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Preisdatenbank abonnierenGeorge III Sovereign 1820, open 2 variety, obv. laureate head of George III, rev. HONI SOIT QUI MAL Y PENSE around Pistrucci George & Dragon; contact marks, light hairlines & minor edge imperfections, with certificate of authenticity, encapsulated in London Mint Office case of issue AFine/Fine
2 x UK Silver Proof £5 comprising: 2009 'The Mind of Britain,' rev. clock- face of the Palace of Westminster 'NATIONS TOUCH AT THEIR SUMMITS' with colourised London 2012 logo & 2010 'The Spirit of Britain' rev. view down the Mall with cheering crowds 'KIND HEARTS ARE MORE THAN CORONETS' with colourised London 2012 logo, both encapsulated with certificates of authenticity FDC & 3 x silver proof crowns: 1972 'Silver Wedding,' with cert, 1977 'Silver Jubilee' no cert, 1981 'Charles & Diana,' with cert, all in cases of issue FDC, together with Isle of Man 2 x silver proof crowns: 1974 'Churchill Centenary', with cert, in case of issue, edge toning, BU & 1977 'Queen's Silver Jubilee' with cert, in case of issue FDC, silver proof £1 1980, with cert, in case of issue, toned UNC & 2 x 'Christmas' double crowns (50p) 1980 & 1981, both cupro-nickel diamond finish, officially mounted in Christmas cards, different reverses BU & St Helena, 2 x crown-size silver proof 25p 'Tercentenary of the Granting of the Royal Charter to the East India Company 1673-1973, with certs, in cases of issue, some light edge toning o/wise brilliant as struck
Miscellaneous Lot comprising: UK proof set 1990, 8 coins 1p to £1, no certificate, in Royal Mint red leatherette case of issue FDC, £1.77½ face value pre-47 silver, mostly George V, 2 x crowns: 1951 (no certificate or box of issue) & 1981 UNC, 2 x Treasury notes: £1 First Fisher issue W/62, edge tears, large pieces missing Poor & 10 shillings First Fisher Issue E/80, (No. with dash,) folds, creases, small edge tear on bottom edge & light foxing stains AFine & 2 x 10 shilling notes: O'Brien B17 Fair & Fforde A18N GVF; lot also includes £1 face value pre-decimal cupro-nickel
A Collection of Scottish Banknotes comprising: Royal Bank of Scotland: 2 x £5 1963* (G31170) AUNC & 1967* (J/5) & 3 x £1 1967 (A/3, A/8 & A/17), The Royal Bank of Scotland Limited : £20 1981* (A/4) & 2 x £1 1970 (A/50) & 1981 (C/57), The Royal Bank of Scotland PLC: £5 1983* (B/28) & 2 x £1 1982* (C58) & 1983* (C/67), The Commercial Bank of Scotland Ltd: 3 x £1 1944* (25N), 1951 (26/N), 1956* (27J), National Commercial Bank of Scotland Ltd: 4 x £1 1959* (prefix V), 1963 (prefix Z), 1966 (prefix 2F) & 1968 (prefix A), Clydesdale Bank Ltd: £5 1966 (C/O) & 2 x £1 1969 (C/S) & 1974* (D/W), Clydesdale Bank PLC: 2 x £1 1982* (D/BW) & 1983* (D/CJ) & Bank of Scotland: 2 x £1 1978* (C/91) & 1983* (D/43); (NB The majority of these notes are high grades VF to AUNC but several (indicated by an asterix) have traces of dried light brown adhesive along the right edges, some only slight traces, on others along the entire right edge), together with 150+ foreign banknotes, wide range of denominations & countries including Spain, Portugal, Brazil, China, Colombia, Canada, Germany, Belize, Cayman Islands, Russia etc, various grades & a few Bank of England notes including: 2 x 10 shillings Peppiatt (mauve) CO7D & O'Brien X16Y & 8 x £1 notes including Peppiatt (blue) X85D & O'Brien A18K; various grades & several with adhesive stains along right edge; viewing of this lot recommended
