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Lot 1

A 10" high Aynsley 'Little Sweetheart' vase, A Royal Doulton 6" 'Mystic dawn' jardinière, Two Portmeirion 5 1/2" vases botanic garden, Two Royal Crown Derby, 'Derby Poses' 4 1/2" vases, a 9" Coalport 'Pageant' pattern dish, two R. Worcester 4" dishes and a R Worcester 2 1/2" vase.

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A large 5 pint jug, Radford floral vase, Victorian pipe ashtrays.

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A large 14" Doulton Slater vase in blue with floral design, (hole in base).

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A Hollinshead & Kirkham 1930's 'Autumn Tints' pattern vase hand painted by R Grocott, 5 1/2" high.

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An 18thC Delft vase in need of restoration, 8" high.

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A 19thc oriental handkerchief top vase 9" for restoration, reign marks to base.

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A Poole Isle of Purbeck studio vase, 1998 by Karen Brown, 8 1/4" high.

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A Troika circular vase, 4 1/2".

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A good Moorcroft vase, potter to HM the Queen to the base, 7 1/2" high.

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A large Royal Copenhagen vase, approx 17" high with sailing boat scenes.

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A Sterling Silver dish, a plated sugar sifter, spoon, embossed Silver vase and a two-handled sugar bowl.

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A large Brass tray, a Palestine brass vase and a Brass box.

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Marion L. Broom (fl.1925-1939) A STILL LIFE OF FREESIAS AND OTHER FLOWERS IN A DECORATED VASE Signed, watercolour, {52cm by 37cm (20_in by 14_in)}.

Lot 1

Dame Ethel Walker, A.R.A., R.B.A., P.R., N.E.A.C., S.M.P. (1861-1951) A STILL LIFE OF FLOWERS IN A FLORAL VASE WITH A BLUE POTTERY PARROT IN THE FOREGROUND Signed, oil on canvas, {35.5cm by 23cm (14in by 9in)}.

Lot 1

William Ashton R.O.I. (1853-1927) A STILL LIFE OF ROSES IN A GREEN VASE Signed, oil on board, {30.5cm by 25.5cm (12in by 10in)}.

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After Boucher: A 19th Century Bronze: Two Putti Representing Music and the Arts, standing tiptoe on swept pedestal fronted by a vase with rococo detail, inscribed "Boucher", {43cm high}, upon a rouge marble shaped plinth, {46cm high overall}.

Lot 1

A Late Victorian Brass Inkstand, the arched central mount cast in relief with a veiled head portrait medallion of Queen Victoria amongst flowers of the union and with lion supporter below, flanked by two S scroll inkwells with hinged covers, foliate pierced pen rests flanked by vase finials, upon bell feet, stamped "Winn & Co, Birm", {30cm wide}; and A Pair of 19th Century Brass Table Candlesticks, of neo-classical style with urn shaped nozzles applied with classical medallions, on a reeded and ivy entwined stem, upon muscular lion paw feet divided by anthemion motifs, {28cm high} (2).

Lot 1

An Exhibition Quality Elkington & Co Champleve Enamel and Chryselephantine Inkstand, the central vase receptacle with hinged cover and ovoid finial revealing a cut glass inkwell and funnel, supported by two bejewelled Indian elephant heads with ivory tusks, supporting taperstick sconces in their upturned trunks, upon an integral shallow shaped circular dish with eight equally spaced ogivel arched motifs, decorated overall with Indo-Persian floral motifs, applied with oval tablet to the rim underside, stamped "948 published by Elkington & Co", and engraved on the pedestal foot rim 1870.30 - 4, (19.5cm high, 27.5cm wide}.

Lot 1

A Tortoiseshell Veneered and Steel Mounted Single Division Tea Caddy, circa 1830, the upswept panelled lid with steel pedestal vase finial and pewter wire stringing, the main body moulded to imitate osier weaving, internally with flat lid with marine ivory sphere knob, the whole raised on four steel flattened bun feet, {14cm high, 11.5cm wide}.

Lot 1

A 19th Century Valentine Card, central pen and ink "endless knot" motif, inscribed with amatory lines, within a heart and flower roundel, the surround of spot motifs includes geometric panels, overlapped hearts, a full blown rose in a vase, guilloche panels and leafy initials "JW, with three love poems, {30cm by 35cm} (old fold lines, holes and general creases), in a bird's eye maple frame .

