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Los 135

Victorian mahogany writing slope, pair of vintage brass postage scales, light shades and collection of prints Condition:

Los 321

19th Century English porcelain comport having central painted decoration depicting a figure standing on a river bank, allover heavily gilded decoration on a white ground, together with a pair of Continental porcelain cabinet cups and saucers having foliate decoration on a blue, gilt and light brown ground Condition:

Los 60

A glazed county map tray, leather cased champagne flutes, light shades, etc

Los 100

JOHN HOPWOODChakras IIOil on canvasTitle label on the back1997137 x 46cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 101

JOHN HOPWOODChakras IOil on canvasTitle label on the back1996137 x 46cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 102

JOHN HOPWOODChakras IIIOil on canvasTitle label on the back1996153 x 38cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 103

JOHN HOPWOODEcho of Sun. Sea Sky Earth RockOil on canvasTitle label on the backSigned and dated on the back200141 x 127cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 104

JOHN HOPWOODNight Sea, PorthmeorOil on canvasSigned and titled on the back101 x 127cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 105

JOHN HOPWOODNIght Sea 1Oil on canvasSigned and titled on the back50 x 200cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 106

JOHN HOPWOODNight Sea 2Oil on canvas40 x 162cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 107

JOHN HOPWOODNight Sea 3Oil on canvas31 x 121cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 108

JOHN HOPWOODSea/Night NuitOil on canvasSigned and titled on the back200186 x 117cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 109

JOHN HOPWOODSea/Day MatinOil on canvasSigned, titled and dated on the back200086 x 117cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 110

JOHN HOPWOODPortrait of Lyn 1992TryptichOil on paperSIgned and datedQuaker gallery label on the back199253 x 130cm (overall) Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 111

JOHN HOPWOODThe Studio Wythson Trevor?Charcoal on paperSigned and datedTitle label on the back1973150 x 100cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 112

JOHN HOPWOODSeated boy JesseCharcoal on paperSigned and datedArtists label on the back1974152 x 99cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 113

JOHN HOPWOODPerpetual Spectrum WheelOil on canvasTitle label on the back199761 x 61cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 114

JOHN HOPWOODMedicine Wheel 1Oil on canvasTitle label on the back63 x 63cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 115

JOHN HOPWOODCamouflage Circle with CrossGouache on paperSigned and datedTitle label on the back199772 x 73cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 116

JOHN HOPWOODDouble SpinalOil on canvasTitle label on the back199890 x 61cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 117

JOHN HOPWOODFour Variations on a Theme, St. IvesOil on canvasTitle label on the back200061 x 91cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 119

JOHN HOPWOODUntitledOil on canvasSigned and datedInscribed on the back199564 x 76cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

Los 120

JOHN HOPWOODUntitledOil on canvasSigned and dated on the back199563 x 76cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

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JOHN HOPWOODPortraitCharcoal on paperSigned and dated199242 x 45cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

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JOHN HOPWOODKitchen GardenGraphiteSigned and dated196937 x 53cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

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JOHN HOPWOODSleeping Girl, RuthPencil on paperSigned and datedTitle label on the back197053 x 43cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

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JOHN HOPWOODGloxiniasOil on boardSigned on the backTitle label on the back196070 x 69cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

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JOHN HOPWOODChair, The Blue Dressing GownOil on canvasSigned and datedTitle label on the back197686 x 5 cm Condition report: John Hopwood 1942-2015, was an artist all his life, creating detailed and beautiful portraits and still-life paintings, mainly in oil but also other media. John exhibited in many galleries in London and the Thames valley region. He had several paintings accepted for the Royal Academy Summer Exhibition, including a portrait of the artist Andrew Logan. Two of his works, Apparition: Sun Man (1991) and Tunnel of Trees (2006), were purchased by Reading Museum.John was born in Wiltshire, raised near Twyford in Berkshire and studied at Berkshire College of Art (1958-62). He moved to Wytham, near Oxford, for seven years, where he married, briefly, in 1970. Here he painted his Self Portrait in White (1970), exhibited at the Royal Academy in 1974, and illustrated Sir Ernst Gombrich's book on the psychology of pictorial representation, The Image and the Eye (1981).In about 1990, his style began to change radically from meticulous figurative paintings that nevertheless contained a mysterious symbolism and distorted perspective, to a style based on geometric designs. He held a retrospective of his figurative paintings at the Julius Gottlieb Gallery, and an exhibition of new work at Henley Business School gallery, both in 1993.In 1992 the happiest period of his life began, when he started living with Annie de Boel; they married in 1999, and bought a cottage in St Ives. John's work became hugely influenced by the light and colours of Cornwall, and this was a productive period for him. He held two major exhibitions at the New Millennium Gallery in St Ives, in 2005 and 2008.

