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Lot 507

A Graingers Worcester eagle pot pourri vase, pierced with tracery and Reynolds angels, decorated in gilt shot palette, gilt rims, 19cm high, printed marks in green, circa 1902

Lot 509

A late 19th century Royal Worcester metallic bowl, moulded with basketweave and vine leaves, pierced gilt rim, 17.5cm diameter, moulded VR Worcester mark; a Royal Worcester flat sided ivory ground jug, printed and painted with flowers, reeded handle, gilt rims, 12.5cm high, printed marks in green, shape 1094, circa 1890; a Royal Worcester blush ivory two-handled spill vase of wyvern form, acanthus moulded handles, spreading circular base, gilt rims, 17cm high, printed marks in puce, shape 1556, date code for 1893 (3)

Lot 510

A Royal Worcester white glazed model of a conch shell, 26cm wide, printed marks in green, circa 1927; a Royal Worcester Sabrina ware trumpet shaped spill vase, signed with initials P.D., 15cm high, printed marks in black, shape 923; a Royal Worcester shaped plate, painted to the centre by Ernest Phillips, with a bouquet of flowers, broad apple green border, gilt gadrooned rim, 24cm wide, printed marks in puce, date code for 1912 (3)

Lot 511

A Royal Worcester two-handled bottle vase, the pink ground body printed and gilt with roses, 21cm high, printed marks in puce, shape 857, date code for 1893; a Royal Worcester bottle vase, the lobed body moulded in white relief with barbed panels of foliage, 27cm high, printed marks in puce, date code for 1892; a Royal Worcester two-handled pedestal vase, of slender ovoid form, printed and painted with bands of foliage, acanthus moulded handles, spool neck, 21.5cm high, printed marks in black, circa 1900 (handles restored); a Royal Worcester teacup and saucer, the pink ground body painted with birds and butterflies, gilt dentil rims, butterfly handle, impressed mark, circa 1860 (5)

Lot 531

A green opaline glass epergne, the central frilled trumpet vase and four smaller supporting vases with entwined pinched rims, on frilled glass base, 55cm high, circa 1885

Lot 552

A blue and white vase, of panelled form, painted with panels of chinoiserie scenes reserved on a sopra bianco ground painted with foliage, pierced handles, Qianlong

Lot 59A

Spring Flowers, a Moorcroft U-shape footed vase, impressed marks, blue painted initials, 18cm high

Lot 27

A Large Doulton Flambé Vase of Shouldered Globular Form, circa 1920, printed with a continuous landscape with horses watering, titled to the base "After the Days Toil", a rich red graduated flambé glaze, printed in script marks incorporating script letter "B", 30cm See illustration

Lot 55

A Pair of Royal Worcester Porcelain Fruit Painted Pedestal Vases and Covers, John Cook, 1950's, each with bud shaped finial and domed cover with shouldered ovoid bodies with angular mask handles painted with peaches, grapes and cherries above a stiff leaf band and waisted foot, square bases, black printed crown and wheel mark, and shape number "2363", 21.5cm; and A Similar Vase signed P Higgins (3) See illustration

Lot 63

A Royal Worcester Porcelain Fruit Painted Pot Pourri Vase and Cover, William Ricketts, 1926, of quatrelobed compressed ovoid form, with slightly domed scroll pierced cover with ovoid finial, painted frontally with two apples and four cherries against a mossy bank, signed, the reverse with three cherries, on a leaf moulded swept circular foot, enriched in gilt throughout, puce printed crown and wheel mark, year mark and shape "H278", 12.5cm high See illustration

Lot 64

A Royal Worcester Porcelain Pheasant Painted Trumpet Vase, James Stinton, 1925, with misted gilt borders, painted with a cock and hen pheasant at the edge of copse, signed, green printed crown and wheel mark, year mark and shape "G923", 22.4cm high See illustration

Lot 82

Ondine, after J B Klagmann, Shape 474, Minton, 1861, the semi-nude classical beauty gazing downwards to dexter, holding a tipping vase of water in her right hand beside a stump, stepped circular base, impressed "Minton", ermine mark and date cypher, 41.5cm high See illustration A version of this figure is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.427, pg.120. The figure is described as a companion to Bacchus, Shape 473.

