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Lot 163
Heavily Carved settee in late 17th century style. With Cherub Decoration Sofa The triple-chair back with padded oval panels separated by twist-turned uprights over down-scrolled arms and padded seats on twist-turned and blocked legs with putto, vase and scroll-carved stretchers Height 128 cm; Width 180 cm; Depth 62 cm
Lot 198
Pair Of Very Large White Stone Cast Lion Head Design Vase Urns with Lid, a gorgeous and elegant feature set for lawns and patios alike. Crafted with attention to detail, these urns have a lion head and draped fabric design, giving it a classic and timeless look. Each urn has been cast in white cream stone and is professionally made with reconstituted stone / concrete for durability. These urns have also been hand-finished for quality assurance, ensuring that they look stunning and afford maximum longevity. With dimensions of Height 85cm, Width 69cm and a Weight of 84kg (without lid Height 55cm, weight 62kg) these urns have plenty of room to make an eye-catching statement. Place it on a tall square plinth or anywhere else in your outdoor space and enjoy the admiration of your friends and neighbours. Bid now and be the envy of everyone!
Lot 199
Pair of Large White Stone Cast Lion Head Vase Urns are the perfect addition to any garden or patio. They are a timelessly sophisticated piece that will truly add a real asset to your outdoor space. Each urn is made from quality and durable stone, designed with detailed features and a classic lion head with Kings Ring design with engraved details. They are very heavy and substantial, each weighing 88kg, so you can be sure of quality and strength. What's more, they are weatherproof and frost proof so suitable for both outdoor and indoor use. With dimensions of 65cm high, 53cm wide and 53cm long, these urns will make a real statement. Don't be fooled by cheap, lightweight designs, these urns have an authentic appearance and are the perfect addition to complete your outdoor living space.
![* Table Game. [The Little Artist Magic Painter, Austria], circa 1775, magnetic picture selector toy, comprising: 4 pasteboard](https://cdn.globalauctionplatform.com/f76c836e-8902-455b-9c0b-b0c2011e8969/86cde11e-95c2-498e-be76-b0cb010c92cf/468x382.jpg)
Lot 444
* Table Game. [The Little Artist Magic Painter, Austria], circa 1775, magnetic picture selector toy, comprising: 4 pasteboard squares each with hand-coloured copper engraving to verso and recto showing: fruit basket, ships sailing, deer hunting, portrait of a Georgian woman with powdered wig, a pair of golden doves, a couple walking by a fountain, two men looking towards a village by a hill, and a vase of flowers, magnetic strip pasted on either side of pasteboard squares beneath the engraving, some rubbing and occasional minor surface loss, each approximately 10.8 x 11.2 cm; and a small wooden box with hand-coloured copper-engraving showing 3 figures in Georgian dress in an interior, one seated next to an easel with an artist's palette in his hand, a cut out in place of a picture on the easel showing rotating disc underneath, disc divided into 8 sections each with miniature illustration matching those on the 4 pasteboard squares but shaped to match the cut out, rubbed, with some loss of pastepaper to sides, 11.6 x 12 x 2.5 cmQTY: (5)NOTE:Provenance: The Estcourt family of Estcourt House, near Tetbury, Gloucestershire.Extremely rare magnetic toy, complete and in working order, with disc which rotates when the box is placed over one of the squares, revealing the matching picture in the cut-out. We have been unable to trace another sold at auction; the only institutional copies found are two in the V & A, only one of which is pictured online, and that in inferior condition to ours (accession numbers W.55-1935 & W.53-1929). The heading 'The Little Artist Magic Painter' is taken from the V & A entry, which does not, however, state where the title originates.
