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534325 Los(e)/Seite
A collection of five Liberty silk scarves, to include the Golden Jubilee of HM Queen Elizabeth II in blue, 87cm x 87cm, an Art Nouveau example in tones of blue, green and red, 89cm x 86cm, two Tree of Life examples the first in tones of pink, green and white, the second in tones of blue, pink and green, both 88cm x 88cm, and an example with pink and blue floral motifs over a cream ground, 66cm x 66cm, together with a Valentino silk scarf with stylised floral jewels over a pink patterned ground, 86cm x 84cm, in Liberty packaging, also a large Liberty paisley scarf and a Begg x Co light pink cashmere scarf with embroidered initials, complete with box. (8)
SOLITAIRE-ANHÄNGER. Material: Anhänger 750/- Weißgold, Punze, Kette 585/- Weißgold, Punze. Gesamtgewicht: ca. 7,5 g. Maße: Kette Länge 51,0 cm. Diamanten: 1 Brillant 4,33 ct. fancy light yellow, natural colour, VVS2. Beschreibung: DPL Idar-Oberstein Expertise von 08/2023 anbei. Aus der Sammlung eines Bankiers.Erläuterungen zum Katalog
BURMA-SAPHIR-DIAMANT-RING. Datierung: Um 1990. Material: 750/- Weißgold, Punze. Gesamtgewicht: ca. 27,0 g. EU-RM: 55. Diamanten: Ca. 120 Brillanten zus. ca. 1,2 ct., H-J/VVS-VS. Edelsteine: 1 ovaler facettierter Saphir, light yellow, Keine Hinweise auf Hitzebehandlung, Herkunft: Burma (Myanmar). Beschreibung: GRS Luzern, Gemstone Report vom 09/2007 über den mittigen Saphir anbei. Außergewöhnliche Farbe für einen Saphir dieser Größe.Errata: Die Karatzahl des Burma-Saphires beträgt 14,29 ct. Erworben wurde der Ring 2008 bei Juwelier Johannes Hundt in Haan. Ring mit Punze. Gutachten des Juweliers in Kopie anbei. (geändert am 07.11.2023)Erläuterungen zum Katalog
Title: Nature Morte a l' Abat Jour. Fauvist-style print depicting a teapot and fruit bowl with a bright overhead light. Pencil signed by artist in lower right corner; edition number in left corner. White matte border with gold-tone frame. Sight size: 24.5""W x 30.5""H; frame: 28.5""W x 34.5""H x 1.25""D. Certificate of Authenticity included. Artist: Marcel MoulyEdition Number: 296 of 300 Condition: Age related wear.
in Summer House, Andrew Stylianou has depicted an interior scene filled with flowers and plants near a rattan chair highlighted by the sunlight passing through large windows. Stylianou played with perspective and pastel colors to connect the outside luscious flowers with the peaceful setting of this Summer house. Signature in pencil on lower right: Andrew Stylianou. Title in lower center: Summer House. Numbered on lower left: 99/120. Housed in green wooden frame with a three tiered off white mat, mauve and light green borders. Frame size: 31.50"L x 34"H x 0.80"W. Sight size: 24.50"L x 26.80"H. Certificate of Authenticity included. Artist: Andrew Stylianou (Cypriot b. 1948)Issued: c. 1990Edition Number: 99 of 120 Country of Origin: CyprusCondition: Age related wear.
Textured color serigraph on wove paper entitled In Bloom that depicts a woman in an armchair sitting by an abstracted still life done in bold colors by Post Impressionist Itzchak Tarkay. Signature in pencil on lower right: Tarkay. Numbered on lower left: EA (Artist Proof) 8/50. Housed in a marbleized gilded frame with light cream matting. Sight size: 15.60""L x 19.50""H. Frame size: 25.50""L x 29""H x 1.25""W. Certificate of Authenticity included. Artist: Itzchak Tarkay (Israeli 1935-2012)Issued: 2000Edition Number: EA. 8 of 50 Country of Origin: IsraelCondition: Age related wear.
Carminio I (Crimson I) is an abstract color etching by artist Janine Cox. Signature in pencil lower right: Cox. Title in lower center: Carminio I. Numbered on lower left: 250/250. Housed in a gilded wood frame with light cream matting. Sight size: 20""L x 16.25""H. Frame size: 29.25""L x 26.25""H x 1.25""W. Certificate of Authenticity included. Artist: Janine CoxIssued: 1994Edition Number: 250 of 250 Condition: Age related wear.