Lot 86

An Italian Greyhound, Minton, circa 1865, seated on its haunches on rockwork, impressed ermine mark, 16.5cm high; A Classical Maiden, Minton, 1860, upholding the back of her toga to reveal her nude lower figure, upon rockwork, impressed ermine mark and date cypher for 1860, 31.5cm high; and A Water Carrier, unknown factory, circa 1880, standing completely nude holding a tipped vase of water on her left shoulder, 33.5cm high (3)

Lot 123

The Venus de Milo, after the Antique, unknown factory, circa 1880, 40.5cm high; and A Figure of a Classical Woman, unknown factory, circa 1880, standing full length with downward pensive gaze, holding a vase in her left hand, oval concave sided base, 36.5cm high (2)

Lot 134

A Glazed and Tinted Parian Pierrot Group, unknown factory, circa 1890, as a cross-legged Pierriot being given a drink by a naked infant perched on his shoulders, on a tasselled cushion, indistinct impressed mark "... & C", 18.5cm high; A Glazed Parian "Hand and Basket" Table Ornament, unknown factory, circa 1885, on an oval plinth, impressed lozenge registration mark, 12.5cm high; A Bone China Seashell Vase, Royal Worcester, circa 1908, Shape 2351, issuing from a bed of seaweed and other shells, green printed crown and wheel mark, shape number, 22.5cm high; and Two Similar Recumbent Maiden Candlesticks, unknown factory, circa 1890, one tinted, one plain, as half-naked maidens recumbent on cushions, on rectangular bases with canted angles, 11cm high (5)

Lot 172

A Humorous Owl Spill/Match Vase, Robinson & Leadbeater, circa 1871, as two short eared owls perched on a log by tree stump amongst ferns and moss, on a canted rectangular plinth with incised title "Match Making", applied diamond lozenge mark, 18.5cm high See illustration A similar piece is illustrated in The Parian Phenomenon, A Survey of Victorian Parian Porcelain Statuary & Busts, edited by Paul Atterbury, published by Richard Dennis, fig.731, pg.227.

Lot 184

A Conjoined Triple Vase, Worcester, circa 1880, each small ovoid classical vessel with entwined serpent handles, in black and red detail, on a separate triangular plinth, the base with orange printed interlaced "W"s mark, 12cm high; and A Reticulated Porcelain Pot Pourri Vase, possibly Locke, Worcester, as a bird with outstretched wings holding a semi-ovoid cup with pierced cover, impressed diamond registration mark, 20cm high (2)

Lot 204

A Figural Partly Glazed Candlestick, John Rose & Co (Coalport), circa 1870, the central beaded upraised nozzle flanked by four seated classical maidens including Justice, on a guilloché edged concave sided base, apparently unmarked, 16.5cm high; A Parcel Gilt Parian Dwarf Table Candlestick, Copeland, circa 1870, of foliate moulded quatrelobed form with lion masks to the squat nozzle, impressed "Copeland", 3.5cm high; A Parian Swan Jug, unknown factory, circa 1875, the handle as a double-neck swan, the webbed feet forming the base, 30.5cm high; and A Green Tinted Parian Trumpet Vase, unknown factory, circa 1880, as a child grappling with a large flared bunch of bulrushes, circular moulded base, 26.5cm high (4)

Lot 210

Erin Unveiling Her First Pot, Belleek, circa 1870, as a young woman lifting off a light sheet over a classical shaped vase, on a plinth inscribed "BELLEEK POTTERY", flanked by a harp (and originally by a fallen Irish cross, now missing), on a rock and wave effect base with rear wall, black printed hound, tower and harp mark, and "BELLEEK", 42.5cm high See illustration

