Studio pottery fluted ceramic bowl. Stoneware in an amber celadon or ame glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/2 in x diameter: 5 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There is crazing throughout. There are no signs of restoration under UV light.

Los 504

Utagawa Hiroshige II "Shigenobu" (Japanese, 1826-1869). Woodblock print on paper titled "Zojo-ji Temple in Shiba" from the series "Famous Edo Sites." Depicting a view of the temple with a stream of visitors.Sight; height: 8 in x width: 13 in. Framed; height: 17 1/2 in x width: 22 1/2 in x depth: 1 1/4 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded and the sheet is toned. Areas of foxing throughout. Staining visible, likely from old tape along the verso. There are a few creases throughout and undulation. Framed under glass; light wear to the frame. Not inspected out of frame.

Los 402

Robert Maxwell (American, b. 1929) for Earthgender, United States. Large hand-thrown and mid-century modern studio pottery ceramic planter vase or cachepot, 1960s to 1970s. With ribbed texture throughout along an unglazed, earthenware surface. Incised "R Maxwell" along the underside.Height: 11 in x diameter: 12 1/2 in.Condition: There are no major breaks, losses, or restorations. Watermarks and some discoloration along the interior. Due to the nature of the material, it is difficult to discern whether the irregularities in the texture along the exterior are original to the artistic process; however, the minute divets are consistent throughout and are not necessarily chips. Light debris gathered along the interior.

Los 466

Chinese late Qing silk civil official's rank badge, fifth rank, depicting a silver pheasant. The bird is surrounded by apocryphal symbols and a red sun above striped white and gold. The edges with alternating shou symbols and bats.Height: 11 3/4 in x width: 12 in.Condition: The embroidery is in overall good condition. The colors are somewhat faded. A few loose threads along the edges. No major stains. A few light spots of discoloration.

Los 600

Electroplated silverplate serving dish with lid, liner and base. The dish with ornate feet, handles and final. Marked EP at the finial holder when removed, and finial marked EP with other marks. Likely James Deakin & Sons, Sheffield, England.Length: 14 in x height: 8 in. Gross weight: 2857.3 g.Condition: Plate is wearing off in several places including the feet, nicks, small dents and light scratches throughout. Some tarnishing and accretions.

Los 391

Pierre-Eugene-Emile Hebert (French, 1828-1893). Bronze sculpture depicting the Greek sea goddess, Thetis, ca. 1890. She is shown with a shield, seated atop a column, fastening armor to her shins. Throughout the sculpture there is tremendous detail, including her intricately carved hairline and sprawling robe. There are also horses and scenes of battle represented along the borders of the shield. Signed along the base of the bronze.Height: 16 in x width: 7 in x depth: 5 in. Weight: 12 lbs 1 oz.Condition: There are no bends, breaks, losses, or restorations. Some patination along the polished edges of the bronze base. Light wear to the underside of the wooden base. There are four felt tabs affixed to the underside of the wooden base.

Los 570

Two 800 silver scalloped edged plates. Marked along the reverse 800 with indistinct other mark.Diameter, each: 10 1/2 in. Gross weight: 911.2 g.Condition: Some tarnishing and accretions to the recessed areas. Light scratching throughout, no major dents or repairs.

Los 462

Chinese lacquered rosewood side chair, 19th century. With curved back splat, single-panel wood seats, and stretchers resting on square legs and plain feet.Provenance: The Oriental Impression, Ltd, St. Louis, Missouri, 1985; Private Minnesota CollectionHeight: 40 1/2 in x width: 20 1/2 in x depth: 16 in.Condition: The chair is structurally sound and stable. All of the pieces are still attached. Some separation to the joints throughout. To the back stretcher bar, there are some splits, chips, and several minute holes. Light wear to the feet. Some small chips and scratches throughout the piece.

Los 411

Warren MacKenzie (American, 1924-2018). Studio pottery altered ceramic bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 3/4 in x diameter: 10 in.Condition: Overall there are no visible chips, cracks, losses, or restorations. There is a glazing flaw along the top rim measuring approx. 1/2 inch in length, visible in the lot listing. Light wear throughout.

Los 448

Chinese Peking glass snuff bottle in the form of a lotus flower. In a gentle gradient of white to pink.Height: 2 1/4 in x width: 1 3/4 in x depth: 3/4 in.Condition: The snuff bottle is in good condition with no chips, cracks, losses, or restorations. Light wear to the top rim. Lacking a stopper.

