We found 653685 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 653685 item(s)
    /page

Lot 629

THREE PIECES OF ROYAL CROWN DERBY IMARI '1128', to include 'Viola' vase, trinket tray and a plate, diameter approximately 16cm (3)

Lot 675

A WHITEFRIARS STYLE BLUE GLASS DARK EFFECT BOWL, (a/f), together with a similar clear glass cylindrical vase, height approximately 17cm (2)

Lot 618

A ROYAL WORCESTER HADLEYS VASE, shape F106, painted with roses by M.E. Eaton, raised on four gilt feet, green factory mark and signature, height approximately 24cm (restorations)

Lot 703

TWO ART GLASS VASES, a clear and brown glass rectangular bark vase, inscribed OY Kumela to base, approximately 20.5cm high, together with Pearlescent lustre green and purple vase, approximately 16cm high (2)

Lot 336

A ROYAL DOULTON FLAMBE VEINED BUD VASE, No.1614, height approximately 15.5cm

Lot 328

A MACINTYRE MOORCROFT VASE, decorated with swags and roses on a white ground, green William Moorcroft signature to base, height approximately 16cm (restorations)

Lot 356

A BOXED ROYAL CROWN DERBY OLD IMARI '1128' VIOLA VASE, height approximately 8cm

Lot 582

TWO CARLTONWARE LUSTRE FISH AND GILT SEAWEED VASES, heights approximately 21cm (cylindrical vase has restoration to lip and hairline, long neck with chip to rim and rubbing) (2)

Lot 614

A MARY GREGORY CRANBERRY GLASS VASE, height approximately 28cm, together with two smaller vaseline cranberry glass vases (3)

Lot 587

A WHITEFRIARS GREEN GLASS VASE, height approximately 21.5cm and a blue satin glass vase (2)

Lot 626

A LATE 19TH CENTURY FRENCH OPALINE GLASS VASE, enamel and gilt decorated, marked Paris to base, height approximately 32cm

Lot 350

A SMALL MOOROCROFT POTTERY VASE, Hibiscus pattern, impressed and painted marks to base, height approximately 9.5cm

Lot 581

A MOORCROFT BALUSTER VASE, tube lined Anemone pattern, factory marks 34/94 to base, height approximately 27cm

Lot 619

A COALPORT PORCELAIN TWIN HANDLED COVERED VASE, green factory mark and pattern No.V.6741 C.122, height approximately 25cm

Lot 617

A LIMITED EDITION MOORCROFT TUBE LINED LONG NECK BULBOUS VASE, 2004, 35/150, signed to base in brown, (second), height approximately 26cm

Lot 596

TWO ROYAL CROWN DERBY MINIATURE TRINKETS, (chip to rim on vase) and a boxed Royal Worcester 'Queen Elizabeth II Golden Jubilee' box (3)

Lot 962

A STILL LIFE, flowers in vase, oil on canvas, approximate size 68.5cm x 48.5cm

Lot 493

A BOX AND LOOSE SUNDRY ITEMS, to include work boxes, salt box, glasswares, oriental vase etc

Lot 110

A mixed lot of assorted 19th Century and later ceramics to include a Masons twin handled loving cup, a Victorian blush ivory and cobalt blue vase with relief decoration, a salt glazed jug depicting soldiers fighting, Wedgwood Jasperware etc.

Lot 189

A mixed lot of assorted items to include a pharmacy jar, Murano glass vase, etc.

Lot 43

A mixed lot to include a cut glass bowl, studio glass vase, two prints etc.

Lot 30

Six pieces of assorted Carn pottery to include an angle vase, cylindrical vase etc.

Lot 478

A mixed lot of assorted Chinese ceramics to include a blue and white sleeve vase, decorated with a dragon and foliate, a crackle glazed temple jar and cover, a pair of dogs of faux also six Chinese models of a band.

Lot 474

A mixed lot of assorted Chinese blue and white to include a pair of sleeve vases decorated with figures in landscape, a crackle glazed vase, etc.

Lot 23

A 20th Century Japanese bronze and cloisonné vase of bulbous form, having geometric style decoration.

Lot 92

A 20th Century canton floor vase, having enamel decoration.

