Florence Aguilar Naranjo (San Ildefonso Pueblo, 1921-2018) and Teresita Naranjo (Santa Clara Pueblo, 1919-1999). Set of six blackware ceramic pottery bowls and vase vessels. With a band of geometric motifs along the sides of each vessel. Carved signature reading "Florence Naranjo" and incised inscription reading "San Ildefonso Pueblo" along the underside of the smallest vessel. Carved signature reading "Teresita Naranjo" and incised inscription reading "Sto-Clar Pueblo" along the underside of one of the larger vases.Height ranges from 2 1/2 in to 6 1/2 in; diameter ranges from 5 in to 7 1/4 in.Condition: There is light wear to all, more so to the smaller pots. All pots with felt tabs affixed to the underside. No major cracks, losses, or repairs to any.
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Indian ink and pigment on paper Kundalini yantra or serpent diagram depicting a coiled cobra with tail interlaced in symmetrical patterns, early 20th century.In Hinduism, Kundalini serpent yantras are intricate geometric diagrams used in spiritual practices to symbolize and harness the latent energy believed to reside at the base of the spine. These yantras often feature intricate patterns and symbols that guide meditation, aiming to awaken and elevate the Kundalini energy through the chakras, leading to spiritual enlightenment and self-realization.Sight; height: 12 1/4 in x width: 12 in. Framed; height: 22 1/4 in x width: 22 1/4 in x depth: 1 in.Condition: The colors are slightly faded; the sheet is toned. There is wear along the extreme edges of the sheet, including chipping and handling marks. There are deep creases running throughout the sheet that are consistent with folding. Some accretions along the surface of the work as well as the frame. Framed under glass; light wear and dust along the frame. Not inspected out of frame.
Group of three redware slip decorated stoneware ceramic pottery chargers. The two round chargers each with an incised signature along the underside by Christopher Woods (American, 20th c.), dated 1996, and titled "Hello good day." The larger rectangular charger with an incised signature along the underside by Greg Shooner (American, 20th c.), dated 1999, impressed "Shooner American Redware Oregonia, OH" and "Mary Spellmire-Shooner."Circular plates, each; diameter: 10 in. Square; height: 11 1/4 in x width: 14 in.Condition: All three pieces are in good condition; no major chips, cracks, or losses. They have crazing and firing flaws throughout. Wear throughout, most visible along their underside, consistent with their age and use. One of the smaller pieces with three symbols, captured lower right, has chips and losses throughout the rim; there are scuffs along the underside. The other smaller piece, captured upper right, has multiple cracks throughout the rim; along the underside, there is a loss that measures 1 1/2 inches; there are three other areas with cracks and losses along the underside of the rim; there is an area, measuring 6 inches, with adhesive residue; there are cracks and losses throughout its rim. The bigger plate, captured left, has noticeable losses in the center; there is wear and scratches throughout; there are chips and losses along the rim; along the underside, there are some losses to the rim; there is a white accretion in the center. When inspected under UV light, none of them show a sign of restoration.
Aharon Bezalel (Israeli, 1925-2012). Three sculpted bronze tripod candelabras or candlesticks, late 1970s. The candelabras can also be arranged to form a Hanukkah menorah. With three handblown glass oil cups molded to rest in the arms of the candlesticks. There are 27 additional rotund candles, nineteen of purple wax and nine of red wax.Height ranges from 17 1/2 in to 24 in; width ranges from 9 in to 15 1/2 in; depth ranges from 6 1/2 in to 7 in.Condition: There are no major bends, breaks, or scratches to the candle sticks. There is one small crack that partially runs along the center of the largest candle stick. Some residue gathered along the cups of the candle sticks. Light wear along the undersides of the tripod feet.
Chinese ink calligraphy painting with a scene depicting three fish. With three red seals in three corners. Signed Qi Baishi (Chinese, 1864-1957).Sight; height: 14 in x width: 10 3/4 in. Framed; height: 23 in x width: 20 in x depth: 1 1/4 in.Condition: There are no visible tears, losses, or restorations. The sheet is toned. There is a slight undulation to the left of the sheet. Framed under glass; light wear to the frame. Not inspected out of frame.
