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Bellmans
Lot 1345

A pair of verde marble gilt metal mounted vase table lamps, circa 1900, each of urn form with twin swan cast handles, over a stepped square base and four gilt metal bun feet, 32cm high. Illustrated

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Bellmans
Lot 1346

A pair of Chinese style celadon porcelain vase table lamps, late 20th century, each with gilt metal faux oil lamp mounts, 40cm high, (2).

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Bellmans
Lot 1367

A modern Chinese celadon vase table lamp on a wooden base and a Chinese famille rose vase table lamp on an ebonised wooden base, the first vase 45cm high, (2).

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Bellmans
Lot 1398

A Chinese bronze vase on stand, 20th century, the globular bowl relief cast, with dragons supporting a water fountain and koi carp base, (a.f.), 39cm high overall.

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Bellmans
Lot 1404

A Cantonese porcelain vase table lamp, late 19th century, with metal mounts, on a circular wooden base, with shade, the vase 36cm high.

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Bellmans
Lot 142

A 20th century Raku studio pottery vase with craquelure decoration, indistinctly signed to the base, 16cm wide.

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Bellmans
Lot 1535

A Kashan prayer rug, Persian, the fawn mehrab with a vase filled with abundantly floral sprays, a madder arch above an indigo floral spray border, 205cm x 137cm. Illustrated

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Bellmans
Lot 189

A pair of 20th century celadon glazed vase converted to lamps, 35cm high, (2).

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Bellmans
Lot 1901

A Meissen porcelain vase and cover, late 19th century, the foliate pierced cover over a cobalt blue and gilt ground , painted with a shepherd and shepherdess in a landscape, flanked by snake entwined handles over a square foot, blue crossed swords mark, 28cm high. Illustrated

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Bellmans
Lot 1903

A Paris porcelain cylindrical vase, second half 19th century, painted with two panels enclosing an oriental figure in a landscape against a ground scattered with flowers between gilt borders, 22.5cm high.

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Bellmans
Lot 1905

A near pair of large Wedgwood creamware baluster vases, circa 1767, each bulbous body applied with four lion masks suspending flower garlands above acanthus leaves, raised on a gadrooned circular foot, unmarked, each approx. 41.5cm. high, (2). Provenance: Sotheby's London, 21 November 2006, lot 40. IllustratedAn almost identical vase, also unmarked, with conical cover, is illustrated by G.Blake Roberts, `To Astonish the World with Wonders, Josiah Wedgwood I 1730-1795' English Ceramic Circle Transactions , Vol. 16, pt.2, p.168, pl.10.

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Bellmans
Lot 1919

A group of glassware, early 19th century and later, comprising; a pair of cut glass spirit decanters and stoppers, 22cm high; a plain spirit decanter and stopper, 23cm high; a boat-shaped salt; a cut glass vase, 21.5cm high; a large circular shallow bowl, 38 cm diameter; a smaller bowl, 25.5cm diameter, and a large goblet, 21cm high, (11).

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Bellmans
Lot 1955

A Galle cameo glass vase with later lid and internal light, circa 1900, purple foliate decoration against a pink ground, signed 'Galle', 13cm high overall. Illustrated

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Bellmans
Lot 1999

A group of six items of Attic style pottery, mostly painted with figure and animal subjects, comprising; a two-handled vase; four various jugs and a small footed bowl, (a.f), vase 32cm high, (6).

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Bellmans
Lot 2012

A Chinese flambé glazed vase, 18th/19th century, of pear form covered in a deep red glaze, (a.f), 22.5cm high, wood stand and fitted box.

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Bellmans
Lot 2013

A Japanese ao-kutani double vase, Meiji period, the conjoined vases painted with river landscapes, applied on one side with a standing bijin, the reverse with a kneeling girl, signed, 25.5cm high.

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Bellmans
Lot 2024

A pair of Chinese ivory figures of young women, early 20th century, each standing in long robes, one holding a basket with flowers, the other with lotus, 15cm high, wood stands; also a smaller ivory figure of a young woman with vase of flowers, 14.5cm high, wood stand, (3).

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Bellmans
Lot 2060

A tall Japanese Satsuma vase by Ryozan, Meiji period, of tapered cylindrical form, enamelled with women and children at leisure, including one young woman seated playing the koto, between elaborate foliate borders, signed above a Shimazu mon and below the Yasuda company trade mark, 30cm. high. Illustrated

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Bellmans
Lot 2076

A small Chinese famille-rose ovoid vase, Republic period, 20th century, blue enamel four-character Qianlong reign mark, finely painted with an extensive mountainous landscape beneath a blue enamel ruyi head border, 7.75cm. high.

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Bellmans
Lot 2083

A Chinese aventurine glass two handled vase and cover, 18th/19th century, of flattened baluster form, set with animal mask and ring handles, 12cm. high, wood stand, (3).