Lot 105

Eight pieces of assorted West German Fat Lava ceramics to include an unusual bulbous form vase having mottled orange and blue decoration.

Lot 426

A Cauldon hand painted vase depicting highland cattle in landscape, signed Drinbeck.

Lot 27

A pair of Chinese famille rose vases of rectangular form. CONDITION REPORT: One with a small flat chip to foot rim, bottom corner, same vase with light hairline crack to rim. Second vase with minor chipping to foot rim, firing crack to foot rim.

Lot 530

A mixed lot of assorted hallmarked silver to include posy vase, napkin ring, teaspoons, plated items.

Lot 30

Burleighware bowl, Water Jug, Guzunder, Soap Dish, Vase. Some Damage

Lot 201

A HALLMARKED SILVER TRUMPET SPECIMEN VASE TOGETHER WITH A SILVER CANDLESTICK A/F

Lot 193

A CHINESE ENAMEL UNDER GLAZE VASE, mottled finish, of bulbous form, raised on a footed base, character mark to underside, H 18.2 cm

Lot 191

A CHINESE OVAL SHAPED SLEEVE VASE, raised on six feet of typical form, polychrome floral and scrolling decoration, character mark to base, H 15 cm, W 16.5 cm

Lot 190

A SMALL MOORCROFT BLACKBERRY VASE

Lot 45

A pair of Chinese blue and white double gourd vases with prunus decoration, each with four character mark to base. CONDITION REPORT: One vase with cracks and breaks to neck, second vase good.

Lot 458

A Japanese satsuma vase having floral decoration with signature to base, together with nine clay figures.

Lot 49

A pair of Chinese blue and white crackle glazed temple jars and covers, together with a Chinese red lacquered vase. CONDITION REPORT: One cover with V shaped chip and part glued and flat chip. One vase two chips to neck and glued. Second vase good with light chip to underside of cover.

Lot 477

Three pieces of late 19th Century/early 20th Century canton to include a pair of temple vases and a cylindrical vase, each with covers (af).

Lot 305

A large tangerine coloured studio glass vase.

Lot 33

A Chinese relief decorated and bulbous vase having stylised figures of men and scrolling clouds and mythical animals. CONDITION REPORT: Glaze scuffs to top rim, light scuffs and scratches to body, mould lines to body.

Lot 462

A Chinese carved soapstone figural vase.

Lot 175

An enormous Chinese cloisonné floor vase with white metal mounts, raised on a hardwood plinth base, complete with original pine crate (af) CONDITION REPORT: Vase has been dropped, see photos.

Lot 91

A Moorcroft Vision of Windsor vase in box 31cm tall with signed print 1/100cm

Lot 195

A late 19th century porcelain bottle vase, decorated in the famille rose palette with gilt highlighted vignettes, together with a KPM cabinet plate, painted with flowers to centre, a Capodimonte hinged trinket box, decorated with putti on gilt ground and a 19th century gilt bordered display cabinet

Lot 446

A 19th century Delft plate, the centre decorated with a vase of flowers within a pendant foliate border, D. 32cm

Lot 253

A silver bud vase, with flared rim, raised on circular stepped base, hallmarked Birmingham 1953, by Mappin & Webb. H. 12cm

Lot 387

A Chinese iron red, blue and white porcelain vase, decorated with kylin amongst stylised clouds.

Lot 344

Moorcroft, England. A squat baluster shaped vase, in the lily pattern. H: 11cm

Lot 382

An Old Tupton hand-painted tube lined vase in the style of Moorcroft. H: 20cm

Lot 489

A Lambeth Doulton vase, of slender baluster form incised with leaf decoration, H. 23cm, together with three oriental vases, three graduated luster jugs and a Worcester style vase, (qty)

Lot 429

A Worcester vase, of squat panelled form, decorated with roses. H: 9cm.

