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Lot 360
A Moorcroft vase in the leaves and berries pattern, decorated against a washed ink and green ground, of tall ovoid form, impressed and painted marks to the underside, 31cm high CONDITION REPORT:The piece shows the odd small firing pit and frit to the surface, and some small glazing faults, but no obvious chips, cracks or restoration. There is extensive surface crazing throughout the exterior and interior, including a craze line descending from a small glazing fault for approximately 7cm which appears to have developed into a hairline crack. The piece is dirty and would benefit from cleaning.
Lot 380
A Royal Worcester vase, early 20th century, of compressed spherical form, decorated by James Stinton with mallards taking flight over a lily pond, signed "JAS Stinton", puce printed maker's mark for 1908 and number "1867" to base, 14.5cm high CONDITION REPORT:The piece shows the odd small under glaze firing pit, rubbing to the gilt highlights and fine surface wear throughout, but no obvious chips, cracks or losses.
Lot 41
A selection of silver, silver coloured and cut glass dressing table ware, to include a pair of silver weighted posy vases, James Deakin & Sons, Chester 1916, each 15.4cm high, a further silver weighted posy vase, Elkington & Co, Birmingham 1964, 13.8cm high, a George V miniature silver pedestal dish with weighted base, S Blanckensee & Son Ltd, Chester 1929, 6.7cm high, a Chinese mother of pearl trinket dish, 11.5cm wide, two silver mounted cut glass dressing table jars, each 7.5cm high, a silver mounted cut glass scent bottle, 15cm high, and a silver mounted miniature circular photograph frame, 6.5cm diameter (9)
Lot 412
A Waterford Crystal footed bowl, 20th century, with scalloped rim and fluted foot, etched maker's mark to base, 26cm diameter, 19.5cm high, with a Waterford Crystal foot vase in a similar design, 16cm diameter, 33cm high, and a flared crystal bowl with hobnail cut decoration, 30.5cm diameter, 10.5cm high (3) CONDITION REPORT:All three pieces show fine surface wear and very minor nibbles to high points, but no obvious chips, cracks or losses.
Lot 452
A pair of WMF Art Nouveau or Jugendstil pewter posy vase sleeves, late 19th or early 20th century, each twin handled vase sleeve with shaped relief cast flower head rim on typical stylised stems, each stamped "WMF EP OX" to base, each 14cm high, with a further WMF Art Nouveau pewter twin handled posy vase sleeve, the pierced rim forming relief cast drooping flower heads above a fluted column raised on square pad feet, stamped 17cm high (3)
Lot 1128
MASA TOSHI: A CONTEMPORARY LACQUERED CERAMIC VASEJapan, Heisei Era (1989-2019), dated 2005 on the accompanying wooden box which is also signed Masa Toshi. The elegant vase shows a beautiful, curved silhouette, the bold, coarse stoneware contrasts with the two white lacquered panels, which make the vase attractive from every angle. HEIGHT 44 cm Condition: Excellent condition. Provenance: Dutch private collection.
Lot 837
A BLUE AND WHITE DOUBLE GOURD VASE, LATE QING TO REPUBLICChina, late Qing dynasty (1644-1912) to Republic period (1912-1949). Of double gourd shape, the exterior finely painted in underglaze blue, the upper section with five playing boys, the lower section with a palace scene and a cloud border. The recessed base with an apocryphal six-character Kangxi reign mark.Provenance: Holzapfel collection, Geneva, Switzerland. This lot was acquired by second generation members of the Holzapfel family after 1990 and has remained in the family ever since.Condition: Very good condition with minor wear, and manufacturing flaws such as pitting.Weight: 1,167.7 gDimensions: Height 26.3 cm
Lot 932
A BLUE AND WHITE 'DRAGON CHASING THE FLAMING PEARL' VASE, 20TH CENTURYChina. Of slender cylindrical form, printed and painted in blue and white and depicting a five-clawed dragon chasing the flaming pearl, surrounded by blue and aubergine flames. The recessed base with an apocryphal four-character Kangxi mark.Provenance: German private collection.Condition: Superb condition with minor wear, and manufacturing flaws, such as pitting.Weight: 317.8 gDimensions: Height 21.9 cm
Lot 874
AN ENAMELED GARLIC-MOUTH PORCELAIN BOTTLE VASE, QING TO REPUBLICChina, late Qing Dynasty (1644-1912) to Republic period (1912-1949). The flaring sides rising from a short spreading foot with recessed base to a rounded shoulder with waisted neck surmounted by a garlic-head mouth, finely painted in iron red and gilt with geometric and floral bands on a celadon ground further embellished with grey lines imitating craquelure. The underside with an underglaze blue six-character apocryphal Yongzheng mark.Condition: Very good condition with hardly any wear.Provenance: A notable private collector in Kensington, London, United Kingdom, originally acquired in America.Weight: 434 g Dimensions: Height 23.5 cm13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU.