Lot 245

A Woven Effect Basket, Copeland, circa 1870, of naturalistic oval form with ropetwist handle, impressed mark "Copeland", 36cm long; A Campana Pedestal Pot-Pourri Vase and Cover, Copeland, circa 1870, vase and flambeau finial, with triple lion masks to the frieze, on leaf moulded swept circular pedestal foot, impressed "Copeland", 17.4cm high; and An Octagonal Panelled Tapering Vase, Copeland, circa 1870, probably originally with cover (now lacking), moulded with vertical trails of ivy, S scroll shoulder handles, impressed "Copeland", 25cm high (3)

Lot 248

A Gilded Parian Table Inkwell, Copeland, circa 1870, of swept triangular form, the pierced cover with pine cone finial on a lift-out reservoir, inserting into a base with ram mask angles moulded with swags in relief and on fluted bun feet, impressed "Copeland", 21.5cm high; and A Pierced Pedestal Trumpet Vase, unknown factory, circa 1870, with flared petalled rim and strapwork pierced body to a knopped swept circular foot, 28.5cm high (2)

Lot 259

A Wedgwood Majolica Pottery Figural Vase, circa 1875, modelled as blue glazed wrythen fluted baluster vase supporting swags and upheld by two crouched infants divided by a gardening implement trophy, on a rounded plinth with leaf moulded outswept legs, in typical soft colours overall, impressed "Wedgwood", "NRY" and "L", 28cm high (restored) See illustration

Lot 270

A Flight, Barr & Barr Worcester Porcelain Named Topographical Campana Vase, circa 1820, with gadrooned rim and internal gilded band of anthemion scrolls, frontally with a panel painted with a view of Malvern church-Worcestershire, within a plain gilt frame, against a blue ground enriched in gilt, and with winged caryatid handles, on a square foot, extensive script mark on base including title and "Flight, Barr & Barr Royal Porcelain Works Worcester, London House, 1 Coventry St", 12.7cm high

Lot 277

A Staffordshire Porcelain Floral Tea Service, circa 1835, each piece painted with scroll reserved bouquets of flowers against a midnight blue ground enriched with gilt, comprising a pair of teapots and covers, a pair of milk jugs, a two-handled sugar vase and cover, a pair of slop bowls, a bread and butter plate, fourteen teacups, one coffee cup, fourteen saucers, pattern number "730"

Lot 314

A Japanese Imari Porcelain Charger, late Meiji period (1868-1912), of chrysanthemum outline, centrally painted with a bonsai tree and peonies in a vase, within radiating panels of phoenix birds, chrysanthemum florets, trellis and other textile derived motifs, in typical colours and gilt, 45cm diameter

Lot 315

A Chinese Blue and White Porcelain Gu Vase, with a rim band of conjoined ruyi heads over vases, peonies and other Buddhistic emblems amongst scrolling lotus, with ovoid central knop and bell shape base, bearing (mid stem) mark of Jiaqing, 22.8cm high

Lot 316

A Chinese Blue and White Export Porcelain Cylinder Vase, Kangxi (1662-1722), the slightly flared short conical neck with later applied copper mount, the flat shoulder painted with three lotus trails, the main body with two baskets brimming with flowers beneath a frame of pointed leaf tips, 17.5cm high

Lot 321

A Chinese Porcelain Blue Monochrome Vase, of cushion form with cylindrical neck, bearing seal mark of Jiaqing, 31cm high

Lot 327

A Pair of Chinese Imari Porcelain Plates, early Qianlong, circa 1740, circular, centrally painted with peonies growing amongst rocks near a fence (one of the peony heads painted in famille rose enamels), trellis cavettos, three floral sprigs to the rims, 23cm diameter; and Another Pair, circular, painted with pomegranates and finger citrons in a vase on a table near peonies within a floral border, 22.7cm diameter