Lot 345

A 19th century Japanese bronze vase, embossed decorated with warriors, raised on mythical bird feet. H: 22cm

Lot 336

Moorcroft, England. A limited edition ceramic vase, decorated with performing seals in a circus, signed to base, no. 5/30. H: 14cm

Lot 175

A Chinese blue and white porcelain trumpet vase, decorated with figures by a river, amongst stylised clouds and scrolling foliage, H. 24cm, together with a turquoise ground baluster shaped twin handled vase, decorated in blue with bats amongst flowers and scrolling foliage, bears four flowers and seal mark to base. H. 23m (2)

Lot 586

William Moorcroft Signed Tall and Impressive Vase, pomegranate and berries design. Circa 1920. Signed to the underside. Stands 12.25 inches tall. Overpainting to the top rim.

Lot 154

A Victorian brass lantern clock Unsigned, mid to late 19th century The five... A Victorian brass lantern clock Unsigned, mid to late 19th century The five pillar twin chain fusee movement with anchor escapement regulated by short lenticular bob pendulum and striking the hour on the bell mounted above the frame, the posted case with dial incorporating foliate scroll engraved centre within silvered Roman numeral chapter ring with fleur-de-lys half hour markers beneath pierced leafy scroll cast frets flanked by vase finials with domed bell bearer above, the sides and rear with brass doors, on ball feet, 42cm (16.5ins) high.

Lot 157

A William III brass lantern clock William Holloway, Stroud A William III brass lantern clock William Holloway, Stroud, circa 1685-90 The posted countwheel bell-striking movement with separately wound trains and verge escapement regulated by short bob pendulum positioned outside the frame at the rear, the dial with a central rose decorated vestigial alarm disc enveloped by stylised leafy tulip sprays issuing from a three-petal flowerhead positioned just above six o'clock and with signature William Holloway, Stroud to upper margin, with iron hand within applied Roman numeral chapter ring with stylised wheatear half hour markers and engraved leafy infill to angles, the generous London-style third period frame with one-piece column turned corner posts beneath armorial pierced frets, vase turned finials and domed bell bearer, the sides with hinged brass doors and the rear with iron hanging hoop over a brass backplate (in unrestored condition, lacking alarm, top finial and with replaced frets ), 35.5cm (14ins approx) high. William Holloway is recorded in Loomes, Brian LANTERN CLOCKS & Their Makers as the son of the clockmaker John Holloway born in 1732 at Market Lavington, Wiltshire. In 1658 he moved, along with his father and younger brother Richard, to Stroud in order to take-on the workshop of the recently deceased John Snow. Holloway was married to Hester Hieron in 1664 and continued working until his death in 1694. William Holloway had three sons one of which, John, continued the business in Stroud after his death; the other two, William and Arthur, moved to London to pursue the trade in the capital. William Holloway was a confident, accomplished and relatively prolific maker who used distinctive castings for his frames which appear almost unique to the Holloway family. His early clocks (1661 to circa 1680) used castings loosely based on the London second period style but were one-piece (i.e. finials and feet were cast integral with the posts) with tall slender finials capped by distinctive acorn turnings. Three examples by Holloway with this type of frame are illustrated in White, George English Lantern Clocks on page 246 (Figures V/78-80). The second type of frame used was much more akin to the standard London third period pattern but again employed one-piece castings and appeared to be short-lived as they are only seen on clocks dating to the first five or six years of the 1680's (see White, page 247, Figure V/81). The third pattern was again based on London third period practice but was much more generous with distinctly bulbous swellings to the finials and feet, two clocks with this type of frame are illustrated in Loomes, Brian LANTERN CLOCKS & Their Makers pages 207 and 209 Figures 13.8 and 13.13. Other traits of Holloways work include the continued use of separate winding for each train long after most other makers had adopted Huygens' single-weight endless rope system. Clocks with separately wound trains are characterised by having hour bell hammers positioned to the right hand side of the movement. Loomes suggests that Holloway may have continued this practice as it allowed straightforward disablement of the strike train by simply removing or not winding the strike weight. Another unusual feature peculiar to Holloway was that he often used four wheel trains in order to give a longer duration. The current lot is a typical of Holloway's final phase of work with generous bold castings and London-style tulip engraving to the dial centre. Unusually the clock is not dated but on stylistic grounds alone it can be placed within a couple of years of 1690.

Loading...Loading...
  • 653685 item(s)
    /page

Recently Viewed Lots