Lot 256
A MUGHAL-STYLE CELADON JADE VASE AND COVERChina, 20th century. The tapered rectangular sides supported on a splayed foot and rising to a short neck with a lipped rim and two archaistic chilong handles, surmounted by a square-sectioned cover. The sides are crisply carved in relief with lotus sprays. Condition: Very good condition with minor wear and few minuscule nicks along the rims. Provenance: German private collection. Weight: 586 g Dimensions: Height 31.5 cm
Lot 708
A LONGQUAN CELADON KINUTA (MALLET) VASE WITH PHOENIX HANDLES, MING DYNASTYChina, 14th-15th century. The mallet-shaped body rising to a wide everted rim, set to the neck with a pair of stylized phoenix handles with detailed crown and wings, covered overall with a glaze of sea-green tone, suffused with a network of fine crackles, the glaze neatly stopping above the unglazed foot ring to reveal the buff ware, partially burnt to orange during the firing.Provenance: From a private collection in Brooklyn, New York, USA. Condition: Superb condition with manufacturing flaws such as ceramic warts, glaze recesses at the base, and small chips to the foot rim. Old wear, minor soiling and traces of use. Weight: 509.6 g Dimensions: Height 17.1 cm Literature comparison: Published examples include one in the Bishmon-do Temple, previously in the possession of a branch of the Tokugawa Family, the former Daimyos of Kyushu, illustrated by Gompertz, Chinese Celadon Wares, London, Hong Kong, 1962, 1980, plate 78, and another two illustrated ibidem, one from the Fitzwilliam Museum, Cambridge, color plate G and the other, from the Yomei Bunko Collection, plate 80, and finally one in the National Palace Museum, Taipei, illustrated in Lung-Chuan Ware of the Sung Dynasty, plates 5 and 5a. Mallet vases with dragon and phoenix handles were also found in the wreck of a Yuan dynasty ship near Sinan and were included in the Special Exhibition of Cultural Relics Found off Sinan Coast, Seoul, 1977, and illustrated in the catalog, plates 4-7.Auction result comparison: Compare a closely related Longquan celadon mallet vase, dated to the Southern Song dynasty, at Sotheby's Hong Kong in Chinese Art on 3 December 2015, lot 284, sold for HKD 212,500.13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU. 明代龍泉窯青釉鳳耳瓶中國，十四至十五世紀。瓶小盤口，直頸，折肩，直腹，圈足。頸部兩側各置一鳳耳。灰白色胎，通體施青釉，釉面開片紋。圈足露胎，局部成橙色。 來源：美國紐約布魯克林私人收藏。 品相：狀況極佳，製造瑕疵，如陶瓷凸點、底部的釉料凹槽和邊沿磕損。磨損、輕微污漬和使用痕跡。 重量：509,6 克 尺寸：高17.1 厘米 拍賣結果比較：比較一件十分相近的南宋龍泉窯青釉鳳耳, 見香港蘇富比Chinese Art 2015年12月3日 lot 284, 售價HKD 212,500。
Lot 82
AN ARCHAISTIC HANDPAINTED BRONZE VASE, 20TH CENTURYChina. Of baluster shape, painted in black and dark green in imitation of malachite, with a broad band of archaistic birds on leiwen ground, flanked by two zoomorphic masks, a dedication note incised to the side.Provenance: German private collection.Condition: Very good condition, with light surface scratches, and minor manufacturing flaws.Weight: 1,610 gDimensions: Height 24.4 cm
Lot 836
A BLUE AND WHITE 'CRANES' VASE, 1900sChina, late Qing dynasty (1644-1912) to Republic period (1912-1949). Rising from a short foot to a waisted center piece, with a stylized bamboo neck and garlic head mouth, depicting six cranes in flight amid ruyi shaped clouds, a yin-yang symbol to the neck. The recessed base with an apocryphal four-character Tang Dynasty mark.Provenance: German private collection.Condition: Good condition, the mouth with two repaired breakages, touchups, and manufacturing flaws, such as dark spots.Weight: 2,218 gDimensions: Height 36.4 cm
Lot 704
