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Preisdatenbank abonnierenA 1960s 18ct diamond spray brooch by Ben Rosenfeld, designed as a textured foliate spray with single and brilliant cut diamond accents, maker's marks for Ben Rosenfeld, BRLd, hallmarks for London, 1968, estimated total diamond weight 2.30cts, length 6.4cm, gross weight 30.9g.Condition report: Overall condition good Light scratches and discolouration in keeping with occasional wear Diamonds bright and well matched
A pair of Sri Lankan sapphire drop earrings, each designed as a cushion shape sapphire weighing 5.50 and 6.20cts respectively, suspended from an oval shape sapphire with knife-edge bar spacers and spherical surmount, length 3.5cm, gross weight 5g. Accompanied by GCS report number 79232-27 dated 23.9.19 stating that the principal stones are Sri Lankan, no heat treatment.Condition report: Overall condition good to fair Scratches, discolouration and abrasion in keeping with age and wear With fixed post fittings for pierced ears Sapphires with slight abrasion to facet joins and nicks to girdle, visible with magnification and in keeping with age Sapphires a light to medium very slight purplish blue with fair saturation and typical inclusions, one with crystal inclusions visible with magnification
An aquamarine and diamond cluster ring, of geometric design, the rectangular shape aquamarine within a square shape diamond tapered surround, stamped 18ct, estimated total diamond weight 0.35ct, ring size P, gross weight 4g.Condition report: Overall condition good Light scratches and abrasion in keeping with occasional wear Diamonds bright and well matched Aquamarine a medium blue with good saturation and typical inclusions
An 18ct gold diamond cluster ring, the brilliant cut diamond line with similarly cut diamond graduated sides, import marks for London, 1998, estimated total diamond weight 1.10cts, ring size N, gross weight 5.1g.Condition report: Overall condition good Scratches and discolouration in keeping with wear Diamonds bright and fairly well matched - light and dark inclusions visible with magnification - some surface reaching
An 18ct gold tanzanite and diamond cluster ring, the oval shape tanzanite within an undulating tapered baguette cut diamond surround, hallmarks for London, ring size M, gross weight 4.6g.Condition report: Condition good Minor abrasion to tanzanite in keeping with light wear, visible with magnification Diamonds fairly well matched Makers mark Iliana
A diamond three stone ring, designed as an old cut diamond line with bifrucated tapered shoulders, estimated total diamond weight 1ct, estimated colour I-J, estimated clarity SI-P2, ring size Q, gross weight 3.1g.Condition report: Overall condition good to fair Light scratches and discolouration in keeping with age and wear One outer diamond with small chip to girdle
After Sir Godfrey Kneller (British, 1646-1723), Portrait of Captain Edward Dod, Royal Navy (1688-1763), unsigned, oil on canvas, 88.5 x 70cm, 35 x 27.5in.Condition report: The painting is in good, restored condition. There is extensive craquelure across the surface of the painting and the canvas appears slack, with the stretcher marks visible running parallel to the edges of the canvas. Under UV light there is evidence of overpainting and restoration visible, with several corresponding patches on verso. The painting is ornately framed but not glazed. The frame has the odd minor knock and loss commensurate with age.
Two 19th Century silver berry spoons, of old English pattern, with embossed floral bowls and foliate detail stems, hallmarks for Jonathan Hayne, London, 1824 and Lawrence Holme Twentyman, Cape Colony, circa 1830, length 23.2cm, gross weight 3.78ozt.Condition report: Overall condition good to fair Previous gilding to bowls worn Light scratches and dents in places Marks crisp and clear
William Mellor (1851-1931), River landscape with sheep and lake scene with cattle watering, both signed, a pair, oil on board, 21.5 x 44.5cm, 8.5 x 17.5in (2).Condition report: The paintings are both in good, restored condition. Under UV light there are areas of overpainting and restoration visible. There are a few minor surface scuffs across the paintings. The paintings are both ornately framed but not glazed.
