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Click here to subscribeA fine and large Japanese Satsuma vase, of baluster form with gilt rim above the body, decorated with female figures to a landscape panel and with Mount Fuji and female figures verso, allover heightened with gilding, with square gilt seal mark to base with circle and cross above. Height 24.5 ins, diameter approximately 13.5 ins.
A French clock garniture, the clock with detachable lion and ball pediment above the serpentine veined variegated marble outer case, with Corinthian capitals to each corner enclosing the four glass inner case and enamelled dial, with Arabic numerals and two train movement by H. & C., Paris, with sunburst pendulum and flanked on either side by a matching vase.
A good set of eight late Victorian mahogany Chippendale style dining chairs, comprising two arm and six single, each with a yoke shaped top rail being foliate carved, with pierced splat back, with outswept foliate carved arms with shaped supports, drop in seat upholstered in a vase and foliate patterned material with green ground and with serpentine front rail and raised on cabriole legs with claw and ball feet.
A pair of Royal Worcester figures of Eastern water carriers, By Hadley, of a female pouring from a vase on her shoulder into a bowl, the man pouring from a ewer over his shoulder, both in green gilt and pink costumes, standing on a naturalistic rocky base, each incised 'Hadley', the man with puce Royal Worcester mark and date code for 1896. 44.58cm high
A Japanese carved hardwood figure of Li Tie Kuai, Meiji period, holding a double gourd vase aloft and with his foot raised on a crutch, on pierced and carved plinth base, 37cm high. Note: Li Tie Kuai is one of the eight Daoist immortals. His spirit is reputed to inhabit the body of a dying begger and he is traditionally depicted clutching a pilgrim's gourd and being supported by a crutch. He is known for his benevolence to the poor, sick and needy.
A Chinese famille verte vase, probably 18th century, of baluster form, decorated to the shoulders with scrolling prunus blossom and to the body with alternate square panels depicting figures within a landscape and cartouche panels containing flowers and foliage, each panel with Chinese text, framed by flowers and butterflies, all between stiff leaf borders, 38.5cm high
A 19th century Dutch walnut, chequer strung and floral marquetry sofa table, the rectangular top with central flower filled vase, each drop leaf decorated with a vignette of a female cellist, above a pair of opposing frieze drawers on faceted tapering supports and scrolling trestle base united by a baluster turned stretcher, 77cm wide, 76cm high, 56cm deep (151cm wide, flaps up), Provenance: The Estate of Sir George Washington Baxter Bt and thence by direct descent
A Tzu Chou type vase and another with paler brown swirls on Henan brown, possibly Song dynasty, the first painted with brown fronds on a cream ground below four lug handles from the shoulders to the short neck and the second with stylised leaves in chocolate brown on a deeper ground, 30cm (11.75in) high (2)
An archaic grey pottery vase, possibly Han dynasty, and another Henan type, possibly Song dynasty, the former with loop handles running from the flared rim to scrolls moulded on each side of the body, 9.5cm (7.75in) high and the latter with two lug handles attached from the rim of the short neck to the shoulders of the streaky brown glazed compressed spherical body, 18cm (7in) high (2)
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