Hanau silver basket or jardiniere. Of pierced design with substantial eagle and link handles. Un-engraved cartouches in the center of the pierced work supported by two figures. Marked with Hanau pseudo marks of crowned script G, crowned script P, crowned shield shaped cartouche with RI. Tests indicate 500 silver basket. Tests indicate the base is not silver.Height: 10 in x width: 16 in x depth: 8 in. Weight: 1313.6 g.Condition: No breaks or losses to the pierced work. Some wear and light scratching, no major dents, scratches, or losses.
Georg Jensen sterling silverware in the Caravel pattern. Comprised of seventy seven pieces including: 18 teaspoons, 12 soup spoons, one serving fork, two serving spoons, one serving knife, four salt spoons (H Nils brand), two butter knives, one small spoon, 12 dinner forks, 12 salad forks, and 12 stainless steel blade sterling handled knives. With Georg Jensen silver cloths.Length ranges from 2 1/2 in to 10 1/4 in. Gross weight of sterling (not including 12 stainless steel bladed knives): 105.24 Troy oz.Condition: Wear, scratches, and light tarnishing throughout, particularly along the salt spoons. No major bends or breaks.
Hanau 800 silver pierced bowl with an undulating rim, the pierced work depicting cupids and vases of flowers, the bowl mounted on four legs. Marked along the bottom 800 and indistinct mark of a rectangle with children walking hand in hand, for Karl Sohnlein & Sohne, Hanau Germany.Height: 5 3/4 in x diameter: 6 in. Gross weight: 456.3 g.Condition: No bends or breaks to the piercing, light scratching to the interior. Missing original glass liner.
Ink on paper calligraphy painting. Red seal stamp along the lower left and signed Sun Wen (Sun Yat-Sen) (Chinese, 1866-1925).Sight; height: 20 in x width: 18 in. Framed; height: 29 in x width: 27 in x depth: 1 in.Condition: There are no visible tears, losses, or restorations. There are creases running throughout the work, some of which are consistent with folding. There are a few small areas of soiling along the work; however, due to the fibrous nature of the paper it is difficult to discern the characteristics of the paper from possible light soiling. Toning surrounding the red seal stamp. Framed under glass; light accretions along the surface of the glass and light wear to the frame. Not inspected out of frame.
20th century South American Surinamese Djuka carved wooden stool. With a distinctive navette-shaped seat adorned with intricately incised round geometric motifs.The Djuka people are descendants of African Maroons who fled Dutch colonial enslavement in Suriname and French Guiana. Woodcarving is integral to Djuka culture and history.Height: 13 in x width: 20 in x depth: 8 1/2 in.Condition: There are no major breaks, splits, or losses to the wood. Some minute accretions and light scratches throughout. Wear along the top and to the feet. Light dust gathered along the surface throughout.
Chinese 20th c. wool carpet with cream bands of blue scrollwork and shou symbols along the border. With a red field and a shou symbol as the central medallion surrounded by leaves and foliate designs.Height: 7 ft 2 in x width: 5 ft 6 in.Condition: The pile is even. There is light discoloration throughout the central field visible in the lot listing. Light wear to the tassels.
Pair of Elkington sterling silver bowls. Of oval form on footed pedestals with lobed details and eight putti head detailed along the scalloped edge of the bowls. Each marked along the exterior with Elkington marker's mark, lion passant guardant for sterling and uncrowned leopard head for London with date letter d for 1899.(Each) Height: 3 1/2 in x width: 8 1/2 in x depth: 5 3/4 in. Gross weight: 37.035 Troy oz.Condition: Light wear, some light scratches to the bowl area. Some faint tarnishing to the recessed areas. No major scratches or dents.
Gorham Manufacturing Company, United States. A six piece sterling silver tea set with a sterling silver tray. All pieces in the Lansdowne pattern (A10506) and monogrammed BBB for the Honorable Bryant Butler Brooks, President of the Consolidated Royalty Oil Company. All marked with Gorham marks and sterling.Including:One 2 3/4 pint kettle on stand with burner.One 1 5/8 pint teapot.One 1 3/4 pint coffee pot.One 3/8 pint creamer with gold wash interior.One two handled, lidded sugar bowl with gold wash interior.One two handled waste bowl.One large sterling silver tray engraved "Presented to the Hon. B.B. Brooks President of the Consolidated Oil Company As a token of appreciation of his faithful service and able management given the company without salary since its organization By Resolution of the Stockholders. September 15-1919."Height ranges from 5 in to 12 in; width ranges from 6 1/2 in 9 in; depth ranges from 4 1/4 in to 7 in. (Tray) Length: 26 in x width: 18 in. Gross weight: 241.49 Troy oz.Condition: Some tarnishing and light wear throughout. Four very small dents to the waste bowl, one moderate dent to the covered bowl, two small dents to the kettle, accretions to the burner. One dent and numerous light scratches to the tray.