Two early 20th Century silver sugar nips, to include an Edwardian Asprey example together with a 1930s pair, hallmarks for London and Sheffield, 1902 and 1935, lengths 8-9cm, gross weight 1.1ozt.Condition report: Overall condition good Light scratches in keeping with age and wear Asprey sugar nips with hallmarks for Charles & George Asprey, London, 1902, also signed ASPREY to terminal. Slight nick to end of handle Smaller sugar nips with hallmarks for Thomas Bradbury & Sons Ltd., Sheffield, 1935
A selection of coral jewellery, to include a coral and diamond cluster pendant, together with a pair of 18ct gold coral and split pearl drop earrings, estimated total diamond weight 0.25ct, lengths 2.4 and 4.5cm, gross weight 11.9g.Condition report: Overall condition good to fair Scratches and abrasion in keeping with light wear Earrings with French assay marks and maker's marks 'PS' Pendant stamped 750, tested as 18ct gold Earrings with hook fittings for pierced ears
An 18ct gold citrine necklace by Wellendorff, the circular citrine collet with grooved sides, inset to the double rope link chain with spring clasp and brilliant cut diamond polished 'W', maker's marks for Wellendorff, length 40.5cm, gross weight 109.4g.Condition report: Overall condition very good Very light scratches and abrasion in keeping with minimal wear Citrine a deep orangish yellow with good saturation and clarity Some abrasion to facet edges, visible with magnification only
A 9ct gold gate-link bracelet, the gate-link chain with textured brick-link spacers and a heart shape padlock clasp, hallmarks for London, 1979, maker's marks C.S.F.S, length 20cm, gross weight 29.6g.Condition report: Overall condition good Light scratches, nicks and discolouration in keeping with general wear
A platinum diamond band ring by David M Robinson, the square shape diamond line inset to the shaped band, hallmarks for Edinburgh, 2006, maker's marks for David M Robinson, estimated total diamond weight 1.05cts, estimated colour I-J, estimated clarity VS2-SI1, ring size S1/2, gross weight 19.4g.Condition report: Overall condition good Light scratches in keeping with occasional wear Diamonds bright and well matched
After Laurence Stephen Lowry R.A. (1887-1976), "Man looking out to Sea", with Fine Art Trade Guild blindstamp, published in 1973 by Adam Collection Ltd, from an edition of 850, colour reproduction print, image size 35.5 x 25cm, 14 x 10in.Condition report: The print is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and yellowing around the edge of the print near the mount board. The print is framed and glazed.
A 1930s silver salver, of circular outline with gadrooned surround raised on three ball and claw feet, hallmarks for James Dixon & Sons Ltd., Sheffield, 1936, diameter 20.5cm, gross weight 10.85ozt.Condition report: Overall condition good to fair Light scratches No obvious signs of damage or repair Numbered Y33378
An 18ct gold diamond band ring, the brilliant cut diamond line inset to the polished band, hallmarks for London, 1975, estimated total diamond weight 0.65ct, ring size O1/2, gross weight 4.1g.Condition report: Overall condition good Light scratches, abrasion and discolouration in keeping with general wear Individual size and setting of diamonds prevents grade estimation Diamonds well matched
A platinum diamond band ring, the princess cut diamond line within a channel setting, hallmarks for London, 2004, estimated total diamond weight 1.90cts, estimated colour J-K, estimated clarity SI, ring size Q1/2, gross weight 8.9g.Condition report: Overall condition good Scratches and discolouration in keeping with wear Diamonds bright and well matched - some with scattered light and dark inclusions visible with magnification
A pair of diamond drop earrings, each designed as a pear shape and brilliant cut diamond cluster drop, suspended from a baguette cut diamond and brilliant cut diamond surmount, estimated total diamond weight 1.85cts, principal diamonds estimated 0.40ct, estimated I-J colour, SI2-P1 clarity, length 2.4cm, gross weight 4.2g.Condition report: Overall condition good to fair Light scratches and discolouration in keeping with age and wear With fixed post fittings for pierced ears Diamonds bright and well matched Principal diamond with scattered light and dark inclusions visible with magnification Jewellers inscriptions to the reverse of the settings, visible with magnification
A German silver cuff bangle, of bi-colour design, the textured acanthus leaf with polished stem to centre, German assay marks, stamped 925, 750, length of inner diameter 6cm, gross weight 50g.Condition report: Overall condition good Light scratches and tarnishing in keeping with wear Approx width of bangle 4.7cm
A diamond necklace, the 0.72ct square modified brilliant cut light pinkish brown diamond suspended within a brilliant cut diamond circular surround to the fancy link chain, estimated total diamond weight 1.60cts, length of pendant 2.9cm, length of chain 42cm, gross weight 8.8g. Accompanied by a copy of GIA certificate no. 16825509 dated 2008 stating that the colour is natural.
