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Lot 1194
Glatzle, Fridegart u.a.geb. 1920 in Stuttgart, lebt in Karlsruhe, bedeutende dt. Keramikerin, lernte u.a. bei Storr-Bitz und Schmidt-Reuther in Höhr-Grenzhausen. "2 Vasen und große Schale", Karlsruher Majolika, E: Alfred Kusche 1910, 3 x Glockenblumendekor in Schlickermalerei in Schwarz und Rot, auf grauem Grund, Modell 7947, Vase mit leicht gebaucht ansteigende Wandung, H: 29 cm; Modell 7948, Vase in Kugelform, HxD: 20/20 cm. Modell 8046, große Schale, D: 34,5 cm. Je mit Pressstempel und Nummer.
Lot 1193
Funk-Schwarzenauer, Eva1973-77 Studium an der Hochschule der Künste in Berlin, 1998-2013 eigene Werkstatt in Tübingen. "2 massive Vasen" in Rakutechnik, schwarze Scherben, 1 x kugelförmig, gekantete, gerade Schulter, kreisrunde Mündung, elipsenförmig vertieft, HxD: 15/218 cm; 1 x gezogene Form, gekantete gerade Schulter, kreisrunde Mündung elipsenförmig vertieft, HxD: 29x17 cm. Beide Objekte in Craquelleglasur, die Kugelvase gelblich, die gezogene Vase gräulich, je mit Pressstempel.
Lot 1165
Kusche, Alfredgeb. 21.4.1884 in Karlsruhe - 9.7. 1984 ebenda; Kunstgewerbler, Maler, Grafiker und gelernter Silberschmied. "Vase", Karlsruher Majolika, Modell 2277, E: 1910, beiger Scherben, sich erweiternde, ansteigende Wandung, runde, verdickte Mündung, beige Glasur, Schlickermalerei umlaufend mit Blütenbuketts und Girlandendekor in Grün, Schwarz, Weiß, Blau und Rot, H: 26 cm. Stempelmarke und Nummer.
Lot 1468
Model, Hanns1908 - 1983, war Meisterschüler bei Wilhelm von Eiff, Sohn des Reiner Model. Vase, Werkstattarbeit, 2. Drittel 20. Jh., rauchgraues Glas, modelgeblasen, die Wandung einer umlaufenden Welle welche zwei Schliffarten trennt, unter der Welle in Wabenschliff dekoriert, darüber fein geschält, Wandungsmündung geschliffen und poliert, unbez., H: ca. 20 cm.
Lot 1461
Wiedmann, KarlKuchen 1905 - 1992 ebenda, war Glastechniker und Entwerfer der Ikora-Technik. 2 Vasen "Corona", Gral, Glashütte Dürnau, 1970er Jahre, grünes und blaues Glas, mundgeblasen, farblos überfangen, eingestochenes Blasendekor, die blaue Vase mit vertikalen Blasen, die grüne Vase als Gitterwerk, die Standkanten mit Ritzsignatur "Karl Wiedmann", dazu Nummern, H: bis 25 cm.
Lot 1456
Wiedmann, KarlKuchen 1905 - 1992 ebenda, war Glastechniker und Entwerfer der Ikora-Technik. "Vase", Ausführung: Gral-Glashütte Dürnau bei Göppingen, 1970er Jahre, farbloses, dickwandiges Glas, im unteren Drittel Schaumblasen und blau konturierte Blasen in Wellenform, Grund mit Oxydeinschmelzungen, mundgeblasen, H: ca. 14 cm.
Lot 1199
Hohlt, Görgegeb. 1930, Abschluss als Keramikingenieur an der keramischen Fachschule in Höhr-Grenzhausen, seit 1965 Übernahme der Werkstatt des Vaters in Katzbach. "Moderne Vase", grauer Scherben, modelliert m. eingezogenem Stand, breit ausladende, diskusförmige Kuppa mit leicht hochgestelltem und nach innen geführten Mündungsrand, dunkle, sich part. verdickende Reduktionsglasur m. kristallinen Sprenkeln und blau durchschienen Partien, Werkstattmarke und Monogramm m. 77, HxD: 17/22 cm.