Warren MacKenzie (American, 1924-2018). Studio porcelain double-rim pinch pot, ca. 1960s-70s. With a cream white glaze and ovoid yonic opening. Not marked. MacKenzie only worked with porcelain for a short period of time in the 1960s and 1970s.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 5 in.Condition: There are no major chips, cracks, losses, or restorations. There is light wear along both of the double rims. Some dirt/dust gathered along the interior. Light wear to the footrim. There is a partial felt tab affixed to the underside. Crazing to the glaze throughout.
Four small sterling dishes.One of oblong form with Art Nouveau style floral border, marked sterling by Frank M. Whiting & Company and 398.One heart shaped pierced dish on three ball feet, with initials EW at the center, marked with Gorham marks, sterling and 4300.One oval shaped pierced dish marked with anchor for Birmingham, lion passant for sterling, date letter a for 1900 and maker's mark TH for Thomas Hayes.One circular pierced dish on four ball feet, marked with anchor for Birmingham, lion passant for sterling, date letter w for 1896 and maker's mark L&S for Levi & Salaman.Height: 3/4 in; width ranges from 4 in to 4 3/4 in; depth: 3 in. Gross weight: 3.735 Troy oz.Condition: Some dents, knicks and light scratching throughout.
Ralph Rapson (American, 1914-2008) for Ralph Rapson, Inc., United States. Mid-century modern style high-back, greenbelt "Rocker" rocking armchair with wooden maple frame and natural cream colored cotton bands. First designed in 1941 as an entry for a prestigious design competition sponsored by the Museum of Modern Art (MoMA), "Organic Design in Home Furnishings." Embossed signature along the back support bar. This is a newer edition.Height: 33 in x width: 28 3/4 in x depth: 32 in.Condition: No major chips, cracks, losses, or restorations. Light wear to the underside of the rockers as expected with light use. No visible stains.
Reproduction George Nelson (American, 1908-1986) for Herman Miller, United States. The original Mid-century modern black "Marshmallow" sofa was first designed in 1956. Composed of 18 individual leather cushions affixed to a black satin-color brushed steel tubular frame. The cushions may detach for cleaning and can be switched for other colors available from Herman Miller.Height: 31 in x width: 50 in x depth: 30 in.Condition: Light wear throughout. No major tears or losses. Light wear to the legs.
K.P.M., Germany. Porcelain charger decorated along the rim with hand-painted passion flowers and rimmed with gold, ca. 1844-1847. Stamped KPM surmounted with a crowned Prussian eagle and a scepter in underglaze blue along the underside.Height: 1 1/2 in x diameter: 12 1/4 in.Condition: There are no visible cracks. There are minute losses to the gilt. There is wear and minute chips to the footrim and 4 felt tabs. There area no signs of restoration under UV light.
Attributed C.C. Wang (Chinese, 1907-2003). Group of two skillfully carved Chinese scholar's rocks depicting mountainous landscapes, sculpted of natural rock. Each rock is affixed to a carved and lacquered wooden stand. Both rocks are marked along the recto; the taller rock with an illegible pencil signature and the shorter rock is with an incised inscription reading "N5495013".(Including Stand) height ranges from 8 1/2 in to 9 in; width ranges from 11 1/2 in to 13 in.Condition: Due to the nature of the material it is difficult to discern if there are any losses. However, there are no obvious breaks or losses. The rocks are affixed to wooden stands and have not been inspected off of the stand. Light wear to the stand. Some light dust/debris in the recessed areas of the stand.
Group of seven Cambodian 900 and other silver animal form boxes, including:One of pumpkin form, well rendered with stem and tendrils, marked T90.One rooster form marked T90.Two oxen marked T90 and T900.One mythical animal marked T90.One recumbent cat marked with character rendered in dots.One box with monkey god Hanuman marked with character rendered in dots.Height ranges from 2 in to 2 3/4 in; width ranges from 3 in to 4 in; depth ranges from 1 1/2 in to 4 in. Gross weight: 482.4 g.Condition: Monkey box lid does not fit firmly, some holes in the silver. Polish accretions and light scratching to the other pieces, their lids fit firmly.
