NINE PIECES OF MID TO LATE 19TH CENTURY BRITISH PORCELAIN, comprising a pair of Chamberlains twin handled shaped rectangular low comports, gadrooned gilt rims, hand painted with flowers, one impressed 'CHAMBERLAINS', length 33cm, a pair of similarly decorated dessert plates of silver shape, unmarked, diameter 22.5cm, a John Ridgway low comport of wavy rectangular form, blue border and floral decoration, printed puce crown mark, a cylindrical vase with pink and gilt rim, the body printed and tinted with floral sprays, unmarked, height 9cm and a part dessert service formed of a serving dish and two dessert plates, pale apricot and gilt borders, printed and painted floral decoration, serving dish with pattern no. 488 (9) (Condition Report: the two Chamberlains comports are both crazed and have wear to the gilding but no sign of damage, one of the silver shape dessert plates is crazed and stained, it also sounds dull when tapped, the other has crazing, both have light wear to the gilding, the John Ridgway comport has light scratching in the glaze, the vase looks to have been used as a make-up holder and the interior has a streak of pink nail varnish as well as black and red marks to the inside base, the part dessert service has light surface scratches)
534325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534325 Los(e)/Seite
A GROUP OF 19TH AND EARLY 20TH CENTURY CERAMICS, comprising a family group of three hand painted British porcelain mugs, inscribed to 'James Corbishley 1858', 'Ellen Corbishley 1858' and 'Ann Jane Corbishey (sic) 1860', heights 9.5cm and 7.8cm, a Victorian Staffordshire pottery group of a lady and a seated Dalmation, height 23cm, a near pair of Victorian Staffordshire pottery lady and gentleman Scottish musicians, heights 18cm and 16.5cm, a monochrome printed God speed the plough mug, height 9.9cm, two moustache cups and saucers, one hand painted with landscape vignettes on an apricot ground, two Parian figures of children, height 15cm and 14cm and a pair of Continental porcelain figures of a lady and gentleman, incised and impressed marks '1408 155' to the bases, height 13.5cm (15) (Condition Report: the James & Ellen Corbishley mugs have cracks in the bases, the Ann Jane mug has some light staining, the lady and dalmatian has some crazing, the other two Staffordshire figures have extensive cracks, the plough mug is ok, the apricot moustache cup and saucer are ok, the claret moustache cup sounds defective and the saucer has a star crack, the Parian child praying has nibbles to the finger tips, the other is ok and the two Continental figures both have losses)
THREE VICTORIAN STAFFORDSHIRE POTTERY PORTRAIT FIGURES AND A SIMILAR JAR AND COVER, the figures comprising a pair titled 'PR OF WALES' and 'PR ALFRED', modelled as wearing military dress and standing by chairs, heights 27cm and 26cm, a family group of Queen Victoria and Prince Albert with Princess Victoria as a baby, height 20cm and a Victorian Staffordshire pottery jar and cover modelled as a queen wearing crown and robes, bears label to the base 'NEW HALL EX.COLLECTION OF SIR ALFRED OWEN', height 20cm (4) (Condition Report: Wales has paint loss and some crazing, Alfred has minor paint loss and a glaze scuff to the jacket, family group has some crazing and light staining, a few patches of paint loss, firing crack around Albert's neck, fine crack to the front of the base, the jar has crazing and staining)
SEVEN VICTORIAN STAFFORDSHIRE POTTERY FIGURES AND GROUPS, mostly British and European royalty portrait figures, including 'Empress of France', 'Prince of Wales' on horseback, 'Pr Albert & Queen' with child, Prince Albert, Queen Victoria, a lady and gentleman group and a lion and unicorn clock group, height of tallest 32cm (7 + 4 loose heads) (Condition Report: Empress is crazed, Wales has detached head, extensive crazing and light paint loss, Albert and Queen with child has two heads detached and crazed, Prince Albert has patches of paint loss, crazed and cracks in the base and freestanding leg, chip to underside, Queen Victoria has detached head with some losses to the break, badly crazed and chipped to underside foot rim, the couple have a chip to the rear of the base, crazing and paint loss, the lion and unicorn are crazed)