Los 555

Set of 102 pieces of Sterling Reed & Barton French Renaissance pattern silverware with monogram B. Comprised of 12 knives (steel blades sterling handles), 12 butter knives (steel blades sterling handles), 12 spoons, 24 teaspoons, 12 forks, 12 salad forks, two cocktail forks, four serving spoons, one large ladle, one small ladle, one shell form spoon, 5 servers of various shapes, one meat fork and one large knife, one serving fork and one sugar nips. Marked sterling and Reed & Barton with maker's marks.In a JB Hudson wooden silverware chest.Length ranges from 4 in to 10 1/2 in. Gross weight (excluding 12 knives,12 butter knives, & 3 pieces w/ steel components): 112.62 Troy oz.Condition: No major bends, breaks or repairs. Some light scratching and tarnishing throughout the pieces. Wear to the box exterior.

Los 403

Warren MacKenzie (American, 1924-2018). Large studio ceramic double-rim platter. With a shine glaze and drip decoration. Marked along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Diameter: 13 in.Condition: No cracks, chips, losses, or repairs. Light debris gathered between the two rims. Light wear to the footrim

Los 364

Royal Copenhagen, Denmark. Porcelain Flora Danica botanical pattern reticulated serving platter plate, shape number "20 3518". Marked along the underside with Royal Copenhagen's trademark blue wave stamp and green printed marks. Inscribed with the Latin name of the plant depicted, "Galeopsis versicolor Curt," commonly called "hempnettle".Lot Essay:The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.Height: 1 1/2 in x width: 16 in x depth: 13 in.Condition: There are no major cracks, losses, or restorations to the platter. There are some areas of wear to the pigment along the leaves in the center. Light wear along the underside.

Los 531

Two pieces of Wallace sterling bowls in the Grand Baroque pattern. One sauce bowl with affixed drip tray, the drip tray with swirling pierced design and milgrain border, the bowl with milgrain border as well. Marked along the reverse Wallace, Sterling, Grand Baroque, 4850-9.One bowl with swirling pierced design and milgrain border, initial G at the center. Marked along the back bowl Wallace, sterling, 4850-9 and Grand Baroque.(Sauce bowl) Height: 3 in x diameter: 6 3/4 in. (Bowl) Height: 1 1/4 in x diameter: 6 3/4 in. Gross weight: 13.95 Troy oz.Condition: Sauce bowl with some light scratching, firmly affixed to underplate, some tarnishing to recessed areas. Bowl with tarnishing, light scratching and polish accretions.

Los 566

A group of three niello silver cases, including:One Russian .875 silver case with floral and geometric niello exterior. Marked at interior top and interior bottom with 84, Moscow mark, 1863, and BE maker's mark.One case with niello designs for, "World Cruise / From Port to Port / America Europe and Asia" and niello world map. Unmarked.One case with cross hatched niello exterior and the top with ornate niello scene that is significantly faded.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 1/16 in to 1/2 in; width ranges from 2 1/2 in to 4 in; depth ranges from 1 1/2 in to 3 in. Gross weight: 233.0 g.Condition: Tarnishing, light scratches and wear throughout. The Russian case with polish accretions to the interior. World Cruise case hungers loose. Other case with significantly worn niello on the top, scratches to the interior and small, pin point holes to some corners.

Los 453

Chuah Thean Teng (Chinese/Malaysian, 1914-2008). Batik painting depicting a mother caring for three young children. Signed along the lower left.Provenance: Collected in Kuala Lumpur, 1960-65.Sight; height: 22 1/2 in x width: 17 in. Framed; height: 25 in x width: 19 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, losses, creases, or restorations. One light spot of soiling just to the left of the young boy's shoulder. Framed under glass; light wear to the frame. Not inspected out of frame.

Los 494

Group of 12 antique Japanese woodblock prints depicting beautiful women or courtesans in intricate dress. Including artists such as Toyokuni, Eisho, Kiyomine, Choshun, Toyoharu, Shikimaro, and Yushin.(Sheet, each) height ranges from 12 in to 14 1/2; width ranges from 7 3/4 in to 10 in. (Matted, each) height ranges from 14 in to 20 in; width ranges from 10 in to 13 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations to the prints themselves. The sheets are toned and affixed to acidic mat boards. Wear throughout the mats, including some handling marks and light soiling along the margins; some frits along the extreme edges. There are penciled inscriptions of numbers along the lower right corners of some of the mats.

