There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeLoetz (Austrian), an iridescent Phaenomen glass vase,c.1900, PG 29, ground out pontil,The baluster form decorated with silvery-blue shaped banding on a bronze-coloured ground, the inside of the neck also decorated in silvery-blue,13.3 cm high,Property from a private collectionA few tiny abrasions/fine scratches. Some tiny bubbles from the making process. Light natural wear to the underside of the base in keeping with age. Overall good condition.
Katherine Pleydell-Bouverie (British 1895-1985), a small bowl,20th century, painted no. to base, A small stoneware dish with ash glaze, 9.2cm diameter; together with a Paul Barron (British, 1917-1983) squat vase, impressed mark to base, 20th century, stoneware with slip glaze design, 10.2cm high, (ARR) (2)Both in good condition.
Sheila Fournier (British 1930-2000), a squat vase,Mid 20th century, incised and painted mark,A hand-built squat vase with stylised layers and cut-away form, 15cm diameter: together with a Sheila Casson (British, b.1930), vase, impressed mark to base, thrown porcelain with salt glaze, 17cm high; and a Rachel Wood (British) vase, 20th century, coil-built, with layered slip, 14cm high (ARR) (3)All three pots in good condition.
Karin Hessenberg (British b.1944), twin-handled bowl, 20th century, impressed mark to base,A porcelain twin-handled bowl with oxidised mint glaze, 25cm long: together with a Fiona Bourke (British) cup and saucer, painted marks to base read 'FB.Nec 1.141.98', in porcelain on corrugated porcelain saucer (13cm x 14cm), and a John Jelfs (British, b.1946) vase, impressed mark to side, in stoneware with celadon ash glaze, 24cm high (ARR) (3), Footnote: Fiona Bourke was selected for the Ceramic Contemporaries exhibition and went on to win the overall prize. Her installation, "Necropolis 1", originally comprised 144 handmade porcelain cups, each on a corrugated porcelain mat and representing memories and images of Irish life.All three pieces are in good condition.
William Marshall (British 1923-2007), a large vase,c.1980, impressed mark to side of base,A large and impressive stoneware vase with oxidised, splashed glaze, 39cm high (ARR)Provenance: Purchased from Bonhams in 20120.9cm across chip to outside of top rim, otherwise in good overall condition.
Peter Layton (British b.1937), a studio glass 'Paradiso' series tall 'stoneform' vase, c.2000, with engraved signature,Of ovoid form, cased in clear crystal, the orange and red ground with turquoise banding, together with an 'Aurora' series 'stoneform' vase and a 'Lagoon' series 'stoneform' vase, each signed,Paradiso vase - 19.5cm highAurora vase - 14.3cm highLagoon vase - 12cm high (3) Paradiso vase - very minor flea bite chip to base, otherwise only very minor/light general surface wear from handling. Generally good overall condition.Aurora Vase - very minor flea bite chip to underside of base, otherwise only very minor/light general surface wear from handling. Generally good overall condition.Lagoon vase - very minor/light general surface wear from handling. Generally good overall condition.
Loetz (Austrian), an iridescent Rubin Phaenomen double-gourd glass vase, 1899, PG 7624, ground out pontil,Red glass body, decorated with silvery-blue and green pulled banded threads on the diagonal, 22.5 cm high,Property from a private collection,Ricke, Helmut et al, ‘Lötz Bohmisches Glas 1880-1940, Band I, Werkmonographie’, Prestel-Verlag, 1989, p.89, pl.46 (similar form and decoration illustrated)Has a slightly more mat feel to the surface. Some shadowy patches and horizontal line. Light natural wear with a few tiny abrasions. Some tiny bubbles from the making process. Light natural wear to underside of base. Overall good condition.
Loetz (Austrian), an iridescent Phaenomen Candia glass vase,c.1900, PG 7501, ground out pontil engraved Loetz Austria, The pale glass of bulbous form with cup neck, decorated with fine feathered banding in gold and pale silvery-blue,11 cm high,Property from a private collectionA few tiny bubbles form the making process. Light natural wear. Some dirt to the interior. Light wear to base. Overall good condition.
Nils Thorsson (Danish 1898-1975), a 'Baca' series faience vase for Royal Copenhagen,c.1970, manufacturer's marks to underside,Of square section form with squat neck, decorated with fish and abstract forms in cream, white and brown enamel colour way, 28.5cm high Please refer to department for condition report
Arsall (German), a double overlay cameo glass vase, c.1930, acid-etched signature 'Arsall',The white body overlaid with red and green and acid-etched with strawberries and leaves,35.2 cm highA small nick to edge of the foot and some tiny abrasions and scuffs on the sides. Wear to the underside of the foot. Some wear and dirt to interior.
