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534310 Los(e)/Seite
Los 245
A set of four large gilt-bronze three-light wall appliques, of Louis XVI style, second half 20th century, each ribbon-tied back-plate with ram's head mount supporting foliate scroll branches, 78cm high (4)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 239
A French bronze and glass nine-light chandelier, second half 20th century, the moulded baluster stem supporting three tiers of faceted clear and smoky glass drops and shaped branches with foliate drip pans, approx. 110cm high, 70cm diameter It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 242
A pair of Swedish gilt-bronze and cut-glass three-light wall appliques, late 19th century and later elements, each shaped backplate with three tiers of glass beads and drops above wrythen branches with foliate sockets hung with swags and further drops, 44cm high, 33cm wide (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 227
A pair of French gilt-bronze mounted white marble three light candelabra, of Louis XVI style, early 20th century, wired for electricity, the bodies with ram's head monopodiae, 49cm high incl. fitment (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 235
A Regency gilt and patinated bronze three-light hanging light, early 19th century, with central vase reservoir, the body with lotus leaf ornament and conforming corona, three later frosted and etched glass shades, approx. 107cm high, 63cm diameter It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
Los 237
A Restauration gilt-bronze five-light chandelier, second quarter 19th century, each arm with scrolling volute terminating in a rosette, issuing from a central stem modelled as a fluted torchere adorned with acanthus leaves, with flambeau finial, suspended by five chain links from a ceiling rosette, wired for electricity, 54cm high overallIt is the buyer's responsibility to ensure electrical items are professionally rewired for use.
Los 228
A pair of Empire gilt and patinated bronze twin-light candelabra, first half 19th century, each with a male or female classical winged figure standing on a sphere and fluted plinth supporting twin candle branches and a cornucopia, wired for electricity, with fabric shades, 62cm high excl. shades (2)It is the buyer's responsibility to ensure electrical items are professionally rewired for use.
Los 209
â–² Patrick Caulfield RA (1936-2005) 'Tulips' screenprint, 1973, signed 'Patrick Caulfield' and numbered '54/72' l.r., published by Waddington Graphics, Londonsheet 68 x 90cm, unframedCondition ReportFoxing and smudges to margins. Dirty marks to the right edge. Light cockling to the edges. A light crease to the bottom left corner. The printed area appears to be in good condition.
Los 95
â–² Michael Cullimore (1936-2021) 'Still Life with Comet'signed and dated 'Culllimore/1986' u.r., pen and ink and watercolour38.5 x 57cmProvenance: With Austin/Desmond Fine Art Ltd., Berkshire.Condition ReportFramed: 65 x 83cmLight cockling. Appears to be stuck down in the corners. Not viewed out of glazed frame.
Los 102
â–² John Bratby RA (1928-1992) 'Patti in Gold Parka'signed and dated 'John Bratby/6 & 7 April 1991' and inscribed with title l.r., mixed media57 x 38.5cm, unframedCondition ReportThe work has been executed on a large sheet of paper that has been folded in half. Faint dirty marks and a little smudging. There is a border of light discolouration to the left and top edges. Light foxing starting to emerge in places.
Los 286
â–² Andreas Gyula Bubarnik (Hungarian, 1936-2010) An ivory tankard and fruit on a tablesigned 'Bubarnik' l.l., oil on board40 x 30cmCondition ReportFramed: 54 x 44cmAppears to be in good order and presents well overall. Not examined under UV light, for a full report please contact the department.
Los 290
â–² José María Córdoba (Spanish, b.1950) 'San Onofre y la Anunciación'signed and dated 'CORDOBA 2002' l.r., oil on canvas laid on board160 x 160cmCondition ReportFramed: 164 x 164cmThe canvas has been stretched around a board but is in otherwise good condition. Unexamined under UV light, for a full report please contact the department.