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FREDERICK T W COOKMorning Light PolperroOil on boardSignedTitled on the reverse53 x 75cm

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TED DYEREarly Evening Light, Carrick RoadsOil on CanvasSignedTitled on the reverse26 x 35cm

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JAMES WHITELAW HAMILTON RSA RSW NEAC (SCOTTISH 1860 - 1932), THE OLD FARMHOUSE oil on board, signed 25cm x 35cm Framed. Note: James Whitelaw Hamilton was born on 26 November 1860, the eldest child to wood turner James Hamilton and his wife Mary Stevenson of 1 Morris Place Glasgow. His parents moved the family to Helensburgh and lived at Thornton Lodge, 107 Sinclair Street, Helensburgh. Whitelaw Hamilton displayed an aptitude for painting at an early age, and after studying in Glasgow, he moved to Paris and studied at the studios of Pascal-Adolphe-Jean Dagnan-Bouveret and Aimé Morot, both considered leading lights of the 19th Century French Movement - specialising in landscapes and portraiture. Whitelaw Hamilton's landscapes have a rugged and raw quality but he did not limit his work to one medium being equally successful using oils, pastels and watercolours. Not surprisingly, given Helensburgh's reputation as a centre for artists, Whitelaw Hamilton became friends with the Glasgow Boys. In 1884, he joined Guthrie, Henry, Crawhall and Melville at Cockburnspath. EA Walton, who spent his winters at Thornton Lodge, and James Guthrie were to remain friends with Whitelaw Hamilton throughout their lives. They shared similar ideals and spent many years in Helensburgh recording the urban lifestyle of the wealthy residents in the town. Whitelaw Hamilton married Lillian Millar Shaw of 12 Lynedoch Place, Glasgow at St Mary's Episcopal Church on 9 September 1891. He and Lillian took residence in the Grange, 23 Suffolk Street, Helensburgh, the home that he was to remain in for the rest of his life. Whitelaw Hamilton exhibited abroad as often as he did at home. He became a member of the Munich Secession and won a gold medal at the Munich International Exhibition in 1897. He became a member of the New English Art Club in 1887, a member of the Royal Scottish Academy in 1922 and a member of the Royal Scottish Society of Painters in Watercolours in 1895. He also held the position of Hon. Secretary, Royal Glasgow Institute of the Fine Arts. He suffered personal loss in 1918, when his son Lt. Arthur Leslie Hamilton was killed in action in Mesopotamia on 25 October, serving with the 1st Highland Light Infantry. A portrait of his son was completed by James Guthrie and is held within the collection of the Glasgow Art Gallery. James Whitelaw Hamilton died in Helensburgh on 16 September 1932 aged 71. His work is represented in Glasgow Art Gallery, Perth Art Gallery, City of Edinburgh Collection, Lillie Art Gallery, The Hunterian, Perth & Kinross Council, Kirkcaldy Museums & Galleries, Paisley Museum & Art Galleries, Dundee Art Gallery, Kelvingrove, The Royal Scottish Academy, Walker Art Gallery, Weimar Art Gallery in Germany and other public collections.

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* ADRIANUS JOHANNES GROENEWEGEN (DUTCH 1874 - 1963),THE SHEPHERD AND HIS FLOCKwatercolour, signed lower right30cm x 40cmMounted, framed and under glassNote: Adrianus Groenewegen is considered one of the late representatives of The Hague School. In 1898, aged 24, he left his native city of Rotterdam for The Hague , where he quickly developed a taste for painting quintessential Dutch landscapes with cattle or sheep under wide open skies.He was a pupil at the Rotterdam Academy and worked in Rotterdam, The Hague and Budel. The works are atmospheric impressions in which colour and forms merge with that typical Dutch light. A large number of his works are to be found with British, American and Canadian collectors.

