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A GOOD LARGE 18TH CENTURY ORMOLU-MOUNTED CHINESE GILT DECORATED BLUE-GROUND PORCELAIN VASE, the chamfered rectangular-section body decorated in gilding with figural and landscape scenes reserved on a lustrous blue enamel ground, the neck fitted with a fine quality 19th Century French pierced ormolu rim and dependent handles, the ormolu base finely decorated with acanthus leaves, 13in high.
AN 18TH CENTURY CHINESE QIANLONG PERIOD FAMILLE ROSE PORCELAIN PLATE, painted to its centre with a pair of cockerels in a fenced garden setting, 9.1in diameter; together with a similar famille rose plate painted with a butterfly, a gourd and a vase of flowers, 9in diameter. (2)
A GOOD LARGE PAIR OF ORMOLU MOUNTED CHINESE KANGXI PERIOD POWDER-BLUE PORCELAIN VASES, the porcelain circa 1700, each vase painted with barbed quatrefoil panels of bronze-form vases and ribboned emblems, each fitted with 19th Century French ormolu base, handles and neck rim, 13.7in high.
A 19TH CENTURY CHINESE BLUE & WHITE PORCELAIN JAR & COVER, painted with prunus reserved in white on a blue-wash crackled-ice ground, the base with a four-character Kangxi mark, 11.75in high overall; together with a similar smaller jar lacking its cover, 8.6in high; a prunus vase and cover, 12.5in high overall; and a prunus decorated jardiniere, 8.9in diameter at rim & 7.9in high. (4)
A GOOD QUALITY CHINESE FAMILLE ROSE PORCELAIN BOTTLE VASE, the base with a six-character Guangxu mark and possibly of the period, the sides painted with a profusion of brightly enamelled butterflies, the shoulders with a border of Shou characters and formal lotus, 15.7in high.
A GOOD QUALITY JAPANESE MEIJI PERIOD RYOZAN SATSUMA EARTHENWARE VASE, the high-shouldered flaring body well painted with a continuous scene of figures in a riverside setting, the flat shoulders with an elaborate design of overlapping grounds, the base with painted marks, 7.25in high.
A LARGE 19TH CENTURY CHINESE CANTON TEMPLE VASE & COVER, the sides painted in vivid enamels and gilding with figural terrace panels reserved on a ground of fruit, foliage, birds and butterflies, the cover similarly decorated, the neck rim and cover with ruyi form metal fittings, 25in high overall.
A LARGE MIRROR PAIR OF GOOD QUALITY CHINESE FAMILLE ROSE PORCELAIN VASES, with fitted wood stands, each baluster form body well painted between formal borders with a pair of phoenix perched on rockwork in a garden setting of blossoming boughs and foliage, each waisted neck similarly decorated, each base with a Qianlong seal mark, each vase 23.7in high.
A LARGE GOOD QUALITY JAPANESE MEIJI PERIOD CARVED IVORY TUSK VASE, supported on a fixed gilt lacquered wood stand, the sides of the vase carved in detailed relief with a profusion of boys in the company of two adults and a caparisoned elephant, 17.4in high overall, the tusk vase itself 11.9in high.
A FINE QUALITY SIGNED JAPANESE MEIJI PERIOD INLAID BRONZE VASE BY INOUE, with iron rims, the sides finely decorated in gold and silver metals and copper in various onlaid and inlaid techniques with a dragon roundel and with a ho-ho phoenix roundel, the roundels separated by arrangements of flowerheads and leafy tendrils, the foot with an inlaid linked wan pattern, the shoulders and neck also with inlaid patterns and borders, the base with the engraved signature Saiko Inoue, 6.9in high.
A GOOD PAIR OF 17TH CENTURY CHINESE BRONZE VASES, relatively large in size, with good unpolished patination, each in the form of a knarled tree trunk upon which grows some stems of plum blossom, one vase also cast with a kneeling monkey, the other vase with a deer and a bird, 11.25in & 11in high.
A FINE QUALITY SIGNED JAPANESE MEIJI PERIOD BRONZE VASE & COVER BY JYOUN, the cover in the form of an animated seated boy, the vase beneath in the form of a large drum supported on an integral stand, the vase and stand finely decorated and the vase cast with a rope-form tassel hanging to one side, the base with a signature in a rectangular reserve, 15.25in high overall.
A FINE QUALITY CHINESE FAMILLE ROSE PORCELAIN SPRINKLER VASE, the rounded sides painted with a detailed scene of rockwork, peony and magnolia, the unusually moulded neck painted with formal lotus reserved on a yellow ground, the base with a six-character Guangxu mark, 7.8in high.
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653685 item(s)/page