Los 110
â–² John Lines (b.1938) 'Great Laker', Welland Canal, Canada'signed 'LINES' l.l., inscribed with title on artist's label verso, oil on canvas board 22 x 30cmCondition ReportFramed: 31 x 38.5cmThe work appears in good condition and is ready to hang. Not examined under UV light, for a full report please contact the department.
Los 322
Carlos Bracher (Brazilian, b.1941) 'Jarra com Folhagem'signed 'Bracher' l.l., also signed, inscribed with title and dated '1992' verso, oil on canvas73 x 54cm,with a booklet titled 'Bracher: Homage to Van Gogh' produced for an exhibition sponsored by Shell, 1991-1992 (2)Condition ReportFramed: 77 x 58.5cmLight surface dust but presents well overall. Not examined under UV light, for a full report please contact the department.
Los 178
â–² Bryan Organ (b.1935) Tigerlithograph in colours, signed and dated 'Bryan Organ 1974' in pencil l.r., and inscribed 'For Stan'sheet 76 x 63cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight half moon handling creases to the unprinted areas. Creasing to the left edge. Light surface dirt with faint spots of foxing starting to emerge in places.
Los 137
â–² Stephen Bone (1904-1958) Cairnsmore of Carsphairnsigned 'Stephen Bone' 'l.r., also signed and inscribed with title verso, oil on board28 x 36cmProvenance: Ryman & Co., Ltd., Oxford;John D Mabbott Esq;the Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportFramed: 36.5 x 44.5cmAppears to be in good order without any obvious condition isssues. Examined under UV light no retouching shows.
Los 128
â–² Barbara James (contemporary) 'A Certain Light'signed with initials l.r., oil on canvas46 x 61cmCondition ReportTiny brown speckles of light surface dirt in the upper right quarter however presents well overall and appears to be in otherwise good condition. Examined under UV light there is no obvious retouching.
Los 257
â–² Sherree Valentine-Daines (b.1956) 'Lasting Friendships'signed with initials l.l., oil on canvas20 x 30cmCondition ReportFramed: 54 x64cmSlight rubbing to the extreme edges. Under UV light a couple of tiny specks fluoresce bright orange on the little boy's ear and bucket, and on the girl's dress, however under normal light any retouching is not obvious, please see additional images. Presents well overall and ready to hang.
Los 242
â–² Grenville Cottingham (1943-2007) 'Alongside in Portsmouth'signed 'Grenville Cottingham' l.l., oil on canvas laid on board45.5 x 30.5cmGrenville Cottingham (1943-2007) was a distinguished British painter known for his evocative marine and landscape scenes. He studied at Exeter College of Art and Liverpool College of Art, honing his skills in both oil and watercolour. His work is celebrated for its strong sense of space and vibrant use of colour, capturing the spontaneity of the moment. His paintings often depict the landscapes of Tuscany, Provence, South-West Ireland, Egypt and various parts of the British Isles.Condition ReportFramed: 55.5 x 40.5cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
Los 215
â–² Patrick Caulfield RA (1936-2005) 'Occasional Table' (Cristea 29)screenprint in colours, 1972, signed 'Caulfield' in pencil l.r., and numbered '455/500', printed by Kelpra Studios and published by Observer Art, Londonsheet 64 x 79cm, unframedCondition ReportLight surface scratches visible under raking light. Faint dirty marks and foxing to the margins. Damp and mould spots to the lower edge which cross into the printed area, please refer to illustration. Minor handling creases. The colours are bright and the print is crisp.
Los 13
▲ Russell Frampton (b.1961) 'Golden Lore’ signed 'Russell Frampton', inscribed with title and dated '2019' on a label verso, mixed media on board122 x 164cm, unframedProvenance: With the London Contemporary Art Gallery.Condition ReportLight surface dust and dirt. Minor dents to the corners however presents well when viewed on the wall.
Los 5
â–² Tom Chamberlain (b.1973) Untitled, 2000with 'The Jerwood Drawing Prize 2001' label verso, pen and ink56 x 75cmCondition ReportFramed: 67.5x 87cmRippling to the sheet, especially in the corners. A faint stain to the right edge, upper centre. Light foxing starting to emerge. Scratches to the glazing. Not viewed out of frame.
