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Lot 312

Φ Reginald Marlowa stoneware vase, shouldered ovoid form, painted with geometric flowerhead design in iron and copper on an off-white ground,impressed seal mark,20.5cm. high Exhibited Masters of Studio Pottery, Part 1: William Staite Murray and his pupils, Oxford Ceramics Gallery, 2018

Lot 53

A Carter Stabler & Adams Poole Pottery vase, pattern /XH, shouldered form, painted with columns of yellow spots and blue columns, between blue bands, impressed factory mark, painted mark, 25.5cm. high

Lot 213

A Crown Devon Memphis pottery vase designed by Colin Melbourne, shape CM5, swollen cylindrical form, pale blue matt glaze with gilt bands, and another Crown Devon CM7 vase designed by Colin Melbourne, impressed and printed marks, 21.5cm. high (2)

Lot 37

A Wedgwood Pottery vase designed by Keith Murray, ribbed, ovoid form with collar rim, covered in a matt blue glaze, printed factory mark KM monogram, 18cm. high

Lot 402

Φ Chris Carter (born 1945)a stoneware vase, twisted, swollen form, covered in a tenmoku glazeimpressed seal mark, 26cm. high

Lot 367

Φ Ian Godfrey (1942-1992)Antelope vase,a stoneware vase with village, and a small bird pot by Ian Godfrey,unsigned, minor repairs19.5cm. wide (2) Provenanceprivate collection.

Lot 337

Φ Jim Malone (born 1946)an Ainstable Pottery stoneware vase, bottle form, painted with cobalt blue foliate stems on a brushed hakeme ground,impressed seal marks, 34cm. high

Lot 430

A Sevres porcelain vase, model no.30117, shouldered ribbed form, covered in a pale celadon green glaze with flambe patches, printed factory mark, painted FAB monogram and 30117,18.5cm. high

Lot 484

A large Sommerso vase designed by Flavio Poli, flaring form, purple glass with blue, cased in clear unsigned, 31.5cm. high LiteratureQuittenbaum 2013 lor 2202 for a comparable form.Catalogue notesa comparable example attributed to Poli is held in the Murano Glass museum.

Lot 32

A Wedgwood Pottery vase designed by Keith Murray, ribbed ovoid form with collar rim, covered in a matt white glaze, a Wedgwood fluted vase designed by Keith Murray and a rectangular box and cover with GR monogram for the Coronation of King George VI in 1937, printed factory mark and KM monogram, glaze loss to box, 15.5cm. high (4)

Lot 177

Jean Després (1889-1980)a Modernist silver-plated solifleur vase, winged form with hammered finishetched J Després10cm. high22cm wide. ProvenanceJean David BotellaPAD LondonPrivate collection. LiteratureMelissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 138 this design illustrated.

Lot 52

A Carter Stabler & Adams Poole Pottery vase, painted by Audrey Miles, pattern UE shape 212, swollen, shouldered form, painted with stylised flower and foliage panels in yellow and black on a white ground, incised and painted marks, firing faults to base rim, 28cm. high

Lot 99

'Avallon' no.986 a Lalique clear and frosted glass vase designed by Rene Lalique, stencil R Lalique France, filled chip to top rim, 14.3cm. high

Lot 275

Φ Bernard Leach CBE (1887-1979)a Leach Pottery stoneware vase, ovoid with short, collar rim, covered to the foot with a pitted olive green, impressed seal marks, 18.5cm high

Lot 311

Φ Katherine Pleydell-Bouverie (1895-1985)a stoneware vase, shouldered form with broad band of incised decoration, covered to the foot in green ash glazeimpressed seal mark13.5cm. high Provenanceprivate collection.

Lot 341

Φ Laurence McGowan (born 1942)a tin-glazed pottery albarello vase, dated 1999, painted with tall wading birds amongst reeds, below a frieze of scaly fish, in blue, painted monograms, paper label, 27.5cm. high

Lot 564

Firmin Marcellin Michelet (1875-1951)an Art Nouveau patinated bronze vase, tapering form with three cast floriform handles,cast MP Michelet and Goldscheider foundry mark,18cm. high

Lot 471

A Loetz Papillon glass vase, twisted, tapering cylindrical form with pulled trefoil rim, green and gold iridescence, unsigned, 19cm. high

Lot 51

A Poole Pottery stoneware Atlantis vase by Catherine Connett, ovoid with cylindrical neck, covered in a streaked blue and glazed with brushed mint-green design, a Poole Pottery footed vase and two Poole Pottery Chinese blue vases, incised marks, 18cm. high (4)

Lot 377

Φ Geoffrey Eastop (1921-2014)a stoneware vase, ribbed cylindrical form covered with a mottled oatmeal glaze, the shoulder with ochre bandpainted monogram18cm. high

Lot 475

A Whitefriars Cinnamon glass Hoop vase designed by Geoffrey Baxter, moulded, swollen cylindrical form,unsigned, 29cm . high

Lot 463

A Loetz glass vase, square section with inverted rim, the surface decorated with trailing, covered in iridescent finish, unsigned, 12cm. high

Lot 453

A Memphis Pottery Reel vase designed by Ettore Sottsass, shouldered, cylindrical form, screen printed in black and white, painted Sottsass 1986 to base, 45cm. high ProvenanceThe Tom Watkins Collection.