Arsall (German), a double overlay cameo glass vase, c.1930, acid-etched signature 'Arsall',The white body overlaid with mauve and dark green and acid-etched with flowers and leaves,35.5 cm highThe is a large open bubble/fold in the glass on the inside of the neck but this is how it was made and is not damage. A few tiny nicks to edge of cameo and quite heavy wear to the underside of the foot. Some wear and dirt to interior.
Lino Tagliapietra (Italian b.1934), a fine glass vase, c.1980, engraved signature to base, A fine 'Filigrana' glass vase with gently diagonal red glass canes going all the way from the rim to the foot within the clear glass body, 15.75cm high (ARR) Please refer to department for condition report
A Secessionist opalescent glass vase in the manner of Koloman Moser,Early 20th Century, unmarked,The oviform with everted rim, decorated with vertical rows of spots in a dark aubergine colour against a milky ground exhibiting a nacreous hue,9.5 cm high, 12 cm wide,Provenance: John Jesse Gallery, London, c. 1990, Property from a private collectionA small chip to the edge of the neck. A fairly large open bubble in the glass on the inside of the vase and a few smaller ones - this is from the making process. Light natural wear.
Royal Bonn (German 1755-1931), a tall ceramic vase,Early 20th Century, printed maker's marks, Germany, painted D5819 290 C.4112/1, painter's signature 'B. GÜssgeu' on the side,Decorated with gilded raised outline of a tall flowering plant with glossy green and cream leaves against a background of a wooded landscape painted in mat green on a cream ground,61 cm high There is a chip on the rim of the foot and two glaze flake/losses on the green leaves. Some old marks, dirt and natural wear and some gluey label residue. Some rubbing and wear to gilding on both rims.
A Pink iridescent glass vase with pewter mounts, possibly by Otto Thamm for Fritz Heckert,c.1900, ground out pontil, The pink glass with quatre-foil neck decorated with fine pale blue pulled threads, having an iridescent sheen, held by a pewter mounts and feet,25.3 cm highA few tiny bubbles and speck inclusions from the making process. Light wear. Light wear to pewter.
An iridescent glass vase attributed to WMF 'Myra',c.1930, The vase with everted rim covered with an iridescent surface of pink tone that disperses on the edge; together with a blue glass vase with broad wavy rim, ground out pontil, decorated with a blue iridescence that disperses on the rim,10 cm high and 18 cm diameter respectively (2)Vase with pink: Small chip to edge of rim. Light wear and light wear to base.Blue: short fine hairline on the underside on the rim. Some tiny nibble to the rim which you can feel more than see. Light wear to base.
Attributed to Loetz (Austrian), an Iridescent glass vase with Pampas decoration, c.1900, ground out pontil,The broad blue glass vase with dimpled sides, decorated with raised ribbons, the recesses decorated with green gold iridescence,16 cm high, 18 cm wideThere are some bubbles in the glass from the making process. A few abrasions and scratches and some paint splatter. Wear to underside of base.
Loetz (Austrian), an iridescent Papillon oviform vase,c.1900, ground out pontil,The clear glass vase with everted rim decorated with splashes of gold iridescence,23.5 cm high,Some dark speck inclusions and bubbles from the making process. Light wear. Some dirt to interior. Natural wear to base.
Loetz (Austrian), an iridescent Phaenomen dimpled glass vase with everted rim,c.1900, PG 202, PN 11/888, ground out pontil engraved Loetz Austria,Pale glass body decorated with silvery-blue and blue shaped banding pulled to a point,17.2 cm high,Property from a private collectionA few spot and speck inclusions on the surface and some tiny bubbles in the glass - all from the making process. A few small marks and light natural wear. On the edge of the ground pontil there is a small slither/oyster blemish from the making that was not removed at the time. Overall good condition.
Loetz (Austrian), an iridescent Papillon oviform vase,c.1900, ground out pontil,The clear glass vase with everted rim decorated with splashes of gold iridescence,23.6 cm high,A few abrasions on the sides and some paint marks. A few speck inclusions and bubbles from the making process and a few anomalies on the edge of the rim, again from the making and not damage. Some dirt to interior. Natural wear to base.
Loetz (Austrian), an iridescent Papillon glass vase with silver appliqué,c.1900, ground out pontil,The green body of waisted form with crimped neck rim, decorated with splashes of gold iridescence and overlaid with silver appliqué in a floral design, (losses to the silver),30 cm high There are large losses, and some lifting, to the silver, mostly on the lower half. There are some splashes and drips of paint on the vase and silver and some silver paint on the base. Some tiny bubbles from the making process. Light natural wear and wear to base.
Loetz (Austrian), an iridescent Papillon vase with dimpled sides,c.1900, ground out pontil,The clear glass vase with everted rim decorated with splashes of gold iridescence,20.7 cm high,A few scratches on the sides. A few speck inclusions and bubbles from the making process and a few anomalies on the edge of the rim, again from the making and not damage. Light natural wear. Some dirt to interior. The base with typical wear and a slither/oyster chip on the edge of the ground out pontil.
