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A Martin Brothers stoneware vase and cover, dated 1896, incised with dragonfly, snail and bee amongst poppy stems, in brown on deep brown ground, the flat cover with radiating poppy seedhead stems incised 10-1896 Martin Bros London & Southall, to base and underside of cover, factory chip and bruise to top rim, 21cm. high
A Martin Brothers stoneware gourd vase by Edwin & Walter Martin, dated 1904, swollen, tapering cylindrical form, covered in a deep matt blue/green ground spotted in blue, incised 8-1904 Martin Bros London & Southall, 26cm. high Provenance from the family of John Cathles Hill
A Martin Brothers stoneware Aquatic vase by Edwin & Walter Martin, dated 1889. the gourd shaped vase with pushed-out fish with incised decoration, glazed brown and white, highlighted in blue on a brown ground incised 6-1889, Martin Brothers London & Southall, small glaze nick to top rim, small chip to base rim, 21.5cm. high
A Minton`s Secessionist vase designed by John Wadsworth and Leon Solon, shouldered form, tubeline decorated with swag design in green and turquoise on a purple ground, another Minton`s Secessionist vase, a Moorcroft flambe vase, a Shelley Intarsio vase and an Old Hall jug designed by Dr Christopher Dresser printed and impressed marks Provenance Private collection
A large Minton Cloisonne drum vase designed by Dr Christopher Dresser, painted with butterflies, beetles and stylised foliage in colours on a turquoise ground, highlighted in gilt foot restored 28.5cm. high Literature Michael Whiteway Christopher Dresser 1834-1904 , Skira, page 58 and 59 for a comparable vase, circa 1870
A Bretby Pottery garniture of three vases, in the manner of Dr Christopher Dresser, each vase with twin-pulled handles, painted with flowering blossom, and a collection of Bretby Pottery Prunus pattern pottery painted with finches amongst foliage on a black ground impressed marks, 23.5cm. high
A C H Brannam Dolphin vase, dated 1895, ovoid body with three cast dolphin supporting ovoid neck, incised with scaly fish in shades of blue white and buff on a blue ground, a Brannam bottle vase decorated with a bird, and two Baron vases incised marks, minor chip to bottle vase and glaze loss to Baron vases, 14cm. high
A Ruskin Pottery high-fired stoneware vase with A.E Jones silver mount, dated 1908, compressed form with tall, flaring cylindrical neck, covered in a mottled purple and silver ground, the shoulder with turquoise and blue impressed marks, to base stamped hallmarks to rim, Birmingham 1908, 23.5cm. high Literature Paul Atterbury & John Henson, Ruskin Pottery, Richard Dennis Publications page 92 for a bowl and small pot with A E Jones silver mounts
A large Della Robbia Pottery terracotta Triangular Pilgrim`s vase and cover by Ruth Bare, dated 1900, flattened form with cast Bacchanalian mask handles with looped horns and beard, the body incised with heart-shaped Art Nouveau foliage in green and buff, incised DR ship, monogram and 1900, minor professional restoration to neck rim, 53cm. high Literature Victoria Bergesen Encyclopedia of British Art Pottery plate X this actual vase illustrated. Peter Hyland The Della Robbia Pottery, ACC page 220 figure 239 for a comparable vase
A pair of A E Gray Gloria Lustre vase and covers designed by Susie Cooper, baluster form with domed covers, each painted with swirls and stylised foliage, in blue and purple lustre, highlighted in gilt printed Gloria Lustre mark, 23cm. high Literature Ann Eatwell, Susie Cooper Productions, Victoria & Albert Museum, page13 catalogue number 12 for a ginger jar and cover in this design illustrated.
A Wedgwood vase and cover by Alfred and Louise Powell, tall, slender baluster form, painted with alternate stripes of flowers and foliage in orange and pink lustre highlighted in gilt, the low cover with similar panels, painted conjoined leaf mark referring to their marriage,, chips to inside of top rim, 45cm. high Literature Maureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 138 for a comparable vase illustrated plate 341 at Red Lion Square in 1907. the conjoined mark may suggest this vase was produced together after their marriage in 1906. Provenance Private collection
A Pilkington`s Lancastrian vase by Charles Cundall, dated 1907, shouldered form, painted with swallows flying past stylised oak trees on a river bank in golden lustre on a cream ground, with foliate spray date mark to side impressed marks, painted artist cipher, painted date mark for 1907 to side, small bruise to top rim, 21cm. high
A large Pilkington`s Lancastrian Pottery vase by Richard Joyce, ovoid with flaring neck, painted with a band of two classical Greek warriors in horseback catching a bull, one with a spear the other shooting an arrow, in golden lustre highlighted in ruby painted monogram 27cm. high Literature A J Cross Pilkington`s Royal Lancastrian Pottery and Tiles Richard Dennis Publications, page 63 plate 95 for a comparable vase decorated with a bull by Joyce
A Pilkington`s Lancastrian vase by Richard Joyce, dated 1908, shouldered form, painted with a seated leopard before fruiting vine, in gold and ruby lustre on a blue ground, impressed mark, painted artist cipher and impressed date mark VIII, minor professional restoration to the top rim, 22cm. high Literature A J Cross Pilkington`s Royal Lancastrian Pottery and Tiles Richard Dennis Publications, page 48 plate 50a for a reproduction of a Pilkington`s catalogue with a near identical vase.
`Late Florian Ware` a Moorcroft Pottery vase, designed by William Moorcroft, tall, flaring cylindrical form with inverted rim, painted with flowers and foliage in shades of green, blue and yellow impressed marks, painted signature, professional restoration to base rim 36cm. high Provenance The Albert E Wade Collection
`Claremont` a good Moorcroft Pottery vase by William Moorcroft, made for Liberty & Co, low, footed form with inverted rim, painted in shades of pink, blue and yellow on a streaked green ground, impressed marks, painted facsimile signature, printed Liberty mark, 14.5cm. diam,
A Finzi porcelain vase designed by Siegmund Schutz, 1933, flaring cylindrical form, cast with stylised figures harvesting corn, spray glazed oatmeal, the rim highlighted in gilt printed marks, applied paper label, 22cm. high Literature Berliner Porzellan Brohan-Museum catalogue, figure 312 for an identical vase
An Amphora Pottery vase, shouldered form, painted with abstract foliate panels in colours on a matt black ground, two other Amphora pieces, three EE Wilkes flambe bowls, a Bursley Ware charger by Charlotte Rhead and a collection of items various marks, Amphora vase 28.5cm. high
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653833 item(s)/page