Royal Copenhagen, Denmark. Set of 11 Flora Danica botanical porcelain reticulated luncheon plates, shape number 20 3549. Each marked along the underside with the blue wave and green printed marks. Each inscribed with the Latin name of the plant depicted, including: Hottonia Palustris L. Var. Rosea, Viola Uliginosa Schrad, Ajuga Reptans L, Corydalis Fabacea Pers., Geranium Palustre L., Endymion nutans Dum., Trifolium pratense B parviflora Bab., Anemone sylvestris L., Pulsatilla Vernalis Mill, Berberis vulgaris L., and Campanula latifolia L.Lot Essay:The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volume’s publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmark’s natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100-setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single-handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmark’s palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand-molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer can choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.Each, diameter: 10 in.Condition: Overall there no major cracks or restorations. There are minute chips throughout, in particular: a minute chip along the edge of the anemone plate, a chip along edge of the putsatilla plate, there are 2 chips along the edge of the geranium plate, a minute chip along the edge of the ajuga plate, minute loss to the gilt along the edge of the viola plate. There is light wear along the base as expected from age and use, throughout all plates. No visible signs of restoration under UV light.
An English sterling Silver desk bell. The bell comprised of a sterling filigree exterior sterling finial. Marked along the filigree with lion passant guardant for sterling and uncrowned leopard head for London with date letter g for 1902. Indistinct maker's mark containing S H &. Twist mechanism also marked with lion passant guardant. Bottom and interior components not sterling.Diameter: 3 1/4 in. Gross weight: 227.8 g.Condition: The bell works with a twist mechanism and rings well. Wear and light scratching through out, some deeper scratching to the base. Tarnishing and accretions to the recessed areas, particularly the interior bell.
Lebolt & Co., United States. Sterling silver shallow hammered bowl on four spherical feet and with applique M along the exterior, circa 1930s. Marked along the bottom sterling, hand beaten, Lebolt with Lebolt maker's mark.Height: 2 in x diameter: 6 in. Gross weight: 8.225 Troy oz.Condition: Light scratching particularly to the interior, some wear and discoloration.
William "Bill" Rains (American, 1936-2021). Cast bronze sculpture in the form of a spooked bobcat, 1979. Signed, dated, and numbered 28/35 along the base. Affixed to a custom carved wood base.Height: 20 in x width: 20 in x depth: 13 in. Weight: 51 lbs.Condition: Light wear throughout including some wear along the extreme edges. Some patination throughout. Light dirt and dust gathered in the recessed areas of the work.
Small Swedish carved wooden Gustavian style child's box bench, 19th century. With fretwork throughout the backsplat and rear posts terminating in carved Viking or Norse dragon heads. The seat is hinged and may be lifted to reveal a void interior for storage. There is an inscription carved along the top of the backsplat reading "Albert Powl," possibly a child's or maker's name.Keywords: Norwegian, Scandinavian.This bench was likely specially constructed for a child, as Gustavian benches are typically 6-7 feet in length.Height: 31 1/2 in x width: 38 in x depth: 13 in.Condition: The hinges move well. Losses to the paint throughout. Scuffs, scratches, and light seperation to some joints. Wear to the feet including some small chips, splits, and scuffs.
Jay Strongwater, United States. Swarovski crystal and pearl frame with a yellow enamel border. With the original box and tags.(Frame) height: 4 in x width: 3 in. (Box) height: 3 1/2 in x width: 5 1/4 in x depth: 5 1/4 in.Condition: The frame is in good condition with no losses, cracks, or restorations. Light wear to the box.
M. Fred Hirsch Co., United States. Group of eight small, round, sterling silver dishes. Each with a detailed rope rim and initial R in the center. Marked along the base with sterling and crown, H and crossed swords for M Fred Hirsch Co.(Each) diameter: 3 1/2 in. Gross weight: 6.545 Troy oz.Condition: Light scratching throughout, several small dents, some tarnishing to recessed areas.