A pair of carved jade earrings, each designed as a circular jade carving depicting flora and fauna, length 1.2cm, gross weight 4.3g.Condition report: Overall condition good With fixed posts for pierced ears Jade untested Jade a medium green with light and dark colour patches visible with magnification
An early 20th Century silver tazza, the oval bowl with scalloped rim and repous sé figural decoration with a tapered stem and spreading oval base with similar repoussé work and four scrolling feet, John Hall & Co., Glasgow, 1912, height 17.5cm, gross weight 39.4ozt.Condition report: Overall condition good, Light scratching, Some scratching to underneath, No obvious signs of repair
A Georg Jensen brooch, pattern no. 258, designed by Arno Malinowski, the bird in flight with foliate detailing, within an openwork wreath, maker's marks for Georg Jensen, stamped Sterling Denmark, length 4cm, gross weight 7.2g.Condition report: Overall condition good Scratches in keeping with age and light wear
A 1970's 9ct gold Omega ladies automatic wristwatch, the cushion shape white signed dial with baton hour markers, within a 9ct gold case, and textured bracelet with folding clasp,17 jewel movement numbered 32805735 1, calibre 485, hallmarks for London, 1972, gross weight 28.1g.Condition report: Overall condition good Light scratches and discolouration in keeping with age and wear Watch currently working at time of cataloguing Hallmarks to inside of clasp are worn
An amethyst single stone ring, the rectangular shape amethyst within a similar shape surround, ring size R1/2, gross weight 5.9g.Condition report: Overall condition good to fair Scratches and abrasion in keeping with light wear Marked to inside of band, partially indistinct Approx. dimensions of amethyst 14.2 by 10.7 by 7.15mm Amethyst a medium slight pinkish purple with good saturation and typical inclusions
A topaz and diamond cluster ring, the oval shape golden topaz within a brilliant and baguette cut diamond surround, stamped 18ct, estimated total diamond weight 0.35ct, ring size M, gross weight 4.3g.Condition report: Overall condition good Light scratches and abrasion in keeping with occasional wear Diamonds well matched - with scattered inclusions visible only with magnification Topaz a medium very slight brownish orangish yellow with good saturation and clarity Approx. dimensions of topaz 10 by 6.3 by 4.55mm
A sapphire and diamond cluster ring, the cushion shape sapphire within a brilliant cut diamond surround and baguette cut diamond shoulders, stamped PLAT, estimated total diamond weight 0.60ct, ring size O1/2, gross weight 4.6g.Condition report: Overall condition good Light scratches in keeping with occasional wear Diamonds bright and well matched Sapphire a medium very slight purplish blue with good saturation and typical inclusions that are visible with the unaided eye Approx. dimensions of sapphire 7.2 by 6 by 2.9mm
A sapphire and diamond cluster ring, the oval shape sapphire within a brilliant cut diamond scalloped surround and similarly cut diamond shoulders, stamped 18ct, estimated total diamond weight 0.80ct, ring size N1/2, gross weight 3.4g.Condition report: Overall condition good Light scratches in keeping with occasional wear Diamonds bright and well matched Sapphire a medium slight purplish blue with good saturation and typical inclusions Some very slight abrasion to sapphire visible only with magnification Approx. dimensions of sapphire 7 by 5 by 3.4mm
Ivan Taylor (1946-), "Morning Light, Norfolk", signed, titled on artist's label verso, oil on board, 37.5 x 48.5cm, 14.75 x 19in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed.