A QINGBAI GLAZED CERAMIC BURIAL VASE WITH DAOIST DECORATION, SONG DYNASTYChina, Song dynasty (969-1279). The vase consisting of an oval belly, a long cylindrical neck decorated in the applique technique with twelve standing figures, birds, a dragon wrapping around the neck, and the moon. The lid with three rows of s-shaped applications, surmounted by a phoenix. Overall covered in a bluish glaze, stopping above the bottom rim, revealing the buff ware.Provenance: Dr. Mons Fischer private collection. Being a seasoned private collector of modern and contemporary art, Dr. Mons Fischer has acquired fine Chinese works of art since the 1980s, eventually building one of the most important collections of its kind in Austria. A collector's number to the base.Condition: Good condition, with some wear, firing flaws, losses, and chips.Weight: 3,120 g (the vase and cover)Dimensions: Total height 62.8 cm, height 44.8 cm (the vase), 18 cm (the lid)
Lot 736
A GILT-DECORATED POWDER-BLUE GROUND 'BIRDS AND FLOWERS' BALUSTER VASE, KANGXI PERIODChina, 1662-1722. The baluster sides rising from a short foot to a waisted neck with everted rim. Finely painted in gilt to the body with two pheasants perched on gnarled branches amid flowering peony above a band of scrolling lappets and below a band of butterflies and foliate scroll, and to the neck with a sparrow and butterfly amid rockwork, peony, and bamboo, below a band of pendent ruyi-heads. The underside with a double circle in underglaze blue.Provenance: Collection of Harry J. Haon II, and thence by descent within the family. Harry J. Haon II (1901-1989) and his son Harry J. Haon III (1934-2013) were chemists and lifetime employees of E.I. du Pont de Nemours & Company. In 1954, Harry Haon II moved to London to serve as a Manager of the European Office for the Foreign Relations Department. After he retired in 1962, he continued to live in London part-time until the late 1970s, and many pieces of his notable collection of Asian works of art were acquired during this time.Condition: Very good condition with some wear, particularly to gilt, and firing flaws, such as open bubbles, small glaze recesses, and dark spots. Minor fritting to rim and base.Weight: 2,675 gDimensions: Height 39.2 cmExpert's note: During the early Qing dynasty, up until the 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including blank double circles.Auction result comparison: Compare a related but smaller (25.4 cm high) rouleau vase, also painted with birds and flowers in gilt on a powder-blue ground and dated to the Kangxi period, at Christie's Hong Kong in Important Chinese Ceramics and Works of Art on 27 November 2007, lot 1710, sold for HKD 125,000.康熙灑藍地描金花鳥紋鳳尾瓶中國，1662-1722年。喇叭狀口，長頸，鼓腹，下斂，至底又廣。灑藍地描金兩隻錦雉棲息在牡丹花枝上，四周蝴蝶飛舞，牡丹盛開，竹林叢叢，足部如意紋。 圈足白釉，内有青花雙圈。 來源：Harry J. Haon II收藏，自此保存在同一家族至今。Harry J. Haon II (1901-1989) 與他的兒子Harry J. Haon III (1934-2013) 是 杜邦公司的化學家和終身僱員。1954 年，Harry Haon II 移居倫敦，擔任對外關係部歐洲辦事處經理。 1962 年退休後，他繼續在倫敦兼職生活，直到 1970 年代後期，他收藏的許多著名的亞洲藝術品都是在此期間購置。 品相：狀況極其好，有一些磨損，特別是鍍金和燒製瑕疵，例如開放的氣泡、小的釉面凹陷和黑點。 邊緣和底部有輕微的燒結。 重量：2,675 克 尺寸：高39.2 厘米 專家注釋：清初至1680年代，中國局勢動盪，御器製作及瓷器年號的使用受到各種限制。 在此期間，不同類型的其他標記開始使用，包括空白雙圈。 拍賣結果比較：比較一件康熙時期相似，但稍小 (高25.4 厘米) 的灑藍地描金花鳥瓶，見香港佳士得Important Chinese Ceramics and Works of Art 2007年11月 27日 lot 1710, 售價HKD 125,000。
Lot 49
AN ARCHAISTIC BRONZE BEAKER VASE, GUChina, late Ming Dynasty (1368-1644) to early Qing Dynasty (1644-1912). Of square section, cast with taotie masks against a leiwen ground, the upper section with blades, all interspersed with flanges around the corners. Mounted to a recent wood stand. Condition: Very good condition with minor wear and casting flaws, some nicks, and light scratches. Provenance: French private collection. Weight: 1884 g Dimensions: Height 29.5 cm incl. the standAuction result comparison: Compare a related gu vase, but dated to the 17th century, at Bonhams London in Roger Keverne Ltd. Moving On on 11 May 2021, lot 251, sold for GBP 4,845.