Southeast Asian carved stone figural sculpture affixed to a wooden base, possibly depicting Shiva. With a tag tied to the waist of the figure, secured with a stamped metal seal.(Incl. base) height: 34 in x width: 10 in x depth: 7 in. Weight: approx. 50 lbs.Condition: There are no major breaks, chips, or losses. Light wear and dust gathered throughout.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic double-lipped bowl. Shino glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 4 in x diameter: 7 1/2 in.Condition: No visible cracks, chips, or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Mexican silver lobed bowl on three raised ball feet. The lobes alternating between textured with repousse flowers and smooth lobes (six lobes total). Marked Mexico Silver along the base.Height: 2 3/4 in x diameter: 6 1/4 in. Weight: 248.0 g.Condition: Some light scratching and tarnishing. Polish accretions to the repousse flowers.
Unsigned abstract bronze sculpture in the form of a feminine figure similar to sculptures by Elisabeth Frink, 20th century. With an irregular, somewhat scalloped texture throughout, particularly along the rounded contours of the woman's head and chest. Affixed to a sleek black plinth.Height: 21 in x width: 4 1/2 in x depth: 4 1/4 in.Condition: There are no major bends, breaks, or scratches. Light dust gathered throughout.
Warren MacKenzie (American, 1924-2018). Studio ceramic pottery bowl. Stoneware with a matte white oatmeal glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 in x diameter: 4 in.Condition: There is one small chip to the upper rim. There are no major cracks or losses. There is minute wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Carlo Maria Camusso, Peruvian. Sterling silver serving dish comprised of three parts including cover, base and central divided liner, circa 1930-1950. With scalloped floral edges on the base and lid, and handles of similar motifs. The lid marked along the edge Industria Peruana Plata Esterlina 925 Camusso with flag mark. The liner dish and base marked the same.Height: 3 1/4 in x width: 12 3/4 in x d:epth 9 3/4 in. Gross weight: 40.770 Troy oz.Condition: Light wear through out, some accretions and tarnishing to the recessed areas.
Group of four carved and hand painted totem poles. The shortest totem pole with "Raven / Sun, Moon, Stars in Box / Chief / Satisfied Raven" written in pen along the back. All depicting animals and figures.Height ranges from 9 1/2 in to 18 1/2 in; width ranges from 4 1/4 in to 9 in; depth ranges from 2 1/2 in to 4 in.Condition: There are no significant losses to the pigment. There are no major splits or breaks to the wood. There are two small chips along the largest pole: one is along the lower left of the front of the pole and the second is along the lower left of the back. Light separation to the joints throughout the lot, particularly where the totem poles are mounted to their wooden bases in addition to where the wings are attached along the two smaller totem poles. Some wear to the bases.
Woodside Sterling Co. cinquefoil bowl with ornate grape vine detail along the rim. Marked W in a laurel wreath and sterling 2160.Diameter: 5 1/4 in. Gross weight: 2.085 Troy oz.Condition: Polish accretions to the recessed areas along the underside. Light scratching and discoloration to the bowl.
Tiffany & Co. sterling silver lidded box of lattice woven silver. The interior divided into two compartments with green velvet liners. Marked along the bottom lip EB, 925, sterling, Germany, Tiffany & Co.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 1 1/4 in x width: 6 1/2 in x depth: 4 in. Gross weight: 601.0 g.Condition: Some light scratches to the exterior. The interior top tarnished, with polish accretions. The velvet for the interior bottom appears to have been damaged by moisture, it is pulling away from the sides and base.
Large illuminated antiphonal sheet. Ink and pigment on vellum. Depicting a monk and angel amid scrollwork. With two illuminated letters.Unframed; height: 22 3/4 in x width: 30 3/4 in. Framed; height: 32 in x width: 40 in x depth: 1 1/4 in.Condition: There are no visible tears, losses, or restorations. The sheet is toned. There is undulation throughout. There are creases, handling marks, and areas of soiling throughout, particularly along the extreme edges that are consistent with age. There is also a crease running vertically along the center that is consistent with being folded in half or bound in a book. Framed under glass; light wear to the frame. Not inspected out of frame.
