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Lot 35

A Troika coffin vase (approx 18cm tall) with decorator mark, likely Annette Walters.

Lot 36

A Troika chimney vase (20cm tall) decorated by M. Murrell. Shows cracks.

Lot 43

A Troika cube (8.5 x 9.5 x 9.5cm) decorators mark difficult to discern, possibly Annette Walters. Also with a small rectangular vase (13cm tall) with indistinct decorator's mark.

Lot 22

Seven items to inc Beswick pheasant, 'North Light' 1999 big cat in tree, small art deco figure on base with globe opening up to be an oil lamp, seated unsigned cast bronze figure, vase with unstamped but likely silver trim, pair of glass candleholders on bases.

Lot 33

A Troika rectangular vase, decorated by Louise Jenks. Stands approx 21cm tall.

Lot 48

A large rectangular vase in the manner of Troika but with a very simplistic design. Painted decorator mark possibly Honor Curtis. Stands approx 33cm tall.

Lot 37

A Troika coffin vase, painted by Jane Fitzgerald. Approx 17.5cm. Good condition with prev auction sticker to interior.

Lot 496

A group of decorative home wares, inlaid trays, sculptures, oriental lacquered vase, green glass vases, etc (two boxes)

Lot 295

A group of Murano glass items including bird ornaments, vase, large table centrepiece, together with three modern paperweights including a Selkirk glass example, and five crystal Swarovski-style ornaments.

Lot 372

Four pieces of studio pottery to include a French sang de boeuf-style vase, height 15cm, together with a stoneware planter and two vases.

Lot 1

A Royal Worcester twin handled pot pourri vase and cover, shape 1428, hand painted with an arrangement of fruit beneath a pierced gallery applied with swags, black painted mark to base, signed B. Cox, height 35 cm. CONDITION REPORT: Examined under UV. There are no areas indicating restorations or damages. The base of the vase and interior of the lid show security pen markings only visible under UV.

Lot 284

An Indian enamelled brass vase, together with several pairs of candlesticks, set of antique cast-iron scales with weights, etc.

Lot 310

A group of ceramics including Maling cobalt blue ground vase decorated with butterflies, a further Maling floral charger, Coalport porcelain houses, Minton Haddon Hall pot, etc.

Lot 278

A large Murano blue glass vase, height 36cm.

Lot 287

A group of crystal photograph frames, decanters including boxed Edinburgh crystal example, cylindrical vase, Swarovski-style rabbit ornament, etc.

Lot 631

A 20th-century glazed earthenware vase converted to a table lamp, height 56cm excluding fitting.

Lot 305

A Webb purple studio glass vase, together with other modern vases, Swarovski crystal swan, etc.

Lot 5

A Royal Worcester vase, hand painted with fruit, black mark to base, numbered 2160, signed T Nutt, height 25.5 cm. CONDITION REPORT: Examined under UV there are no areas of restorations or damages. The base has security pen markings visible under UV.

Lot 325

A collection of silver-plated wares including entrée dish with cover, table candelabrum, napkin rings, together with assorted crystal including bowls, decanter, vase, etc. (1 box)

Lot 386

A Thomas Webb crystal vase, a further pair of Irish Tyrone crystal candlesticks, and a resin figure of a sphinx.

Lot 451

A contemporary Chinese blue and white baluster vase, height 63 cm

Lot 138

Collection of ceramics includes Willow Tree, 'With my Mother' & 'Guardian Angel' figurines, small cloisonné vase, Falcon Happy Days plate, Josiah Wedgwood plate, Oriental ware, ribbon plate, bowl etc

Lot 142

Pair of Continental bisque figurines, boy and girl on naturalistic circular stepped bases, 29cm h, young boy bisque figurine / posy vase & elephant with howdah figurine

Lot 104

Cranberry glass footed vase with splash glass top 24.5cm 

Lot 117

Royal Doulton Rosalee teapot with matching saucer, Floradora milk jug and Carmina pitcher (possible seconds), small Aynsley dish, Royal Worcester 'Worcester Herbs' vase, Bursley ware cheese dish, Gibsons part dressing table set, large bowls etc

Lot 43

Collection of silver plate includes hors d'oeuvre tray with glass inserts, toast rack, teapot, tulip vase, candelabra etc

Lot 17

Collection of crystal and glassware, bowls, fruit set, cake stand, trifle dish, celery vase, etc

Lot 99

Antique Bohemian Moser style opaline overlay glass pedestal bowl, hand painted with a flower design, circa 1900. [18cm high], hand painted green overlay vase with gilt decoration and ruby glass basket with gold flecks in the clear glass handle