Lot 757
A TEADUST-GLAZED GARLIC-MOUTH VASE, QINGChina, Qing dynasty (1644-1912), 19th century. The ovoid body rising from a short, splayed foot to a tall slender neck with a garlic-head mouth, covered overall in a speckled olive green glaze, the interior of the rim glazed ochre. The recessed base with an apocryphal six-character da Qing Qianlong nianzhi seal mark highlighted by a russet-brown glaze.Condition: Excellent condition with only minor wear and minimal firing flaws. Provenance: A notable private collector in Kensington, London, United Kingdom, acquired at auction from a private estate in Boston. Weight: 1070 g Dimensions: Height 28.5 cm13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU.
Lot 845
A BOTTLE-SHAPED 'DRAGON' VASE, 1900sChina, late Qing Dynasty (1644-1912) - Republic Period (1912-1949). Rising from a short circular foot to a waisted center piece and long neck with straight rim, finely painted in iron-red and gold above the glaze with two confronting five-clawed dragons chasing the magical pearl, surrounded by lingzhi-clouds and flames, below a border of crashing waves. A leaf band to the neck with two shou characters. The recessed base with an apocryphal six-character Qianlong seal mark in underglaze blue.Provenance: German private collection.Condition: Excellent condition with minor wear.Weight: 784 gDimensions: Height 32.7 cm
Lot 255
A LILAC-GRAY JADE ARCHAISTIC VASE AND COVER, HU, 20TH CENTURYChina. The flattened pear-shaped body, supported by a spreading foot, carved on each side in low relief with archaistic designs and stylized bird motifs on a leiwen background, the neck flanked by two zoomorphic handles, the cover also with stylized birds on leiwein ground. The translucent stone of a mottled lilac-gray tone with milky white inclusions. Provenance: German private collection.Condition: Good condition with minor wear and nibbling. The stone with natural fissures, some of which have developed into small hairline cracks.Weight: 1,424 gDimensions: Height 31.2 cm
Lot 827
A BLUE AND WHITE 'PHOENIX AND DRAGON' BLEU DE HUE VASE, LATE QING DYNASTYChina, Qing dynasty (1644-1912), 19th century. The blue and white bottle vase depicting a four clawed dragon and phoenix flying amid lingzhi clouds, the neck with a metal mounting. Provenance: Holzapfel collection, Geneva, Switzerland. This lot was acquired by second generation members of the Holzapfel family after 1990 and has remained in the family ever since.Condition: Very good condition with minor wear, light surface scratches, and manufacturing imperfections.Weight: 605.2 gDimensions: Height 23.3 cmChinese blue and white porcelain such as this, was manufactured for the export to Vietnam and was mainly exported during the 18th and 19th century until after the revolution led by Dr. Sun Yat-sen. At the end of the 19th century metal rims were popular, to protect the rim from damages.
Lot 763
A BLUE AND WHITE DOUBLE GOURD PORCELAIN VASE, QINGChina, Qing dynasty (1644-1912). Painted with panels of mountain and water landscapes to the upper and lower section, separated by a key-fret border in the center, reeded between the panels. The recessed base with a double circle in underglaze blue.Provenance: British private collection.Condition: Excellent condition, with manufacturing flaws, and minor wear.Weight: 728 gDimensions: Height 23.9 cm
Lot 867
A COPPER-RED 'DRAGON' PORCELAIN BOTTLE VASE, 1900sChina, late Qing dynasty (1644-1912) - Republic period (1912-1949). The compressed globular body rising from a short ring foot to a long tubular neck, finely painted in underglaze copper-red with a sinuous dragon pursuing a flaming pearl among scattered flames and cloud scrolls extending up the tall slender neck, all within a diapered pattern band to the mouth and foot rim. The base with an apocryphal six-character Yongzheng seal mark in underglaze blue.Condition: Excellent condition with only minor wear and minimal firing flaws. Provenance: A notable private collector in Kensington, London, United Kingdom, acquired in the American trade. Weight: 1770 g Dimensions: Height 37.3 cm13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU.