Los 77
After Eugene Robert Richee Portrait of Louise Brooks, 1928gelatin silver print, printed later34.5 x 27cmProvenance: A private collection, Kensington, London W8.Condition ReportFramed: 54 x 46cmMinor creasing visible under raking light. Well presented and ready to hang. Not viewed out of glazed frame.
Los 272
Nadezhda Chernikova (1916-2010) Morning newssigned in Cyrillic l.l., oil on board 49 x 35cmCondition ReportFramed: 61 x 46cmA little faint brown smudging to the sky in the upper right quarter, however presents well overall. Not examined under UV light, for a full report please contact the department.
Los 244
â–² Gerald Norden (1912-2000) 'Broken Jug and Old Books';'Crockery and Cakes'two, the first signed and dated 'Norden/86' l.l., the second signed and dated 'Norden/87' l.r., oil on board35.5 x 46cm and 22.5 x 28cm respectively (2)Exhibited: Royal Academy Summer Exhibition 1987, catalogue no. 280;Newburgh Street Gallery, 13 November 1987, catalogue no. 29.Condition ReportFramed: 48 x 58cm and 34 x 39cmBoth works appear to be in good condition. Not examined under UV light, for a full report please contact the department.
Los 64
â–² Clive Barker (b.1940) 'Daz' painted wood, signed 'Clive Barker' and inscribed with title on base16cm wide6.5cm deep23cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportLight surface scuffs and dirty marks. The nails used to construct the piece are slightly visible. The paint appears to have been thiny applied in places. Please see additional images.
Los 113
â–² John Pawle (1915-2010) A still life of pink rosessigned 'Pawle' l.r., oil on board21 x 26cmCondition ReportFramed: 35 x 40cmRubbing to the edges. A little light surface dirt. A tiny loss to the upper left edge. Not examined under UV light, for a full report please contact the department. Loose in the frame.
Los 243
â–² Grenville Cottingham (1943-2007) 'Riverside Walk at Sunset, Greenwich'signed and dated 'Grenville Cottingham/79' l.r., also signed, inscribed with title and dated verso, oil on board23.5 x 16.5cmGrenville Cottingham (1943-2007) was a distinguished British painter known for his evocative marine and landscape scenes. He studied at Exeter College of Art and Liverpool College of Art, honing his skills in both oil and watercolour. His work is celebrated for its strong sense of space and vibrant use of colour, capturing the spontaneity of the moment. His paintings often depict the landscapes of Tuscany, Provence, South-West Ireland, Egypt and various parts of the British Isles.Condition ReportFramed: 30.5 x 23.5cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
Los 96
â–² Albert Houthuesen (Dutch-British, 1903-1979) 'Young Boy Clown', 1965 signed 'Houthuesen' l.l., ink and wash34 x 24.5cmProvenance: With Mercury Gallery, London;Mrs Blumenau.Condition ReportFramed:Time staining and rippling.A small raised crease to the centre of the top edge. There are light squares of discolouration in the upper corners where the work has been hinge mounted with tape applied to the reverse. Viewed out of the frame there is border of discolouration around the edges, please refer to additional condition images.
Los 185
â–² John Piper CH (1903-1992) 'Llan-y-Blodwell, Shropshire' (Levinson 128)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 82 x 59cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportUnnumbered. Light creasing. Faint dirty marks to the margins. A larger mark to the lower left corner.
Los 122
▲ Joan Warburton (1920-1996) 'In Memory of Rubio, Cedric’s Macaw'signed with initials and dated '73' l.l., watercolour69.5 x 54cm, unframedThis lot depicts Rubio, the pet macaw of the painter Cedric Morris, Warburton's close friend and mentor, who founded the East Anglian School of Painting and Drawing at Dedham and later Benton End.Condition ReportExtremely light handling creases to the edges. Appears to be in otherwise good condition and presents well overall.
