We found 653833 price guide item(s) matching your search
There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
653833 item(s)/page
A SILVER SUGAR CASTOR AND MATCHING CREAM JUG, of baluster panelled shape with ballflower banding, the sugar caster with a high domed pierced cover, fluted and vase finial, 7.25in. (18.5cms) high, the jug with scroll handle, 6.25in. (16cms) high, Birmingham 1938/39 É16ozs. gross, in fitted case (Please see lot 162 for image)
A Worcester cylindrical spill-vase. CIRCA 1810. With flattened rim and richly-gilt loop handles suspended from eagle heads, painted with two sprays of flowers between lesser sprays beneath a beaded band reserved on a gilt panel, on square foot (small chip to one eagle's beak). 3 3/8 in. (8.6 cm.) high.
A Worcester (Barr, Flight & Barr) spill-vase. CIRCA 1810, TITLED KIDWELLY CASTLE, BARR, FLIGHT & BARR/ROYAL PORCELAIN WORKS/WORCESTER/LONDON HOUSE NO.1 COVENTRY STREET. Of cylindrical form with flared rim, and gilt bird's mask handles, painted with a view of Kidwelly Castle, on square base (tiny chip to the beak of one handle, very light rubbing to corners of base). 3 3/8 in. (8.5 cm.) high.
A Coalport richly-gilt two-handled urn-shaped vase. CIRCA 1805. Painted with specimen garden flowers, including convolvulus, roses and passion-flower between patterned gilt borders, the stem with a band of stiff leaves, on a square foot (minor rubbing). 6 in. (15.3 cm.) high.
A Chelsea blue-ground pot-pourri vase. CIRCA 1765, GOLD ANCHOR MARK TO BASE. Of flared oval section, each side painted with a wreath of flowers about a moth on a raised gilt-ground medallion, the side moulded with scrolls and foliage, the shoulder with applied pierced rocaille beneath radiating pierced vertical flutes, on a spreading circular stem and four pierced scroll feet (restoration through stem and to one rocaille scroll and feet). 7s in. (20 cm.) high.
A Grainger's Worcester green-ground pot-pourri vase, cover and liner. CIRCA 1826-30. Painted with a central bouquet of garden flowers and foliage, below two richly-gilt terminals modelled as swans, the reverse gilt with buff-coloured shells, the pierced cover with a gilt and buff-coloured flame and acanthus-moulded finial, the lower-part leaf-moulded, on a gilt scroll-moulded base. 15 in. (38 cm.) high (3). Cf. Henry and John Sandon, Grainger's Worcester Porcelain (London, 1989), p. 119, pl. 115 for the same form..
A Royal Worcester oviform vase. YEAR CYPHER FOR 1911, PRINTED PUCE MARKS, SHAPE 1969. Painted by John Stinton with two Highland cattle within a mountainous landscape, signed, the reverse with a lesser landscape vignette, with acanthus-moulded handles and richly-gilt everted neck and gadrooned rims, on a gilt canted rectangular base. 12s in. (32.3 cm.) high.
A Royal Worcester oviform pot-pourri vase, cover and a liner. YEAR CYPHER FOR 1918, PRINTED PUCE MARKS. Painted by John Stinton with two Highland cattle within a mountainous landscape, signed, the reverse with a lesser landscape vignette below hanging stiff-leaves, the pierced domed cover enriched in two-tone gilding and shot-silk and moulded with tassles, with gilt scrolling foliate borders (very light glaze cracks to underside, minute rubbing to gilding). 14s in. (36.7 cm.) high (3).
A Royal Worcester oviform vase and cover. YEAR CYPHER FOR 1918, PRINTED PUCE MARKS, SHAPE 248/H. Painted by John Stinton with two Highland cattle within a mountainous landscape, signed, the reverse with a lesser landscape vignette, the two scroll handles enriched in two-tone shot-silk issuing bud terminals before a reeded neck and above a stiff-leaf-moulded socle and richly-gilt pedestal base (finial restored and regilt). 16 in. (40.7 cm.) high.
A Royal Worcester two-handled oviform vase and cover. DATE CODE FOR 1918, PRINTED CROWNED MARK IN PUCE, SHAPE 1481, DECORATORS'S MARKS BT AND X. Painted by Harry Stinton with two Highland cattle amongst heather and boulders in a misty landscape, signed, the reverse with a lesser vignette of boulders, between richly-gilt sections, the lower-part moulded with a band of S-scrolls above a gadrooned stem and stepped circular foot, the domed cover with spearhead finial (light rubbing to gilding). 12s in. (31.8 cm.) high (2).