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Bellmans
Lot 209

A small group of ceramics and collectables, including; cased camera toby jugs, Asian vase, German tankard and sundry.

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Bellmans
Lot 2105

A Chinese porcelain vase (gu), six character Wanli mark, but 19th century, painted in a wucai palette with two central panels of dragons, against a ground filled with boys and tendrils, the lower part painted with birds in fruiting branches, 23.5cm. high, wood stand, (2). Illustrated

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Bellmans
Lot 2113

A Chinese famille-rose vase, probably Republic period, 20th century, painted with two young women in a sanpan and another watching from the riverbank, iron- red Juren Tang mark, (a.f), 23cm. high; also a Chinese blue and white pear shaped vase painted with panels of vases 21cm. high, wood stand, (3).

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Bellmans
Lot 2124

A Chinese famille-rose baluster vase, late 19th century, brightly enamelled with flowering shrubs and pierced blue rocks, 21cm. high, pierced wood cover and stand, (3).

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Bellmans
Lot 2129

A small Chinese red earthenware two-handled vase, Neolithic period, circa 3rd century BC, painted with a stylised design, 13cm high.

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Bellmans
Lot 2131

Four Chinese famille-rose plates, Qianlong, each painted in the centre with a vase and flowers, the border scattered with flower sprays, (a.f), 23cm. diameter, (4).

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Bellmans
Lot 2132

A Japanese bronze vase, Meiji period, of lobed bulbous form, the underside cast with a dragon and ho-o bird around a two-character mark, 23cm. high.

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Bellmans
Lot 2142

A Japanese Fukagawa vase, Meiji/Taisho period, the bulbous body beneath a waisted neck and scalloped rim, painted with branches of flowering prunus against a deep blue ground, signed, 26.5cm. high.

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Bellmans
Lot 2148

A Chinese famille-rose teapot, Yongzheng, of compressed globular form, delicately enamelled with two birds and an insect amongst flowering branches, cover lacking, 7.5cm. high excluding handle; also a miniature Yongzheng famille-rose baluster vase painted with a cockerel and hen amongst flowers and blue rocks, 8.75cm. high, (2).

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Bellmans
Lot 2151

Three pieces of Chinese blue and white porcelain, various dates, comprising; a small kraak porcelain dish, Wanli, painted with a duck beside a pond, the panelled border with auspicious symbols and fruit, 14.5cm. diameter; a beaker vase, Kangxi, painted with panels enclosing a landscape and flowering prunus, 17cm. high; a small plate, Yongzheng, painted with a pagoda and two birds, 11.5cm. diameter, (a.f), (3).

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Bellmans
Lot 2158

A Chinese celadon glazed oviform jar, probably 19th/20th century, decorated in relief with dragons amongst tendrils, 23.5cm. high; also a Chinese celadon glazed discoidal vase, moulded with dragon and phoenix panels, 24cm. high, and a Chinese famille-rose octagonal planter painted with figurative panels, iron-red seal mark, 22cm. wide, (3).

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Bellmans
Lot 2182

A Chinese famille-verte dish, Kangxi, painted in the centre with a vase of flowers inside a seeded green and floral border reserved with flower panels, 29.25cm.diameter; also a small Transitional period ovoid vase and cover, painted with peony in underglaze-blue, iron-red and green, (a.f), (3).

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Bellmans
Lot 25

A group of glassware, comprising; a Bohemian blue glass miniature slipper, a small boot shaped stirrup cup, a small green glass tavern measure, a pair of moulded glass salts, an enamelled glass mug, an engraved flask, two drinking glasses and a small vase.

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Bellmans
Lot 269

Asian interest, collectables including; hardwood vase stands, enamel pots, green hardstone birds and sundry.

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Bellmans
Lot 36

Handgemalt, Classic Rose, a pair of porcelain vases, with gilt decoration, 22cm wide x 28cm high, a smaller matching vase, 19cm high and a 20th century cut glass table lamp, 55cm high, (4).

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Bellmans
Lot 476

A late Victorian mahogany dining chair with Queen Anne style vase back on ball and claw supports, 56cm wide x 96cm high.