Los 145
â–² Tessa Newcomb (b.1955) Lady under handkerchief treesigned with initials and dated '2002' l.l., oil on board15 x 20cmProvenance: The Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportFramed: 23.5 x 28cmPresents well overall. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
Los 313
Jim Dine (American, b.1935) 'Self Portraits (1971)'a set of nine etchings, each signed 'Jim Dine' in pencil l.l., dated '1971' and numbered '12/25', printed by Maurice Payne and published by Petersburg Press, Londoneach sheet 44 x 35.5cm, unframed, in original portfolioCondition ReportA little cockling with some small spots and speckles of light surface dirt. The prints present well overall. The portfolio is rubbed with scuff, scratches and abrasions to the surface.
Los 281
Nadezhda Stupina (b.1967) 'Fruit and Flowers'signed in Cyrillic l.r., also signed, inscribed in Cyrillic and dated '2007.1' verso, oil on canvas80 x 80cmCondition ReportFramed: 92x 92cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
Los 62
â–² Clive Barker (b.1940) 'For Tom Horn', 2020polished bronze and polished brass, stamp signed, titled and dated on a plaque to the reverse38cm wide17.5cm deep7cm high overallProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportSurface dust and dirt. The bronze is a little tarnished and would benefit from a light clean. For a full report please contact the department.
Los 326
Fabian Perez (Argentinian, b.1967) 'Balcony at Buenos Aires VI'hand-embellished giclée print on canvas, artist's proof, signed 'F. Perez' l.l., and numbered 'AP 6/30'116 x 86cm, unframedCondition ReportThere is an 8cm x 12cm area of retouching to the dress, lower centre, and a very small scuff to the upper right corner. A little light surface dirt. The number wraps around the edge of the canvas slightly.
Los 132
â–² Mari Andriessen (Dutch, 1897-1979) Standing female nude bronze with rich brown patination, signed with monogram to base88cm highCondition ReportThere are scratches on both hands where abrasions to the patina have exposed the original colour beneath. Further light scratches and rubbing to the surface in places, including the back of the upper right arm, the top of the head, the top of the right foot, and the hair above the face. There is a small recess at the top of the head and it is unclear if this is a result of the casting process, please see additional images. A little dust and dirt to crevices.
Los 155
Henri de Toulouse-Lautrec (French, 1864-1901) 'Yvette Guilbert - Dans la Glu' (Delteil 252)lithograph, 1898, from an edition of 350image 32 x 26.5cmProvenance: Lord and Lady Moser.Condition ReportOverall: 57 x 42cmExecuted on laid paper within a platemark. Time staining. Foxing to the margins with light foxing starting to emerge to the printed area.. A couple of faint dirty marks to the margins. The print has been hinge mounted with two small pieces of tape attached to the top edge. Light creasing. The top of the right edge is a little uneven.
Los 289
â–² José María Córdoba (Spanish, b.1950) 'Claro de Bosque'signed and dated 'CORDOBA 2001' l.r., oil on canvas laid on board130 x 240cmIllustrated: 'José María Córdoba', Lecturas Contextualizadas, Museo Municipal de Málaga, 27 February - 31 March 2002, p.108.Condition ReportFramed: 136.5 x The canvas has been stretched over a board but is in otherwise good condition. Unexamined under UV light, for a full report please contact the department.
Los 7
â–² Emma Haworth (b.1975) Brighton Piersigned and dated 'Emma Haworth 02' l.r., oil and ink on canvas 61 x 76cm, unframedCondition ReportPresents well overall. There is a small unpainted white spot to the structure of the pier beneath the flag, and it is unclear if this is as intended by the artist, or a small loss. Examined under UV light no retouching shows.
Los 11
â–² John Holden (b.1942) 'Pool V'signed, inscribed with title and dated '1998' verso, oil on canvas60.5 x 60.5cmCondition ReportFramed: 66.5 x 66.5cmA little light surface dirt. Small scuffs and abrasions to the black paint around the edges and the dark blue areas. Not examined under UV light, for a full report please contact the department.
