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Click here to subscribeA 20th century parcel gilt metal and cut glass table garniture, the centre piece surmounted by trumpet vase over a dish supported by six reeded columns centred by a boy raising his glass, the circular base with wirework filigree floral band, 62cm high, the flanking tazze with removable bowls, 21cm high (3)
Eleanor Heywood (20th century). A STILL LIFE OF FLOWERS;. A STILL LIFE OF FLOWERS IN A GLASS VASE. Both signed, also extensively inscribed on an old label verso with the artist's address "The Dower House, Ufford, Woodbridge", the inscription being an extract from "La Revue Moderne" 1932, oils on panel, {each 41.5cm by 32cm (16.25in by 12.5in)} (a pair) (2)
An Early Victorian Mahogany Tea Caddy as a Miniature Bow Front Chest of Drawers, containing two flat lidded compartments, with a fascia of three upper dummy drawers over two long active drawers on turned inverted vase feet, {23cm wide, 23cm high} (small sections of veneer missing, five turned ivory mushroom knobs missing)
A Set of Four Late 19th Century Ormolu Two-Branch Wall Gasoliers, each tapering backplate surmounted by a classical vase enriched with swags, over a lion mask from which issues two tight scroll branches linked by leaf swags, supporting shallow pans and raised shade coronas (shades now missing), with acanthus leaf and seeded terminals, {38cm high}, together with three ebonsied wood fixing plates
An Ormolu Mounted French Porcelain Bottle Vase, as a lamp, with fleur de lys pierced cusped mount to the rim, acanthus scroll side appliques with maiden head mounts, enclosing a vase with sky blue ground painted with fishing and military trophies within scrolled reserves above swags of flowers in colours and gilt, upon a circular moulded foot with scroll feet, {61cm high}
A Composition Stone Cubic Sundial, with three bronze gnomons (one lacking), on an associated composition stone Corinthian capital on a plain cylindrical cream composition stone column, in turn upon a circular flat plinth in two D shape sections, upon four stone vase supports, {the column and sundial only 206cm high, the circular plinth 150cm diameter, the vase supports 53cm high}
A Kosta Art Vase, of flattened mallet shape, with flattened lip, blue collar applied to the neck, the main body with blue "molten" overlay splattered with metallic iridescence, each side with a rectangular motif in copper coloured iridescence, engraved in script "Kosta B.D. ...B.Vallun 89254", {41cm high}
A Group of Four Glass and Porcelain Mounted Miniature Vases and a Jug, in Faberge Style, comprising two pedestal baluster vases, a bucket shape vase and a broad rimmed jug, solid cast, each containing a single porcelain rose or flowerhead with enamel detail in naturalistic colours, with paper wrapped wire stems and leafage, early 20th century, {the tallest 11.5cm high} (porcelain inserts generally damaged and loose, requiring restoration)
A Lobmeyr Enamelled and Parcel Gilt Vase, circa 1870, of baluster shape, the neck with four registers of leaf tips, husk fluting, and overlapped scale pattern in gilt, the main frieze painted in cold enamels in tones of white and light blue with mythological sea gods and nereids, on a swept circular foot, JLL grid mark in white enamel, {35.5cm high}
A Moorcroft Macintyre Aurelian Ware Vase, of baluster shape, the trumpet neck over a swollen knop, decorated with a collar and three main panels of stylised flowers in orange against a solid gold and dark blue ground, divided by vertical scale panels, {25cm high}; and A Cylinder Vase, in the same pattern, {20cm high}, both with printed factory marks in brown, pattern numbers 2943, impressed 24.10 and 153.8, the large vase with retailer's mark "Made for A M Sheard Batley" (both restored) (2)
A Wedgwood Fairyland Lustre Fairy Gondola Pattern Lily Tray, designed by Daisy Makeig-Jones, the central scattered florets on a light blue lustre river, green foreground and mother-of-pearl sky, the reverse with blue/green lustre and "flight of birds" encircling band in gilt, Portland Vase and "Wedgwood England" in gilt, {33cm diameter}
A Wemyss Ware Large Vase, of flared rectangular section, moulded in high relief to the frontal panel with a cockerel attempting to peck a fly, the reverse painted with a branch of blossoming dog roses, flower bud side handles, green line edging and lozenge repeat motif to the stepped base, impressed "Wemyss Ware RH&S", and printed retailer's mark "T Goode, South Audley St, London W" in red, {39cm high} (hairline crack in rim, small flake on one basal angle)
A Pilkington's Royal Lancastrian Lustre Vase, by Richard Joyce, the compressed globular body decorated with a continuous frieze of carp and seaweed, in lustre on a green ground with spots and swirls of iron red, impressed and painted marks including a date cypher, {26cm} (hairline crack to base)
A Pair of Minton Porcelain Maritime and Topographical Painted Pink Ground Vases and Covers, in Sevres style, each with two oval panels painted with sailing vessels, another pair with cottage and harvest scenes, against pink grounds enriched with gold ciselle scrolls, the covers with flattened stepped knops, puce printed factory marks, incised shape numbers 3071, {22.5cm high} (tiny hairline crack in rim of one vase, one lid with hairline crack on flange, the other lid with two small chips)
An English Porcelain Pot Pourri Vase and Cover, circa 1820, the domed cover with flambeau finial, pierced with lozenge and quatrelobe motifs edged in gilt, the tub shape body with four everted tabs over a frieze painted with temples in parkland setting in enamel colours, over an encircling band of beads, raised on four gilded lion paw feet, {13.5cm high}