FIVE VICTORIAN STAFFORDSHIRE POTTERY FIGURES, ETC, comprising a windmill with boy and girl seated either side, height 24.5cm, a shepherd with is flock and dog, height 24cm, a model of a cottage, height 11.5cm, a seated child and dogs group, height 21.5cm and an inkwell modelled as a flower flanked by two birds (5) (Condition Report: windmill has light firing cracks, shepherd group has a stained crack to the back and a small chip to the base, cottage has firing crack in roof, child and dog group has crazing and light paint loss, the inkwell has a crack to the interior, birds beaks are chipped, some paint loss)
A VICTORIAN STAFFORDSHIRE POTTERY TOBY JUG AND FOUR VICTORIAN STAFFORDSHIRE FIGURES, comprising a jug modelled as a toby seated astride a barrel with moulded inscription 'Home Brewed Ale', height 29.5cm, a flatback group of two men seated by a barrel, one reading a war report, height 21.5cm, a porcelain figure of a seated gentleman, height 12.5cm, a pottery clown type figure, height 17cm and a holy water stoop modelled with a figure of Christ, height 25.5cm (5) (Condition Report: toby has crack in the rim, extensive stained crazing and with light paint loss, flat back group has paint loss, seated gentleman has staining, slight firing crack to back of chair, nibbles around the base, clown has an underglaze chip to nose and the stoop has stained crazing)
SIX VICTORIAN STAFFORDSHIRE POTTERY FIGURES AND GROUPS, comprising a seated female figure wearing a crown, height 11.5cm, a pen holder modelled as a lady riding side saddle, height 13cm, a pair of a lady and gentleman with rake and pitchfork, height 20cm, a spill vase with angel and royal children and a group of a male gardener with basket and spade and a young girl with a garland, height 28.5cm (6) (Condition Report: the crowned figure is ok, the pen holder has a few small firing cracks and light paint loss, the pair of figures have a crack to the rear of the lady, some light staining to both, the spill vase has a number of cracks, minor paint loss and crazing throughout, the gardener group has a glued repair around the neck / shoulder of the girl and crazing throughout)
SEVEN VICTORIAN STAFFORDSHIRE POTTERY FIGURES AND GROUPS, comprising a group of Prince of Wales and Princess Royal riding on a pony and trap, height 20cm, a pair of figures of a Prince of Wales with a toy boat and Princess Royal with a parrot, height 15.5cm, Prince of Wales standing beside a throne with flag and toy boat, height 19cm, a young Prince of Wales standing on a chair with a bird, height 19.5cm, a group of a boy and a girl seated in an enclosed arbour, height 15cm and a small flatback musicians group, height 12.5cm (7) (Condition Report: pony and cart group has a crack through pony's freestanding front leg, areas of paint loss and crazing, the pair have crazing, the prince has restoration to the upper half, particularly arms jacket and sails, princess has firing crack by necklace, restored arm by bird, prince by throne has restoration to raised arm and hat, crazed, light paint loss, prince standing on chair has crazing and paint loss, chips to base and glaze scuffs, the arbour group has restoration to the underside, the musicians group has restoration, paint loss and crazing)
AN EARLY 20TH CENTURY 18CT YELLOW GOLD MANUAL WOUND OPEN FACE POCKET WATCH WITHIN A POCKET WATCH CASE, the white enamel dial with black Roman numerals, black hands, subsidiary dial at six o'clock, the dial is signed C. Rossel & Co IOCLE, engine turned case back, inner case stamped K18, makers mark JFs and numbered 32913, movement unsigned, approximate case diameter 49mms, pocket watch with accompanying pocket watch case, worn stamp to the reverse of the case with an embossed number '32913', approximate gross weight 90.7 grams (Condition Report: overall condition very good, minor light scratches to case, watch currently functioning at time of cataloguing, untested for time keeping)