Bob Richardson (1938-), "Evening Light, Pickmere", signed and dated '76, titled on verso, pastel, 43 x 54.5cm, 17 x 21.5in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The drawing is in very good, original condition with no obvious faults to report. The drawing is framed and glazed.
A pair of 18ct gold diamond cluster earrings, of floral design, the brilliant cut diamond within a similarly cut diamond surround, hallmarks for Birmingham, estimated total diamond weight 0.90ct, length 1cm, gross weight 3.5g.Condition report: Overall condition good Light scratches in keeping with general wear With fixed posts for pierced ears Diamonds bright and well matched, with scattered light inclusions visible with magnification
A sapphire and diamond dress ring, the oval shape sapphire with baguette cut diamond sides and similarly cut diamond tapered shoulders, stamped 750, estimated total diamond weight 0.90ct, ring size K, gross weight 6.3g.Condition report: Overall condition good Ring resized Some wear to rhodium plating, yellow gold showing through to ring band Sapphire a medium blue with fair saturation and typical inclusions Angular colour zoning visible in sapphire Approx. dimensions of sapphire 10 by 7.85 by 4.6mm Some light abrasion to facet edges visible with magnification Diamonds bright and well matched Some adhesive to a couple of diamond settings
An Elizabeth II silver tray, of oval outline, with pierced sides, twin handles and gadrooned rim, raised on four bun feet, hallmarks for Barker Ellis Silver Co., Birmingham, 1993, length 41cm, gross weight 64.4ozt.Condition report: Overall condition good Light scratches in keeping with use No obvious signs of damage or repair
After George Morland (British, 1763-1804), "Girl and Pigs", unsigned, oil on canvas, 34.5 x 45cm, 13.5 x 17.75in.Condition report: The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of overpainting and restoration. There is craquelure across the painting and stretcher marks around the edges of the canvas. The painting is framed but not glazed.
A 1970s emerald and diamond brooch, of abstract design, the brilliant cut diamond and circular shape emerald within an openwork textured surround, estimated total diamond weight 0.15ct, length 3.2cm, gross weight 12g.Condition report: Overall condition good to fair Light scratches and abrasion in keeping with occasional wear Size of diamonds prevents grade estimation Emeralds well matched, a medium green with good saturation and typical inclusions some of which are visible with the unaided eye Faint mark '3' and dots to reverse
Gladys Hamilton Cooper (1899-1975), "At the Gates"/ "Which Way Out", signed, titled twice and dated 1973 on verso, oil on board, 59 x 74.5cm, 23.25 x 29.25in, set in a handmade frame by Theodore Major, together with a selection of black and white photographs of the artist and her work and including a photograph of the artist with Theodore Major.Condition report: The painting is in very good, original condition. There are a few light surface marks and scuffs across the painting. The painting is framed but not glazed. The frame has minor scuffs and knocks commensurate with age.
A pair of 1920s 18ct gold cufflinks, each designed as a pair of oval shape panels with central monogram and scrolling surround, with trace link chain spacers, hallmarks for G H Johnstone & Co., Birmingham, 1921, length 1.8cm, gross weight 8.7g.Condition report: Overall condition good Light scratches in keeping with age and wear
An 18ct gold diamond hinged bangle, the square shape diamond line within a channel setting, to the plain polished reverse, hallmarks for Birmingham, 1999, estimated total diamond weight 1.25cts, length of inner diameter 6cm, gross weight 14.4g.Condition report: Overall condition good to fair Light scratches and discolouration in keeping with general wear With safety clasp Maker's mark CJ Diamonds bright Diamonds vary in cut through the line, only noticable under magnification or when light is reflected off the table facets
Geoffrey Key (1941-), "Storm Light", signed and dated '16, titled on verso, oil on canvas, 50 x 60cm, 19.75 x 23.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The painting is in very good, original condition with no obvious faults to report. The painting is framed but not glazed.