An English Porcelain Circular Trinket Box and Cover, with screw thread, the lid painted with a pretty young girl with long brown hair seated in a chair by a window with a view to a garden, within a gilded border, the blue glazed base with stylised wheel motif in gilt, {8cm diameter} (lid with two tiny flakes from the underside rim, the inside glaze of the base crazed and slightly discoloured); and Another, the lid painted with a still life of two peaches and flowers on a marble table top flanked by a green vase in an interior, with beaded edge, gilt concave sides, the underside of the base painted with a view of a Gothic castle, {8cm diameter}, 19th century (base with small hairline crack, slight rubbing of enamels on the lid)
A Mettlach Stein, with pewter mounts and toper thumb piece, the main frieze incised and coloured with a tavern interior scene, signed "C Wurth", within ropetwist bands and straw glazed ground, impressed marks and 1403, {21.5cm high}; and A Cylindrical Vase, with four panels incised with young women representing the four seasons, and initialled or signed "C Wurth", within encircling bands of florets and stylised leaves, upon leaf knurled feet, in typical colours throughout, impressed number indistinct, no other marks, both circa 1900, {35cm high} (glaze cracks)
A Dresden Porcelain Small Bottle Vase, with everted rim and swollen neck, the pear shape body with frontal raised scroll frame enclosing a bust length portrait of a pretty blue eyed young woman with a hairband in her curly brown long hair, solid gilded ground, printed mark in blue, crown RK monogram, Dresden Germany, circa 1910, {13cm high}
A Pottschappel (Carl Thieme) Encrusted Porcelain Two-Handled Vase, Cover and Stand, the baluster vase with a frontal panel depicting a scene from "The Judgement of Paris", over a smaller panel to the base within frames of finely modelled flowers inhabited by insects, the reverse panel with a spray of roses, tulips and other flowers, swept naturalistic handles with putto terminals, the pierced cover surmounted by a classical goddess holding a garland of flowers, upon a scroll base, X and T mark in underglaze blue, impressed number 568, circa 1870, {49.5cm high} (slight restorations and typical petal/leaf losses)
A Japanese Blue and White Porcelain Boat Shape Dish, 19th century, of shallow rectangular form, painted with crayfish, lugworm, Buddhistic motifs and lucky characters, {29cm long}; A Chinese Blue and White Porcelain Peach Shape Dish, painted with a sage meditating amongst rocks near a vase filled with peonies, with two line inscription, 19th century, {23.5cm long}; A Chinese Monochrome Glazed Ding Form Censor, of rectangular section, with two arched handles to the rim, decorated with archaic motifs, mushroom coloured glaze, Qing, {9.5cm high} (cover lacking, one leg restored and detached); and A Chinese Jade Bowl, circular, of ogee outline, {10.5cm diameter} (4)
A Chinese Celadon Ground "Famille-Rose" Vase, mid 19th century, of tapering rectangular section with sunken white panels containing a single female figure (titled) under text roundels, with Precious Object arrangements and enamelled birds, butterflies and insects, {41.4cm} (good: minor rubbing of gilding over underglaze blue decoration)
A Pair of Satsuma Earthenware Pottery Baluster Vases, each painted with five bijin in spring garden settings near a pavilion in typical rich enamel colours enriched with gilding, with a shoulder band of floral and diaper pattern within a gilt scroll frame, gilded rims, Satsuma mon in red and gilt, {41cm high} (gilding on rim slightly rubbed); together with a pair of carved and turned wood circular vase stands (damage)
A Group of Four Chinese One Piece Carved Ivory Figures of Maidens, each with elaborate chignon, and holding sprays of peonies and a cup, {24.5cm, 24cm, 23cm and 17cm high respectively}, upon carved and pierced wood shaped rectangular and oval stands (minor small flakes/chips and cracks); and A Small Carved and Pierced Sectional Ivory Vase, worked with figures around a pavilion, {6cm high}, all circa 1940, upon a fungus carved and pierced wood stand, retaining two original padded cases (5)
A Japanese "Shibayama" Ivory Tusk Vase, decorated on one side with a vase brimming with peonies, kiku and plum blossom inhabited by birds and insects and flanked by a scholar's brush pot, the reverse with a lantern on rockwork amongst flowering shrubs, signed with two character mark on mother-of-pearl kakihan, basal undulating white metal collar and fluted wood stand, late Meiji, circa 1900, {36cm overall}
A Japanese "Shibayama" Ivory Tusk Vase, inlaid on one side with trellis supporting flowering chrysanthemum and other flowers, the opposite side with doves on blossoming branches, with basal white metal undulating narrow collar and fluted wood base, late Meiji, circa 1900, {28cm high} (major losses, including rim mount, drying cracks), upon a carved, pierced and stained wood five-legged stand, {50cm high overall}
A Japanese Shibayama Inlaid Tusk Vase, late Meiji period, circa 1900, worked on one side with two doves in flight and alighting upon a lantern amongst flowering prunus and peonies, on the other with a wading bird in a pool beneath flowering shrubs, in mainly mother of pearl, tortoiseshell and stained ivory, engraved two character mark on mother of pearl kakihan, issuing from a silver metal collar, on a fluted and carved wood stand, {31cm high overall} (losses to flying dove and small floral losses, rim with drying-out crack)
An Early Gilt and Silvered Metal Watch Case And Dial, German, circa 1600, gilt dial with Roman numerals and inner Arabic 24 hour numerals, touch pin hour markers, engraved foliate decoration, associated gilt fusee movement (circa 1750) with verge escapement and alarm, pierced alarm barrel and backplate (later bell), pierced case with front cover with a latch, the back cover with a stylized vase of flowers, ring suspension loop, {58mm diameter}
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