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Click here to subscribeJANET ADAM STUDIO POTTERY STONEWARE VASE, of campana form, mottled brown glaze, on a square base, with 'Adam Pottery' sticker to base, 26.5cm high, along with a Fursbreck Orkney pottery vase, another studio pottery vase, and a Scottish studio pottery jug (4) Provenance: The William Mowat-Thomson Collection
GARNITURE OF THREE MID-19TH CENTURY ENGLISH PORCELAIN SPILL VASES, likely Spode, each of trumpet form, decorated with a landscape in the Imari palette, beaded borders, the two smaller vases painted '967' to base, the tallest 16cm high, along with another Imari spill vase (4) Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY CHINESE FAMILLE ROSE VASE, of footed square form with twin foo dog handles, each side hand-painted with alternating panels depicting birds perched in foliage, and character marks, marks to base, 13.5cm high, along with another Chinese famille rose vase and cover, and a hexagonal incense burner (3) Provenance: The William Mowat-Thomson Collection
GILDED HIGH BACK SINGLE CHAIR IN THE MANNER OF DANIEL MAROT, the shell and scroll moulded top rail with intricately carved back below with vase of flowers, scrolls and leafage within fluted uprights, upholstered seat in green floral damask, on turned tapering legs joined by an 'H' stretcher with scroll moulded apron, 128cm high Provenance: The William Mowat-Thomson Collection
EARLY 20TH CENTURY CHINESE BRONZE VASE, the trumpet neck with twin upright handles, over an ovoid body and circular foot, the neck cast in relief with panels of figures, the body in high relief with a dragon set amongst foliage, on a hardwood stand, 16cm high overall Provenance: The William Mowat-Thomson Collection
MID-19TH CENTURY PARIS PORCELAIN VASE, of urn form with twin handles, the front panel hand-painted with a Classical scene depicting a Bacchanalian youth sat upon a barrel, the reverse with a floral still life, on a green ground with gilt borders, on a circular socle on a square foot, 32cm high Provenance: The William Mowat-Thomson Collection
MID-19TH CENTURY ROYAL CROWN DERBY PORCELAIN VASE, of urn form with twin scroll handles, decorated in gilt with Classical scenes on a cobalt blue ground, raised on a circular socle on a square foot, printed 'Crown Derby' mark to base, 30cm high Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY CHINESE BLUE & WHITE STONENWARE VASE AND COVER, of baluster form, the domed cover with moulded finial in the form of a scholar, decorated with alternating panels depicting a lady, and a vase set with flowers, within foliate borders, 52cm high Provenance: The William Mowat-Thomson Collection
GARNITURE OF THREE LATE VICTORIAN EARTHENWARE SPILL VASES, each of cylindrical form, the larger with trumpet rim, the two smaller with pierced rims, each transfer printed with flowerheads on a blue and white ground, the tallest vase 18cm high (3) Provenance: The William Mowat-Thomson Collection
PAIR OF EARLY 19TH CENTURY ENGLISH PORCELAIN SPILL VASES, of footed trumpet form, hand-painted with panels depicting countryside scenes within gilt borders, on a claret ground, inscribed '3, 708' to base, 13.8cm high, along with another mid-19th century vase painted with birds, fruits and foliage (3) Provenance: The William Mowat-Thomson Collection
PAIR OF EARLY 19TH CENTURY ENGLISH PORCELAIN VASES, likely Coalport, each of urn form with twin handles, the central cartouche hand-painted with a floral spray, cobalt blue ground, 14.3cm high, along with a similar pair of early 19th century cornocopia vases and a campana vase (5) Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY BOHEMIAN CRANBERRY GLASS VASE, of slender urn form, with central opaque glass roundel hand-painted with a floral spray, the body gilded throughout with scrolls and foliage, 26cm high, along with a Bohemian cranberry glass trumpet vase (2) Provenance: The William Mowat-Thomson Collection
19TH CENTURY BOHEMIAN OPAQUE GLASS DOUBLE HANDLED BALUSTER VASE AND COVER, decorated in enamel colours with birds perched amongst flowering branches, on a black ground, gilt borders, 38cm high, contained in an ebonised display case, with mirrored rear door, the case 54cm high Provenance: The William Mowat-Thomson Collection
EARLY 19TH CENTURY ENGLISH PORCELAIN VASE possibly Davenport or Worcester Chamberlian, of urn form with twin scroll handles, the central panel hand-painted with figures in a mountainous landscape, on a marbled pink ground, on a circular socle and simulated slate square foot, 19cm Provenance: The William Mowat-Thomson Collection
EARLY 19TH CENTURY SPODE PORCELAIN VASE, of urn form with twin upright handles, the central panel hand-painted with flowers within a gilt border, the cobalt blue ground body gilded throughout with scrolls, shells and foliage, on a square base, painted 'Spode' mark to base, 28cm high Provenance: The William Mowat-Thomson Collection
EARLY 20TH CENTURY DUTCH DELFTWARE BLUE & WHITE VASE AND COVER, of baluster form, the cover with bird finial, the body decorated in underglaze blue with a figural landscape scene within scroll borders, painted 'W' mark to base, 37cm high, along with two other Delft vases and covers, and another vase (4) Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY ORMOLU MOUNTED CONTINENTAL PORCELAIN VASE AND COVER, of urn form with twin ram's head and laurel wreath handles, the cover with fruit and foliate finial, the obverse reserve hand-painted with a figural scene, the reverse with a floral spray, gilt and enamel borders, blue ground, on a square base on scrolling acanthus feet, 29cm high Provenance: The William Mowat-Thomson Collection
PAIR OF 19TH CENTURY CHINESE BLUE & WHITE PORCELAIN VASES, each of Meiping form, decorated with two quatrefoil panels depicting birds perched in foliage, and throughout with scrolls and foliage, character marks to base, 23.4cm high, along with another vase and cover (3) Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY DUTCH DELFTWARE BLUE & WHITE SOLIFLEUR VASE, of flattened disc form with elongated neck, marks to base and previous retail sticker for 'J. Vanderkellen, Rotterdam', 8cm high, along with two pairs of early 20th century Delft vases (5) Provenance: The William Mowat-Thomson Collection
PAIR OF EARLY 20TH CENTURY JAPANESE IMARI VASES AND COVERS, each of faceted baluster form, the domed cover with acorn finial, hand-painted with opposing reserves depicting flowers within a vase, and throughout with stylised foliage, 35cm high Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY CHINESE CRACKLE GLAZE PORCELAIN VASE AND COVER, of baluster form, the domed cover with knop finial, decorated in underglaze blue with scrolling foliage, character marks to base, 31.5cm high, along with two other ginger jars, one with cover (3) Provenance: The William Mowat-Thomson Collection
MID-19TH CENTURY ROYAL CROWN DERBY PORCELAIN VASE, of campana form with twin handles, painted with panels of stylised foliage, gilt highlights, raised on a circular socle and square foot, painted crown and crossed batons to base, 31.5cm high Provenance: The William Mowat-Thomson Collection
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