Lot 235
A CELADON JADE FIGURE OF GUANYIN, 1930sChina, Republic period (1912-1949). Carved standing on a lotus base, dressed in a dhoti, wearing a celestial scarf, the hair pulled into a high chignon, holding a vase and pearl in her hands, flanked by two lotus stems, a mandorla behind her head. The translucent stone of a celadon tone.Provenance: Private collection, California, USA. Condition: Very good condition with minor nibbling. Weight: 186.2 gDimensions: Height 13.4 cm13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU.
Lot 169
AN ARCHAISTIC AGATE VASE, HU, REPUBLIC PERIODChina, 1912-1949. The shield-shaped body carved in relief to the sides with flowers and tendrils. The translucent stone of an elegant beige tone with dark brown inclusions. The base fitted and with reticulated feet.Provenance: German private collection. Condition: Very good condition, with a few nibbles to the rim, minuscule chips. The stone with natural fissures.Weight: 688 gDimensions: Height 18.5 cm (excl. base)With a fitted wooden base (2).
Lot 359
AN IKEBANA BRONZE VASE, MEIJI PERIODJapan, 1868-1912. Of simplistic form, rising from a spreading foot to a long neck, with a fine patination to the bronze. Provenance: Holzapfel collection, Geneva, Switzerland. This lot was acquired by second generation members of the Holzapfel family after 1990 and has remained in the family ever since.Condition: Very good condition with minor wear.Weight: 263.3 gDimensions: Height 28.2 cm
Lot 17
Vase; Manises, 19th century.Ceramic.Measurements: 50 x 28 x 28 cm; With base: 112 x 40 x 40 cm.Ceramic vase with different ornamental motifs, dominated by the presence of Arabic motifs in silver and blue. The piece has the classic colours used by the Manises factory, such as cobalt blue. This colour scheme, introduced by Islamic potters in medieval Spain together with the metallic lustre and the green and manganese style, appeared in Paterna at the end of the Middle Ages, and would be the most characteristic throughout Europe until the first half of the 18th century, when the secret of porcelain was discovered. The blue and white decoration was an attempt to imitate Chinese porcelain, which the Arabs were familiar with and used to make. Paterna was, along with Manises, the great centre of Islamic-influenced Hispanic ceramics, so it is not unusual for this new style to have its beginnings here. The blue glaze used by the Chinese is cobalt, a high-temperature glaze, which is why it is always applied under the glaze. In Islamic and Hispano-Muslim ceramics it will be called 'alsafra', a word derived from the Arabic word for cobalt. In the last quarter of the 14th century it began to be used in Paterna, and gradually replaced the green and manganese decorated series in these potteries. From this time onwards, the source of inspiration was no longer Muslim ceramics, but Chinese porcelain, with three firings: one for the paste, another for the white slip and finally the third for the enamel, the colours and the glaze. The decoration, on the other hand, becomes more abstract, and in the case of pieces with figurative decoration, this will only have half-length figures, with less defined backgrounds and a lesser spatial sense. They will be objects decorated with very linear lines.
Lot 1536
Daum NancyVase "Paysage"farbloses Glas, hellblaue Pulvereinschmelzungen, geätzt, teilweise mattiert; farbige Emailmalerei; Vase mit Landschaftsdarstellung; seitlich gemalte Signatur "DAUM/NANCY" mit LothringerkreuzH. 21,9 cmvgl. Daum (Kat. Samml., Musée des Beaux-Arts de Nancy), Paris 2000, S. 160 (Form)
Lot 1560
Johann Lötz WitweVasefarbloses Glas, rubinrot unterfangen, aufgeschmolzene und eingewälzte Silbergelbfäden, zu regelmäßigen Wellen verzogen; modelgeblasen; Wandung 4fach eingedrückt; reduziert und irisiertH. 22,3 cmRicke, Ploil, u. A.: Lötz, 2003, S. 297 (Dekor); Lötz. Musterschnitte, 1989, S. 34 (Form)