Lot 1514
Zimmermann, JörgUhingen 1940, ist Glasgestalter ebenda, war u.a. als Designer tätig für die WMF, Lehrauftrag für Glasgestaltung an der Akademie in Stuttgart, erhielt 2002 den Hans-Model-Preis. Vase, 1980er Jahre, farbloses Glas mit orangefarbenem und violettem Zwischenschichtdekor, mundgeblasen, gezogene Kugelform mit amorph auslaufendem Mündungsrand, Boden mit Ritzsignatur, H: ca. 18,5 cm.
Lot 1137
Jugendstil-Vase mit Messingmonturwohl Frankreich (Honegger, Lyon?), um 1900, heller Scherben, mehrschichtige Glasur, grün/weiß gesprenkelte Glanzglasur von oben mit blauer Mattglasur überfangen, Vase sich nach unten verjüngend, in ornamental reliefiertem Metallstand mit flügelartigen Handhaben, H (ges.): ca. 41,5 cm. Part. kl. Kratzer sowie Haarrisse.
Lot 1532
Millefiori Vase mit StreifendekorMurano, Italien, 2. Hälfte 20. Jh., farbloses Glas mit vertikalem Streifendekor in alternierenden Farben wie violett, gelb, rot, türkis und farblos, auf der Wandung ein umlaufend breites Band mit polychromen eingeschmolzenen Murrinen, Boden leicht hochgestochen, Standkante mit Ritzsignatur "Di Murano", H: ca. 31,5 cm.
Lot 1230
Potpourri Deckelvase mit SatyrkopfmaskenKPM, Berlin, um 1765-70, Porzellan, glasiert, mit polychromer Aufglasurmalerei und Goldrändern, Vase beidseitig mit feinen Sommerblumenbouquets, wandungsumlaufend mit Streublümchen, seitlich je eine ansetzende reliefplastische Handhabe in Gestalt von Satyrkopfmasken und Blattwerk, das schauseitig von einem Schleifenrelief zusammengebunden wird, vollplastisch aufgelegte Nelkenblüte als Deckelknauf, haubenartig aufgewölbter, durchbrochen gearbeiteter Deckel, ovoider Korpus mit eingezogenem Hals und profiliertem Standring, unterglasurblaue Zeptermarke sowie Presszeichen, H (ges.): ca. 30 cm. Part. min. best., part. leichter Farb- und Goldberieb, min. Kratzer.
Lot 452
Satsuma VaseJapan, um 1920, Steingut, beiger Scherben, balusterförmige Vase, feines Glasurcraquelée, polychrome Aufglasurmalerei, verziert mit Emaillefarben und Ziergold, Darstellungen von Gelehrten, der Fuji im Hintergrund, bodenseitig Kinkozan tsukuru-Marke, H: ca. 31,5 cm. Leicht ber. Provenienz: Stuttgarter Sammlungsnachlass Otto Heck, erworben in den 1960er-1980er Jahren.
Lot 1160
2 Vasen, 3 Schalen2 x Alfred Kusche, Karlsruher Majolika, 1 x Schale Modell 2384, E: 1915, ockergelbe Schale mit Aufkantung, im Grund florale Schlickermalerei, D: 30 cm; 1 x tiefer Teller mit Fahne, Modell 2390, E: 1915, dunkelrote Glasur, Fahne und Grund m. floraler Schlickermalerei, D: 27 cm; 1 x Schale, wohl Marienberger Mosaikplattenfabrik, ca. 1910, runde Schale mit verdicktem Mündungsrand, dunkelrote Glasur, florale Schlickermalerei in Grün, Blau und Orange, undeutl. Pressstempel, D: part. Altersspuren, kl. Haarriss. 1 x zylindrische Vase, A: Fridegart Glatzle, Karlsruher Majolika, Modell 7445, florales Dekor, gemarkt, H: 22 cm; 1 x konisch zulaufende Vase m. runder Mündung, A: Fritz & Sohn, Kandern, ca. 1910, rote Grundglasur, Schlickermalerei mit Glockenblumen, Pressstempel, H: 18,5 cm.