NORMAN HARTNELL (1901-1979) Four signed dress designs, two pencil and watercolours of floral full length evening dresses from the 1940's-50's era, one of which is inscribed 'Specially designed for NANTY FROCKS INC:', the other has 'when a princess' inscribed in pencil verso, the two ink and watercolour sketches from the late 1960's - 1970's era, comprising of a cream knee length dress 'DOUBLE CREAM' and a full length A line dress with wide sleeves 'SCARLET LADY', the latter two designs signed in felt pen, Scarlet Lady 32cm x 21.8cm, the other three 35.5cm x 25.5cm (4) (Condition report: the rosebud dress design has a dirty surface and light staining, especially down the left hand side, some wrinkles and crease in the paper, pin holes below a blue biro '6' in the top left hand corner, two pin holes in the bottom left corner, the 'Nanty Frocks Inc' sketch has staining to the bottom half left hand edge, lighter staining along the bottom edge, dirty mark in the bottom right hand corner and another to the right of the head, 'Double Cream' has pin holes to the corners / edges and light creases in the paper, 'Scarlet Lady' has pin holes to the corners/ edges and areas of staining, particularly along the right hand side)
SIDNEY RICHARD PERCY (1821-1886) A BUCOLIC PASTORAL LANDSCAPE, figures are resting beside a pond while sheep graze a short distance away, signed and dated 1851 bottom right, oil on relined canvas, approximate size 32cm x 47cm (Condition: craquelure visible across the whole surface of the painting, UV light reveals some areas of restoration / overpainting, small area of paint loss to the top edge)
GRAHAM BENTON R.B.S.A (BRITISH 1934-2022) 'EVE', AN ABSTRACT COMPOSITION, signed and dated '10 bottom right, RBSA exhibition label verso, mixed media on canvas, approximate size 100cm x 100cm (Condition: the light area of the painting to the left side has been thinned rendering the canvas transparent, we assume this was intended by the artist as it is confined to a specific area, 3mm x 2mm area of paint loss to the right side frame damaged) (Artist resale rights apply)
GRAHAM BENTON R.B.S.A (BRITISH 1934-2022) 'HELLS MOUTH', AN ABSTRACT COMPOSITION, a Cornish coastal landscape, signed and dated '11 bottom right, signed, titled and dated 2011 verso, oil on canvas, approximate size 80cm x 102cm (Condition: light scuffs to the sky, 3cm scratch near the bottom left edge, dirty marks to the frame) (Artist resale rights apply)
AN EARLY 20TH CENTURY YELLOW GOLD ENAMEL SWEETHEART RING, the rectangular-shape enamel panel reading Hope together with a young bird and pink flowers, to the split shoulders, grooves sides and plain polished band, ring unmarked, approximate ring size K, approximate gross weight 4.2 grams (condition report: overall condition very good, enamel in good condition, minor light scratches in keeping with age)
A SELECTION OF WATCH DISPLAY STANDS AND CUSHIONS, comprising five cream stands each with a Rolex emblem, three watch holder attachments, two clear plastic stands, two cream Rolex cushions and a Longines watch cushion, also including a weighted metal base (14) (Condition Report: general light wear)
AN EARLY 20TH CENTURY YELLOW GOLD ENAMEL FLORAL BAR BROOCH, designed as two pink roses with green leaf detail to the black and white geometric decorated bar, brooch unmarked, approximate length 71mms, approximate gross weight 10.2 grams (Condition Report: overall condition very good, minor light scratches present, brooch pin with slight dent, in keeping with age and general wear)
AN ELIZABETH II SILVER SALVER OF SHAPED SQUARE FORM, the centre engraved with a logo and presentation inscription, on four cast scroll feet, makers Courtman Silver Ltd, Birmingham 1974, 44.11ozt, 1372.1 grams, width 33.5cm (Condition Report: light surface scratches, sits fairly level on a flat surface)
AN ELIZABETH II SILVER WAITER OF CIRCULAR FORM, pie crust border, the centre with presentation inscription, on three cast scroll feet, retailed by Terry & Co, Manchester, makers Viner's Ltd, Sheffield 1956, 10.10ozt, 314.1 grams, diameter 20.3cm (Condition Report: light surface scratches, sits level on a flat surface)
A CASED SET OF TWELVE EDWARDIAN SILVER ICE CREAM SPOONS, Elizabethan male figure finial on a spiral handle, makers Elkington & Co Ltd, Birmingham 1902/3, 8.36ozt, 260 grams, in an Elkington case (1) (Condition Report: the spoons are in good condition with light tarnish and light surface scratches, the case is damaged to both exterior and interior)
A VICTORIAN SILVER PEDESTAL BOWL, the beaded rim above repousse decorated ribbons and swags, vacant oval cartouche, the base stamped with no. 635 and retailer's mark for 'W. BOORE 54 STRAND LONDON', maker John Wilmin Figg, London 1878, 6.34ozt, 197.2 grams, diameter 12.9cm x height 6.7cm (Condition Report: bowl sits level on a flat surface, light tarnish and some surface scratches to the interior)