Lot 1

An Italian Carved White Marble Figure of a Water Carrier, early 20th century, seated and with gazing expression, wearing a short sleeved dress, an overturned two-handled vase at her side spilling its contents down a rustic pillar, upon a brown stained marble plinth, {50.5cm high}.

Lot 1

A Chinese Celadon Glazed Porcelain Large Vase as a Lamp, of squat baluster shape, decorated overall with diverse blossoming plants in white with incised detail, the vase 19th century, {49cm high}, upon a painted wood stand and neck insert with stem for three bulbs, drilled for electric flex.

Lot 1

A 19th Century Parcel Gilt Four-Branch Colza Hanging Lamp, now adapted to electricity, the stem as a two-handled classical baluster vase with satyr mask terminals and cylinder socle, issuing from a flared bowl supporting four attenuated cup branches divided by four acanthus sheathed S scroll brackets linked to the ceiling rose by decorative chains, {75cm high}.

Lot 1

A 19th Century Brass Fire Grate, the iron back with arched cresting over a vacant shield flanked by fruiting laurel, triple bar serpentine basket front surmounted by vase finials, within an acanthus leaf and C scroll pierced continuous frieze to forward swept integral andirons surmounted by classical vases and on leaf and bun feet, {73cm by 91cm by 48cm}, together with an associated serpentine front brass cinder pan. "A Collection of Wooden, Hand-Crafted, Scratch-Built Model Boats, built by Peter Coughlin over the last 30 years".

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A Small George III Mahogany Tripod Table, the oval crossbanded top on a vase pillar, ebony strung sabre legs, {80cm by 55cm by 42cm}.

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A 19th Century Ebony, Brass Inlaid and Metal-Mounted Bibliotheque, the coved cornice with vase finials over two shaped clear-glazed doors, enclosing adjustable shelves, between canted angles headed by scrolled gilt metal brackets, the shaped plinth on squat turned feet, {214cm by 136cm by 46cm} (a/f).

Lot 1

A Regency Mahogany Breakfast Table, the circular top with brass lions' masks to the frieze, on four vase-turned pillars, the platform base raised on sabre legs with brass paw caps and castors, {74cm by 118cm diameter}.

Lot 1

A Pair of Late Regency Mahogany and Rosewood Banded Sofa Tables, with rounded rectangular fall flaps, the frieze with two dummy and two real drawers with turned wooden knobs, on vase shaped cable centre pillars and four outswept supports, brass caps and castors, {148cm by 75cm}.

Lot 1

A Regency Mahogany Elbow Chair, the curved bar top rail and pierced horizontal mid-rail between downswept arms on vase supports, the drop-in seat on square tapered legs with stretchers.

Lot 1

A Mahogany Dumb Waiter, of three dished circular tiers on wrythen vase pillars, on a tripod cabriole base, 20th century, {109cm by 67cm diameter}.

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An Edwardian mahogany salon chair, the camel back with shell roundel above a vase splat and stuffover seat, on square legs and spade feet.

Lot 1

An Opaque White Glass Bottle Vase, circa 1770, of shaft and globe form with moulded vertical threads, and swept circular foot, {13cm high; An Opaque White Glass Pedestal Tazza, the shallow circular dish on a classic baluster stem and circular foot, probably early 19th century, {8.6cm high}; and A Victorian White Opaline Goblet, the bell shape bowl engraved with a basal band of petals, on a baluster stem and circular foot, {16.5cm high} (3).

Lot 1

A Moorcroft MacIntyre Aurelian Ware Vase, decorated with four panels of opening flowers in red enamel enriched with gilding, divided by scale patterns in underglaze blue, within horizontal dark blue bandings, the slightly flared rim with four indents, MacIntyre factory mark printed in black, numbered M2943, printed "Made for A Marks & Co, Manchester", also impressed number 26, circa 1897, {19. 2cm high, 22.2cm diameter}.

Lot 1

A Moorcroft MacIntyre Florian Ware Honesty Vase, of ovoid form with dark blue honesty against a light blue ground, with roughened and matt surface, printed mark "Florian Ware", script mark in green "W Moorcroft Des", circa 1903, {12.7cm high}.