Lot 180
Laurence Biddle (British, 1888-1968), still life of pansies and other flowers in a Chinese vase on a table, signed and dated '29' lower right, oil on board, 26cm x 36.5cm, frame 40.5cm x 51cmFootnote: Laurence Biddle specialised in floral still lives, exhibiting at the Royal Academy, the Royal Society of British Artists and latterly in America. In the 1940s he moved to Montgomery, Wales.Condition report: Unexamined out of glazed frame. Frame and oil appear ok.
Lot 215
A Moorcroft 'Pomegranate' vasecirca 1920of high-shouldered, baluster form, tubelined with one open pomegranate and four closed with grapes against a dark blue ground, painted facsimile signature, impressed 'M46' alongside factory marks, 22.5cm highCondition report: Very small chip to foot rim, possibly on manufacture, together with a number of minute nibbles to the glaze around the edge of the foot rim. Crazing to the glaze throughout. No further damages or signs of any restoration.
Lot 216
William Moorcroft for James Macintyrecirca 1899-1900a 'Florian ware' vase decorated with blue poppies, of low-bellied form with a crimped upper rim,printed factory mark, facsimile signature in green and impressed '602', 8.5cm highCondition report: There are two minute nibbles to the underside of the foot rim alongside one small fault line to the foot rim. There are no signs of any damages or restoration. Further to the base are some lines of crazing, but the remainder of the vase is free of any crazing to the glaze.
Lot 220
A pair of French Sevres-style ormolu-mounted vases and coverslate 19th centuryof twin-handled form with mask-head terminals, the covers with ormolu fruit and leaves forming the finial and further detail picked out in red and raised white enamel, the ovoid vases painted with pairs of opposing panels of a young maiden with cherubs and lakeside scenes with a house beyond, reserved against a bleu celeste ground, raised on three paw feet,overall height 37.5cm (2)Condition report: Some of the raised dots of enamel are missing to both covers and vases. The gilt metal leaf moulded section and base on one vase needs tightening, it is currently slightly loose and the leaf section can be twisted round which shows numerous scratches below where the mounts naturally sit. There is some rubbing to the gilding around the covers and one cover has also been broken into several pieces and repaired.The vases themselves have no damages or repairs.
Lot 226
A pair of Bohemian white overlay glass goblet vasescirca 1860with crenellated upper rims, painted with oval panels of frolicking cherubs and further decorated with leafy tendrils, set on a stem with single annulated knop terminating in a raised spreading conical foot,31.5cm highCondition report: Overall, the condition is good with no cracks, chips, damages or restoration. The quality of the gilding generally remains good throughout with the exception of a couple of leaves in the central sections of the stems (consistent with handling), together with further rubbing visible to the central knops and to the very lower portion of the gilding around the foot rim on one vase. The condition of the painted oval panels is good and there are no obvious scratches or sections of wear.
Lot 291
A French mahogany fauteuil a gondola, circa 1830 armchair, en suite with the fauteuil a gondola above, covered in a floral pattern, silk fabric with scrolling back and arms, the arms with anthemia carved vase-shaped supports, with a slip-in-seat and downswept legs, restored back leg, fabric worn/frayedCondition report: Fabric worn/frayed, especially the seat. Braid detached and pulled-away on places, including the back. Back leg restored where cracked, near join with seat rail.
Lot 292
A Victorian, Louis XV style, marquetry and inlaid walnut veneered and gilt metal mounted serpentine table, the cyma reversa moulded top inlaid with a vase within an oval panel, bordered by kingwood crossbanding around a boxwood and ebony strung band, the shaped frieze with conforming stringing and a central drawer, raised on square cabriole legs terminating in sabots, 128cm wide x 81cm deep x 72cm high.Condition report: The top has a section of veneer raplaces obove the central medallion. There are a few very small veneer patches to the top and some very small chips to the edge. Some typical very fine fractures all around the moulded edge. Two fine splits to the frieze adjacent to one support. Minor cosmetic marks and signs of age and use throughout.