A Royal Worcester baluster pot-pourri vase, cover and liner. 20TH CENTURY, PRINTED BLACK MARKS, SHAPE 1286. The richly-gilt pierced cover with spire finial, painted by Harry Ayrton with cherries and peaches reserved on an autumnal ground, signed, the basket-moulded lower-part enriched in gilt (the liner chipped and restored). 8s in. (21.7 cm.) high (3).
A Royal Worcester oviform vase and a cover. 20TH CENTURY, PRINTED BLACK MARKS, SHAPE 2713. With simulated-bronze key-pattern handles issuing a garland of husks, painted by Harry Ayrton with apples and grapes reserved on a leafy autumnal ground, signed, the reverse with a sprig of cherries, with richly-gilt socle and tooled footrim (finial restored). 10 3/8 in. (16.3 cm.) high (2).
A pair of Royal Worcester spill-vase figures and a pair of French porcelain scent-flasks and stoppers. CIRCA 1865 AND MID 19TH CENTURY, THE SPILL-VASES WITH IMPRESSED MARKS. The spill-vases modelled as a boy and girl wearing eighteenth century dress, each standing beside the tree spill, on a circular mound base; the green-ground scent-flasks of shaped octagonal section, painted with panels of flowers and enriched in gilding. The figures 6 in. (15s in.) high (6).
A Sevres-style pink-ground pot-pourri vase and cover. LATE 19TH CENTURY, IMITATION SEVRES MARKS. The pierced conical cover moulded with overlapping pink scales and with spirally-fluted finial, the boat-shaped vase painted with Cupid mid-air firing an arrow, within a raised-gilt floral cartouche below a series of circular apertures and beast-head terminals, standing on four scroll-supports highlighted in puce (light rubbing to gilding). 15 1/8 in. (38.5 cm.) high (2).
RARE BOTTLE-SHAPED ROYAL LANCASTRIAN POTTERY LUSTRE VASE, designed by Walter Crane, c.1900 signed on base, decorated with classical nymphs in sailing boats, on a mottled green ground, ÔSea Maiden' design No. 2472 decorated by William S Mycock, impressed number and underglaze mark to base.( Illustrated inside back cover).
A Royal Worcester twin handled ovoid vase and cover, circa 1898 enamelled with strawberries and fruit in a gilt scroll vignette, signed Hawkins, on a cobalt blue ground flanking gilt scroll handles, domed cover, on a pedestal and square gilt base, printed mark, shape no 1937 height 23cm.
A good Doulton Lambeth stoneware vase, by Frank Butler, of ovoid form with anthemion relief moulded decoration inset with impressed roundels, with green leaf and stems, on a buff ground within 'Seaweed' ornament design, on a circular foot, impressed and monogrammed marks, (restoration to rim), height 36cm.
A set of six 19th century mahogany dining chairs in Irish George III style, carved with scrolling acanthus crests, the pierced and interlaced vase shaped splat with patera and tassels, each with a drop in seat, the front seat rails with a gadrooned edge, on cabriole legs carved with patera, cartouches and acanthus, on claw and ball feet, 95.5cm high x 59cm wide
Cecil Kennedy (1905-1997) "Autumn", a Still Life of Flowers in a Glass Vase, a Bee in Flight in the Foreground] Signed, also inscribed with the title and the artist's name on a plaque attached to the frame together with a further inscription on the reverse of the frame, oil on canvas, 61cm by 51cm (24in by 20in)
A Pair of French Grey Marble and Ormolu Mounted Cassolettes, circa 1900], each classical vase shaped body issuing a profusion of ormolu flowers, raised on three satyr headed monopodia, central serpent entwined about pillar, upon a concave sided triangular platform edged with Vitruvian scrolls, indistinctly inscribed on the inside of the turned marble urns "Derrie & Piear AA", 95cm high
A George III Brass Mounted Cast Iron Fire Grate in the Style of Robert Adam], the arched fire back cast with a draped vase, over a four bar serpentine front, brass baluster finials, outswept integral andirons sheathed in brass, vase headed tapering cylinder legs, together with conforming serpentine cinder tray, 57.5cm by 99cm by 39cm
A Black Japanned and Florally Painted Workbox, circa 1700], the lid painted with a vase brimming with flowers, further floral specimens to each side, brass locked plate and clasp on ebonised bun feet (internally with no compartments), and "gold sprinkled" effect soft brown lacquer surface, 30.4cm wide (decoration worn and hinges loose)
A 19th Century Italian Carved Giltwood and Gesso Occasional Table], the rectangular top inset with black and white veined marble within a beaded edge, on a vase pillar carved in shallow relief, the stepped, beaded and gadrooned socle and concave-sided base on ball feet, 81cm by 50cm by 50cm
![Loading...](/content/bs/images/ajax-loader.gif)
-
653833 item(s)/page