Loetz (Austrian), an iridescent Papillon vase with trefoil neck, c.1900, ground out pontil,The vase of twisted triangular section decorated with splashes of gold iridescence,20.7 cm high,A few scratches on the sides. A few speck inclusions and bubbles from the making process. Light natural wear. Some dirt to interior. The base with light typical wear.
Attributed to Otto Thamm and Fritz Heckert (German), an iridescent glass vase with ‘Jack in the pulpit’ neck,c.1901, ground out pontil,The yellow body decorated with green threads and an iridescent surface,34.5 cm high Stefania Zelasko, ‘Fritz Heckert - Kunstglas Industrie 1866-1923’, Glasmuseum Passau 2012, p. 230, Cat. Ref. 417 (similar design drawing of shape illustrated p. 194 & 196)Some bubbles and speck inclusions in the glass from the making process. A few fine scratches and some light wear. Light wear to underside of base. Some dirt to interior.
Otto Thamm for Fritz Heckert (German), an iridescent glass vase of compressed form,c.1901-1902, ground out pontil,The clear glass body of compressed form with dimpled shoulders and wavy rim, decorated with undulating threads and splashes of gold iridescence,10.5 cm high, 20.5 cm wideLiterature: Stefania Zelasko, ‘Fritz Heckert - Kunstglas Industrie 1866-1923’, Glasmuseum Passau 2012, p. 186, 187, and 189 (similar shaped vases in varying sizes and pattern illustrated)A few speck inclusions and bubbles from the making process. Light natural wear. Some spots and wear to interior. The base with light typical wear.
Gallé (French), a tall cameo glass vase, c.1910, signed intaglio Gallé, The tapered oviform of dark frosted orange glass overlaid and acid-etched with marguerites/daises with broad leaves, having a tapered stem and circular spreading foot, (small restoration), 43 cm high Small area of restoration - resin infill on the waisted part above the foot. Some old marks, scuffs and scratches. Some small occasional acid marks form the making around the foot/base and a few tiny abrasions. Some minor polishing to neck rim, on the body and base probably from the glassworks. A few bubbles in the glass but this is how it was made. Natural wear to base in keeping with age.
Gallé (French), a mould-blown double overlay ‘crocus’ vase, c.1925, cameo signature Gallé,The vase of flattened oviform and mould-blown, the yellow body overlaid in mauve and pale blue and acid-etched with crocuses,20.7 cm highTiny abrasion/inclusion near the signature. A few tiny abrasions and light natural wear. Some bubbles in the glass, but this is how it was made. Natural wear to base
Loetz (Austrian), an iridescent Phaenomen Argus pattern glass vase,c.1902, PG2/351, ground out pontil,Clear glass body covered overall with an apricot coloured ground decorated with iridescent silver-blue combed threading, 11.5 cm high,Provenance: John & Joan Collins Antiques, Portobello Road 1968.Property from a private collectionA slightly anomaly on the neck rim, slight dip, but this is not damage as it was made this way. A few tiny bubbles from the making process. Natural wear to base. Overall good condition.
Daum (Est. 1879), a cased and acid-etched glass vase,c.1895, gilt signature Daum Nancy with Cross of Lorraine,The elongated vase flared at the neck and base, acid-etched in relief with thistles and leaves, some traces of gilding to the decoration, 34.5 cm highA couple of tiny nicks to the decoration and edge of foot rim. Quite heavy wear to the underside of the base. The gilding is rubbed and worn. Scratches to the inside.
Daum (French Est. 1879), a double-overlay cameo and fire-polished glass vase,c.1900, wheel cut Daum Nancy with Cross of Lorraine,The opalescent body overlaid with orange and green and acid-etched with flowers with applied, raised centres, on slender stems, the base and neck with martelé finish, fire-polished,29.2 cm highA few scuffs and abrasions and light natural wear. Some tiny bubbles in the glass and on the surface, but this is how it was made. Natural wear to base with tiny abrasions on the edge.
Daum (French Est.1879), an enamelled 'Imperial Russian Commemorative' clear glass vase,Engraved Daum Nancy with Cross of Lorraine c.1890-1896,The vase of ribbed shouldered form decorated in black, red and gilt with three Imperial black crowned double-headed eagles with sceptre and orb, each separated with a gilt outlined pale blue cross,10 cm highNote: Daum made a number of commemorative items in the 1890s to commemorate both the Franco-Russian Alliance of 1894 and also the State visit of Tsar Nicholas II and Empress Alexandra in 1896.Some minute abrasions and nicks to the edge of the base and light natural wear to sides in keeping with age. Enamel generally good but with some loss and rubbing to the gilt.