Miscellaneous Lot comprising: Silver Proof Crown 1990 'Queen Mother's 90th Birthday' with certificate of authenticity, encapsulated in case of issue FDC, Jersey Silver Proof £1 1981 'Bicentenary of the Battle of Jersey' with certificate of authenticity, encapsulated in case of issue, some light peripheral toning o/wise as issued, Guernsey BU Set 1971, 6 coins ½p to 50p, in case of issue, as struck, 'The South Atlantic Coronation Crowns 1978' a set of 3 x sterling silver crowns commemorating the 25th Anniversary of the Coronation issued by St Helena, Tristan da Cunha & Ascension Island, with certificate of authenticity, encapsulated in Pobjoy Mint case of issue BU, 2 x Brilliant Uncirculated Welsh £1 1985 in Royal Mint presentation packs & 2 x Brilliant Uncirculated Scottish £1 1984 in Royal Mint presentation packs, together with 37 x mixed foreign coins, of which 19 x silver including: USA 2 x 'Morgan' dollars 1896 & 1898, 'Peace' dollar 1922, Canada dollar 1964, Prussia 3 x 2 marks 1876A, 1877A & 1877C, Hamburg 2 marks 1876J & Venezuela 2 bolivares 1929, various grades, generally Fine or+
A Collection of Bank of England Banknotes comprising: £50 Somerset (A18), 4 x £20: 2 x Somerset (E66 VF & 16A), Kentfield (H59) & Lowther (AA48), 2 x £10: Somerset (AS55) small tear at bottom right corner & Kentfield (B71), 2 x £5: Somerset (JR76) & Gill (B61) & £2 x £1: Page 'Portrait' issue (HY25) & Page 'Pictorial' issue (U52), generally AEF to UNC unless o/wise graded, together with Scotland, 6 x banknotes comprising: Clydesdale Bank Limited £10 1979 D/BE, light creases AEF & £1 1976 D/AG numerous creases, handling marks & ingrained dirt VG, The Royal Bank of Scotland Limited £1 1976 D/AG AEF, The Royal Bank of Scotland PLC £5 1982 B/24 AEF & £1 1987 A/37 Fair & Bank of Scotland £5 1978 AY VF; (NB the majority of banknotes in this collection, both BofE & Scottish, have been attached to the album leaves using small adhesive strips (each approx. 20mm x 8mm) at each corner of the notes; the strips appear to be only lightly gummed & with care should be removable without damaging the notes)
'The Churchill Centenary Picture Medal' a box-medal (diameter 77mm (3'')), struck in 22ct gold on sterling silver containing a complete set of 13 card roundels (diameter of each 70mm) depicting, in full colour, significant events in Churchill's life including his childhood at Blenheim, the Battle of Omdurman, his marriage to Clementine Hozier, his visit to the Normandy beach-head, VE Day in London and the funeral launch as it left Tower Pier in 1965 & all with full details on the reverses. The obverse of the medal has the legend 'BRITAIN'S BELOVED BULLDOG WINSTON SPENCER CHURCHILL' around the facing portrait of Churchill by David Norris, the reverse features Churchill's personal arms in high relief. Issued in 1974 by Toye, Kenning & Spencer Ltd in a limited edition of 500; in fitted case of issue & complete with a small pair of tweezers for handling the card roundels; some light peripheral toning o/wise as issued.