Lot 330

A Chinese Famille Verte Porcelain Tea Bowl and Saucer, Kangxi (1662-1722), each piece with external café-au-lait glaze decorated with panels of flowers and rockwork, underglaze blue painted pseudo seal marks, the saucer 13cm diameter; and A Porcelain Shaft and Globe Vase, 19th century, decorated with a complex pattern of interwoven scrolls, lotus and bats, and with four shao medallions to the neck, against a light green ground, bearing Qianlong seal, 17cm high, inside the vase is an old label inscribed "I bought this in Japan 1911" (2) See illustration

Lot 340

A Silver Mounted and Japanese Shibayama Decorated Large Sectional Tusk Handled Vase, circa 1900, decorated on one side with a cock and hen pheasant amongst a flowering hydrangea and a stream, the opposite side with a similar pair of birds in a bamboo grove, with tusk form handle decorated with rambling flowers, the bracket edged silver mounts by Elkington & Co Ltd, Birmingham 1900, 27.3cm high (old losses and damage, a/f) See illustration

Lot 347

A Late Victorian Electroplated Hot Water Urn in Georgian Style, by James Dixon & Sons, of two-handled vase form, the domed cover and spigot with ebony handles, repousse with rococo scrolls, raised on three lion headed paws, 48.5cm high

Lot 394

A Pair of Victorian Table Candlesticks, maker's mark WCJL, London 1899, of neo-classical Corinthian column form, the concave sided pans with gadrooned rims, the shafts encircled with acorns and leaves, on acanthus leaf and classical vase embossed weighted square bases with gadrooned rims, 25cm high See illustration

Lot 400

A Victorian Small Coffee Pot and Matching Hot Water Jug, by Elkington & Co, London 1882, of neo-classical pedestal vase form, with sphere finials, ebonised wood downswept C shape handles, each engraved with a lion passant crown crown crest, on reeded circular bases, 9.5cm high, combined gross weigth 24 1/2oz

Lot 426

A George III Mustard Pot, by Robert & Samuel Hennell, London 1804, of oval section, the domed lid with spherical finial, C shape handle, later blue glass liner,7.5cm high, together with associated Georgian Old English pattern mustard spoons; and A Silver Mounted Cut Glass Example, London 1791, of do-decagonal tapering oval section, the domed cover with vase finial and bright cut decoration, on a conforming foot, maker's mark indistinct, 14cm high, with associated Old English pattern mustard spoon (2) See illustration

Lot 1341

An Austrian Cold Painted Bronze Eagle, Franz Bergmann, circa 1900, perched with outstretched wings on a white rock promontory, impressed "Bergmann" vase rebus, 37cm wide wing tip to tip, 37cm high overall See illustration

Lot 1357

A Gilt Bronze, Gilt Brass and Marble Standard Lamp, F Barbedienne, circa 1910, the reeded stem supporting three C scroll candle branches, with a central reeded stem (now supporting a shade), issuing from a classical vase base cast with the seven vestal virgins, horned feline mask shoulder handles, on (part painted) fluted rosso antico square base on outscroll paw feet, 134.5cm high (the shade support a further 25cm)

Lot 1360

An Ormolu Mounted Blue John Cassolette, probably Matthew Boulton, circa 1775, of two-handled classical vase form, with campana shape fluted nozzle, alternating with (possibly later) acorn finial on a domed bed of leaves, over a guilloché rim collar, the down-scrolled handles capped with acanthus and with overlapped scale motifs from ram head upper terminal, the ovoid Blue John body encased within a ribbon tied leaf swag, on a circular foot with double stepped base, with engraved mark "V1", 21.4cm high over nozzle, 20.5cm high over acorn finial See illustration

Lot 1372

An Ivory and Micro-Mosaic Mounted Arched Watch Stand, probably Syrian, circa 1900, with triple vase finials over pairs of columns connected by pierced "mesh", on a rectangular base with bun feet, 30.5cm high; and A Qajar Lacquered Papier Mache Pen and Ink Case, 19th century, of rounded rectangular form, painted with panels of seated and recumbent figures in typical bright colours, 23cm long (2)