Lot 201

Miniature leather bound Common Prayer / Hymns  A & M  book with silver embossed Joshua Reynolds angels cover & matching silver match box cover, small silver bud vase, silver pin dish, silver horseshoe serviette ring, revolving silver pill dispenser Birmingham 1933, silver thimble, expanding bracelet & Coronation 1911 silver gilt Anointing Spoon brooch

Lot 146

Large studio pottery vase with indistinct signature to the base Ht 36cm 

Lot 102

Early 20th century epergne comprising white metal naturalistic stand and clear glass trumpet vase 37.5cm tall

Lot 140

Noritake hand painted vase, large pearl ware transfer printed jug, floral encrusted basket & Beswick bull (damaged)

Lot 423

A Collection of Various Ceramics to Comprise Polychrome Decorated Ewer, Tankards, Studio Pottery Vase, Jug etc

Lot 445

An Italian Millefiori Two Handled Glass Vase, 18cm high

Lot 403

A Collection of Various Glass to Comprise Four Ruby Glass Hock Glasses, Green Glass Lily Vase, Jugs, Blue Glass Oil Lamp Reservoir etc (Various Condition)

Lot 252

A Mid 20th Century Sylvac Vase, No 2489, 15cms High

Lot 414

A Collection of Wedgwood Peter Rabbit Children's China to Comprise Plates, Teapot (No Lid), Milk Jug, Vase, Cups etc

Lot 447

A Moorcroft Vase, Lily and Bullrush Pattern, 17cm high

Lot 430

A Collection of Various Metal Wares to Comprise Copper Quart Jug, Vase, Brass Burner etc

Lot 415

A Collection of Various Ceramics to Comprise a 19th Century Jug by Brownfield & Son Swiss Pattern no.24, Spode Imari Paperweight, Aynsley Strawberry Set, Minton Hadden Hall Vase etc

Lot 254

A Late 20th Century Chinese Vase, 30cms High

Lot 510

Three Boxes of Various Sundries to Comprise Ceramics, Washbowl, Italian Vase, Oriental Prints, African Elephants, Mincer etc

Lot 397

A Collection of Various 20th Century Oriental Items to Comprise Japanese Decorative Plates, Chinese Porcelain Enamel Plate, Ginger Jar, Bowl, Japanese Satsuma Vase etc

Lot 539

A Collection of Various Items to Comprise Doulton Plate Set, Belleek Vase, Silver Plated Flatware, Tin of Songster Bronze Pick up Needles, Shoe Trees, Canteen Tray etc

Lot 424

A Collection of Various Ceramics to Comprise Cups and Saucers, Wedgwood Jasperware, Vase, Teapot etc (Various Condition)

Lot 394

Three Pieces of Studio Pottery to Comprise Globular Vase, Flared Vase with Ribbed Body and a Dish with Leaf Textured Decoration

Lot 417

A Collection of Ceramics to Comprise Copeland Late Spode Polychrome Decorated Plates, Coalport Twin Handled Dish, Aynsley Dish and Vase

Lot 452

A Continental Lustre Vase Decorated with Fish on Blue Ground, 23cm high

Lot 453

A Studio Pottery Vase by Sly Macro, Blackfriars Pottery Decorated with Landscape Scene Detailing River, Trees and Hills, 20cm high Together with a Matching Plate 26cm Diameter

Lot 421

A Collection of Oriental Items to Comprise Two Chinese Qing Dynasty Blue and White Porcelain Plates (AF), Japanese Imari Plate, Chinese Porcelain Famille Rose Vase, Ginger Jar etc

Lot 60

A CHINESE PARCEL-GILT BRONZE ARCHAISTIC BEAKER VASE, GU17TH CENTURYIn the manner of Hu Wenming, cast around the cylindrical body with formal taotie masks separated by vertical flanges, the tall trumpet neck with upright blade-shaped lappets containing a deconstructed taotie mask issuing from a band of kuilong, all reserved on a finely detailed diaper ground, 1.4kg, 28.8cm.Cf. Sydney L Moss Ltd, The Second Bronze Age: Later Chinese Metalwork, no.90, for a closely related vessel inscribed and dated '1599' from the collection of HM the King of Sweden.十七世紀 銅局部鎏金觚