A platinum diamond five stone ring, the brilliant cut diamond line with raised bar spacers, hallmarks for London, 2010, total diamond weight 1.50cts, stamped to band, estimated colour J-K, estimated clarity SI, ring size K1/2, gross weight 5.2g.Condition report: Overall condition good Scratches and discolouration in keeping with general wear Ring resized Maker's marks 'HJ' Diamonds bright and well matched, with scattered light inclusions visible under magnification
Attributed to John Crome (1768-1821), Moonlit river scene with boats and windmills, unsigned, oil on canvas, 19 x 24cm, 7.5 x 9.5in.Condition report: The painting is in good, restored condition. The painting has been relined. Under UV light there is evidence of minor overpainting and restoration. The painting is ornately framed but not glazed.
A pair of cut glass, blue jasper and gilt metal mounted twin light candelabra in the manner of Parker & Perry, 19th century and later, each with four facet notched branches supporting two cartouche cut sconces and two spire finials respectively, issuing from faceted spire stems with acorn finials and descending to circular section plinths with figural scenes and foliage, hung with faceted pendants overall, 57cm high, 41cm wide The figural scenes to the bases show Charlotte mourning at the tomb of Werther, an episode from Goethe's 1774 epistolary novel the Sorrows of Young Werther. This Wedgwood design is attributed to Lady Elizabeth Templetown. A plaque with the present motif is in the collection of the Fitzwilliam Museum, Cambridge (C.108-1961). The design is also illustrated in Diana Edwards and Rodney Hampson, English Dry-Bodied Stoneware, Antique Collectors' Club, 1998, p. 19 pl. 15
A glass and gilt metal mounted hall lantern, circa 1815 and later, the domed canopy suspending a bell shade, with bands of scrolling vine and avine mounts; with a three light electrical fitment within, approximately 68cm high, 32cm wide Provenance: Purchased Partridge (Fine Arts), London W1, 1971. A photocopy of the original purchase receipt is available with the lot.Private Collection, Paris
Another glass and gilt metal mounted hall lantern, circa 1815 and later, the domed canopy suspending a bell shade, with bands of scrolling vine and avine mounts; with a three light electrical fitment within, approximately 68cm high, 32cm wide Provenance: Purchased Partridge (Fine Arts), London W1, 1971. A photocopy of the original purchase receipt is available with the lot.Private Collection, Paris This lantern could firm an almost identical pair to the preceding lot.
A pair of fine gilt and patinated bronze three light figural candelabra in late Louis XV taste, by Henri Vian (French, 1860-1905), late 19th century, the foliate and fruiting sconces above scrolled conforming reeded arms supported by putti, the rockwork socles above waisted and guilloche moulded square section bases, each inscribed h. Vian to the plinth 45cm high, 32cm wide Henri Vian's Parisian foundry was well-known for its production of fine quality bronze lighting and ornament in various 18th century styles. The putti adorning the present lot are closely inspired by Roman Baroque models, said to have originated in the circle of Francois Duquesnoy (1597-1643) and Alessandro Algardi (1598-1654). The putto playing the horn is usually depicted with a further similar instrument below (see for example Christie's New York, The Abbott Guggenheim Collection: A New York Kunstkammer, 28 January 2015, lot 105), while the second seated infant is often portrayed with a conch. Two pairs are also held in the Wallace Collection. In the Museum's catalogue, Robert Wenley makes specific mention of the models' popularity as mounts for candelabra in later centuries. One such pair similar to the present lot, dating from the early 19th century, is illustrated there. See Robert Wenley, French Bronzes in the Wallace Collection, London 2002, p. 84
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