Lot 1431

A Fine Porcelain and Ormolu Striking Mantel Clock, retailed by Lister & Sons, Newcastle, circa 1880, the imposing case with a large dark blue vase shaped porcelain body decorated finely throughout with gilt scrolled decoration, ormolu mounted mask sides supported either side of the base by figures, base with porcelain panels depicting cherubs and floral decoration, 4-inch porcelain dial with Roman numerals, dial centre with floral decoration and signed by retailer, twin barrel movement with striking on a bell, movement backplate stamped by retailer and "J.B.D" numbered "31515117", raised upon a purple baize gilded plinth, 53cm high See illustration

Lot 1489

A Regency Rosewood and Brass Inlaid Loo Table, the circular top on a vase-profiled pilaster and platform base with four hipped sabre legs, brass paw caps and castors, 71cm by 131cm diameter See illustration

Lot 1531

A Regency Mahogany Card Table, the crossbanded D-shaped swivel top over a strung frieze, on a vase pillar with four sabre legs, brass caps and castors, 75cm by 92cm by 46cm

Lot 1551

A Mahogany Foldover Side Table, circa 1830, the D shape top over a slim frieze drawer with raised ebony line edge, flanked by fluted tablets, on entarsic fluted legs with vase feet, 102cm by 42.7cm by 76cm

Lot 1557

A George IV Mahogany Work Table, the rounded rectangular top with reeded edge, with a slim drawer to one short side, raised on tapered fluted legs with vase feet and castors, 61cm by 46cm by 74cm

Lot 1622

A Pair of Mahogany Framed Wing Armchairs, in George I style, with "paper scroll" top rail and wings, raised on vase and block legs united by curvaceous stretchers See illustration

Lot 197

An Art Nouveau pewter and green glass tall vase, designed by Albert Weisberger circa 1899, with a berried laurel embossed collar, the openwork base of four sinuous columns also forming the twin handles, on a disc foot, unmarked, 36.5cm high. See Christies South Kensington sale Classic Art Nouveau Thursday 20th April 2000, lot 127 for a gilt metal and green glass version of the same size

Lot 211

A 1930s shagreen easel dressing table mirror, with a shaped crest, rectangular bevelled plate in a plain surround, the square uprights with ivory vase finials and screws, on scroll feet, 42cm high

Lot 233

A Gallia plated waisted pedestal vase by Christofle, cast with panels, foliage and diapers with lobsters at the lower quarters, stamped marks, 20cm high

Lot 80

A Baxter Whitefriars glass banjo vase in tangerine.

Lot 81

A Whitefriars tangerine square glass vase having raised chequered decoration.

Lot 93

A Clarice Cliff "Patina Blue Firs" patterned vase decorated with trees and running glazed colours. Marks to base.

Lot 99

A Clarice Cliff vase with ribbed body and flared rim, decorated with "Pine Grove" pattern.

Lot 100

A Royal Doulton tapering vase with mottled green and brown leaf design. Impressed marks to base.

Lot 108

A Troika wheel vase of contemporary design. Marks to base 'Troika Cornwall' HC?.

Lot 131

A Moorcroft small squat vase in the pomegranate pattern, initial to base and impressed marks Moorcroft Made in England M33.

Lot 133

A Moorcroft small vase with floral decoration on blue ground.

Lot 135

A Moorcroft small vase with red floral decoration on green ground, impressed marks to base.

Lot 136

A Moorcroft small vase with light pink floral decoration together with a small circular pin tray, marks to base.

Lot 142

A Wedgwood bulbous vase of ribbed form in green designed by Keith Murray. Initials KM to base.

Lot 6

Two boxes of ceramics and glass including Oriental blue and white vase, decanter in stand, animal models, musical stein, etc.

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