Lot 42
PETIT VASE EN VERRE BLEUMarque et probablement époque Yongzheng (1723-1735)A SMALL BLUE GLASS BOTTLE VASEYongzheng four-character mark and possibly of the periodWith a compressed globular body raised on a short splayed foot, rising to a tall cylindrical neck, the glass a translucent blue tone suffused with bubbles, the base with an incised four-character mark within a square frame. 14.5cm (5 3/4in) high.Footnotes:或清雍正 藍料長頸瓶 「雍正年製」款Two small blue glass vases each bearing a four-character Yongzheng mark from the Plesch collection, were sold in Christie's London, 16 November 1998, lots 289 and 315.For further information on this lot please visit Bonhams.com
Lot 41
MAGNIFIQUE ET TRÈS RARE GRAND VASE EN PORCELAINE DE LA FAMILLE ROSE À FOND BLEU ET À DÉCOR À L'ORMarque et époque Qianlong (1736-1795)A MAGNIFICENT AND VERY RARE LARGE GILT-DECORATED BLUE-GROUND FAMILLE ROSE 'ONE HUNDRED BOYS AT PLAY' VASEQianlong six-character seal mark and of the periodOf tall baluster form raised on a splayed foot, the rounded body surmounted by a tall waisted neck rising to a wide, trumpet-shaped mouth, each side finely and vividly painted with two large circular panels enclosing a garden scene with young boys at play, gathered in animated groups busily performing a dragon dance, blowing trumpets, playing with cymbals and drums, also playing with animal puppets, riding hobby-horses, carrying lanterns and lighting firecrackers, the scenes framed by trees and shrubs, all within a raised gilt border, reserved against a deep blue ground finely painted in shades of gold with feathery scrollwork issuing large lotus and peony blooms between bands of tall upright lappets around the neck and ruyi-heads around foot, the base with a six-character seal mark in underglaze blue, wood base. 73cm (28 3/4in) high. (2).Footnotes:清乾隆 霽藍地描金花卉紋開光粉彩嬰戲圖大瓶 「大清乾隆年製」款Provenance:Collection of Jules Blanchard (1874-1953), Chazelles-sur-Lyon, acquired in Paris in the early decades of the 20th century, and thence by direct descent in the family to the present owner.來源：巴黎及沙澤勒敘里昂Jules Blanchard（1874-1953）珍藏，於二十世紀初得自巴黎，後經家族流傳至現藏家Exquisitely painted with two large medallions each enclosing lively scenes of groups of young boys at play, set against a luxuriant, rich blue ground finely painted with large scrolling lotus and peony flowers amidst feathery leaves, this magnificent vase is a very fine example of imperial porcelains made during the Qianlong reign. Its sheer size is unusual and must have represented a technical challenge for the potters working in the imperial kilns at Jingdezhen. Yet works such as this vase could only have been made in the imperial kilns under the direction of Tang Yin (1682-1756) whose vast experience and unique understanding of the medium and the porcelain production process combined with his inherent sense of aesthetics pushed potters to create ever bigger and more ambitious pieces. The large surface of the vase presented a blank canvas for the porcelain painters who were tasked to decorate it. They chose a combination of highly ornamental figural and floral designs using bright enamel colours contrasting with a gilt-decorated dark blue glaze. The decoration focuses on two large circular medallions that grace each side of the generously rounded body of the vase. Each medallion is exquisitely painted with a bucolic garden setting bordered by craggy rockwork and gnarled pines, flowering prunus and clusters of bamboo, providing the background for animated groups of small boys engaged in a variety of activities: while some boys are performing a dragon dance with a vibrant pink and pale blue dragon held aloft tall sticks, others are playing with animal puppets in the form of three life-like goats and a caparisoned elephant, yet others are carrying festively adorned lanterns while one child is lighting a fire-cracker, all accompanied by the sound of another group of boys playing drums, cymbals, a gong and blowing a trumpet. Two boys are holding up a puppet in the form of a goldfish and a bouquet of lotus flowers. In Chinese, goldfish jinyu 玉魚 are homophonous with the word for gold (jin 金) and jade (yu 玉), and together with lotus and boys they convey the wish liannian youyu 年年有餘 (may you continuously have plenty year after year). The figures and their toys are intricately depicted with great attention to detail. The boys all have finely detailed individual features, their facial expressions are highly