Miscellaneous Lot comprising: UK, 2 x proof sets 1970 & 1971, in cases of issue, some light toning on bronze o/wise FDC as issued, Falkland Islands 2 x proof sets 1974, each 5 coins - halfpenny to 10d, some light toning on bronze in one set o/wise FDC as issued, together with crown 1951, with cert, in case of issue BU, a Churchill crown 1965, in a plastic case UNC, a proof bronze medal commemorating the Queen's Silver Jubilee 1977, obv. profile of Queen facing left, heraldic motifs of the Royal Standard & 'SILVER JUBILEE 1977,' rev. official Silver Jubilee emblem, struck at the Birmingham Mint, in plastic case of issue, a few faint scratches o/wise as issued & a gold-plated sterling silver proof medal commemorating 'Man's First Atlantic Crossing by Balloon 16 Aug 1978' obv. depicts the balloon in frosted relief, rev. 'THE FIRST CROSSING OF THE ATLANTIC BY MANNED BALLOON, BEN ABRUZZO ,MAX ANDERSON, LARRY NEWMAN' below a globe showing the Atlantic between the UK & USA, date '17th August 1978' below; struck by the Birmingham Mint, limited edition of 5,000, edge hallmarked, diameter 45mm, wt 45.13g, in case of issue; minor handling marks o/wise lustrous FDC
Two Commemorative Silver Medals, both struck by Pinches & comprising: (1) 'Investiture of Charles, Prince of Wales', Caernarfon, 1st July 1969; obv. INVESTITURE OF CHARLES, PRINCE OF WALES K.G. around bust of Charles facing right, rev. Welsh legend around Caernarfon Castle, Welsh dragon below, all in high relief; diameter 57mm (2¼'') , 108g (3.47 troy oz.) Britannia silver (.958 silver), edge hallmarked, limited issue of 1500 (this medal edge-stamped No. 582,), with certificate of authenticity, in case of issue, matte finish as struck, together with (2) Duke of Windsor sterling silver proof commemorative medal by C.A. Holman, obv. 'Edward Duke of Windsor' around bust facing left, 1894-1972 below, rev. large crown in centre of a Tudor rose; diameter 38mm, 27g, no certificate, in case of issue, some very light peripheral toning o/wise BU
A Taylor Tunnicliffe Pottery S Clarke Fairy night light, decorated with stylised flowerheads on a textured ground, 19cm diam, printed mark; a Thomas Webb Burmese night light base, 19cm diam, c.1860; a Thomas Webb dome, comed in white on a blue ground, 9cm high, c.1860; a gilt metal and porcelain pedestal night light holder, 23.5cm high; a Taylor Tunnicliffe Pottery globular match striker (7)
A mahogany and line inlaid twin pedestal dining table, in late George III style, 20th century, with one additional leaf insertion, 72cm high, 117cm wide, 308cm long (overall)Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks - the end of one table end has a horizontal crack running approximately half way through the top.The colour overall is quite light and 'gingery' the close up image on the website is a good colour representationThe table has integral clips to secure the ends together or the central leafThere is a finger buzzer fitted to one end - the wires have been cut, the underside of the other end has some cable tidies where this previously ranAs catalogued this table is 20th century in makeThe underside has been painted blackThe hinges and locking action appear to beholding at time of report Please refer to additional images for visual reference to conditionCondition Report Disclaimer
An Italian silvered metal censer adapted as a hanging light, elements possibly early 18th century and later, the lobed circular section body impressed with foliage and applied with putto masks, inscribed D. Bernardus S carcilla, and the abbreviated ex voto V. F. G. A., the body approximately 31cm long excluding chains, presented with later frosted glass shade Provenance: Private Collection, The Manor House, Stanford in the Vale, Oxfordshire A circa late 17th/early 18th century design for a similar censer by Baroque sculptor Giovanni Battista Foggini is in the collection of the Metropolitan Museum of Art, New York, Acc. no. 52.570.239Condition Report: Usual minor marks, knocks and scuffs overall consistent with age and use.The silvered finish has flaked away in places, showing the darker metal underneath.There is a small area of repair to the lowermost part of the lobed body, and the cruciform terminal is a little askew. The surface has a hammered appearance generally, but the metal is also a little bent and dented in places. As catalogued there are likely later additions such as the masks and chains. Small nick to upper rim of metal.Overall height including chains and hanging loop approximately 55cm highThis is sold as a decorative work of art only and any wiring and fittings would need to be replaced and tested by a qualified electrician prior to use in a domestic setting.Condition Report Disclaimer