Lot 125

A RARE CHINESE SOFT-PASTE WHITE-GLAZED VASE18TH CENTURYThe ingot-shaped body with sharp shoulders decorated with archaistic low-relief dragons contesting flaming pearls, beneath a waisted quatrefoil neck decorated with plantain leaves and applied with openwork handles, on a raised quatrefoil foot, the base with a moulded ruyi sceptre, 13cm.Provenance: from an English private collection, London.Cf. Sotheby's New York, 16th September 2014, lot 165, for a comparable example. A soft-paste vase of Qianlong mark and period with similar openwork handles and decorated with archaistic motifs is illustrated in the catalogue of the Min Chiu Society Exhibition of Monochrome Ceramics, 1977, no.141. A globular-shaped vase of the Qianlong period featuring similar sharply outlined shoulders is illustrated in John Ayers, Chinese Ceramics from the Koger Collection, no.140.十八世紀 白釉趕珠龍紋瓶來源:英國倫敦私人收藏。

Lot 127

A SMALL CHINESE GE-TYPE CONG-SHAPED VASEQING DYNASTYThe moulded square-section body rising from a short foot to a circular tapering rim, decorated all over with a greyish glaze suffused with irregular dark and russet crackles, together with a wood stand, 12.2cm. (2)Provenance: from an English private collection, London.清 仿哥窯琮式瓶來源:英國倫敦私人收藏。

Lot 119

A CHINESE BLUE AND WHITE 'LADIES' VASEKANGXI 1662-1722The slender baluster-shaped body painted with a continuous scene featuring four ladies enjoying daily life in a pavilion garden amidst plantain and rockwork, the base with a six-character Chenghua mark, 25.3cm.清康熙 青花四妃觀音瓶《成化年製》款

Lot 151

A LARGE AND RARE CHINESE BLUE AND WHITE LANTERN-SHAPED VASEYONGZHENG 1723-35The cylindrical body rising from a gently stepped foot to a short waisted neck with a flared rim, decorated to the body with an archaistic motif of kui-dragons among stylised trailing peony between formal bands of plantain leaves and ruyi-head lappets, the neck and foot with foliate scrolls and bands of geometric flowers and ruyi-heads, 36.5cm.Provenance: from an English private collection, London.The archaistic style of this piece is typical of work produced under the Yongzheng Emperor who actively promoted the revival of Ming porcelain designs at the Imperial kiln of Jingdezhen. Tang Ying (1682-1756), director of the kiln at this time, records a number of antiquities from the Imperial collection being sent down as prototypes, particularly underglaze-blue porcelains produced during the reigns of Yongle (1403-25) and Xuande (1426-35). These wares were copied meticulously, down to the fine detail of their characteristic feature of 'heaping and piling', as seen in the piece offered here. By contrast, the 'lantern' shape was an innovation of the Yongzheng period, often featuring additional vase-shaped flanges to either side and originally used with Guan-type or Ge-type glazes, such as the two Yongzheng examples in the Palace Museum, Beijing, illustrated by Geng Baochang, Gugong Bowuyuan cang Qingdai yuyao ciqi, pls.174 and 206.清雍正 青花夔龍牡丹紋燈籠瓶來源: 英國倫敦私人收藏。

Lot 153

A GOOD CHINESE BLUE AND WHITE ‘BINGJI AND THE BUFFALO’ GU-SHAPED VASE TRANSITIONAL PERIOD C.1640 Decorated with two continuous narrative scenes from the account of the travels of Bingji, the upper register depicting the chengziang rising from his sedan in the midst of his entourage to confront the farmer on account of his suffering buffalo, the lower register with Bingji studying under a willow tree in the company of a scholar, all above a border of plantain leaves to the splayed foot, 44.7cm.Provenance: Carrycoats Hall, Northumberland. The scenes on the present lot relate to the story recorded by the historian Ban Gu (32-92 AD) in the Hanshu (History of the Han) relating to the inspection tours of Bingji (d.55 BC), the chengziang or Grand Chancellor during the reign of the Emperor Xuan (74-49 BC). While on reconnaissance outside the capital, Bingji is recounted to have witnessed two events that signalled to him an imbalance in the harmony of qi in the empire. The first was a group of people fighting violently with the dead strewn on the ground, a scene by which he was initially unconcerned, and the second was an encounter with a farmer leading a stricken buffalo, its parched tongue hanging out. Alarmed at this sight, Bingji leapt from his sedan to confront the farmer on the animal’s condition, seeing in it an omen of an imbalance in the cosmos. This moment is the event depicted on the lot offered here and was a popular scene for the decoration of wares during the Transitional period. See, for instance, the rolwagen and the double-gourd vase both from the Sir Michael Butler Collection, illustrated in T Canepa and K Butler, Leaping the Dragon Gate, respectively pp.208 and 210-211, no.III.2.41a,b, and p.236, no.III.2.65, the latter sold at Christie’s Hong Kong, 30th November 2023, lot 3042. Another similar rolwagen was sold at Sotheby’s London, 16th May 2018, lot 119.明末清初 青花丙吉問牛紋花觚來源:英國諾森波蘭郡Carrycoats Hall莊園收藏。