A GEORGE V SILVER PEDESTAL BOWL, with three cast handles, each formed of two serpents and two lion dormant with the tails wrapped around a petal shaped finial, egg and dart cast rims to the bowl and pedestal, supported on three lion couchant, the underside stamped with retailer's mark for 'ROBINSON & Co THE SQUARE SHREWSBURY', makers Wakely & Wheeler, London 1915, height 18cm, 64.21ozt, 1997.4 grams (Condition Report: sits level on a flat surface, marks have partial rubbing, light tarnish, surface scratches and a few dints to the interior)
AN EDWARDIAN SILVER TWIN HANDLED TRAY OF RECTANGULAR FORM WITH PIE CRUST AND SHELL RIMS, plain surface, makers Deakin & Francis Ltd, Birmingham 1903, length handle to handle 69.5cm x width 44cm, approximately 127ozt, 3968 grams (Condition Report: the surface is tarnished, mostly light surface scratches with a few longer and slightly deeper, remnants of adhesive labels on the reverse)
AN ELIZABETH II SUGAR CASTER, A PAIR OF CANDLESTICKS AND AN EBONY BOX, the octagonal silver sugar caster hallmarked 'Viners Ltd' Sheffield 1964, approximate gross weight 5.275ozt, 164.1 grams, a pair of short weighted base candle sticks with beading detail, hallmarked 'W I Broadway & Co' Birmingham 1976, together with an cylindrical ebony box, fitted with a screw to lid, lid decorated with an angular silver panel, hallmarked 'P & E' London 1921, box base stamped 'Real Ebony France' (4) (Condition Report: general moderate wear, light scratches and minor dents, panel has lost two nails, requires attention)
A GEORGE VI 'ASPREY' BOWL AND A PAIR OF 'CARRS 2000' GLASS VASES' a cut glass globular bowl, fitted with a silver rim, hallmarked 'Asprey & Co Ltd' Birmingham 1914, stamped 'Asprey London 13319', together with a pair of Elizabeth II 'Carrs 2000' square form silver and wooden base with a glass vase to be securely positioned within the base, hallmarked 'Carr's of Sheffield Ltd' Sheffield 2000' together with satin lined boxes (3) (Condition Report: general light wear, unused, one still in original packaging)
A LATE VICTORIAN SILVER HOT WATER JUG AND A LATE VICTORIAN GEORGIAN STYLE HELMET SHAPED CREAM JUG, the hot water jug with ebony fitments, florally embossed and wrythen fluted decoration, stepped circular foot, maker Thomas Hayes, Birmingham 1889, height 20cm, 8.65ozt, 269.2 grams, the cream jug with a beaded rim, strap handle, on a stepped circular and square foot, makers Stokes & Ireland Ltd, Chester 1897, 3.82ozt, 118.9 grams (2) (Condition Report: the finial of the hot water jug has a tiny chip, both items sit level on a flat surface, light rubbing to hallmarks)
A GEORGE VI SILVER LIDDED VANITY SET, comprised of three tall jars and a perfume bottle in an Art Deco style, square form lids with engine turned pattern, hallmarked 'Padgett & Braham Ltd' London 1937, approx. gross weight of jar lids 1.8ozt, 55.9 grams, perfume bottle has a cork insert, approximate gross weight 0.715ozt, 22.3 grams (4)(Condition Report: general light wear, clear hallmarks)
An Arts & Crafts three-piece silver tea service, Charles Edwards, Birmingham 1879, comprising teapot, sucrier and milk jug, each of compressed circular form raised on three feet, each with tri-form handles with foliate terminals, ebonised handle and knop to teapot, 11.8cm high, gross weight 25.26ozt (3)CR; Teapot body in good order, no major denting, splitting, thinning or repair. Cover in good order, opening smoothly and closing flush. Screw mechanism to knop is heavily rusted, and currently cannot be unscrewed. Spout in good order. Feet in good order, sitting flat on a level surface.Sucrier: Some misshaping to the rim of the bowl - see pictures. No other notable denting or splitting, Moderate scratching and wear to the surface. There is evidence of solder repair to two of the handles - see pictures. One of the feet seems to have been impacted at some point, leaving a small impression no the bowl interior. Feet are in good order, sucrier sits flat on a level surface.Milk jug: Some light misshaping to the rim. Several mid-sized dents to the body. Moderate scratching and wear. Handle in good order. Feet in good order, sitting flat on a level surface. No splitting or repair.