Lot 1

A Moorcroft MacIntyre Cornflower Pattern Vase, with trumpet neck and tapering body, with red flowers on a mottled green ground, MacIntyre mark in brown, W Moorcroft signature in green, impressed "163", circa 1911, {18cm high}.

Lot 1

Two Wedgwood "Hummingbird Lustre" Vases, 1920's, one of narrow trumpet form, the other slightly wider, both with dappled orange interiors, each powder blue exterior reserved with brightly brocaded hummingbirds in flight, Portland vase marks printed in gold, Z 5294, {20cm and 17.8cm} (2).

Lot 1

Two Similar Leeds Art Pottery Vases, of slender tapering cylindrical form with short everted necks, one slip trailed with magnolia-type flowers, the other with three daisies, against straw/brown and toned olive glazes, impressed "Leeds AP England 163", circa 1900, {32cm high} (olive green vase restored at the rim).

Lot 1

A Royal Doulton (Burslem) Bone China Vase, circa 1900, of tapering bulbous square section, decorated with gilt enriched wild flower sprays under a shoulder with moulded drapery festoons, escutcheons and groteschi masks, crowned "cogwheel" mark printed in brown, registration number 164933, {43.8cm}.

Lot 1

A Pilkington's Royal Lancastrian Lustre Vase, 1927, by W S Mycock, predominantly ruby lustre with repeated ranks of stylised iris with trails of cobalt blue under a running Celtic scroll motif on the upright rim, impressed marks, artist's "MSM" monogram and date, {18. 5cm high}.

Lot 1

A Linthorpe Pottery Turquoise Glazed Large Vase, circa 1880, in Hispano-Moresque style, the trumpet neck with waved rim (and internal dribbling glaze over yellow), the shoulders with twelve panels of overlapped flowerheads over a main frieze of four butterfly and flower roundels within leaf frames, on a circular base, impressed mark and numbered 2279, {64.5cm high} (small restoration and two small hairline cracks on rim).

Lot 1

A William De Morgan "Persian" Vase, circa 1890, painted by Fred Passenger, initialled, on the shouldered globular body with three pairs of mirrored fish in a blue sea under foliated arabesques picked out in turquoise, green and touches of manganese, impressed circular "Sand's End" mark, painted "FP", {14cm} (crackelure on shoulder but no apparent damage).

Lot 1

A George Jones Madras Ware Large Pottery Ovoid vase, decorated with full blown peonies with claret petals and green foliage against a straw background, printed monogram and crescent mark and "Madras Ware", circa 1892, {51cm high}.

Lot 1

A Coalport Porcelain Topographical Two-Handled Pedestal Vase, of slender baluster form with C scroll handles continuing to the foot and enriched with acanthus leaves, with frontal oval reserve painted with a vignette titled on the base "Loch Earn", signed E O Ball, against a blue ground enriched with delicate gilt scrolls, on a quatrelobed soft yellow ground foot banded in gilt, printed mark in blue and numbered in gilt "V7756 S/S265", {20.5cm high} (restored at the foot).

Lot 1

A Royal Worcester Porcelain Small Two-Handled Vase, of classical swept shape, the shoulder handles issuing from a gilded and foliate carved collar, the ivory ground painted with two parakeets on fruiting branches, printed mark in green, year letter for 1884, impressed 1021, {15cm high}; and A Royal Worcester Porcelain Shell Dish, decorated with a spray of flowers against a blush ivory ground within gilded borders, printed mark in puce and year mark for 1895, numbered 1413, {12.5cm} (rim chip, refreshed gilding).

Lot 1

A Royal Worcester Porcelain Highland Cattle Vase, painted by James Stinton, 1922, the baluster vase with inscrolled shoulder handles in gilt, frontal reserve of two highland cattle in a misty loch landscape, signed J Stinton, a rocky vignette to the reverse, gilt rim and gilded band to the circular foot, crowned circular mark in puce, year mark for 1922 and H287, {19.5cm high}.

Lot 1

A Pair of Measham Trumpet Vases, one dated 1889, each of waisted trumpet form applied with four registers of overlapped leaves and bunches of grapes, with oval plaques impressed "To Mother 1889" on one and "Love At Home" on the other, {18cm} (the undated trumpet vase restored at the rim).