Los 511

Kawarazaki Shodo (Japanese, 1889-1973). Japanese woodblock print on paper titled "Himawari (Sunflower)" depicting a full yellow bloom. With a red seal along the lower right corner. Likely a later printing from the original woodblocks.Sight; height: 15 in x width: 10 1/2 in. Framed; height: 20 1/4 in x width: 15 1/2 in x depth: 1 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded and the sheet is toned. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Los 602

Joe Beeler (American, 1931-2006). Cast bronze sculpture in the form of a cowboy gripping a drawn gun and a lasso whip, 20th century. Incised signature and marked "CA" along the front of the base.Height: 27 in x width: 8 in x depth: 7 1/2 in. Weight: 48 lbs 7 oz.Condition: There are no bends, breaks, scratches, losses, or restorations. Light wear along the base.

Los 576

Hanau silver sauceboat in the medallion style. The sauceboat affixed with bolts to the tray. The tray also in the medallions style with pierced details. Featuring a portrait medallion of a man, garlands, and neoclassical bell flowers. Marked at the bottom with Hanau psuedo mark crowned A and P and crowned GR for George Roth of Hanau, 1891-1919.Height: 5 in x width: 10 in x depth: 7 1/4 in. Gross weight: 516.9 g.Condition: Piercing has no breaks. Sauceboat is firmly attached to undertray. Light scratching and tarnishing.

Los 499

Group of six Japanese woodblock prints including:Utagawa Hiroshige (Japanese, 1797-1858). Print titled "Ueno Yamashita" from the series "One Hundred Famous Views of Edo." ca. 1858. Depicting birds soaring above a market while figures with umbrellas walk past.Utagawa Hiroshige (Japanese, 1797-1858). Print titled "Maisaka: Ferries on the Sea at Imagiri," no. 31 from the series "Collection of Illustrations of Famous Places near the Fifty-Three Stations (Along the Tokaido)," ca. 1855. Depicting sailboats approaching a harbor with mountains.Utagawa Hiroshige (Japanese, 1797-1858). Print titled "Shinagawa" from the series "53 Stations of the Tokaido (Upright)," ca. 1855. Depicting sailboats in harbor with a village in the foreground.Utagawa Hiroshige (Japanese, 1797-1858). Print titled "Uchi Nihonbashi Shinonome no kei (Dawn Clouds at Nihon Bridge)," no. 1 from the series "Pictures of the Famous Places on the Fifty-three Stations (Vertical Tokaido)," ca. 1855. Depicting a long bridge over a river with a singular mountain in background.Utagawa Hiroshige (Japanese, 1797-1858). Print titled "Shinano, Sarashina tagoto no tsuki, Kyodaisan (Shinano Province: The Moon Reflected in the Sarashina Rice Fields near Mount Kyodai)," from the series “Rokujuyoshu meisho zue (Famous Places in the Sixty-odd Provinces),†ca. 1853. Depicting a small village nestled in misty mountains.Utagawa Hiroshige II (Japanese, 1829-1869). Print titled "Makurabashi yau (Evening rain at Makurabashi Bridge)," from the series "Sumidagawa hakkei (Eight views of the Sumida River)." Depicting figures walking over a bridge in pouring rain.(Sheet, each) height ranges from 13 in to 14 1/2; width ranges from 9 in to 10 in. (Matted, each) height: 18 in x width: 13 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations to the prints themselves. The sheets are toned and affixed to acidic mats. Wear throughout the mats, including some handling marks and light soiling along the margins; some frits along the extreme edges. There are two areas of soiling along the upper quarter of one of the mats. There are penciled inscriptions of numbers along the lower right corner of five mats. Five of the six works are unframed.

Los 442

Pair 19th-20th century Chinese cloisonne vases depicting butterflies, flowers, and profuse foliate and scrollwork motifs enameled throughout the bulbous body of the vase; geometric gilt designs against a black ground along the flared neck and footrim.Each, height: 10 in x diameter: 6 1/4 in.Condition: There are light scuffs to the surface and footrims of both vases. To one vase there is a small dent to the inner footrim. To the other vase there is a dent to the upper lip. Small firing bubbles to the enamel throughout.

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