A set of fourteen beech and upholstered armchairs, of recent manufacture, in the manner of William Yeoward, each 89cm high, 60cm wide, 54cm deep overallPlease note there are 14 chairs in this lot and not four as originally catalogued, this was incorrect in the PDF and page turning catalogues it has been correct online throughoutCondition Report: All in a condition that reflects their lack of significant age or use in a domestic setting, there are fire labels but there are no maker's marks or labels apparent anywhere, it is assumed by Dreweatts the upholstery is the original, there are some light surface marks from use in a domestic settingThese don't appear to have sprung but feel like they are filled with a higher density wadding, they have a good weight overallPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A Regency mahogany library table, circa 1820, with tooled leather inset top, 71cm high, 113cm wide, 70cm deep Condition Report: Marks, knocks, scratches, abrasions, consistent with age and use,The colour is quite light overall, there are marks and stains to the timber in places, some old chips and losses and some signs of filler. The leather inset with marks and clear signs of use. The castors appear to be original The handles appear to be original, one to the drawer is loose and detached - there is weakness to the wood here and it may benefit of some restoration and/or repair to re-secure it to the drawer front. The interior of the drawer has been divided and the paper lining is ripping and tearing and peeling up.Overall solid stable, Please refer to additional images for visual reference to condition.Condition Report Disclaimer
A pair of brass and tooled leather inset two tier etageres in Regency style, 20th century, probably by Mallett, London 56cm high, 61cm wide, 53cm deepProvenance: Private Collection, The Old Rectory, GloucestershirePurchased from Paul Hardy Fine Furniture. Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, As catalogued these are 20th century in manufacture, the leather with marks and some discolouration from use in a domestic setting, this has also probably been 'aged' to simulate greater age than they posses, the leather is quite light in colour overallThe joints are all solid and these are stable overallThere are some marks and scratches to the uprights and other metal areasPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Matthijs Pool (Flemish 1670-1732) after Barend Graat and Francois van Bossuit Pan maltraite par Venus et CupidonEngraving, 1727, from the book 'Cabinet de l'art de schulpture (sic.) par le fameux sculpteur Francis van Bossuit'14 x 13cm (5½ x 5 in.)Together with three further engravings from the same publication: "Venus", "Dragon qui porte un enfant" and "Jupiter en Satire avec Antiope". (4)Condition Report: Under glass, unexamined out of glazed frame. Very slight undulation to the sheet. Light staining commensurate with age. Condition Report Disclaimer
A gilt metal six light chandelier, in Louis XIV style, 20th century, 57cm high, 63cm deep Condition Report: Overall the condition of this chandelier reflects its lack of significant age or use, it has been wired however it is sold as a decorative work of art only and would need rewiring and testing by a qualified electrician on installation and prior to use in a domestic setting There are some minor patches of unevenness to the surfaceThe measurements are as per the description Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Y A late Victorian rosewood two-seater sofa, circa 1900, of tub form, the back above spindle supports, and with twin bolster cushions, 68cm high, 135cm wide, 71cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOverall the appearance of the timber is clean and polished, dark colour overallThe upholstery is recent and the condition reflects this, there are some surface marks - the bolsters with some surface dirt and these may benefit from a light cleanThe frame is solid and stable, the underside is hessian covered, this was probably stabilised at the time of the last upholster and Dreweatts cannot guarantee the originality of the frame beneath the later upholstery Please refer to additional images for visual reference to condition Condition Report Disclaimer
A French giltmetal and Sevres-style porcelain inset mantel clock, unsigned, second half 19th century, with eight-day bell striking movement with outside countwheel, the white enamel dial with blue Roman numerals, the case surmounted by a maiden with her harp and attendant amorino, 42cm highCondition Report: Dreweatts have not tested the movement and cannot make any guarantees or comments as to accuracy or if the movement is working we suggest getting the clock appraised by a professional clock restorer prior to use. With a winding key, and pendulum. The case with marks, knocks, scratches, abrasions, consistent with age and use, dirt and discolouration and uneven finish to the surface overallSevres-style plaques with light wear and rubbing, no obvious chips or cracks Condition Report Disclaimer