Title: Flowers 31. Abstracted vase of daisies with white outlines and a punch of pink over laid on a light turquoise blue wash background. Signed illegibly by artist (Annabel?) on lower right corner. Pink and white double matte border with wood frame. Sight size: 24.25""W x 33.25""H; frame: 26.5""W x 35.5""H x 1""D. Condition: Age related wear. Original green veneer on wood frame stripped off.
Outstanding color lithograph on wove paper by Northern European COBRA group co-founder Karel Appel. This semi-abstraction entitled Oiseau Hurlant (Shouting Bird) represents two birds with light blue, deep red and black broken outlines on a rich yellow background. One of them has a wide open beak with jagged lines to convey the loud sounds that the bird is shouting. Housed in a black frame and mat with a deep red border. Sight size: 21.75"L x 15"H. Housed in a black frame and mate size: 30.60"L x 24"H x 1.50"W. Pencil signature on right: Appel. Edition on lower left: EA (Epreuve d'Artiste). Artist: Christiaan Karel Appel (Dutch 1921-2006)Issued: 1977Edition Number: Artist Proof Country of Origin: NetherlandsCondition: Age related wear.
Large multi media assemblage entitled There's No Place Like Home made by Contemporary artist Tracy W. Hambley who uses found and vintage objects to create visual narratives. Hambley used world maps, vintage handwritten postcards from tourist sites throughout the continents, stamps and an old ink pen that surrounds a wooden box that reveals a tourist souvenir of the Statue of Liberty. Pen signature and date on lower right: Tracy W. Hambley, 00. Title on lower left: There's No Place Like Home. On verso: written title and artist's stamp. Housed in a light color wood shadowbox. Artist: Tracy W. Hambley (American, 20th/21st century)Issued: 2000Dimensions: 21"L x 2.75"W x 21"HCountry of Origin: United StatesCondition: Age related wear.
Ruth Thorne-Thomsen (American, b. 1943). Black and white pinhole photograph composite titled "Views from the Shoreline: Eonic Queen (Screwhead)" depicting a shell in the shape of a head in profile over a sandy landscape. A plane soars in the upper left corner.Sight; height: 6 in x width: 5 in. Framed; height: 14 3/4 in x width: 11 3/4 in. />Condition: The emulsion appears smooth. The colors are bold and deep. There are no tears, major creases, or restorations. There are a few light handling marks along the edges. Very light undulation to the sheet. The photograph is affixed to a non-acidic matboard with two pieces of linen framer's tape along the upper corners of the verso. The work is signed, dated 1986, and editioned AP along the verso in pencil. Light wear to the matboard. The artwork is framed under glass; light wear to the frame. The brown paper backing of the frame has been cut along three edges to allow for inspection of the artwork. Please follow this link to see additional photos of this lot: https://www.dropbox.com/sh/7de4ih206uzqo96/AADrqBgT4BejVso1bHzAXTcGa?dl=0
Sam Gilliam (American, 1933-2022) and Harry Lewis (American, 20th century). "Pulsars." 114 from an edition of 150. With an original silkscreen print by Sam Gilliam and one poem in three states by Harry Lewis. Mount Horeb, Wisconsin: Perishable Press (Walter Hamady), 1974.Print; height: 10 1/2 in x width: 10 1/2 in. />Condition: The artwork has no major tears, losses, or restorations. There is one intentional vertical crease along the center of the work at the binding. There is light wear to the deckled edges of the outer pages. There is light wear to the cover pages.
Set of 63 pieces of Lenox china porcelain service in the "Imperial" pattern. With gold trim and gold laurel design, manufactured between 1939-1982. Including 12 teacups, 12 saucers, 12 bread & butter plates, 12 salad plates, and 15 dinner plates.(Cups, each) height: 2 1/4 in x diameter: 4 1/4 in. (Saucers, each) diameter: 5 3/4 in. (Bread & Butter Plates, each) diameter: 6 1/4 in. (Salad Plates, each) diameter: 8 1/4 in. (Dinner Plates, each) diameter: 10 1/2 in. />Condition: The set is in excellent condition with signs of only light use. No chips, cracks, losses, or major wear.