animated, some boys are concentrated, some impatient, others joyful. They are dressed in colourful shirts tied with belts, vests fastened at the neck, their hair tied tightly on top of their head. The two compositions are vivacious and realistic, capturing the excited mood of groups of young boys at play. Yingxitu 嬰戲圖 (pictures of boys at play) and baizitu 百子圖(pictures of one hundred boys) are intimately connected with the strong desire for male offspring, who would perform ancestral sacrifices and thus endure the continuation of the family line. Depictions of children in gardens became an established painting genre in the Song dynasty (960-1279), and by the Ming period (1368-1644) boys were depicted engaged in activities that also conveyed auspicious messages that impersonated adult aspirations. Under the Qianlong emperor, depictions of boys at play proliferated on porcelain as he was particularly fond of auspicious and amusing designs. The theme can be found on quite a number of vases of Qianlong date, similarly rendered but on a smaller scale, with boys at play within a garden, today in the collection of the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum. Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, vol.39, Hong Kong, 1999, cat.nos. 91, 92, 121, 128 and 129. Most other examples of famille rose-decorated vases with figural scenes are decorated with colourful blue, pink, green or yellow enamelled borders. The combination of famille rose medallions against a rich gilt-decorated dark blue ground as seen on the present vase is very unusual, especially on vases of this impressive size. At least three vases of smaller size and different shapes and designs, similarly decorated with famille rose panels on a gilt-decorated dark blue ground are also in the collection of the Palace Museum, see ibid. cat.nos.130, 131 and 133. The Palace Museum collection also includes a small vase with a continuous scene of 'boys at play' between gilt-decorated blue-glazed borders, see ibid., cat.nos.132 (Fig. 1).Vases of this impressive size and decorated in a rich palette of enamels against a gilt-decorated blue-glazed ground are very rare. The Palace Museum collection records one large vase of this design but decorated with flowers and calligraphy, see ibid., cat.no.129 (Fig. 2). The closest example in size and design is a pair of large gilt-decorated blue-ground famille rose double-gourd vases (accession no. RCIN 33.1-2.a) in the Royal Collection, London, possibly presented by the Qianlong emperor to King George III in 1793, illustrated in John Ayers, Chinese and Japanese Works of Art in the Collection of Her Majesty The Queen, London, 2016, nos.685 and 686.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 88
PLAQUE EN PORCELAINE BLEU BLANCÉpoque Daoguang (1821-1850)A BLUE AND WHITE 'NINE DRAGON' PLAQUEDaoguang period (1821-1850)Of oval form, vigorously painted in tones of dark blue with a central sinuous dragon circled by eight similarly sinuous striding dragons pursuing a flaming pearl, moving amidst wisps of vaporous clouds and above a band of cresting waves. 50cm (19 3/4in) high.Footnotes:清嘉慶/道光 青花九龍紋瓷板Provenance:Property of a Portugese gentleman, acquired by the grandfather of the present owner in Hong Kong in the late 1960s, thence in the family by descent來源: 葡萄牙紳士藏品，現藏家祖父於1960年代末得自香港，此後家族傳承The dynamic composition of this large plaque featuring 'Nine Dragons' each with a sinuous body and five-clawed feet is highly auspicious. Porcelains decorated with a central frontal dragon surrounded by secondary dragons appear to have been a popular motif on porcelains of the Jiaqing/Daoguang period, compare with a blue and white vase in the National Palace Museum, Taipei, published in Catalogue of Ching Dynasty Porcelain in the National Palace Museum, Tokyo, 1981, vol.2, pl.93.For further information on this lot please visit Bonhams.com
Lot 68
GRAND VASE BALUSTRE EN PORCELAINE BLEU BLANCXIXème siècleA LARGE BLUE AND WHITE 'NINE DRAGON' BALUSTER VASE19th centuryOf tall baluster shape, the waisted neck set with a pair of pierced dragon scroll handles, boldly painted around the body in shades of inky blue with nine sinuous dragons frolicking amidst a dense ground of swirling clouds, all between ruyi borders encircling the spreading foot, and a keyfret band on the galleried rim, wood stand. 81.3cm (32in) high. (2).Footnotes:十九世紀 青花九龍紋龍耳瓶Compare this vase with a vase of the same form and size, sold Christie's New York, 18 September 1997, lot 373.For further information on this lot please visit Bonhams.com