Ambrosius Lamm (German, 19th century) for Dresden Porcelain, Germany. 84 piece Dresden China service for 12 including: 12 goblets, 12 teacups, 12 saucers, 12 two-handled sherbet or soup bowls, 12 small plates, 12 medium plates, and 12 large plates. With profuse raised gilt scrollwork embellishment along the borders of each piece and hand-painted designs depicting different and unique floral sprays and women in elaborate, Rococo fashion gowns. Marked along the underside of each dish with "Dresden" and "Made in Saxony" in addition to Dresden Porcelain's signature lamb maker's mark; a gilt shape along the underside center of each piece.Lot Essay:Founded in the early 18th century, the Dresden Porcelain Company revolutionized porcelain production with its discovery of hard-paste porcelain. Renowned for intricate hand-painted patterns inspired by baroque and rococo styles, Dresden Porcelain quickly became synonymous with luxury and artistic excellence across Europe. Dresden patterns have been painted and designed by craftsmen like Carl Thieme (German, 19th century) and Ambrosius Lamm (German, 19th century), who each derived inspiration from artworks by Jean-Antoine Watteau (French, 1684-1781). Despite facing historical challenges, the company continues to uphold its legacy of craftsmanship, blending traditional techniques with modern innovation to create timeless pieces cherished worldwide.(Goblets, each) Height: 4 1/4 in x diameter: 4 in. (Teacups, each) Height: 1 3/4 in x width: 3 3/4 in x depth: 3 in. (Saucers, each) Diameter: 4 3/4 in. (Two-handled cups, each) Height: 2 in x width: 6 3/4 in x depth: 4 3/4 in. (Small plates, each) Diameter: 7 in. ( Medium plates, each) Diameter: 8 1/2 in. (Large plates, each) Diameter: 11 in.Condition: There are no major chips, cracks, or losses throughout the lot, with the exception of one two-handled bowl which has several repaired cracks running throughout. Faint scratches apparent along the gilt border around the centers of the large and medium plates consistent with use. Light gilt loss along the center of one of the small plates. Minute gilt loss along the centers of two of the teacups. There is also some gilt loss along the centers of the saucers. Light wear to the footrims. Light dust gathered throughout the lot.
20th century Chinese silk embroidery depicting birds swooping around a blooming cherry blossom tree.Sight; height: 33 3/4 in x width: 22 3/4 in. Framed; height: 36 3/4 in x width: 25 1/2 in x depth: 1 in.Condition: No visible rips, tears, losses, or loose threads. No evidence of restoration. Framed under glass; light wear to the frame. Not inspected out of frame.
Welsch & Co., Peruvian / German. Six 900 silver hammered bowls with scalloped edges. Each marked Welsch 900 Plata, one with remnants of a sticker "fondada en 1856 Casa Welsch Lima."Diameter: 4 1/2 in. Gross weight: 841.0 g.Condition: Light wear throughout, particularly to the bases, some marks faded, two with minor spots discoloration and accretions to the bases.
Vladimir Kagan (American, 1927-2016). Vintage rectangular Mid-century Modern two-tiered side table. Likely walnut with a plate glass top. A lovely match to the next lot in this auction.Height: 21 1/4 in x width: 20 1/2 in x depth: 34 1/4 in.Condition: The structure is stable. There are scratches, chips, and losses throughout, in particular along the edges of the wooden structure. There is craquelure along the front edge of the wooden component. There is an area of discoloration along the top surface of the wooden component, measuring approximately 5 inches long. There are light scratches to the glass surface. There are small losses to the legs.
Chinese ink and pigment on silk painting of two galloping horses. Inscribed and with a red seal along the lower right. In the manner of Xu Beihong (Chinese, 1895-1953).Sight; height: 12 1/2 in x width: 15 in. Framed; height: 21 1/2 in x width: 24 in x depth: 1 in.Condition: The colors are bold and deep. There are no visible tears, losses, or restorations. Framed under plexiglass; light wear to the frame. Dust gathered throughout. Not inspected out of frame.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic vase vessel with recessed rim. Stoneware with a shino glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 9 in x diameter: 4 1/4 in.Condition: There are no chips, cracks, losses, or signs of restoration when viewed under UV light. Faint crazing throughout. Light wear to the footrim, consistent with age and use.
Attributed to Baccarat, France. Gilt bronze centerpiece tazza with a cut crystal glass bowl resting atop four-columned, four-footed base, likely late 19th to early 20th century. With foliate and floral motifs designed in relief throughout the gilt bronze base.Height: 11 3/4 in x diameter: 9 in.Condition: There are a few small chips to the crystal throughout. Some tarnishing the discoloration to the metal. Light accretions in the recessed areas. Light wear throughout.
Set of two Daum France patte de verre crystal frosted glass figurine forms or paperweights depicting Chinese foo dogs. Both canines are of a fiery burnished orange or amber red hue. Each are etched "Daum France" along the underside; from an edition of 2000.Each, height: 2 1/4 in x width: 1 1/4 in x depth: 1 3/4 in.Condition: There is one extremely minute chip to the underside of one foot of one foo dog. Light wear to the underside as expected with display. No other visible chips, cracks, losses, or repairs.