A Frosted glass vase decorated with lizards, First quarter 20th Century,The frosted body acid-etched in relief with three green lizards, heightened with gilt, with red at the neck and base,32.5 cm highA bruise on the inside of the neck. Some tiny abrasions and scuffs on the sides. Some rubbing to gilding. Wear to the underside of the foot. Some wear and dirt to interior.
An Art Nouveau cased and surface decorated vase, possibly 'Hekla' glass by the Bohemian firm Harrach,c.1900, ground out pontil,The lobed form with an agate coloured interior, with broad undulating rim, with streaked and coloured outer layer that exhibits a nacreous hue, further decorated in relief with a type of gilded gesso or slip trailed embellishment of sinuous tendrils and flowers, 9 cm high, 18 cm long, 12.3 cm wideSome bubbles and speck inclusions from the making process. The vase wobbles a little. There are some small losses to the applied/gesso decoration. Rubbing to the gilding on the neck. A few abrasions in the interior/bottom of the vase. Wear to underside of base.
Loetz (Austrian), an iridescent glass Formosa vase with silver appliqué,c.1900, ground out pontil,The green glass of shouldered oviform decorated with wavy and pulled bands in shallow relief and heightened with blue iridescence, further embellished with silver overlay,9.3 cm high,Property from a private collectionBase slightly uneven. Light natural wear. Some texturing and tarnishing on the silver. Overall good condition.
J. Garnier (French 1853-1910), a metal figural vase patinated to simulate bronze,c.1890, signed J. Garnier and stamped E. Fres,Modelled and cast as a putti opening a pot embellished with lily pads and a frog,16.5 cm highSome old marks and wear, with some surface bubbling and rubbing in keeping with age. Some dirt in the vase and crevices.
Hans Stotlenberg Lerche (1867-1920), a patinated bronze figural vase ‘Le choeur des enfants’ (The children’s choir),Late 19th Century, signed H. St. Lerche and with Louchet Paris ciseleur seal,Modelled and cast as a vase with a snake wrapped around the neck and a group of boys sitting on it, their mouths open in song,13 cm highSome old marks and wear and rubbing in keeping with age. Some dirt in the vase and crevices.
Hélène Sibeud (French XIX-XX), an Art Nouveau metal figural vase,c.1900, signed 'Sibeud',Modelled and cast with a laughing face at the top of the vessel, and a naked woman, her head bent, seated at the base,25.5 cm highSome old marks, scuffs and wear, with some and rubbing to high points. Wear to base. The join from the making process can be seen, but this is not damage, it is how it was made. Some surface dirt and in the crevices.
Loetz (Austrian), an iridescent glass ‘Papillon’ vase with handkerchief point rim, c.1900, ground out pontil,The pale green body decorated with silvery-blue splashes of iridescence, with pink tint on the rim,11.2 cm high,Property from a private collection Light natural wear. Overall good condition.
Florence E Barlow (British, Act. 1873-1909), a large Doulton Lambeth pâte-sur-pâte decorated stoneware vase, Impressed Doulton rosette mark dated 1880, incised FEB on the side and incised assistant's initials for Eliza L Hubert, The baluster form with tall neck decorated in pâte-sur-pâte with birds perched amid vine and grapes with two vignettes also with birds having beaded and shaped borders, glazed (Restored), 61.5 cm highHeavily restored overall. Some tiny marks and scrapes to the restoration. A few small chips to the edge of the foot rim and with natural wear.
William Moorcroft (British 1872-1945), a miniature Pomegranate vase of shouldered form,c.1913-1925, impressed Moorcroft Burslem, signed in green W. Moorcroft',Tube-lined, coloured with the pomegranate pattern on a mottled green ground, glazed,8.3 cm highSmall hairline on the neck rim. Some abrasions. Crazing to the glaze. Wear to base.
Moorcroft Pottery (British), a Limited Edition 'Kali Zoe' ceramic vase designed by Emma Bossons,2004, impressed pottery marks, signed E Bossons, numbered 69/300, sold with original box and booklet,The oviform with extended neck tube-lined and coloured with flowers and leaves, glazed,36.7 cm highLight wear to base.
A GEORGE I CASTER of vase form with a high-domed cover and knop finial, the body with chased and embossed floral decoration, crested, initialled "S" over "I.L" under the foot, maker's mark only (struck 6 times) & lion passant (once), by Thomas Bamford, London c.1725; 6.95" (17.5 cms) high; 8.75 oz
A GEORGE III VASE-SHAPED EWER OR JUG with borders of bright-cutting and beading, the handle (now insulated for use with hot water), a Victorian addition by D & C. Houle, the front with an engraved cartouche, crested, maker's mark of Thomas Langford (overstriking that of another), London 1787; 13.2" (33.5 cms) high; 24.75 oz
Loading...