Lot 397

Tony Laverick (born 1961)a porcelain vase, shouldered, swollen form, decorated with geometric design in lustre, with gilt rim, and another smaller by Tony Laverick,painted TL monogram32.5cm. high (2)

Lot 361

Peter Beard (born 1951)a tapering cylindrical vase, covered in a golden lustrous glaze impressed PFB mark 12.5cm. high ProvenanceBritish Art Pottery Woolley and Wallis, 11th December 2013, lot 432

Lot 443

A Royal Copenhagen Calla Lily twin-handled vase, model 249, slender form, painted with lily stems in colours on a graduated blue ground, a Royal Copenhagen vase painted with roses, another similar with a wild poppy flower, a Royal Copenhagen jar painted with bats, a vase similar and a large collection of Royal Copenhagen porcelain, printed and painted factory marks, 32cm. high (a lot) ProvenanceThe Daryl Fromm collection.

Lot 205

'Frilled and Slipper Orchids' a pair of Moorcroft Pottery table lamps designed by William Moorcroft, ovoid with tall cylindrical neck, tubeline decorated in colours on a blue ground, with patinated metal mounts, a Moorcroft Pottery Frilled and Slipper orchid vase and a Leaf and Berry vase, impressed marks, painted blue signature, professional restoration to lamps 67.5cm high (0verall), (4)

Lot 389

Φ Bernard Rooke (born 1938)a stoneware vase, rectangular form, cast in relief with geometric panels, glazed brown,27.5cm. high

Lot 480

An Oriente glass vase designed by Dino Martens probably made by Aureliano Toso, model no.3155, designed in 1952, flaring form with pinched rim, internally decorated with purple and white murrine 'star' panel, panels of colour, twists and aventurine, cased in clear, on applied glass foot,unsigned20cm. high LiteratureMarc Hieremans Dino Martens Muranese Glass Designer, Arnoldsche,1999, page 161 for a comparable vase.Quittenbaum, lot 2012 ProvenancePurchased by the vendor in San Francisco, 1988.Private collection of post-war design.

Lot 167

Jean Després (1889-1980)a Modernist tall hammered pewter vase, with twin-handles and spouts,etched J Després32cm. high

Lot 287

Φ David Leach OBE (1911-2005)a Lowerdown Pottery tin glaze earthenware vase, waisted cylindrical form, covered in a white tin-glaze over slip stained brown with manganese and iron,impressed seal mark,24cm. high LiteratureEmmanuel Cooper and Kathy Niblett, David Leach, Richard Dennis Publications, page 84 catalogue number 29, this vase illustrated.

Lot 316

Reginald Fairfax Wells (1877-1951)a Coldrum Pottery vase, shouldered form, covered in a running pink and white glazeimpressed Coldrum mark,14cm. high

Lot 203

'Pansy' a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a blue ground, a Moorcroft Pottery Frilled and Slipper Orchids jug and a small Frilled and Slipper Orchids vase, impressed factory marks painted blue signature, applied paper label, 19cm. high (3) Provenancefrom a private collection of Moorcroft Pottery

Lot 395

Sotis Filippides (born 1963)a tall vase, swollen, shouldered form with tall swollen cylindrical neck, covered in a textured matt black glaze,incised monogram67.5cm. high

Lot 208

'Leaf and Berry' a Moorcroft Pottery vase designed by William Moorcroft, slender, baluster form, tubeline decorated in blue and green on a graduating celadon to blue ground, impressed factory marks, painted blue signature, 22cm. high Provenancefrom a private collection of Moorcroft Pottery

Lot 391

Alan Wallwork (1931-2019)an early Forest Hill vase, shouldered form with incised and inlaid slip design,incised W36.5cm. high

Lot 326

Φ Phil Rogers (1951-2020)a salt-glaze stoneware vase, shouldered form, incised with simple grass motif, under a hakeme glaze,impressed seal mark, 20cm. high

Lot 35

A Wedgwood Pottery vase designed by Keith Murray, flaring bucket form, covered in a yellow Matt Straw glaze, printed factory mark KM monogram, 23.5cm. high

Lot 56

A large Poole Pottery vase designed by Truda Carter, painted by Ruth Pavely, pattern E, shape 916, shouldered form, painted with geometric flowers and foliage in blue, green, mushroom, grey and black on a white ground, impressed factory marks, painted monogram, stress hairline to top rim, 37cm high ProvenancePrivate collection. LiteratureLeslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 64 for this design in an alternative colourway illustrated.

Lot 98

'Avallon' no.986 a Lalique opalescent glass vase designed by Rene Lalique, stencil R Lalique France, 14.7cm. high

Lot 176

Jean Després (1889-1980)a silver plated solifleur vase with wings, central tube solifleur with hammered finish, with disc wings and central straps, on macassar ebony wood base25cm. high LiteratureMelissa Gabardi Jean Després Jeweler, Maker and Designer of the Machine Age, Thames & Hudson, page 138 this design illustrated.