Lot 1561
Johann Lötz WitweKleine Vasefarbloses Glas, braun überfangen, mit fein geäderten Silbergelbfäden umsponnen, federähnlich verzogen; modelgeblasen; reduziert und irisiertH. 11 cmPrivatsammlung Karl Sochor, WienRicke, Ploil, u. A.: Lötz, 2003, S. 298 (Dekor); Lötz. Musterschnitte, 1989, S. 41 (Form)
Lot 1563
Kolo Moser und Johann Lötz WitweVasefarbloses Glas, gelb unterfangen, orangefarben und dunkelviolett überfangen, horizontal eingeschmolzene und verzogene silbergelbe Fäden; modelgeblasen; freigeformter Mündungsrand; reduziert und irisiertH. 29,9 cmRicke, Ploil, u.a.: Lötz, 2003, S. 300 (Dekor); vgl. Lötz, Musterschnitte, 1989, S. 280 (Form);Helmut Ricke, Tomás Vlček, Alena Adlerová, Ernst Ploil (Hg.), Lötz. Böhmisches Glas 1880-1940, Bd. 1, München 1989, S. 180, Abb. 191 (anderer Dekor)Koloman Moser entwarf ab 1899, wie beispielsweise auch Josef Hoffmann, Rudolf Holubetz oder Jutta Sika, Zier- und Gebrauchsgläser für den Glasverleger Bakalowits. Als glühender Sezessionist und überzeugt von der Ansicht, dass Kunst alle Lebensbereiche durchdringen sollte, förderte Bakalowits in seinem Unternehmen aufstrebende Künstler und Künstlerinnen und ließ deren Entwürfe unter anderem bei Lötz ausführen. Diese Kooperationen brachten eine Reihe von spannenden neuen Formideen hervor und wurde von der zeitgenössischen Avantgarde äußerst positiv aufgenommen.Die von uns angebotene Vase ist, mit der zu Zacken gezogenen Mündung und dem teuren Dekor Phänomen Genre 358, eine aufwendige und luxuriöse Fassung von Mosers Entwurf und stellt ein gelungenes Beispiel für die Zusammenarbeit zwischen Moser und Bakalowits dar. Eine Ausführung des Entwurfs wurde bei der Wiener Winterausstellung 1900/01 ausgestellt. (AS; Ricke, Vlček, Adlerová, Ploil (Hg.), Lötz. Böhmisches Glas, Bd. 1, München 1989, S. 150)
Lot 1564
Johann Lötz WitweVasefarbloses Glas, horizontal aufgeschmolzene gelbe Fäden, zu Wellen verzogen; modelgeblasen; dreifach eingedrückte Wandung, freigeformter dreipassiger Mündungsrand; reduziert und irisiert; auf der Unterseite mit seltener PfeilringsignaturH. 22,8 cmPrivatsammlung Karl Sochor, WienRicke, Ploil, u. A.: Lötz. Musterschnitte, 1989, S. 24 (Form)
Lot 1565
Johann Lötz WitweVasefarbloses Glas, lachsfarben unterfangen, horizontal aufgeschmolzene blaue Fäden, zu Wellen verzogen, unregelmäßig aufgeschmolzene silbergelbe Krösel; modelgeblasen; freigeformter Mündungsrand und Wandung je 4fach eingedrückt; reduziert und irisiertH. 18,9 cmRicke, Ploil, u. A.: Lötz, 2003, S. 291 (Dekor)
Lot 1567
Franz Hofstötter (Form) und Johann Lötz Witwe Vase mit Formentwurf für die Weltausstellungfarbloses Glas, dunkelblau unterfangen, aufgeschmolzene Silbergelbkrösel; modelgeblasen; freigeformter Mündungsrand; irisiert und reduziertH. 19,2 cmRicke, Ploil, u. A.: Lötz, 2003, S. 295 (Dekor); Lötz. Musterschnitte, 1989, S. 90 (Form); Ernst Ploil, Toby Sharp, Lötz 1900. Die Glasfabrik Lötz auf der Pariser Weltausstellung 1900, Wien 2017, S. 46 u. 47
Lot 1570
Johann Lötz WitweVasefarbloses Glas, rubinrot unterfangen, mit Silbergelbfäden umsponnen, zu 4 Federn verzogen; modelgeblasen; reduziert und irisiert; im ausgeschliffenen Abriss signiert "Loetz/ Austria"H. 24,7 cmRicke, Ploil, u. A.: Lötz, 2003, S. 297 (Dekor); Lötz. Musterschnitte, 1989, S. 24 (Form)
Lot 1573
Johann Lötz WitweVasefarbloses Glas, lachsfarben unterfangen, horizontal aufgeschmolzene blaue Fäden, zu Wellen verzogen, unregelmäßig aufgeschmolzene silbergelbe Krösel; modelgeblasen, Mündungsrand und Seite je 5fach eingedrückt; reduziert und irisiertH. 21,8 cmRicke, Ploil, u. A.: Lötz, 2003, S. 291 (Dekor); Lötz. Musterschnitte, 1989, S. 152 (Form)
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