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Bellmans
Lot 50

A Savonnerie carpet, French, the plain pale pink field with trellis spandrels and floral garlands, a grey border with four large shell motifs and corner roundel's, each with a vase of floral bouquets 460cm x 491cm

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Bellmans
Lot 664

A giltmetal-mounted quarter repeating ebonised bracket timepiece By John Ebsworth, London, the movement late 17th century, in a replica caseThe case with a domed top above scrolled handle and pierced mount with four vase finials, with glazed front door and pierced sound fret, glazed bar door and a glazed panel to each side, the 6 3/4in. square brass dial, with cherub mask spandrels, silvered chapter ring with large trefoil intersectors, blued steel pierced hands, matted centre with engraved centre rose, harboured winding aperture and calendar aperture above the VI, the fusée movement with four finely turned pillars, latched to teh plates, with verge escapement and one-in-passing strike, signed backplate with floral engraving, with vertically mounted bells, the dial possibly replaced38cm highJohn Ebsworth is recorded as apprenticed in 1657, a member of the Clockmakers' Company from 1665 until his death in 1699.See Sunny Dzik, Engraving on English Table Clocks, Oxford 2019, p. 58, Fig. 5.14 for another backplate signed Ebsworth with the same distinctive tulips.

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Bellmans
Lot 678

A gilt brass-mounted ebonised bracket timepiece with alarm The movement by William Webster, London The inverted bell-top case with a brass carrying handle above four vase finials, with panel door and glazed arched panel, the back similar, the sides each with a pierced fret sound panel above an arched glazed panel, on plinth base and block feet, the twin train five-pillar fusée movement with engraved backplate and later anchor escapement, formerly quarter repeating; restorations, case and movement possibly associated 48cm high

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Bellmans
Lot 694

A Fine and Rare Victorian parcel-gilt bronze four-glass quarter striking giant carriage clock Signed Alexander Guillaume, London, No. 861, probably McCabe workshops or associatesCirca 1855The case surmounted with a shaped handle above a bevelled glass panel, stepped pediment, above bevelled glass sides and glazed dial, with canted angles, mounted with cast foliage, on a stepped plinth cast with scrolls and foliage, bronze lift-out back with shuttered winding apertures, hand set and platform regulation, the arched gilt brass dial engraved all over with foliage, Roman numerals and inset seconds subsidiary at the XII, trefoil hour hand, inscribed in a reserve below the VI ALEXR GUILLAUME LONDON 861, the high-quality twin train chain fusée movement with maintaining power, high-grade platform lever escapement with cut bi-metallic compensated balance, exceptional vase-shaped pillars with finely-turned fins, quarter striking on two blued steel gongs; on a carved oak breakfront plinth The clock: 28cm highPROVENANCE:A Hampshire family, since the mid-19th centuryBy descentThe property of a gentlemanBy descent to the current vendorThis clock was no doubt commissioned by Louis-Alexander Guillaume, acting as agent for a retail client. He is known primarily as a watchmaker. A native of Neuchatel, Switzerland, he came to London in 1835 and is recorded at 24 Spencer Street, Northampton Square, Clerkenwell. He died on 10 January 1873, in his 60th year (see The Horological Journal, March 1873, p. 84). An identical clock, signed Klaftenberger, 157 Regent Street, London, also with quarter striking movement and high-grade platform lever escapement, was advertised in the Antiquarian Horological Journal, June 1983, p. 119. It is also illustrated in Derek Roberts, Carriage and Other Travelling Clocks, Atglen 1993, p. 345, fig. 23-26.The fashion for large bronze and gilt carriage clocks during the mid-19th century was satisfied by McCabe, Dent and latterly Frodsham. Their design, quality and execution were of the utmost quality and no doubt a status symbol for clientele. Comparison can be made to signed pieces by McCabe, such as No. 2833 (sold Christie's, London, 18 November 2010, lot 101), which has the distinctive shaped handle, albeit with fluting. The Guillaume clock, with its shallow arch for the dial, with the inset seconds at the XII, all within the most superbly engraved foliate design and flanked by the distictive canted angles, would support production from the same workshop. Another quarter striking clock by McCabe 2927 (sold Bonhams, London, 11 December 2013, lot 106) has a sumptous finely-chased gilt bronze case. The handle is of the same pattern, with the faceted centre part and twin double rings. The stepped moulding to the rectangular pediment, especially the overhang, is identical. McCabe's canted angles have a shaped 'claw' at the top, whilst the base is finished with a scrolled volute. The Guillaume clock includes the same canted angles, with the addition of a rosette and deeply-chased pendant flowers to each angle, all supported on a gilt bronze foliate-chased scrolling plinth. McCabe is not known to have diverged from his use of lever escapements for these 'travelling' clocks as chronometer escapements would be more susceptible to damage.The virtuosity of the engraving found on these giant carriage clocks, as well as clocks by Thomas Cole, are related and point to a vibrant school of talented engravers in London.