A Victorian oak side or writing table, second half 19th century, 76cm high, 94cm wide, 62cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOverall with a clean appearance overall, some light marks to the topThe handles appear to be originalOverall solid and stableThis has drawers only to the front - the rear is plain wood, probably designed to go against a wall but could free stand as a small library table if wished, the colour is fairly uniform overallPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A gilt-metal wall mirror, with floral branch frame incorporating light fitments, with projecting simulated marble shelf, 140cm high, 80cm wide Please note this was described as having a marble shelf initially, this is actually simulated - it appears to be wood that has been paintedCondition Report: Please note this was described as having a marble shelf initially, this is actually simulated - it appears to be wood that has been paintedMarks, knocks, scratches, abrasions consistent with age and useThe metal areas with discolouration, patina, and verdisgris, the sockets with old fitments within - Dreweatts sell this item as a mirror and shelf only and if the purchaser wished to use the electrical elements these would need to be replaced and re-wired by a professional electrician prior to installation and use in a domestic setting Chips and losses, the shelf with wear and also it has been shaped to fit a recess previously and is therefore not symmetricalThere are hooks to the rear to hang on a wall,The rear of the plate with MDF boards, please see additional online images for a view of the rear of this mirrorThe plates with some chips and losses and with bloom and depletionThe whole has not been assembled for the view - the bracket screws to the underside of the table top and hangs down when assembled Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A Victorian cast iron X-frame stool, mid 19th century, almost certainly Sheffield, Crichley, Wright & Co., with indistinct registration diamond for March 1859, 60 high, 59 wide, 39cm deepA near identical example of cast iron X-frame stool, albeit with raised superstructure, is illustrated in Georg Himmelheber's Cast Iron Furniture, Philip Wilson, London, pl. 125, Himmelheber gives the exact date of registration as 28th March 1859Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,The leather seat has been replaced - this is in fair condition overall with light marks from use, and some sagging and stretching.The frame is solid and stable, no obvious breaks or repairs - there is some slight movement and looseness to the joined elements (such as the arms) but overall stands solid. Some slight, light surface corrosion but this does not appear to be affecting the use or stability. Please refer to the additional images for visual reference to conditionCondition Report Disclaimer
A French ormolu mantel clock, AD Mougin, mid 19th century, the eight-day bell striking movement stamped with the maker's deux medaille roundel to the backplate and numbered 1142, and with white enamel Roman numeral dial signed Martinot A Paris to the centre and with Arabic numerals to the outside track, the rococo shaped case incorporating a rigid handle finial 28cm high, together with a pair of twin light candlesticks, forming a garniture, each with an ear-of-wheat final and the outscrolling sconce arms, 20cm highProvenance: From the private collection of Sir David and Lady Scholey
A pair of Baltic blue glass two light wall lights, possibly Swedish, 20th century, each with double spray surmount above blue glass vase bodies, 43cm high overallCondition Report: Both have knocks, marks, scratches to the body, droplets and gilt metal Both blue bodies are formed of two halves (top and bottom) with a wooden spacer between, which is disguised by the central metal band. All elements have been joined via a rod from the terminal to the platform at the top of the glass section. Dreweatts have not fully dismantled these and therefore cannot guarantee the condition of any hidden elements.Some droplets on each sconce have been repaired or replaced and later wire added. Chips and losses to someBoth prism stems show signs of wear. Knocks, marks, chips and losses to both. One stem is more chipped than the other as also shows signs of glued repair to the join at the bottom where it meets the metal collarThe gilt metal bands to both show signs of discolouration, dirt and putting (one more so than the other)One upright frond appears to have solder to one portionAll candle arms have some movement. The interiors to the candle holders show signs of discolouration and signs of expected use as candle holders.One glass body with a chip below the gilt metal band (centre). The other, with a chip to the right hand side above the metal band.The acorn terminal appear to be made from a different alloy than the remainders, possibly replacedOne of the glass bodies has been shaped at the bottom to the rear where it meets to terminal.Please see additional images for referenceCondition Report Disclaimer
