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Collection of various Poole Potteryincluding a set of eight floral plates, decorated by Ruth Paverley, 19cm across, a planter or vase with grey zig-zag decoration, impressed marks to the base, 14cm high, an orange glazed twin handled bowl, impressed marks to the base, 7cm high, Poole studio bud vase, with painted signature to the base, 9cm high, a green, brown and cream banded vase with star trial mark impressed to the base, 11cm high, a banded blue and white vase, 13cm high, a plate decorated with a deer in the Poole style, 21cm across etc (16) All with overall wear, marks and scratches. Crazing and some small glaze faults to all. The blue-banded vase has a hairline crack. The pink jug has damage and restoration.
Attributed to Bernard Rooke (b.1938) studio pottery lamp, with impressed decoration, unmarked, 34cm high including the lamp fitting, excluding the shade and a studio pottery squat bottle vase, decorated in a raised work landscape, indistinct seal mark to the footrim, 11.5cm high (2) Overall age-related wear and marks. Minimal glaze and firing faults as expected. The lamp required rewiring. Otherwise seems ok.
Alfred Rhead and Guy Sydenham (1916-2005) for Poole Pottery collection of ceramics to include: a bowl with infinity style design to the rim, painted and printed marks to the base, 22cm across x 9cm high, a tall pedestal vase in a similar colourway, painted and printed marks to the base. 19.5cm high, two boat shaped dishes, with handpainted decoration, painted and printed marks to the base, each measures 25cm wide x 10cm high, small pot with red and green painted motifs, painted and printed marks to the base, 11cm high and three other smaller pieces (8) All with overall wear, marks and scratches. One of the boat dishes with glaze faults to the rim, in the manufacture, not damaged.
Alfred Rhead and Guy Sydenham (1916-2005) for Poole Pottery three ceramic freeform vases, the first of tapering form with flaring neck, decorated with green painted motifs, impressed '725' to the base, painted and printed marks to the base, 19.5cm high, the second vase also decorated with green painted motifs, impressed '716' to the base, painted and printed marks to the base, 20cm high overall and one other smaller vase decorated with purple and red motifs, impressed '652', painted and stamped marks to the base, 11cm high (3) Overall display wear, minimal scratches.
Mixed collection of studio ceramics and pottery, to include a small dish in the manner of Waistel Cooper with banded decoration to the edge, unmarked, 13cm across x 3.5cm high, a tall two part vase or vessel, unmarked, 28cm high, a studio pottery bowl with dark brown glaze, unmarked, 18cm across x 8.5cm high overall, a studio pottery beaker etc (6) All with signs of overall wear, marks and scratches. Some glaze/firing faults. The dark glazed bowl has hairline cracks. Speckled beaker has hairline cracks also. Tall white, cream and brown vase has a small chip to the rim. The tall two part vase has cracks also.
A CHINESE FAMILLE-ROSE YELLOW-GROUND ALTAR VASE, BENBAPING (2)Iron-red Jiaqing seal mark but later The globular body decorated with the bajixang and lotus sprays, the neck painted with multi-coloured panels, the separate cylindrical top with foliate sprays against a yellow ground, 28.5cm highThe ribbed neck and the cover has traces of a glue like substance, possibly cellotape to hold the two pieces together, which should be possible to remove.The style of painting on the cover is different to the vase so they may be associated. The neck of the cover has been slightly reduced. Overall minor wear to enamels and gilding
A CHINESE GREEN-GLAZED CONG VASE (3)Of square section, moulded with the eight Trigrams, Collezione Prodan Roma paper label, 15cm high, wood stand, boxedGood conditionAge is probably late Qing DynastyProvenance: The Purple Shop – The Anthony Gardner Collection. See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
A CHINESE WUCAI ROULEAU VASE (2)Transitional period Painted with a an official and two attendants in a fenced garden, 21cm high; also a famille-verte saucer dish enamelled with a bird amongst lotus, 21cm diameterRouleau vase- Neck has been reduced. Vertical crack to reverse of vase, approx. 14cm length. Two fine vertical haircracks to the reverse, the longest approx. 12cm lengthSaucer dish- extensively restored. Shallow chip to underside of rim
A CHINESE PORCELAIN OVIFORM JAR ADAPTED AS A LAMPBlue six character Chengua mark but later Painted in underglaze blue and famille verte enamels with an official and attendants in a fenced garden, wood cover and stand, vase only 22cm highThe vase has been drilled through the mark on the base. Some light brown discolouration to the glaze in placesProvenance: An apartment on Eaton Square, Belgravia. Furnished by Colefax & Fowler.