Lot 44
VASE EN PORCELAINE À GLAÇURE BLEUE POUDRÉ À DÉCOR À L'OR, YUHUCHUNPINGMarque et époque Guangxu (1875-1908)A GILT-DECORATED POWDER-BLUE VASE, YUHUCHUNPINGGuangxu seal mark and of the periodThe pear-shaped body rising from a straight foot to a waisted neck flaring at the rim, covered overall with a brilliant blue glaze and finely painted in gold around the body with a sinuous five-clawed dragon in pursuit of a flaming pearl and a phoenix with five tail feathers, all amidst blistery clouds, with a band of upright lappets around the base and a band of ruyi heads around the rim, the base with a six-character mark in underglaze blue. 29.5cm (11 5/8in) high.Footnotes:清光緒 霽藍釉描金龍鳳紋玉壺春瓶 「大清光緒年製」款 Provenance:Acquired by the secretary to the French ambassador to Shanghai in the 1940s, and thence by descent in the family to the present owner來源：法國駐上海大使秘書於1940年代入藏此后家族傳承，傳至現藏家For further information on this lot please visit Bonhams.com
Lot 25
IMPORTANTE ET TRÈS RARE PAIRE DE VASES EN PORCELAINE CÉLADON À DÉCORS MOULÉS ET RÉHAUSSÉ D'ORMarques et époque Qianlong (1736-1795)A MAGNIFICENT AND VERY RARE PAIR OF CELADON-GLAZED MOULDED AND GILT-DECORATED ARCHAISTIC VASES AND COVERSQianlong moulded and gilt six-character seal marks and of the periodEach vase of square form, raised on a short straight foot and rising to a straight neck, both of corresponding square form, each side subtly moulded and highlighted in gilt against a pale translucent celadon ground with a musical chime, a wan symbol and endless knot, all tied with fluttering ribbons held between a bat at the top and a smaller bat at the bottom, the central design bordered by an intricate scrollwork of interlaced stylised dragons, with almond-shaped eyes and beak-like noses, with horns bent backwards, their thin bodies highly stylised and dissolving into a dense scrollwork, tails linked by heart-shaped rings, their outlines emphasised with fine gilt borders, the foot and neck moulded and gilt with a keyfret band, the square covers of domed form, centering on a bud-shaped knop within a border of raised bosses, each side with a moulded musical chime above a large stylised bat, the outlines highlighted in gilt, the luminous glaze a pale celadon tone. 18.5cm (7 1/4in) and 18.3cm (7 1/8in) high. (4).Footnotes:清乾隆 粉青釉模印描金仿古紋方蓋瓶一對「大清乾隆年製」款Provenance:Acquired in China in the late 19th century and thence by descent in the family to the current owner來源：於十九世紀末得自中國，後經家族流傳至現藏家This pair of vases are very rare for multiple reasons: their shape and decoration which were inspired by archaic bronzes and jades, their luminous celadon glaze which evokes the pale and translucent celadon glazes of the Song dynasty, the subtly moulded designs around their sides highlighted with fine lines of gilding, the impressed and gilt marks on their bases and the fact that they comprise a pair. While they appear to be unique, they are deeply rooted in the tradition of imperial porcelains made in the 18th century under the Qianlong emperor. They illustrate the emperor's knowledge of antiquity and his appreciation of past traditions. His interest in antiquarian studies, or the studies of bronze and stone inscriptions (jinshixue 金石學), was the driving force behind the compilation of major catalogues of antiquities in the imperial collections which documented and illustrated the increasingly large imperial collection of ancient artifacts including archaic bronzes and jades, many of which were displayed in the halls and chambers of the imperial palaces.Under the Qianlong emperor, archaic bronzes and jades in the imperial collections often supplied models for porcelain forms and designs. In fact, imperial records of the Qianlong period note that the emperor urged the craftsmen working in the imperial workshops to follow the styles and specifications recorded in ancient catalogues. However, more often, the same craftsmen used ancient shapes and designs to create unique and exquisitely crafted objects, especially porcelains, such as evident in the present pair of vases.In their square shape, these two vases evoke the form of a neolithic jade cong 琮, a tall, squared cylindrical vessel that may have served as a status symbol in Chinese pre-dynastic history. The subtly moulded design of intricately interlaced dragons that adorns all four sides of each vase, however, is more