A gentleman's vintage 9ct gold Felea wristwatch, the round white dial with Arabic numerals and outer seconds track, set to a plain polished 9ct gold case, marks to inside case for London 1951, 17 jewel movement, 31mm diameter, set to a leather strap (at fault), together with a ladies vintage 9ct gold wristwatch, 29mm diameter, set to a gold coloured expanding strap with tongue and box fastening and safety chain, stamped 'Venta Regd' and '9ct' (at fault), and a further ladies vintage 9ct gold wristwatch, 25mm diameter, set to a leather strap (3) (at fault) Ladies expanding example: Heavy cracking and chipping to the dial. All numbers and marks are clear. Large hole to the centre of the subsidiary dial, appears as though the hand is a later replacement. Glass and bezel have become detached. There is solder repair to the border of the case. Case shows moderate denting and scratching throughout. Strap shows heavy denting, scratching and wear, and some light pulling some areas of solder repair. Bracelet is stamped '9ct'. Gross weight 22.0gms. See pictures. Ticks for a few seconds when wound and then stops.Felco example: Ticks when wound. Hands complete full rotation when pulled out to position one. Gross weight 27.6gmsYour attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
A 9ct gold curb link bracelet, approximately 20cm long, with a heart-shaped padlock fastener, marked for 'S&K', London 1966, 2.6cm x 1.7cm, suspending a spring-ring loop marked '9C' and a gold coloured florally engraved loop, gross weight 64.5gmsCR; Bracelet approximately 20cm long.Links in good order - some minor thinning around contact points, some minor denting, general scratching and wear commensurate with age and use, but no splitting or repair. Clasp in good order, showing general scratching and wear, and some light denting, but no splitting or repair or major thinning. Clasp is in working order. Attached floral link shows stretching and misshaping, general scratching and wear. The spring ring has lost it's catch, and cannot be opened. Spring ring shows some thinning/splitting, denting and general scratching and wear.
An early 20th century sapphire and diamond cluster ring, the central oval sapphire cabochon measuring 13.8mm x 11.7mm x 7.9mm (weight approximately 13.80 carats), with a surround of twenty-six single-cut diamonds, all set in white metal, continuing to a tapering plain polished shank, ring size P 1/2, weight 7.6gms With accompanying report from Gemmological Certification Services, report no. 5783-1354, stating that the carat weight is 13.80 carat approximately, that the stone is a natural sapphire, shows no evidence of heat treatment, and the origin opinion is Myanmar (Burma).There are a few small to mid-sized, deep scratches (estimated 0.5mm - 1mm deep) to the surface of the stone, including one to the tope of the cabochon, approximately 3mm long, visible under reflected light, and smaller ones along the edge of the stone. There is a small nick in the stone above one of the shoulders. Stone shows moderate scratching and general wear commensurate with age and use. The stone is slightly loose in it's setting, rattling very slightly when moved - some tightening may be required. All diamonds are present and in good order, no major cracks, chips or losses, minor scratching and wear only. Setting in good order, some areas of minor thinning, general scratching and wear commensurate with age and use throughout, no signs of repair r major damage. Shank shows moderate scratching and wear commensurate with and and use throughout, no splitting, thinning, resizing or repair. Colour zoning is visible with the naked eye, and finger print inclusions are visible under 10x.
