Hazel Johnston (1933 - 2011), a porcelain studio pottery bowl with flared rim and cylinder foot, the cream ground decorated with brown rim and painted gold band above a trailed mauve border, impressed mark, 9cm high, 19.8cm diameter, with a similarly decorated ovoid vase, impressed mark, 15cm high, and a further footed bowl decorated in mottled blues, greys and browns, impressed mark, 8.5cm high, 20cm diameter (3) CONDITION REPORT:All pieces show minor surface wear, but no obvious chips, cracks, losses or restoration.
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A John Ditchfield for Glasform studio glass vase of waisted form, the iridescent amber glass with stylised leaf motifs, signed and numbered "5072" to base, unpolished pontil, 21cm high CONDITION REPORT:The piece shows minor surface wear, the odd small blowing fault, and the odd small bubble, but no obvious chips, cracks or losses.
A John Ditchfield for Glasform studio glass vase of baluster form, the iridescent purple glass with stylised heart motifs, signed and numbered "1980" to base, unpolished pontil, 19cm high, with a John Ditchfield for Glasform iridescent green glass vase of shouldered form, signed and numbered "5067" to base, 16.5cm high (2) CONDITION REPORT:Heart vase shows minor surface wear, the odd small blowing fault, and the odd small bubble, but no obvious chips, cracks or losses. The base of the piece is not perfectly flat, causing it to wobble slightly on a flat surface.Green vase shows minor surface wear, the odd small blowing fault, and the odd small bubble, but no obvious chips, cracks or losses.
A John Ditchfield for Glasform studio glass vase of baluster form, the iridescent green and purple glass with peacock feather motifs, signed and indistinctly numbered (possibly "180") to base, 15.5cm high CONDITION REPORT:The piece shows minor surface wear, the odd small blowing fault, and the odd small bubble, but no obvious chips, cracks or losses. The piece is dirty and would benefit from cleaning.
A set of four Victorian elm and beech kitchen chairs, each with a pierced and inverted vase shaped splat over a figured elm seat, upon ring turned tapering legs, 85cm high, along with four late Victorian walnut salon chairs, each with an angular carved top rail and splat over a stuff-over bow front seat, upon fluted slender front legs and peg feet, plain back swept rear legs, 89cm high (8)Condition reportOne of the elm chairs has a repair to a back leg which appears bowed, the top rail also needs securing as it is detachable, however this is not detrimental to the chairs stability, otherwise all chairs have general light wear and fading with no major visible faults or repairs and little or no play in the joints.The walnut chairs all appear firm with little or no play in the joints, general light wear commensurate with age and use.
A set of six Hepplewhite style mahogany dining chairs, retailed by J & B Blower, Shrewsbury, early 20th century, each with a pierced vase shaped splat back over a tapestry drop-in seat, upon legs of square section united by an 'H' cross stretcher, 97cm high (6)
A set of six Glasgow School oak Arts and Crafts dining chairs, early 20th century, each with acorn shaped finials over a top rail centred with an inverted ogee aperture, upon vase shaped splats, above the padded drop-in seat, simulated bamboo front legs on peg feet, and plain rear legs of square section united by an 'H' cross stretcher, to include two carver chairs, 110cm and 117cm high (6)
An assortment of vintage retro mid 20th century and later glass to include a Whitefriars style molar bowl, a Frank Thrower 'Nipple' vase for Dartington, a Murano bubble control bowl, a clear glass paperweight with laser engraved penny-farthing at centre, a Cascade Glass smoked glass hooped pot, a strapped glass rectangular plate, a large lamp work paperweight, a Kaj Franck bowl and a Frantisek Visner for Sklo Union vase.
A Victorian 19th century Samuel Lear jasperware ceramic lidded vase. The vase having a straight tall neck over bulbous body decorated with putti & foliate patterns on blue background. Having a crack to lid & neck of vase. It measures approx. 29cm tall.
Collection of vintage 20th Century studio art glass. To include; lustre pineapple vase, millefiori paperweight Scottish glass (monart / vasart / strattearn basket together with a boxed Dartington daisy platter designed by Frank Thrower with vintage pressed glass epergne.
Dartington England - Contemporary fine glassware crystal. New old stock (NOS) Comprising of; celebrate ruby vase, simple footed cake plate, Florabundance bunch vase, gladioli vase optic, glitza wine decanter with Swarovski elements. Largest measures 37cm.