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A Shelley Blue Rock pattern tea for two, printed with cornflowers, light blue handles, comprising teapot and cover, milk jug, sugar bowl, two teacups, saucers and side plates, printed marks, pattern no.13691

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A Shelley Wild Flowers tea service, for twelve, comprising teacups, saucers, side plates, milk jug, sugar bowl and six dessert plates, each printed in colours with flowers, light blue line borders, printed marks, pattern no.13668

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A pair of Doulton Lambeth stoneware jardinieres, designed by Elizabeth Gilman, applied with white flowerheads and leafy stems, on a light brown basketwork moulded ground, 22cm diam, impressed marks, shape no.8099, c.1900 (2)

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A contemporary Moorcroft The Connoisseur Collection June 2004 bottle vase, tube lined with large flowerheads in tones of black and light blue, 23cm high, impressed mark, signed, dated 2004

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A Mcintyre Gesso Faience teapot and cover, of spreading cylindrical form, tube lined in white with stylised flowerheads and leafy scrolls, picked out in blue on a light green ground, banded in olive green, 16.5cm high, printed mark; another, Wisteria pattern, 10cm high (lacking cover, broken spout) (2)

Los 5275

A Victorian Arts and Crafts Vaseline glass ovoid light shade, in swirls of opaque white and uranium yellow, crimped wavy edge, the copper suspension mount with original rivets and screws, 26cm high,

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Perthshire Paperweights - a concentric Bouquet weight, blue and ruby red buds interspersed with light blue buds, jet black ground, domed top with fluted faceted edge, conforming waisted sided, eight faceted foot rim, hand engraved P24, 54mm diameter, cased with certificate 24/75, dated 2001

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Records : Beatles White Album - Stereo top opening, vgc, few light marks on vinyl. Lyrics ok, photos missing low no: 0042838.

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An impressive modern Dutch design brass chandelier, central baluster column with two rows of eighteen scroll shaped arms supporting candle type bulb, approximately 117cm (46in) diameter, also a long chain which would allow a further extension for ceiling suspension. Condition report: Although removed from a local property the light fitting remains in virtually as new condition, one arm slightly bent.

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James W. Milliken (fl.1887-1930), "The End of the Village, Ince, Blundell" and "Afternoon Light, Burton, Cheshire", both signed and titled on mount, watercolours, 24 x 34.5cm.; 9.5 x 13.5in (2).

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A Japanese blue and white porcelain vase 19th Century of ovoid lobed form decorated flowers, foliage, insects and butterflies, mounted for electric light, on wood base, 35cm

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A 1970S BRUSHED ALUMINIUM HANGING LIGHT OF ONION FORM, 36CM H

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A MODERN LIGHT WAXED OAK CUPBOARD ENCLOSED BY TWO PAIRS OF PANELLED DOORS, 104CM W

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A GOOD QUALITY MODEL POND YACHT OF VARNISHED MAHOGANY AND SOFTWOOD, THE HULL PAINTED LIGHT BLUE, WHITE AND BLACK BELOW THE WATERLINE WITH MAST AND SAILS, 93CM L, MID 20TH C

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A FROSTED GLASS TRIPLE SHELL SHAPED HANGING LIGHT WITH CHROMIUM PLATED MOUNT AND TWO OTHER GLASS HANGING LAMPSHADES, MID 20TH C

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Boxes and Objects - a George Philip illuminated globe; a brass desk light; Freemasons regalia; wooden cigarette boxes, cookery books, etc

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A modern light oak dining table and four leather upholstered dining chairs.

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A modern light oak sideboard, rectangular top, long drawer over two fielded panel door cupboard flanked by conforming cupboards, stile feet. 84cm high x 186cm wide x 45.5cm deep.

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Lighting - a late 19th century gilt metal and cut glass droplet light fitting; another, 1920's (2)

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A George III tilt top tripod table, light oak turned column, associated circular pine top. 72.5cm high x 82cm diameter.

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Lighting - a three branch brass coloured ceiling light, each arm terminating with a peacock and frosted glass tail feather shade; three conforming single branch wall lights (4)

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Gothic style wall light sconces, eight matching; another pair; etc.; quantity

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A WWI BRITISH WAR MEDAL, correctly named to 23660 Pte J.Anderson Durham Light Infantry

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A PAIR OF ROYAL CROWN DERBY IMARI GOLD LINE CANDLESTICKS, '1128' pattern, first quality, printed and painted marks, height approximately 26cm (2) (condition - both look in overall good condition, no sign of damage or restoration, some light wear to the gilding)

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A TILGMANS KERAMIK POTTERY LAMP BASE, by Marian Zawadzki, incised with a band of butterflies above abstract and geometric designs, impressed marks to base including Aa Fehl, incised AMZ and 1966 mark to body, with period conical light shade, height to top of light fitting approximately 72.5cm

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A MOORCROFT POTTERY OBERON PATTERN TABLE LAMP, mounted on a wooden plinth base, together with a pale green light shade, height to top of the bulb fitting approximately 39cm

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DAVID FRENCH (b.1939 - ), 'Mandalay King', study of a light brindle greyhound standing in a landscape, oil on canvas, signed and dated (19) 77 lower right, approximately 59.5cm x 69.5cm, the frame applied with six winners plaques

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