Charles Pollock (American, 1930-2013) for Knoll, United States. Set of four mid-century modern Pollock "Executive" model office chairs. With volo navy leather tufted seats, phenolic plastic arms, and an aluminum base. First designed in 1963; manufactured in 1984. Labeled along the underside of the seat.(Each) height: 31 in x width: 26 1/4 in x depth: 28 in.Condition: There is light wear throughout all four chairs conistent with age and use. All chairs are sturdy and stable and move well on their casters. No major tears, losses, or repairs.
Kerr & Co. sterling silver children's plate. The rim with intricately detailed vignettes from fairytales including Humpty Dumpty, Cinderella, Hop O' My Thumb, Little Boy Blue, Jack & The Giant Killer, Little Bo Peep, Jack & The Beanstalk. The cartouche engraved Arthur Henry Rand Jr. Marked along the back with hatchet for Kerr & Co., sterling, and 1853.Diameter: 7 1/2 in. Gross weight: 8.460 Troy oz.Condition: Some tarnishing to the back and recessed areas, numerous light scratching to the bowl of the plate.
Chinese carved teak wooden table with marble table top, mother-of-pearl inlay, and ornate marquetry throughout, early to mid-20th century. The skirt of the table is carved in the form of branches and foliate motifs interspersed with mother-of-pearl inlay depicting shou symbols, leaves, birds, and blossoming petals. The table rests upon a hexagonal frame, six shapely legs, and a floral form lower frame connecting each of the legs at the base.Once a fixture at Yuen Faung Lo, affectionately known as "John's Place," this table served patrons of the iconic Minneapolis institution during the first half of the 20th century. As one of the pioneering Chinese restaurants in the city, Yuen Faung Lo was founded in the early 20th century by Woo Yee Sing. Situated on Marquette Avenue, the establishment became a beloved institution before its closure in the latter half of the century.Examples of other ephemera from Yuen Faung Lo or "John's Place" are visible in the online collections of the Gale Family Library of the Minnesota Historical Society, including: a menu (Accession No. 2003.45.11), a photograph of the restaurant's dining room (Accession No. 2003.45.16), and a similar teak table (Accession No. 1993.7.6).Height: 33 1/4 in x diameter: 40 1/2 in.Condition: The marble table top is toned and there are light scuffs and scratches throughout, especially towards higher points of contact along the edge. Some separation to the joints throughout. There are some scratches, areas of discoloration, and signs of wear consistent with age and commercial use throughout the table top and frame including food stains and several pieces of gum along the underside of the table. There are heavy losses to the foliate form mother-of-pearl inlay along the outer rim of the table's surface; some losses to the leaf and petal form inlay along the upper band of the table's skirt. There is a loss to the wood measuring approximately six inches by one inch to one of the support rods running from the center of the table to the top of one leg; this does not affect the stability of the table and is only visible when the table top is removed. Wear along the underside of the feet. Dust and debris gathered throughout the recessed areas, especially along the carved crevices underside of the table and in the divets of the frame and legs.
Kultakeskus .916 silver ashtray designed by Tapio Wirkkala (1915-1985, Finnish). Of elegant oval form with outer sides folder as stands. Engraved along one stand as A & EM. Marked along the other stand with TW signature, Kultakeskus recumbent lion trade mark, national marked of crown in heart shaped cartouche, silver fineness mark of 916H, unidentified town mark, date code F7 for 1959. Engraved beneath bowl edge Rovaniemi 19.659.Height: 1/2 in x width: 3 1/2 in x depth: 2 in. Gross weight: 20.8 g.Condition: Light wear, no major dents, scratches or repairs.
Group of three sterling dishes including:One Amston sterling dish with ornate foliate rim, marked Amston, sterling, 116.One Whiting Manufacturing Co. sterling dish with ornate floral rim and cypher of two Hs at the center, marked along the side rim sterling and with lion and W for Whiting Manufacturing Co., and 3556.One Alvin Manufacturing Co. sterling dish with pierced rim, marked with Alvin Manufacturing Co. maker's mark, sterling, and 478.Diameter ranges from 5 in to 6 1/4 in. Gross weight: 7.960 Troy oz.Condition: Light scratches and tarnishing. The piercing is intact with no breaks.
