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Click here to subscribeJonathan Harris - A contemporary studio glass vase in the Watergarden pattern and plum colourway, of ovoid form with wide flat rim, decorated with millefiori canes and amethyst trails over the mottled opal, blue, gold leaf and plum ground, limited edition 2 of 100, engraved signature and dated 2013, height 27cm.
Richard P. Golding - Station Glass - A contemporary studio glass vase of ovoid form, decorated with mottled white and silver swirls over a translucent blue ground, signed and dated 2013, height 11.5cm, together with a similar Richard P. Golding ovoid vase, with mottled white patches with iridescent trailing all over a blue ground, signed and dated 2013, height 10.5cm. (2)
Jonathan Harris - A contemporary studio glass vase in the Tropical pattern from the Intrinsic Cameo series, of ovoid form, amethyst cased in clear and carved to the interior with a repeat pattern of stylised trees, polished lenses to the exterior, engraved signature and dated 2008, retains label, height 17cm.
Asraf Hannah - A contemporary studio pottery vase of ovoid form with dimple knocked sides, the exterior decorated with a fine worked and polished back textured ground with tonal beige to brown glaze finish, the interior with smooth grey glazed finish, incised ASH to the base, height 21cm.
Mdina - A later 20th Century studio glass vase of sleeve form, decorated with internal orange spiral lines with applied blue strapping to the exterior, engraved signature, height 19cm, together with a similarly decorated vase of tapering form with flared rim and applied clear ring to base. (2)
Scheurich - A 1960s West German ceramic vase in the Comets pattern, shape 263-21, of rectangular section and decorated with stylised flowers in relief in a blue glaze, height 21cm, together with a shape 329-18 vase with a white on black fat lava glaze and a shape 414-16 in a blue glaze. (3)
Ruskin Pottery - A 1930s pottery vase of low shouldered form with collar neck and everted rim, decorated in a crystalline glaze with tonal mottled green over a burnt orange and jade ground with snowflake and streaking, impressed marks, date for 1931 and full William Howson Taylor signature, height 15.5cm.
Bill Robinson - A contemporary segmented woodturned vase of ovoid form with everted flared rim, decorated with a horizontal band of fleur de Lea and further banded decoration, formed of eight hundred and twenty one pieces of bloodwood, cherry, mahogany, ebony and maple, signed, height 46cm.
Jonathan Harris - A contemporary studio glass vase from the Renoir Landscape collection, of shouldered ovoid form with wide flat rim, with Renoir inspired decoration of a stylised tree canopy formed of trails and mottling in blue, opal and amethyst, over the dusk pink and gold leaf ground, engraved signature and dated 2019, height 18cm.
William Moorcroft - James Macintyre & Co - A small Florian range vase circa 1905, the shouldered ovoid body with narrow neck and flared collar, decorated in the Lilac pattern with fine flowers in lilac and purple with pink and ochre blush over a pale blue ground, printed and painted marks, height 9cm.
Clarice Cliff - Original Bizarre - A shape 14 Mei Ping vase circa 1928, hand painted with a band of interlocking triangles in purple, rust red, yellow and blue with purple, rust red, yellow and green banding, gold Bizarre mark over a green Wilkinsons mark, height 22.5cm.
Jonathan Harris - A contemporary studio glass vase in the Monet pattern, of compressed ovoid form with wide flat rim, with decoration inspired by Monet's The Bridge Over the Water Lily Pond, whiplash trails in green and yellow and petrol iridescent spotting over the opal ground, engraved signature, height 23cm.
Robert Wallace Martin - Martin Brothers - A stoneware vase, the compressed ovoid body rising to a flared collar neck decorated with two applied stylised fan handles, the body incised decorated with lilies, incised R.W. Martin & Bros London & Southall, 4-8-3, height 22cm.
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