Clair Van Vliet (Canadian, b. 1933) and Hayden Carruth (American, 1921-2008). "Aura." Poem by Carruth and paperwork artwork by Van Vliet. West Burke, Vermont: Janus Press, 1977. Numbered 20 out of an edition of 50. The paper sourced bat Twinrocker Handmade Paper Mill established by Kathryn and Howard Clark. in Brookston, Indiana in December of 1976. Housed within the original case.Artwork; height: 14 3/4 in x width: 47 in. Case; height: 15 3/4 in x width: 9 in. />Condition: The artwork has no major tears, losses, or restorations. There are five intentional vertical creases along the piece. There is a handling mark and light creasing along the lower left edge of the work. There is light wear to the deckled edges of the poem. There are no losses to the outer pages. There is light wear to the cloth bound case.
Aaron Fink (American, b. 1955). Oil on linen painting titled "Venus De Milo - Orange" depicting a female bust, 2004. Signed and dated along the verso. With a label from Alpha Gallery along the verso.Provenance: Alpha Gallery, Boston, Massachusetts; Private Minnesota Collection.Height: 24 in x width: 16 in. />Condition: The colors are bold and bright. There are no cracks, losses, or restorations when inspected under UV light. White and black paint accretions to the verso, likely original to the artistic production. The artwork is not framed.
Felix Augustin Milius (French, 1843-1894) after Willem van de Velde the Younger (Dutch, 1633-1707). Etching on laid paper after the van de Velde painting titled "Marine" depicting ship-filled seascape, 1883. Signed in plate by Milius along the lower right. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. No tears, creases, losses, or restorations. Some wear to the deckled edges. The number "88" is written in pencil along the upper right. "Marine Van de Velde" is written in pencil along the verso in the upper left. Not framed.
Frank Stella (American, b. 1936). Lithograph on paper titled "Six Mile Bottom" depicting an abstract vertical, rectangular form along the left of the composition, 1970. The form is comprised of several vertical rods that are uniform and curved to form a diamond along the middle. Pencil signed along lower right quadrant, editioned 33/75, and dated.Sight; height: 16 in x width: 22 in. Framed; height: 21 in x width: 29 1/4 in. />Condition: The color are bold and deep. There are no visible tears, losses, or restorations. Very light undulation throughout. The sheet is floated in the frame. Framed under plexiglass; light wear to the frame; not inspected out frame.
CHROMA aka Rick Wolfryd (American, b. 1953), in collaboration with Isidoro Ortiz (Mexican (Huichol), 20th/21st c). Color beaded vinyl sculpture titled "Astroboy," from CHROMA's "Alterations" series, depicting a figure partially beaded in the Huichol style. Signed and dated 2022 and numbered 7/100 along the underside. With a certificate of authenticity from the artist.Height: 14 1/2 in x width: 6 in x depth: 4 in. />Condition: No visible cracks, dents, or signs of restoration. Given the material, there are a few scattered areas with minute beads losses that do not significantly alter the overall appearance of the item. To the right arm, there is a minute area with a light grey mark; please see the listing image. Under UV light, original transparent glue residues visible along the backside of the legs; however, it is hardly seen under natural light. Light wear along the underside.
Thomas Flechtner (American, b. 1961). Chromogenic print (C-Print) on aluminum photograph titled "Site 3" depicting an expansive landscape of blooming tulips, numbered 2/3. Titled, editioned, signed and dated along the lower left along the verso.Provenance: Marianne Boesky Gallery, New York; Private collection, Minnesota.Unframed; height: 55 1/4 in x width: 69 in. />Condition: There are no major bends, breaks, or losses. There is a minute scratch across the bottom right corner and a few minute scuffs along the extreme edge of the bottom. There is a minute accretion along the upper left quadrant. The emulsion is smooth. There are no signs of restoration under UV light.
Paul Cadmus (American, 1904-1999). Crayon on paper study of a male nude. Signed along the lower right.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 23 in x width: 15 1/2 in. />Condition: There are two small losses along the upper corners, visible in the lot listing. There is one small pinhole along the upper edge. There is a stain along the upper right corner. Some handling marks and light creases throughout. A few small smudges along the lower right quadrant. The artwork is not framed.

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534325 Los(e)/Seite