obviously borrowed from archaic bronzes as well as archaic jades of the Eastern Zhou dynasty (770-256 BC), when the dragon motif developed into more and more abstract, angular interlaced scrollwork in relief, inlay or openwork, with the animals' bodies and limbs morphing into curled, comma-shaped extensions, and their heads small and stylised but for large exaggerated eyes. The delicate translucent pale celadon glaze which is applied to the entire surface of both vases and covers, including the bases, envelopes the low relief decoration ever so subtly carved at slightly different levels, allowing it to pool in the recesses and thinning to a pale, almost white tone on the raised parts of the design thus creating a delicate contrast of celadon tones, highlighting the dense, undulating archaistic design. Based on the fine, high-fired celadons of the late Tang dynasty, and the lustrous celadon glazes of the Southern Song dynasty developed in the Longquan kilns in Zhejiang, the glaze on the present vases is a product of the potters experimenting in the Qing imperial kilns. In the 18th century considerable effort was put into the perfection of much-appreciated celadon glazes. Potters perfected an even and paler celadon glaze using considerably less iron, modifying and adapting it even further to achieve a notably finer texture and, more importantly, a cooler, pale celadon colour with a clear, translucent bluish tone.No other vase of the same shape and design of this pair of vases appears to be recorded. A pair of small square vases with canted sides and covers, entirely covered in a similar translucent pale celadon glaze but of the Yongzheng period, was sold in Sotheby's New York, 5 and 6 November 1996, lot 857. In general, celadon-ground gilt-decorated porcelains are rare, with only few examples recorded. See, for instance, a pair of archaistic celadon-ground gilt-decorated vases with gilt six-character seal marks, from the J.M. Hu Collection, sold Sotheby's Hong Kong, 8 April 2010, lot 1803a. Compare also with a celadon-glazed vase with a moulded and gilt-decorated design, also with an impressed and gilt Qianlong seal mark to the base, sold Sotheby's Hong Kong, 18 and 19 May 1982, lot 340. The distinctive archaistic interlaced dragon design that embellishes the sides of both vases is more commonly associated with a small group of double-walled vases commissioned by and made for the Qianlong emperor. They pierced outer wall of these vases is in the shape of a complex design of small archaistic interlaced dragons with small heads and large, almond-shaped eyes and sinuous bodies dissolving into scrollwork, with outlines enhanced by fine gold lines, as seen on a double-walled Yangcai reticulated vase, sold Sotheby's Hong Kong, 10 July 2020, lot 1, or on another Yangcai reticulated vase, in the collection of the National Palace Museum, Taipei, illustrated in Stunning Decorative Porcelains from the Ch'ien-lung Reign, Taipei, 2021, cat.no.69 (Fig. 1).Impressed and gilt six-character Qianlong seal marks are known from a number of porcelains, mostly examples where forms, designs or glazes are archaistic, see, for example, a small imitation-gilt bronze archaistic tripod censer with an impressed and gilt Qianlong seal mark and of the period, sold Christie's Hong Kong, 27 November 2019, lot 2906. Or on a small tea-dust glazed gilt and silver-decorated washer in the collection of the National Palace Museum, published in Catalog of the Special Exhibition of K'ang-Hsi, Yung-Cheng and Ch'ien-Lung Porcelain Ware from the Ch'ing Dynasty in the National Palace Museum, Taipei, 1986, cat.no.95.For further information on this lot please visit Bonhams.com
Lot 53
RARE VASE EN PORCELAINE DE LA FAMILLE ROSEMarque et époque Daoguang (1821-1850)A RARE FAMILLE ROSE 'BOYS' JAR Daoguang six-character seal mark and of the periodThe ovoid, slightly tapered body finely enamelled around the exterior with a group of boys, an older boy dressed in a pink-enamelled robe and wearing a gold official's cap, holding a large golden helmet above his head, four younger boys leaping excitedly, all set within a continuous scene of rockwork and pines continuing onto the reverse decorated with a flowering pomegranate branch laden with two heavy fruit bursting open and one unripe fruit, all beneath turquoise-ground ruyi-head borders containing double-seeded lotus scrolls enclosing four bats around the neck, and a band of simple lotus