JOSEP AMAT PAGÈS (Barcelona, 1901 - 1991)."Flors, gerro fosc".Oil on canvas.Signed in the lower right corner.With label on the back of the Sala Parés, Barcelona.Attached leaflet of the exhibition in which it was included: "Josep Amat: exposició de pintura", Sala Parés, 1981.Published in the newspaper La Vanguardia on 28 February 1981. Attached original sheet.Measurements: 65 x 50 cm; 68 x 53 cm (frame).In this floral still life, Josep Amat displays an attractive chromatic symphony using a luminous palette. The serpentine stems are topped with open corollas that endow the whole with multicoloured delicacy. The vase, placed on a gueridon-type table, is cut out in front of a window through whose panes of glass the spring greenery is prolonged.Josep Amat trained at the Llotja School in Barcelona and was a favourite pupil of Joaquim Mir. In 1922 he took part in a group exhibition for the first time and sold his first landscape. Six years later, in 1928, Amat made his solo debut with an exhibition of twenty-eight works at the Dalmau gallery. From then on he exhibited individually in the most important galleries in Barcelona. In 1933 he took part in the Spring Salon, winning prizes in that edition and also in those of the following two years. That same year he travelled to Paris for the first time, where he became known in 1936 in a group exhibition. In 1940 he exhibited for the first time at the Sala Parés, where he exhibited frequently until 1987. During these years he took part in the Barcelona Spring Salon, winning prizes in 1932, 1933 and 1935. He also took part in the National Exhibitions, being distinguished in Madrid with a third medal in 1941, and in Barcelona with a medal in 1934, a diploma in 1942 and the Diputación prize in 1944. In 1943 he exhibited for the first time in Madrid, in the Sala Vilches, and in 1949 he settled for a time in Paris, where he developed an intense pictorial work. Now fully consolidated, Amat held exhibitions in Spain, Paris, Brussels and Havana. At the outbreak of the Civil War he was forced to give up plein air painting and began a period centred on figures and interiors. In addition to his awards in national competitions, he won the José Ramón Ciervo prize at the Second Spanish-American Art Biennial in Havana in 1953. Other mentions he received were the Gran Premi Sant Jordi (1955), the Ynglada Guillot drawing prize (1963) and the Gold Medal of the Barcelona International Painting Fund (1981). Between 1942 and 1970 he taught landscape painting at the Barcelona School of Fine Arts. He joined the Sant Jordi Royal Catalan Academy of Fine Arts in 1981, with a speech entitled "History of Landscape". This painter is remembered as the leading exponent of 20th-century Catalan Impressionism, and has been honoured with various exhibitions, including one organised by Barcelona City Council at the Espai Pruna in 2001 to mark the centenary of his birth, as well as the Cross of Sant Jordi (1988). His work is represented in the Thyssen-Bornemisza Museum, the Museum of Montserrat and the National Art Museum of Catalonia.
4 Chinese hard stone ornaments including rose quartz vase height 14cm turquoise coloured group height 9cm; malachite coloured group height 9cm and cream coloured mythical beast length 11cm. They are all carved stone. The rose quartz vase has natural cracks and other internal blemishes. The dragon has a hairline through one horn, the other two carvings seem in good condition.
An early 20th century Satsuma baluster vase decorated with female figures and pagodas, height 39cm; an early 20th century satsuma covered vase on 3 feet, height 43cm (slight chip to finial) Condition as catalogued, otherwise appears in good condition with no obvious signs of damage, repair or restoration.
A pair of Japanese Meiji period bronze vases decorated with bubble blowing man in relief with traditional dress and bubbles floating up to the swelling neck, with areas of gilt splatters to body of vase, two character signature to base height 30cm. Appears to be in good condition, with no obvious signs of damage, repair or restoration.
A large and impressive 19th century Chinese sang de boeuf glaze vase with tapering neck and flared rim with thinning glaze to rim mottled colouring to the interior of the vases neck, height 58cm (old and well done restoration to rim with restored paint beginning to bubble slightly, chips to underside of foot)
A Pilkington's Royal Lancastrian lustre vase by W S Mycock, of swelling form decorated with exotic birds and flowering branches, impressed and monogrammed, height 32cm (some glaze crazing and discolouration to neck and rim; small faint hairline to rim) There is a hairline crack which does run from the neck of one eagle curving down as far as its tail feathers, approx 9cm. Also some cracks ? in base, see photos.
A 19th century large stoneware urn shaped vase, decorated in the Imari palette in the manner of Mason's, the handles in the form of a weeping maiden and a cornucopia with cherub and fruit respectively, with bearded man facemasks under, possibly an exhibition piece, height 66cm (collar of pedestal base chipped and glued) The vase is in 3 pieces: main body, socle and square base. Base not right, socle has a break reglued on one side. Vase has been extensively restored on right hand side and may have had other work done
A 19th century Sèvres covered vase with gilt interior and gilt animal head fittings, panel decoration of traditionally dressed couple, height 47cm. The base appears in good condition with no obvious damage, repair or restoration. The top has been extensively restored - it is free of the base. Height 47.5cm
A Royal Worcester orange lustre vase with gilt grape and vine decoration, CW280, height 20cm; 2 Spode candlesticks; other decorative ceramics Worcester vase appears in good condition as do the 'other decorative ceramics' in the picture and Doulton J.C Smuts jug (hat broken and restuck)
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653685 item(s)/page