Lot 105
Ceramics including Imari vase 16cm, blue and white jar with cover 6.5cm, shell-shaped dish 15cm, two others, Royal Worcester Great Victorian Achievements Albert Bridge Saltash plate 27.5cm with original box, Stuart glass Momento book paperweight with original box and a wicker-work spoon tray (8)
Lot 206
A pair of George I dining chairs, with solid vase shaped splats above needle point drop in seats, raised on front cabriole legs with hoof feet and splayed back legs united by a waved H-frame stretcher102 x 53 x 50cmProvenance:Crepping Hall, SuffolkCondition report: Old repairs to the back of one, the other with repairs to the shoulders and top corner of the back splatSome minor worm to the back seat rails, both structurally firm possibly been sured up at some pointBoth frames knocked and scratched consistent with age and useNeedle work laterSome minor dry splts to the feetSee photos
Lot 215
A set of four George III mahogany dining chairs, the shaped carved top rails over pierced vase shape splats, with drop in needlework seats96 x 55 x 55cmProvenance:Crepping Hall, SuffolkCondition report: The drop in seats are later, all chairs have minor scratching and knocks to the frame especially the backs and legsChairs are structurally soundEach chair has a minor vertical split to the back just below the top railAll seats have been reienforced to some extent in the corners with later blocksSee images
Lot 292
the celestial blue ground bodies reserved with two oval panels, one painted with Watteauesque scenes, the opposing panels with rustic scenes of cottages in a landscape, within gilt beaded borders, 16cm highCondition report: One of the white jewelled beads is missing half of the enameling and is also missing the larger white bead in the cresting The other vase has lost the to beads in th ecresting above the painted panel.
Lot 335
Henri Picard (French, fl. 1831-1864), a silvered bronze vase, decorated with a relief depicting the Centauromachy between the Lapiths and the Centaurs at the wedding feast of Pirithous, marked 'H Picard' (to the base); and '77' (to the underside of the detachable bronze lining), plated bronze20 x 11.5 x 15cmProvenance:Bonhams, The Summer Athenaeum Sale, Bury St Edmunds, 13th-14th June 2007,Birling Ashes, KentFootnote: Henri Picard was a prestigious 19th Century fondeur and doreur, who worked in Paris between the years of 1831 and 1864. Picard was celebrated for casting and gilding decorative objects to a very high quality of production. Picard worked for the firm Defreville, in addition to collaborating with contemporary designers such as Charles Perrault and Grault. While the craftsman was commissioned by many important patrons, Picard’s most notable achievement was to supply the Emperor Napoleon III with decorative objects, several of which are still in the State Apartment of the Musée du Louvre in Paris.
Lot 359
A Chinese Cantonese famille rose baluster vase, late 19th century, enamelled in polychrome with alternating shaped panels of court scenes and fanciful birds and butterflies, reserved on a gilt ground body with green scrollwork and enamelled with butterflies and flowers, 63cm highProvenance: Stoke Hall, Calver, DerbyshireCondition report: Approx 6 inch crack which goes down through the neck of the vase. Pitting to the interior. Slight rubbing to gilding and enamel in places
Lot 361
A large Chinese Cantonese famille rose metal mounted baluster vase and cover, mid-19th century, enamelled in polychrome with two impressive panels depicting court scenes, supported by fan shaped and circular panels of courtesans, reserved on a white ground body enamelled with butterflies and flowers, within gilt ground rims enamelled with further butterflies and flowers 62cm highProvenance: Stoke Hall, Calver, DerbyshireCondition report: The lid - rubbing to the gilding on the finial. the metal mounts have been fixed using small screws. small surface slither out to the underside of the rim which is slightly visible from the top. Small chip out to the inner rim. Looks to be a pin missing which fixes the cover to the body. The vase - the rim has been damaged with four pieces having previously been broken off and glued, these are covered with metal mount from the exterior. Typical scratching and slight rubbing to the gilding - pitting to the interior
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