Manner of Anton Schranz JnrHarbour sceneOil on panel40 x 50cm (15½ x 19½ in.)Condition Report: Light surface dirt throughout. Yellowing varnish causing discolouration throughout. Rubbing to the framing edges, with some associated loss especially to the upper edge. Some patches of cracking and paint shrinkage to the lower edge. Inspection under UV reveals very light scattered retouching with some more notable retouching to the lower edge. Condition Report Disclaimer
A pair of hardwood bedside tables, late 20th century, 71cm high, 66cm wide, 43cm deepProvenance: Private Collection, The Old Rectory, Gloucestershire Purchased from Viceroy Furniture Ltd, London, in 1999. Condition Report: Overall condition the lack of significant age and light use in a domestic setting, polished appearance overallCondition Report Disclaimer
A tan suede style upholstered sofa, of recent manufacture, in the manner of George Smith, 85cm high, 200cm wide, 100cm deepCondition Report: Overall condition reflects lack of significant age or use in a domestic setting, with a fire labelDue to the knap of the upholstery it appears to be heavily marked/scuffed - this is not the case, there are some light stains and old marksPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A Chinese soapstone seal signed Wang Ti (1880-1960), dated the year of Yiyou (1945), of square section, the finial skilfully carved with a mythical beast with its head turned to its right, on one side of the seal inscribed and signed Wang Ti, a seal artist and founder of the renowned Xiling Seal Art Society which is one of Chinas most important stone seal engraving associations, the stone of light caramel tone, fitted fabric lined hardwood box, 3.5cm high x 3cm square 王禔（款）寿山石兽钮方印一枚Condition Report: in good condition, some wear to fabric and minor wear throughoutCondition Report Disclaimer
A walnut caddy top chest in George I style by Arthur Brett & Sons Norwich, 20th century, with four long drawers, brass side handles, on bracket feet, paper label for Arthur Brett, 82cm high, 87cm wide, 46cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, there are some light scratches to the top surface There are some knocks to extremitiesThe handles are original, there are no locks to the chest by designOverall solid and stable and overall the condition is reflective of this chests lack of significant age or use in a domestic settingPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A pair of glass twin light table lustres, 20th century, each with a floriform sconce above the drip pans and lustre drops, and twin branching stem, on a shaped foot, 35cm highCondition Report: Each with small chips to the petal cut/scalloped edge of the base rims. One has a replacement drop different from the rest.Condition Report Disclaimer
A pair of upholstered sofas, of recent manufacture and of large proportion, each 70cm high, 282cm wide, 96cm deepProvenance: Private Collection, The Old Rectory, GloucestershireCondition Report: Fabric with the expected wear, pulls and minor fraying commensurate with age and use. Some dark and light marks to the fabric in places (see images). One foot detached but present from each sofa. The stitching to the piping of some of the cushions is opening slightly in places. Some surface dust and 'fluff' in places. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A black slate specimen marble inlaid table top, 20th century, with inset chess board pattern, the black squares uniform the 'white' various specimen marbles, 43cm squareCondition Report: There is a chip and loss to the edges of one corner, otherwise in fair condition - it may have been inset or designed to sit on a table base previously - there is no clear signs of any adhesive, the underside is rougher and not polished clearly designed to not be seen, the main surface is polished and with some light marks and wearPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A metal suite of dining furniture, modern, by Tom Faulkner, comprising; a glass topped table with stylised tripod base, 77cm high, 120cm diameter, and a set of six chairs, each 102cm highProvenance: Private Collection, The Old Rectory, GloucestershireCondition Report: Marks, knocks, scratches, abrasions, and signs of light use in a domestic setting, but overall condition reflects lack of significant age or useCondition Report Disclaimer
Continental School (18th century)Weavers at workOil on panel 39.5 x 51cm (15½ x 20 in.)Please Note: This work should be catalogued as 18th century and not as listed in the printed catalogue. Condition Report: Oil on panel. Rubbing to the edges. Inspection under UV reveals a thick green masking varnish and light scattered retouching. More extensive retouching to the upper right corner which corresponds to a crack in the panel. The varnish may be masking the extent of restoration or repair. Please Note: This work should be catalogued as 18th century and not as listed in the printed catalogue. Condition Report Disclaimer
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