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Click here to subscribeA Ruskin Pottery high-fired stoneware vase with A.E Jones silver mount, dated 1908, compressed form with tall, flaring cylindrical neck, covered in a mottled purple and silver ground, the shoulder with turquoise and blue impressed marks, to base stamped hallmarks to rim, Birmingham 1908, 23.5cm. high Literature Paul Atterbury & John Henson, Ruskin Pottery, Richard Dennis Publications page 92 for a bowl and small pot with A E Jones silver mounts
A large Della Robbia Pottery terracotta Triangular Pilgrim`s vase and cover by Ruth Bare, dated 1900, flattened form with cast Bacchanalian mask handles with looped horns and beard, the body incised with heart-shaped Art Nouveau foliage in green and buff, incised DR ship, monogram and 1900, minor professional restoration to neck rim, 53cm. high Literature Victoria Bergesen Encyclopedia of British Art Pottery plate X this actual vase illustrated. Peter Hyland The Della Robbia Pottery, ACC page 220 figure 239 for a comparable vase
A pair of A E Gray Gloria Lustre vase and covers designed by Susie Cooper, baluster form with domed covers, each painted with swirls and stylised foliage, in blue and purple lustre, highlighted in gilt printed Gloria Lustre mark, 23cm. high Literature Ann Eatwell, Susie Cooper Productions, Victoria & Albert Museum, page13 catalogue number 12 for a ginger jar and cover in this design illustrated.
A Wedgwood vase and cover by Alfred and Louise Powell, tall, slender baluster form, painted with alternate stripes of flowers and foliage in orange and pink lustre highlighted in gilt, the low cover with similar panels, painted conjoined leaf mark referring to their marriage,, chips to inside of top rim, 45cm. high Literature Maureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 138 for a comparable vase illustrated plate 341 at Red Lion Square in 1907. the conjoined mark may suggest this vase was produced together after their marriage in 1906. Provenance Private collection
A Pilkington`s Lancastrian vase by Charles Cundall, dated 1907, shouldered form, painted with swallows flying past stylised oak trees on a river bank in golden lustre on a cream ground, with foliate spray date mark to side impressed marks, painted artist cipher, painted date mark for 1907 to side, small bruise to top rim, 21cm. high
A large Pilkington`s Lancastrian Pottery vase by Richard Joyce, ovoid with flaring neck, painted with a band of two classical Greek warriors in horseback catching a bull, one with a spear the other shooting an arrow, in golden lustre highlighted in ruby painted monogram 27cm. high Literature A J Cross Pilkington`s Royal Lancastrian Pottery and Tiles Richard Dennis Publications, page 63 plate 95 for a comparable vase decorated with a bull by Joyce
A Pilkington`s Lancastrian vase by Richard Joyce, dated 1908, shouldered form, painted with a seated leopard before fruiting vine, in gold and ruby lustre on a blue ground, impressed mark, painted artist cipher and impressed date mark VIII, minor professional restoration to the top rim, 22cm. high Literature A J Cross Pilkington`s Royal Lancastrian Pottery and Tiles Richard Dennis Publications, page 48 plate 50a for a reproduction of a Pilkington`s catalogue with a near identical vase.
`Late Florian Ware` a Moorcroft Pottery vase, designed by William Moorcroft, tall, flaring cylindrical form with inverted rim, painted with flowers and foliage in shades of green, blue and yellow impressed marks, painted signature, professional restoration to base rim 36cm. high Provenance The Albert E Wade Collection
`Claremont` a good Moorcroft Pottery vase by William Moorcroft, made for Liberty & Co, low, footed form with inverted rim, painted in shades of pink, blue and yellow on a streaked green ground, impressed marks, painted facsimile signature, printed Liberty mark, 14.5cm. diam,
A Finzi porcelain vase designed by Siegmund Schutz, 1933, flaring cylindrical form, cast with stylised figures harvesting corn, spray glazed oatmeal, the rim highlighted in gilt printed marks, applied paper label, 22cm. high Literature Berliner Porzellan Brohan-Museum catalogue, figure 312 for an identical vase
An Amphora Pottery vase, shouldered form, painted with abstract foliate panels in colours on a matt black ground, two other Amphora pieces, three EE Wilkes flambe bowls, a Bursley Ware charger by Charlotte Rhead and a collection of items various marks, Amphora vase 28.5cm. high
A Liberty & Co polished pewter vase designed by Archibald Knox, model no.0227, flaring cylindrical form, on tripod foot, cast in low relief with pendulous flower stems stamped number 24.5cm. high Literature Victor Arwas Art Nouveau From Mackintosh to Liberty Papadakis, page 126 for a variation of this vase in silver.
Seven pieces of Ancient Cypriot pottery, dating from the Hellenestic Period (300-500BC) and later, purchased from the Cyprus museum, typically decorated in black and terracotta, comprising two shallow bowls with twin handles, two further bowls, a vase, a small twin handled vessel, and an oil lamp (7) Sold together with the original two copies of the Antiquities Law, 1905 export permits.
An English porcelain vase, mid-19th century, hand painted with opposing panels of birds and flowers, between gilt and cobalt reserves, highlighted with gilt, raised on elaborate scrolling feet, retailed by Daniell of Wigmore Street, London porcelain vase, printed retailers mark in puce, marked in gold G.A.119/2, 16cm high (at fault)
A group of 'Mary Gregory' style glass, comprising a cranberry vase, enamelled with a girl holding a lute and a cup of wine, amongst foliage, 29cm high, a cranberry water jug, enamelled with a young girl holding a flower, with clear glass handle, together with a clear glass decanter and stopper, with similar decoration of a boy, 27cm high (3)
An mid-20th century glass cylindrical vase, decorated with bluebirds flying amongst green leaves, below a border of concentric dots, standing on four feet, 32cm high, and a tapered vaseline glass vase, 31cm high (2) Footnote: The vase decorated with bluebirds was reportedly given to the workers of the Blue Bird Toffee factory, in Worcestershire.
A late Victorian silver vase of tapering form embossed with spiral fluted, reeded and foliate scroll decoration, on a circular foot, Sheffield 1898, together with a silver goblet, the `U` shape bowl above a beaded knop stem and circular beaded foot, London 1886, and a sterling cream jug.
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