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A THISTLE SHAPED MOTTLED GLASS VASE AND BOWL, PROBABLY VASART, A LARGER RUBY GLASS VASE, 31CM H, A HOLMEGAARD CINNAMON AND WHITE CASED GLASS TRIFORM DISH, THREE MDINA GLASS VASES AND A DISH, A 1960'S / 70'S FREE FORM CASED GLASS BOWL, A STUDIO GLASS BOWL AND OTHER ORNAMENTAL COLOURED GLASSWARE
A Moncrieff's Monart Ware Cloisonne vase, shape L, scarlet red liner, surface decorated with lustre, white crackled design, collection label to base, 24.5cm. high Provenance Cyril Manley collection. The Ian Turner Collection of Monart Glass, Christie's South Kensington, 24th September 2003, lot 127 The Morgan Collection of Monart Glass. Exhibited British Glass Between The Wars, Broadfield House Glass Museum, 13th June - 31st August 1987 catalogue number 68. Literature Ian Turner Ysart Glass, Volo Editions, page 102-103 plates 100-101 for comparable examples. Roger Dodsworth British Glass Between The Wars page 43 catalogue number 68 this example illustrated. Another example of this technique illustrated on the front cover of the Exhibition catalogue.
A Whitefriars Studio Range glass vase by Peter Wheeler, tall, square section, white glass with orange and aubergine stripes, cased in clear, another Whitefriars Glass Old Gold cylinder vase, another shorter and two ovoid vases in the same range, all designed by Peter Wheeler, original paper label, signed and dated 1969 to main, 29.5cm. high (5) Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis, page 142 plate 167 for this range illustrated.
A Sunflower Pottery ewer designed by Sir Edmund Elton, modelled in low relief with flower sprays in blue and green on a streaked green ground, another Sunflower Pottery vase, a Susie Cooper carved ware bowl and a collection of ceramics including Iden, Beswick, Hornsea and Burleigh, and a small collection of metal ware painted signature, 23cm. high, (a lot)
A Wedgwood Dragon Lustre vase designed by Daisy Makeig-Jones, flaring cylindrical form, printed in gilt on a mottled green, blue and white ground with a band of dragons, printed and painted marks, professional restoration to top rim, 20.5cm. high Provenance From the collection of Anne Makeig-Jones.
A Denby Pottery Cheviot vase designed by Glynn Colledge, tall, tapering cylindrical form, painted with panels of geometric design in colours on a black ground painted signature to base, 46.5cm. high Literature Irene & Gordon Hopwood Denby Pottery 1809-1997, Richard Dennis Publications, page 126 for the original Cheviot advert from the 1950s reproduced.
A Moncrieff's Monart Ware glass vase, shouldered form, mottled green shoulder graduating to purple and blue with aubergine veins, cased in clear, unsigned 20cm. high Provenance The Morgan collection of Monart glass. Literature Ian Turner Ysart Glass, Volo Editions, page 61 plate 27 for a vase with this type of decoration reversed.
A Liberty & Co Tudric Pewter twin-handled vase, tapering cylindrical form, cast with a frieze of stylised trees, and titled For Old Times Sake, an Art Nouveau pewter flower vase and a Liberty & Co Tudric Pewter Tankard the design attributed to Archibald Knox, stamped marks, 20cm. high, (3)
A Midwinter Pottery vase designed by Jessie Tait, ovoid with tapering cylindrical neck, tubeline decorated with black dashes on a white ground printed factory mark, 22.5cm. high Literature Steven Jenkins, Midwinter Pottery, Richard Dennis Publications, page 50 for a comparable vase illustrated.
A Poole Pottery Contemporary vase designed by Alfred Read, pattern HZT, swollen form, painted with columns of scroll and panel in grey, black and red on a white ground, a Poole Pottery Contemporary vase pattern HZU and a butter-dish and cover in this pattern printed and painted marks, 20.5cm. high, (4) Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 107 for the original pattern designs illustrated.
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653833 item(s)/page