Lot 1

A Derby Crown Porcelain Co Ltd Pedestal Vase, circa 1884, of quatrelobed outline, the shoulders supporting petal pierced spheres, and further spheres to the main body supported by C scroll handles, painted to the front and reverse with humming birds amongst pink blossoming branches, enriched in gilt, upon a swept pedestal foot, printed mark in black and year mark for 1884, {35cm high} (restored, cover now lacking).

Lot 1

A Pair of Enamelled Pearlware Vase Groups of a Shepherd Boy and Girl, late 18th century, he in maroon hat and coat, she in blue winter coat, both seated under a large green gnarled tree trunk, each with a lamb and spotted dog by their side, on flat rectangular bases, indistinct ?maker's cipher, SGV?, {13cm} (repair to one rim, hand missing).

Lot 1

Three Staffordshire Pottery Groups, mid 19th century, one a double spill vase with two Italian musicians under hollow trees, the second modelled with a highland couple having a fling under a high bank with a third figure looking on, the last with two Neapolitan figures under a bower, {13cm, 18cm and 21cm} (repair to one trunk) (2).

Lot 1

A Group of Spode and Other English Ceramics, late 18th/19th century, comprising an enamelled pearlware small tea bowl, a blue printed vine leaf shaped pickle dish, a Greek-style Copeland & Garrett small spill vase, a rare Spode lavender ground boar-hunting subject bone china Jug, and a shell-moulded Copeland menu holder, various marks (5).

Lot 1

An Early Minton Porcelain Pedestal Trumpet Vase, circa 1810, with everted rim, the frieze painted with an Oriental figure pulling a cart in a stylised landscape in enamel colours within gilt bands, circular pedestal foot, painted mark in blue enamel "M" over 539, {11.3cm high} (gilding rubbed and staining).

Lot 1

A Newhall Porcelain Teapot and Cover, circa 1790, the slightly domed cover with pierced vase finial, the lozenge section teapot painted with scattered sprigs in bright enamel colours with orange ribbon amongst foliage to the shoulders, C shape handle and panelled spout, painted pattern number 195 in puce, {15cm high}.

Lot 1

A Bow Flower-Encrusted Pot-Pourri Vase, circa 1760, ovoid, with leaf-crowned mask handles centring moulded yellow and maroon cords behind applied flower stems under a trellis pierced shoulder, painted colourful insects on the ground between, {25.5cm} (chips, minor loses, cover lacking bird finial).

Lot 1

An English Porcelain Vase, possibly Derby, circa 1800, flared with a pair of double scroll handles at each upturned end, one side painted with a cluster of full-blown flowers, pseudo Chinese vessel painted in puce enamel, {14cm} (rubbing to gilding).

Lot 1

A Rare English Delft Fuddling Cup, as three conjoined vase-like containers with intertwined handles, upon short swept feet, second half of the 17th century, probably Southwark, {8cm high} (rims chipped and glaze loss, also to the foot rims, several other glaze flakes and crazing).

Lot 1

A Meissen Neo-Rococo Vase and Cover, 18th/early 19th century, of pear-form painted with two "fete champetre" groups of 18th century figures in gardens within raised rocaille borders encrusted with flowers inhabited by a hovering putto and by a maiden with a basket of flowers below; the cover with pierced rocaille-work under a spray of flowers and berries, incised B.C.50, crossed swords in underglaze blue (cover: some small flowerheads missing, chips and missing petals on larger flowers; chips to flowers and fruit on vase).

Lot 1

A Chinese Porcelain Large Baluster Vase, circa 1880, decorated in "Canton" enamels with four panels depicting busy courtyard scenes against a ground densely filled with flowers, birds and insects, with dragon silhouette shoulder handles and cupped neck, enriched in gilt, {62cm high} (shoulder handles restored).

Lot 1

A Japanese "Imari" Porcelain Large Vase and Cover, late Meiji, circa 1890, of fluted baluster shape, with panels to the front and reverse depicting ho-ho birds perched amongst blossoming branches of cherry trees, with a bush of chrysanthemums at the base, divided by luxuriant panels of peonies, flowers and scrolls, the domed cover with shi-shi dog finial, {90cm high}.

Lot 1

A Japanese Enamelled Porcelain Large Vase, circa 1890, the flared neck with waved rim, painted internally with large blue and orange blossoms, with carved "sashes" wrapped around the waist of the vase, over panels depicting samurai and a daimyo with bijin in interiors, against a ground decorated with pheasants amongst flowers and trellis, {65cm high}.

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