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Nanny Still for Riihamaen Lasi (Riihimaki), a compressed glass vase of circular form from the 'Pajazzo' range 1301. Short sleeve neck with inner Midnight blue skin, everted flattened rim and four ball moulded lower, all over a Uranium Yellow ground 14.5 x 19.5 cm dia. This is thought to be the scarcest of the nine versions/colourways in this range.
Tamara Aladin for Riihimaen Lasi (Riihimaki), two pieces of 'Renglas' (Rings) pattern, comprising a seven sided glass vase in Flint 20 cm and a double ended glass Candle holder in Uranium Yellow 12.5 cm, plus a single 'Carmen' glass candleholder in Cobalt 7 cm (3)Tamara Aladin for Riihimaen Lasi (Riihimaki), two pieces of 'Renglas' (Rings) pattern, comprising a seven sided glass vase in Flint 20 cm and a double ended glass Candle holder in Uranium Yellow 12.5 cm, plus a single 'Carmen' glass candleholder in Cobalt 7 cm (3)
Attributed to Tamara Aladin for Riihimaen Lasi (Riihimaki), a glass vase of squared sleeve form in Uranium Yellow, having two flat polished sides and two opposing concave sides each having an intense textured bubble finish in relief 28 cm (Ref:- Fire and Sea - Pina/Vigner P63) - N.B - small impact mark to one front inside corner)
Helena Tynell for Riihimaen Lasi (Riihimaki), a large glass vase entitled 'Aitan Lekko' (Barn Lock) 26.5 cm in Indigo. N.B. This much larger version of the normal 21 cm production run, is thought to have been specifically commissioned as an exhibition display piece, making it possibly unique.
A group of glass items by Bjorkschult Sweden comprising a glass bottle of squared form 23.5 cm, with designer label, a half pint tankard 11.5 cm, both with roundel decoration, and a bulbous vase with relief moulded prunts 23.5 cm, all in Midnight, probably all by Hans Christian Wagner, along with three other glass vases, one of squared bottle form in green 19.5 cm, a textured cylinder vase in Kingfisher 20 cm, and a moulded three tiered and stepped vase in Blue in the style of Helena Tynell 18 cm (6)
A group of Scandinavian glass items, to include a moulded decanter (unmarked) in Midnight Grey, and two moulded vases of squared flattened heart shaped form 12 cm all by Magnor, a Maleras disc shaped vase with squared neck and base in Indigo 22.5 cm, and a red Bamboo vase by Bo Bergstrom for Aseda 24.5 cm(5)
Antonin Boullemier for Minton - an important pair of Sevres style vases and covers, c.1871, each finely painted to both sides with cherubs in landscapes representing the four seasons (two seasons to each vase), one signed A. Boullemier, on an apple green ground, impressed marks, shape number 803 and date code for 1871, height 50cmIt is know Minton “obtained from Queen Victoria the loan of a number of priceless Sevres vases, which were reproduced exactly, Boullemier and Leroy executing the painting, and Aaron Simpson the gilding.”G. Woolliscroft Rhead and Frederick Alfred Rhead, Staffordshire Pot and Potters (Hutchinson and Co., London) 326. Antonin Boullemier’s work was displayed at the 1878 Exposition Universelle, Paris, May 1 to November 10, 1878, “much and admiring interest has been taken in the ‘Prometheus Vases’ in turquoise; the handsome vases with cupids by Boullemier, after Angelica Kauffman.” Geoffrey A. Godden, Victorian Porcelain (Universe Books, New York, N.Y.) 99.
Makuzu Kozan - an early underglaze blue and copper red vase, Meiji period, painted with kylin, in red graduating to brown, amid blue clouds and waves, underglaze blue mark 'Da Nihon Kozan sei', height 18.5cm, rim chipLiterature: In her book 'Meiji Ceramics', Arnoldsche 2004, Gisela Jahn notes that during his early period of experimentation [with copper red] Kozan unintentionally produced green and grey-brown hues and bold speckling of brown and black as seen on this vase. He sent sent pieces with this glaze to the Exposition du Siecle, which suggests he attached independent value to them.
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653833 item(s)/page