scrolls around the foot, the interior and base glazed turquoise, a six-character seal mark in iron-red to the base. 19.7cm (7 7/8in) high.Footnotes:清道光 松石綠地粉彩「五子奪魁」圖罐 「大清道光年製」款The charming scene on the present vase depicting five boys fighting for a helmet is a very popular motif in later Chinese art, representing 'five boys competing for distinction', expressing the wish for one's son to achieve outstanding results in the Civil Service Examinations. A helmet (kui 魁) is a pun for 'leader', which also indicates the wish to succeed in first place in the Palace examinations. The 'five boys' refer to the children of Dou Yujun (竇禹鈞), the scholar, educator and official during the Five Dynasties period (907-960 AD), whose eminent sons achieved remarkable success in the Civil Service Examinations, earning him lasting reverence as the ideal parent.Compare with related Daoguang vases, but decorated with a ruby ground around the elongated neck and foot, such as one depicting children in a Dragon Boat Race, and another decorated with fruiting pomegranate trees, illustrated in The Complete Collection of Treasures of the Palace Museum: Porcelains with Cloisonné Enamel Decoration and Famille-Rose Decoration, Hong Kong, 1999, pls.189 and 194. A famille rose bottle vase with a Daoguang mark and period, similarly enamelled with four boys in a garden around an older boy wearing a gold official's cap and holding a golden helmet over his head, was sold in Sotheby's Hong Kong, 7 October 2010, lot 216.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 49
VASE BALUSTRE EN PORCELAINE À GLAÇURE BRUNE MONOCHROMEMarque et époque Daoguang (1821-1850)A BROWN-GLAZED PEAR-SHAPED VASE, YUHUCHUNPINGDaoguang six-character seal mark and of the periodSturdily potted, the pear-shaped body rising from a splayed foot to a narrow waisted neck and flared mouth, covered on the exterior with an even brownish liver-red glaze, the interior and base glazed white, the base a six-character seal mark in underglaze blue. 30.5cm (12in) high.Footnotes:清道光 醬釉玉壺春瓶 「大清道光年製」款Provenance: Sotheby's, Hongkong, 17 November 1975, lot 157 來源： 香港蘇富比，1975年11月17日，編號157Compare a similar vase, sold Christie's Hong Kong, 1 December 2010, lot 2972.For further information on this lot please visit Bonhams.com
Lot 12
VASE EN JADE VERT ÉPINARDXVIIIe/XIXe siècleA SPINACH-GREEN JADE VASE18th/19th centuryWell carved in the shape of an irregular section of a gnarled tree trunk, carved and pierced to one side with gnarled branches laden with pine clusters, two large lingzhi growing at its base, the reverse carved and pierced with a gnarled branch of a prunus tree issuing small flowers, a crane perched on the branch and a second standing at the base, the stone a dark green colour on one side and a lighter tone on the other side, wood stand. 23.2cm (9 1/8in) high. (2).Footnotes:十八/十九世紀 碧玉瓶Provenance:Acquired by the grandparents of the present owner來源：現藏家祖父母珍藏For further information on this lot please visit Bonhams.com
Lot 413
Φ Orlando Greenwood (1892-1989)Still life with delphiniums in a vase by a windowSigned Greenwood (top right)Oil on canvas 84 x 71.4cmUnframedProvenance:Christie's, South Kensington, Paintings, Watercolours, Drawings and Artist's materials from the studio of Orlando Greenwood, 11th October 1990, Lot 235
Lot 111
A Chinese blue and white opium pot, with metal mounts, apertures and swing handle, decorated with a landscape, six character Yongzheng mark, 9.5cm high, together with a 19thC Nanking crackle glaze vase, decorated in blue and white with figures in a garden, 15cm high, and two famille rose vases decorated with warriors, 21cm and 20cm high. (4)
Lot 112
A Qing Dynasty 19thC Cantonese famille rose porcelain bottle vase, decorated with reserves of figures in an interior, and birds and flowers, on a gilt ground, decorated with butterflies and flowers, 27.5cm high, a Nanking pottery vase, famille vert decorated with warrior figures, emperor and attendants, 34cm high, a blue and white vase decorated with goldfish, 22cm high, and a blue and white teapot. (4, AF)
Lot 159
A late 19thC Royal Doulton stoneware vase, moulded with a circular band of stylised flowers, above harebell drops, impressed marks, 25.5cm high, together with a Shelley porcelain commemorative mug, for the Coronation of King George V and Queen Mary June 22nd 1911, given by the Urban District of Chadderton, printed marks. (2)
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