Los 184
â–² John Piper CH (1903-1992) 'Malmesbury, Wiltshire: The South Porch' (Levinson 129)lithograph in colour, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 82 x 59.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight handling creases to the top edge. Appears to be in otherwise good condition.The print is unnumbered.
Los 182
â–² John Piper CH (1903-1992) 'Gedney, Lincolnshire: a Tower in the Fens' (Levinson 139)lithograph in colours, 1964, printer's proof, signed 'John Piper' in pencil l.r., numbered 'P/P I', with the Archive of Stanley Jones blind stampsheet 82 x 59.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight creasing. A few speckles of light surface dirt to the margins. There is a vertical line/ impression running the length of the left margin, 1cm in from the edge of the sheet. The bottom left corner is a little bent.
Los 41
â–² Marco Perego (Italian, b.1979) Skull and toy horsessigned 'Perego' verso, mixed media on canvas160 x 160cm, unframedProvenance: Black Pearl Inc., 225 Hudson Street, New York, 30 October 2007.Condition ReportThe medium appears to be oil on canvas which has been overlaid with glossy pools of resin which are a little yellow in colour. Light surface dust and dirt. Some superficial scuffs and abrasions but presents well overall.
Los 150
â–² Christopher Hall (1930-2016) 'Alpine Road, Reading'signed and dated 'C.C. Hall - 1976' l.r., inscribed with title on label verso, oil on board26 x 31cmProvenance: With Arthur Ackermann & Sons, London;New Grafton Gallery, London;the Collection of David and Sandy Fuller.David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years.Condition ReportFramed: 37 x 41.5cmOn close inspection there are some very light surface scratches however in our opinion the work presents well overall. Not examined under UV light, for a full report please contact the department.
Los 284
â–² Liana Vassalou (Greek, b.1948) Untitled bronze on an acrylic pedestal, signed in Greek and dated '91' to the base175cm high overallProvenance: The property of a European collector.Condition ReportThe bronze at the top of the pedestal is approximately 17cm wide x 17cm deep x 16cm high overall. The bronze base measures 23cm wide x 18cm deep x 14cm high. Dust and dirt to crevices. Light scratches and abrasions to the pedestal. For a full report please contact the department.
Los 127
â–² Heather Copley (1918-2001) Burton Baths, Burton-on-Trentsigned and dated 'Heather Copley 55' l.r., oil on board 61 x 125cmProvenance: Christie's, South Kensington, 17 August 2010, lot 351;The Collection of Charles Edwards and Julia Boston, Tile Barn, Northamptonshire.Condition ReportFramed: 74 x 137cmAppears to be in good condition. Not examined under UV light, for a full report please contact the department.
Los 151
â–² David Eustace (1950-2021) 'Ship of Fools (Sinking)' signed 'Eustace' l.l., inscribed with title verso, oil and acrylic on board 30 x 34cm Provenance: With Hutson Gallery, London; the Collection of David and Sandy Fuller. Exhibited: Hutson Gallery, London, 'David Eustace', 17 February - 13 March 2004. David was a director of the National Horseracing Museum and a successful fine art consultant. He offered his expertise to leading galleries and auction houses, including Sotheby's and Christie's, and was a regular visitor and friend of Sworders for many years. Condition ReportFramed: 41.5 x 42.5cm Appears to be in good condition. Not examined under UV light, for a full report please contact the department.
Los 131
â–² John Bainbridge Copnall (1928-2007) 'Storm Clouds over a Spanish Windmill'signed and dated 'john copnall 58' u.r., oil on board88 x 61cmProvenance: The collection of Herbert (Bert) Randall (1927-2007). Exhibited: Pannett Gallery, Whitby.Condition ReportFramed: 109 x 82cmPresents well overall. Not examined under UV light, for a full report please contact the department.
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534310 Los(e)/Seite