Lot 144

A SMALL CHINESE FAMILLE VERTE 'PHOENIX' VASEKANGXI 1662-1722The baluster body painted with a continuous scene of two phoenix perched on rockwork beneath a wutong tree, together with further birds including cranes, a pheasant, mandarin ducks and a peacock, the base with a paper label reading 'Marchant London Kangxi 1662-1722', 21.6cm.Provenance: from an English private collection, London, purchased from Richard Marchant Ltd, 27th May 1986; a copy of the receipt is available.清康熙 五彩百鳥朝鳳紋瓶來源:英國倫敦私人收藏,1986年5月27日購於Richard Marchant Ltd. 馬錢特古董店(附發票複印件)。

Lot 74

A CHINESE CLOISONNE ENAMEL AND GILT-BRONZE TRIPOD INCENSE BURNERQIANLONG OR LATERThe vessel with rounded sides decorated with formal scrolling lotus, rising to a flared rim applied with a gilt-bronze key fret band, the sides with two gilt-bronze elephant-head handles and all raised on three gilt-bronze elephant-head feet, the animals adorned with elaborate beaded bridles centred with flowers, together with a removable metal liner, 35cm. (2)Provenance: formerly from an English private collection, Sussex, acquired in the 1990s.Cloisonné enamel tripod incense burners of this type originally featured as part of altar sets in Buddhist temples and palaces. A five-piece garniture is illustrated in situ in the Qianqing Gong (Mansion of Heavenly Purity) in Chuimei Ho and Bennet Bronson, Splendours of China's Forbidden City, fig.32. The form is of archaistic taste, taken from ding vessels of the Shang and Zhou periods, with the original tripod legs and loop handles substituted for gilt-bronze animal heads. The use of elephants in the piece offered here is rare and relates it to another Qianlong example included in the exhibition Tributes from Guangdong to the Qing Court, The Chinese University of Hong Kong, no.34, which additionally featured a cover with a further recumbent elephant supporting a vase. This iconographic element is a pun for the word 'peace' and clarifies the auspicious connotation of elephantine features as seen in the present lot. Compare also with a similar Qianlong example sold at Sotheby's Hong Kong, 8 October 2007, lot 1308.清乾隆或更晚 銅胎掐絲琺瑯纏枝蓮紋三足爐來源:英國薩塞克斯郡私人收藏,購於1990年代。

Lot 69

A TALL CHINESE CLOISONNE ENAMEL 'LOTUS' VASE18TH CENTURYThe slender body tapering towards a gently splayed foot, surmounted by a short waisted neck, decorated with stylised lotus scrolls between bands of lappets and florets, the design reserved on a dark blue ground, mounted on a lotus petal foot, 263g, 16.5cm. Provenance: from an English private collection, Sussex.十八世紀 銅胎掐絲琺瑯折枝蓮紋瓶來源:英國薩克塞斯郡私人收藏。

Lot 134

A CHINESE CELADON GLAZED HU-SHAPED VASE SIX-CHARACTER YONGZHENG MARK BUT PROBABLY LATERWith a globular body and a waisted cylindrical neck, the shoulder applied with two mask handles with fixed rings, all covered with an even pale celadon clouded glaze, together with a wood stand, 32cm. (2)Provenance: from the collection of David Allen Erskine Bell (1885-1938), a member of a British military family who served as an HSBC employee from 1906 to 1937. He worked as a manager for the Hong Kong and Shanghai Bank in various locations, including Xiamen, Malacca, Kobe, Tianjin, and Shanghai. Within HSBC he played a significant role in the development and financing of China's railway systems during the early 20th century.For an almost identical vase see Christie’s London, 12th November 2010, lot 1039.清雍正或更晚 青釉弦紋獸耳壺《大清雍正年製》青花楷書款來源:David Allen Erskine Bell(1885-1938)收藏,出生於英國軍官家庭,在1906-1937年間在匯豐銀行工作。他曾是匯豐香港及上海銀行的多個辦事處的總經理,其中包括廈門、馬六甲、天津、上海等。 在匯豐銀行工作期間,他對中國鐵路系統的建設和融資擔當著重要的角色。  

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