Lion in Frost, United States. Mid-century modern lucite and glass coffee table in the form of a butterfly. Etched "Lion in Frost" along the lower edge of one side.Height: 15 in x diameter: 40 in.Condition: There are no major losses or restorations. There are light scuffs throughout, including one measuring approximately one inch along the lowers surface of one side of the table. Dust and debris gathered throughout. One chip to the glass along the edge. Some light wear to the glass top.
Utagawa Toyokuni (Toyokuni I) (Japanese, 1769-1825). 19th century Japanese woodblock print on paper depicting a partially robed Geisha with her cat at a bathhouse. The cat playfully toys at the woman's ornate blue robe.Sight; height: 14 3/4 in x width: 9 1/4 in. Framed; height: 20 1/2 in x width: 15 1/2 in x depth: 3/4 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded and the sheet is toned. Area of skimming visible along the lower right corner. Housed under a woven mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Ogata Gekko (Japanese, 1859-1920). Woodblock print on paper depicting two finely dressed women admiring koi in a pond. From the series "Women's Customs and Manners," ca. late 19th century. With a seal in print along the lower right.Sight; height: 13 1/4 in x width: 9 1/4 in. Framed; height: 18 in x width: 15 in x depth: 1 in.Condition: There are no visible tears, losses, or restorations. The colors are slightly faded and the sheet is toned. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Frederick Hurton Rhead (American, 1880-1942) for Roseville Pottery, United States. Tall studio pottery ceramic umbrella planter vase vessel or pot depicting peacocks perched amid trees on a deep blue matte ground, late 19th to 20th century. With a flared footrim atop wide tripod feet. Bands of painted vines and floral motifs along the neck and footrim. Pencil signed and carved "724" along the underside.Height: 20 in x diameter: 9 1/2 in.Condition: There are several large cracks and restorations that are apparent when viewed under UV light. Crazing throughout. Wear along the footrim. Dust and debris gathered along the interior.
Toshi Yoshida (Japanese, 1911-1995). Japanese woodblock print titled "Morinji in Spring" depicting a peaceful riverside landscape. Designed in 1951. Pencil signed along the lower right; titled along the lower left.Provenance: Collected in Kuala Lumpur, 1960-65.Sight; height: 10 1/4 in x width: 15 1/4 in. Framed; height: 14 3/4 in x width: 19 3/4 in x depth: 1 in.Condition: The colors are bold and deep. There are no visible tears, losses, creases, or restorations. Some light areas of foxing, mainly in the sky. The work is housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Austrian 800 silver double lipped sauceboat with side handles. With elegant, reeded details along the plate border, lip, and handles. Marked with Dianakopf in cinquefoil for 800 silver, A for Vienna and four leaf clover for Silberwarenfabrik Alexander Sturm. Marks for the period 1867-1922, probably early 1900s.Height: 4 1/2 in x width: 9 1/2 in x depth: 7 in. Gross weight: 631.0 g.Condition: Light scratching, some spots of tarnishing. Sauce boat firmly affixed to the plate.
VDNS (Vereinigte Deutsche Nickel-Werke, Schwerte), Germany. 115 pieces silverplate flatware service for 12. Including 13 pieces serving ware, 45 spoons, 23 forks, 22 butter spreaders, and 12 knives. Each piece of the same pattern featuring four decorative linear details. Marked VDNS with two crossing swords, in a circle, and 90.Length ranging from 5 in to 11 in. Gross weight of lot (excluding 14 stainless handled knives): 3,906.91 g.Condition: Light wear, scratches, small dents and light tarnishing throughout. No major bends or breaks.
K.P.M., Germany. Pair of porcelain urns or lidded vase vessels decorated with hand-painted insects along the lid and floral sprays along the front and back of each, ca. 19th century. With gilt embellished rims, foliate motifs along the lid, and bands of vertical stripes throughout the body of the vessel. Applied powder blue ribbon swags draped along the sides and "tied" into bows at the handles and finial. Impressed "C" and a scepter in underglaze along the underside of each.(Each, with lid) height: 11 in x width: 8 1/2 in x depth: 7 1/2 in.Condition: There are no major losses to the gilt or pigment. There is a restoration along the left handle of one of the urns; repaired break is apparent where one of the two loops of the ribbon-form handle meets the body of the urn. Light wear to the gilt along the rim of each urn where the lid meets the body. Wear along the footrim.
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