A George VI silver pocket knife, Harrison Brothers & Howson (George Howson), Sheffield 1946, the body with textured decoration, containing two hinged steel blades, case 6.4cm wideCR: Case in good order, some light denting around the borders, moderate scratching and wear throughout commensurate with age and use, but no splitting, thinning or repair. Pendant mount shows moderate denting and wear, but no thinning, splitting or repair. Length of case (knives closed) 6.4cm. Blades show moderate tarnish and wear commensurate with age and use, but show no major thinning, splitting, misshaping or repair. Blades are secure, no rattling or wobbling. Blades open smoothly and close with a snap.
![Robert Morley RBA (British, 1857-1941),A priest at prayer, painted "Induamur Arma Lucis" [Let Us Put On The Armor of Light] b](https://cdn.globalauctionplatform.com/688e4184-bc5a-4414-aaeb-af96009a8b4c/205e92c5-772d-4612-adf4-af9c00f0ba6a/468x382.jpg)
A Chinese porcelain rouge de fer jar and cover, 20th century, the compressed globular jar decorated to the exterior with dogs of fo, with removable cover, signed, 20cm high, and a tall porcelain vase, early 20th century, of waisted form with short flared neck, the shoulders with dripped eosin style glaze over a mottled green ground, indistinctly marked to base, 31cm high (2) CONDITION REPORT - The body of the jar shows signs of light pitting from the firing process, the foot rim in unglazed, the interior is similarly pitted and shows some errors of staining, the cover appears in good order, decoration showing little wear, no obviously concerning chips cracks or restoration
A pair of Chinese porcelain plates, Republic period style, each of circular form and decorated in a famille verte palette with extensive landscape views, signed, four character iron-red mark verso, 27cm diameter (2) CONDITION REPORT - The foot rims are drilled for hanging however no obvious signs of chips cracks or restoration can be seen, some light surface staining
A fine Japanese silk embroidery, possibly by Nishimura Sozaemon (1855-1935), late Meiji Period (1868-1912), the rectangular panel embroidered with long stitch silk threads depicting two young women illuminated by a paper lantern, one holding a brush and about to write on a sheet of paper, 42cm x 52cm, framed and glazed, with a further silk work picture depicting a maiko, 39cm x 27cm, framed and glazed (2) Reference; The Ashmolean Museum, Oxford, Threads of Silk and Gold, Ornamental Textiles from Meiji Japan, pp.154-155 for two related embroideries by Nishimura Sozaemon depicting beauties lit by a weak light.
A Meissen porcelain bell, enamelled to each side with quatrefoil panels depicting courting couples, the handle modelled with a crown finial, under-glaze blue cross swords to the interior, 9.5cm high (at fault)Condition reportThe handle has been repaired, general rubbing to the gilt detail, some light crazing to the handle,
A selection of Crown Staffordshire "Blue Bow" porcelain dinner and tea wares, comprising: a serving bowl and cover, 28cm wide, seven dinner plates, 27cm diameter, three desert plates, 18cm diameter, four side plates, 16cm diameter, four coffee cans and saucers, a teacup and three saucers, a hot water jug and stand (lacking cover), a teapot cover, 7.5cm internal diameter, and two coffeepot covers, each 5.5cm internal diameter (Qty)Condition reportGeneral light rubbing to the gilt detail, overall minor surface abrasions and rubbing, small hairline crack 3cm long to one saucer, light crazing to the tureen, otherwise overall light general wear.
An Art Deco opaline glass light shade, of jelly mould form, with three graduated lobed tiers, complete with a stepped metal gallery, 28cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. CONDITION REPORT:The glass shows minor surface wear and the odd small moulding fault, but no obvious chips, cracks or losses. The gallery has been overpainted in the past, and now shows wear including chipping to this painted surface. One of the securing screws is difficult to turn, probably due to paint residue.
A near pair of brass three branch hall lanterns, 20th century, each with a glass dome shaped hanging shade, suspended by chains below a conforming glass cover, shade heights 30cm and 33cm, along with a third brass light fitting, height 44cm (3) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Loading...-
534325 Los(e)/Seite