A PAIR OF CHINESE BLUE-GROUND AND GILT FAMILLE ROSE TWO-HANDLED VASES (4)Iron-red Jiaqing seal marks but probably later Of flattened pear form set with chilong handles, enamelled with panels of flowers and insects against a blue ground with gilt scattered flowers, 30.5cm high, boxed (4)Small restoration to one of the chilong's legs. Some restoration around bases. Some wear to the gilding. A UV lamp picks up extensive hairline cracks to the body of each vase. This is likely to have been done at the time of manufacture rather than later restoration
FOUR ITEMS OF CHINESE PORCELAIN (4)Late 19th century and later Comprising; a Canton famille rose cylindrical vase painted with figure panels, 23cm high; a small globular vase painted with cockerels, hens and chicks, 8cm high; a pear shaped blue glazed vase moulded with a dragon, 25cm high and a wucai style cover of a box painted with boys, 33cm lengthCanton vase- chip and haircrack to the rim. Some typical wearChicken vase- overall in good conditionBlue glazed vase- rim chip,approx 0.75cm by 0.5cmBox cover- a tiny amount of wear
TWO CHINESE FAMILLE ROSE VASES (3)The first of pear form enamelled with scattered medallions, iron red four character mark reading `Hall of Extended Remoteness', 24cm high, wood stand; the second of bottle form painted with three warriors on horseback, 25cm highThe first vase with a fine haircrack to the rim, approx. 1.5cm length.The second vase with minor wear to the gilding
A CHINESE FAMILLE ROSE BALUSTER VASE AND COVER (3)Late 18th/ early 19th century Painted with a pheasant perched on blue rocks amidst flowering peony, 30cm high; also a Chinese yellow-ground dish, late 19th/early 20th century, painted with green flowers and shou characters inside a ruyi-head border, 40.5cm diameter (3)Vase and cover- vase with quite a number of haircracks around the rim. Chip to the rim approx. 1cm by 0.5cm. Minor chip to the inner rim. Some glaze impurities. Minor wear to the enamels. The cover with two chips and two haircracks to the rim. Extensive impurities to the glaze. Minor wear to the enamelsDish- three shallow chips around the rim. Some wear to the gilding. Some pitting and markings to the yellow ground.
A JAPANESE IMARI VASE AND COVER (2)Meiji period Of ribbed ovoid form, painted with panels of birds amongst flowering shrubs, the domed cover with shishi knop, 55cm highMinor glaze chip to rim of the vase. Some shallow chips to underside of the footrim. Some minor wear to the gilding
A PAIR OF CHINESE YELLOW-GROUND VASES (2)Iron-red six character Guangxu marks Of baluster form, each painted in in iron-red with dragons amongst cloud scrolls, 25cm high PROVENANCEProperty from the collection of the art critic, Terence Mullaly.ConditionOne vase in overall good conditionThe other vase with a crack running around the whole body
A CHINESE BRASS TRIPOD CENSER (4)Sixteen character Xuande mark but later Of compressed form with outswept handles, 15cm wide; also a Japanese Imari ovoid vase, 32cm high and a pair of Chinese famille rose lobed bowls, 15.5cm wideCenser- polished but otherwise in overall good conditionImari vase- overall in good conditionPair Chinese bowls- one in overall good condition with minor nicks to the rim. The other with rim chips, haircracks and some flaking to the enamels
TWO CERAMIC VASES (2)19th century Comprising; a Chinese porcelain flower vase for the Qajar market, painted with flowers and blue scrolls; and a Qajar relief moulded blue and white vase with floral and animal decoration, 16.5cm and 17.5cm high PROVENANCE:Property from the collection of the art critic, Terence Mullaly.ConditionChinese vase- some wear to the enamelsQajar vase- rim chip, approx. 2cm length be 0.5cm deep. Some discolouration and staining to the glaze
A GROUP OF CHINESE CERAMICS (6)Various dates Comprising; two blue and white slender ovoid jars and covers, painted with vases on stands and Precious Objects, each approx. 34cm high; a pear shaped vase painted in underglaze red and blue with two confronting dragons, apochryphal six character Kangxi mark, 21cm high and a Ming style figure riding a Buddhist lion, 30cm high, wood standTwo blue and white jars and covers- some chips around rims of jars and covers. One with chip to the knop. Each with some surface markings, scuffing and glaze specking. One vase with a very fine haircrack to the base.Pear shaped vase- good conditionMing style figure- minor losses
THREE PIECES OF JAPANESE SATSUMA (5)Meiji/Taisho period Comprising; a quatrelobed box and cover painted with bijin, signed Hodada with Shimazu crest, 11cm wide; a small ovoid vase painted with a procession of figures, unsigned, 9.5cm high; a small circular box and cover painted with a bird amongst bamboo and flowers, signed, 7.5cm diameter PROVENANCE: Property from the collection of the art critic, Terence Mullaly.Condition reportQuatrelobed box and cover- some staining to the crackled glaze. Some wear to the gilding.Small vase- some light staining to the glazeCircular box and cover-some staining to the glaze. Some wear to the gilding and enamels
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650806 item(s)/page