Lot 492

Siddy Langley (born 1955)a glass vase dated 1999, ovoid with ovoid aperture, covered with a petrol iridescence, another spherical vase with trailed decoration by Siddy Langley, three other vases, three bottles with stoppers and five slender bottled and four stoppers, incised marks, 18cm. high (20)

Lot 63

A large Boch Freres vase designed by Raymond Chevallier, decorated with a band of stylised deer in black on a blue ground, highlighted in gilt, between matt black bands, printed factory marks, 31cm. high LiteratureArt Deco Keramik, Mettlach Ceramics Museum, 1981, page 25 catalogue no. 28 this design illustrated.

Lot 66

A small Powell Whitefriars glass vase by James Powell, flaring cylindrical form, cut with wavy bands of disc and line, unsigned, collection loan sticker, 15cm. highLiteratureLesley Jackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 129 plate 126 for an identical vase.ProvenanceJeanette Hayhurst Fine Glass, 1997.ExhibitedWhitefriars Glass, Manchester Museum & Art Gallery, (Brian Cargin & Chris Morley Manchester loan).

Lot 369

Mike Dodd (born 1943)a cut-sided stoneware lamp base, covered in an ash glaze, a tea caddy and cover similar, a salt-glaze stoneware teapot and cover by Sarah Walton, a beaker vase by Sarah Walton, a teapot and cover by David Garland two Minton large tiles and a collection of studio pottery,impressed seal mark, 21cm. high (a lot) ProvenanceThe Daryl Fromm Collection.

Lot 284

David Leach OBE (1911-2005)a Lowerdown Pottery stoneware vase, elliptical form, covered in a tenmoku glaze, with brushed flower stemimpressed seal mark,25cm high

Lot 461

A Louis Comfort Tiffany Favrile iridescent glass vase, twisted, tapering body with flaring rim, golden iridescent finish, etched L.C.T to base, 12cm. high

Lot 373

Eddie Curtis (born 1953)a porcelain vase, swollen form, covered in a rich copper red flambe glaze, a copper red footed bowl by Eddie Curtis, a jug and two other bowlsimpressed seal mark, chipped spout to jug,24.5cm. high (5)

Lot 292

Kawai Kanjiro (1890-1966)a stoneware vase and cover, twin-handled, waisted form, covered in a splitting cream ash glaze,unsigned, 18cm. high (2)

Lot 80

Mixed Lot: A George V small silver pierced bowl of circular form, hallmarked Birmingham 1923 together with a silver spill vase with a wrythen designed stem, Sheffield 1908, makers mark for Lee Wigfall, (2)

Lot 28

A 1960's Murano Sommerso blue cased vase, a clear glass vase with air bubbles and an Orrefors vase, numbered 7792 (3)

Lot 200

In the manner of Karl Wiedmann for WMF, a tall green mottled glass vase. Height 27 cm, diameter 10 cm.

Lot 38

A Kutani eggshell octagonal vase, decorated with bridges houses and figures, with nine character marks to the base. Height 30 cm.

Lot 201

In the manner of Karl Wiedmann for WMF, a red and green trumpet shaped glass vase. Height 33.5 cm, diameter 19 cm (see illustration). CONDITION REPORT: The vase is in good order with no damage, no repairs, and no restoration. There is some rubbing to the base and numerous small scratches also to the base but not the body.

Lot 138

An early Dennis China Works barrel vase, Sunflower with border on blue designed by Sally Tuffin, inscribed marks and signature to base. Height 15.5 cm, diameter at top 13 cm. 4/11.

Lot 199

An Okra iridescent glass vase. Height 15 cm, marked to bottom Okra '87 N BV 87 C.I.S, together with an Art glass vase and bowl.

Lot 188

Three Art Glass vases, one marked to bottom Breathing Space, attributed to Nick Orsler 15 cm. Carin Von Drehle a swirled green and purple vase +/- 13 cm high, signed to base and dated 1982, and another 26 cm with iridescent strip with red flashes, signed and dated 1985 (see illustration). CONDITION REPORT: All three pieces in this lot are in very good order. There are no chips, no damage , no repairs, and no restoration.

Lot 21

A pair of Kutani vases, decorated with birds to include peacocks, pheasants, geese and with nine character mark to the base of each. Height 17 cm. CONDITION REPORT: One vase has a handful of light scratches to the body but nothing untoward. The other vase has a chip to the rim approximately 1 cm in length, other than this just some very light scratches.

Lot 190

Four pieces of Art Glass, to include an iridescent square form bottle with paper label to bottom Peter Ravenwood Loetz case bottle 1902. Height 15 cm, together with three vases 20.5 cm, 18.5 cm and 15 cm. CONDITION REPORT: The Peter Ravenwood bottle vase has one very minor top rim nibble and other very minor surface scratches to the glass, but is otherwise in extremely good order with no repairs and no restoration. The three other vases in this lot are also in very good order with no issues.

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