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Bellmans
Lot 714

A Fine French ormolu-mounted, boulle and cut brass-inlaid mantel clockIn the Regence style, after André-Charles Boulle, second half 19th centuryThe stepped pediment surmounted by four small and four larger flaming vase finials, the domed pediment with satyr masks above a moulded arch with shaped glazed panel door and flanked to each corner by a caryatid above a scrolled bracket resting on recumbent horses, the 8 1/2in. circular brass dial with enamel plaquettes and blued steel hands, above a frieze cast with figures emblematic of the arts, the twin train movement inscribed Denis Millard A Paris, with countwheel strike and anchor escapement, with tapering baluster pillars, on a conforming serpentine-shaped plinth with drapery apron81cm high overall

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Bellmans
Lot 95

Ceramics, including; a Whitefriars style glass vase, a Chinese export tankard, a Prattware pot lid depicting bears and sundry, (qty).

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Tennants Auctioneers
Lot 114

A George III Provincial Silver Caster, by David Crawford, Newcastle, circa 1770, baluster and on spreading foot, the pull-off pierced cover with vase-shaped finial, 14cm high, 3oz 16dwt . Marked under foot. The cover is apparently unmarked. The marks are generally clear. There is overall surface scratching and wear, consistent with age and use. There are some bruises overall and a repair to the top of the baluster and another to the cover. The foot is slightly bruised so the caster leans very slightly.

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Tennants Auctioneers
Lot 40

A Royal Worcester Porcelain Vase, by Charles Baldwyn, circa 1903, of urn shape with mask handles, painted with owls perched on branches on a sky blue ground within gilt moulded borders, signed C BALDWYN, printed mark in green, 27.5cm high. Body broken and restored and with some minor wear to decoration. 021019

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Tennants Auctioneers
Lot 63

A Cantonese Porcelain Baluster Vase, mid 19th century, of baluster form with mythical beast handles, typically painted with figures in interiors and birds amongst foliage in panels on a foliate ground, 62cm high

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Tennants Auctioneers
Lot 113

A George III Silver Coffee-Pot, by Ann Robinson, Newcastle, 1802, tapering and on spreading foot, the rim with an engraved ribbon and husk border, the hinged cover with vase finial, engraved with a crest within foliage cartouche on one side and a vacant cartouche on the other, later engraved underneath with an inscription, 31cm high, gross weight 28oz 13dwt . Fully marked underneath. The cover apparently unmarked. The marks are generally clear. In generally good condition with only some minor surface scratches and wear, consistent with age and use. The wear is noticeable as a very minor softening to the engraving. The wood handle is probably a replacement and has some small areas of loss.

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Tennants Auctioneers
Lot 76

A George II Silver Caster, by Samuel Wood, London, 1756, baluster and on spreading foot, the detachable pierced cover with vase-shaped finial, 16cm high, 5oz 10dwt. Fully marked underneath. The cover with lion passant and maker's mark only. The marks underneath are clear. The marks on the cover have some wear but are still legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the engraving. There is some persistent tarnish on the surface which may benefit for a professional cleaning.

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Tennants Auctioneers
Lot 61

A Pair of Cantonese Porcelain Bough Pots and Covers, mid 19th century, of flared canted square form with crabstock handles, typically painted in famille rose enamels with figures in gardens and interiors within moulded and applied scroll and vine borders and foliate rims, 25cm high. One vase with 2cm chip to outside of foot rim and small chip to outside of upper rim. Some typical wear throughout and some tiny chips and flakes to applied decoration. 041019

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Nigel Ward & Company
Lot 1432

A quantity of vintage Christmas decorations and mother of pearl decorated vase

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Nigel Ward & Company
Lot 1573

A quantity of china to include pie funnels, jug, vase, Burslem part Teaset, etc.

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Nigel Ward & Company
Lot 1578

An oriental blue and white Vase, 18''.

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Nigel Ward & Company
Lot 1594

An early Studio pottery Chinese style Vase signed Gilchrist, 13/11/1925

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Nigel Ward & Company
Lot 1600

A large Royal Worcester porcelain blush ivory globular long neck bottle Vase with eastern influence with reticulated neck and griffin terminal handles with elaborate moulding to base, hand painted with chrysanthemums and gilt, 11" tall, code for 1892.

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Nigel Ward & Company
Lot 1618

A boxed Moorcroft posy vase decorated with blackberries.

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Nigel Ward & Company
Lot 1620

A boxed Moorcroft Leicester vase, 8 cm high.

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Nigel Ward & Company
Lot 1621

A pair of green Jersey pottery vases, Portmeirion Botanical garden vase and a Moorcroft style dump vase.

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Nigel Ward & Company
Lot 1632

A box of miscellaneous china including China Rose Blossoms (some a/f.), John Putmans small Gothic house, three pieces of Wade china, Denby vase, vases etc.

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Nigel Ward & Company
Lot 1645

A blue/white Chinese Vase and a ginger Jar

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Nigel Ward & Company
Lot 1659

An early Royal Copenhagen porcelain full lace small vase, decorated with flowers and leaves with gilt enhancement .

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Nigel Ward & Company
Lot 1676

A Royal Doulton Lambeth Vase, 8" tall.

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