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Lot 148
A RARE CHINESE GREEN ENAMELLED PORCELAIN ‘DRAGON’ VASE, QING DYNASTY, KANGXI PERIOD, 1662 – 1722清 康熙 素三彩趕珠龍紋瓶《大明成化年制》款In the Ming style, carved and painted with a four-clawed dragon chasing a flaming pearl, the claws and the pearl picked out in yellow all against a white ground, six-character Chenghua mark in underglaze-blue to the baseHeight: 21.5cmFrom an English private collectionCondition ReportThe vase is in good condition.
Lot 153
A LARGE CHINESE ‘FAMILLE-ROSE’ PORCELAIN ‘IMMORTALS’ VASE, QING DYNASTY, LATE 19TH/EARLY 20TH CENTURY清 粉彩八仙過海大瓶 十九世紀至二十世紀The neck painted with shou characters and lotus flanked by elephant handles, the shouldered body with the ‘ba jixiang’ decorated with a continuous scene of the Eight Daoist immortals riding across the waves, above a further butterfly borderHeight: 59cmProvenance: From an English private collectionCondition ReportThe vase has fritting to the rim and rubbing to the gilded decoration on the elephant handles.
Lot 13
An Art Nouveau Pierrefonds twin handled stoneware vase of squat form, shape no. 328, in a pink, purple, blue and green mottled glaze, the underside with impressed marks, 20 cm high, together with an Australian Mashman pottery vase, with blue, green and brown mottled glaze, 18 cm high, and a 20th century flambe red bottle neck vase, 24 cm high
Lot 43
A small collection of studio glass, to include a Siddy Langley freeform vase decorated with splashes of yellow, orange and red on a white mottled ground, signed and dated 1988 to underside, 14 cm high x 11.5 cm wide, together with a 1986 scent bottle 11.5 cm high, signed to underside, two glass paperweights, indistinctly signed, and an iridescent glass paperweight egg, unsigned
Lot 81
A Walter Moorcroft 'Clematis' pattern flambe vase, of tapered form with everted rim, the body with tubelined flower to each side, the underside with sticker label, 9 cm high, together with a Moorcroft 'Wisteria and Plum' pattern baluster vase with silver plated rim, impressed marks to underside, 8.5 cm high
Lot 82
A Moorcroft pottery 'Phoenix' pattern vase designed by Rachel Bishop, 1996, of ovoid form decorated with tubelined peacock feathers, 9.5 cm high, together with a Moorcroft baluster vase in the 'Bird and Lemons' pattern designed by Sally Tuffin, 9.5 cm high, and a Moorcroft 'Bermuda Lily' pattern lidded box, 9 cm wide
Lot 90
A Moorcroft pottery 'Anemone Tribute' vase, designed by Emma Bossons, with tube lined flowers and foliage on a deep green ground, 7 cm high, together with a 'Western Isles' pattern baluster base by Sian Leeper, with original Moorcroft tag, 9 cm high, both with impressed marks and signatures to underside
Lot 102
A CHINESE LANGYAO-GLAZED PORCELAIN BALUSTER VASE, QING DYNASTY, KANGXI PERIOD, EARLY 18TH CENTURY清 康熙 郎窯紅釉觀音瓶 十八世紀初Of shouldered baluster form, covered in a rich red glaze thinning at the neck, the base glazed a whitish blueHeight: 35.5cmProvenance: From an English private collectionA similar langyao-glazed baluster vase was sold at Bonhams London, 6th November 2014, lot 195 for £23,750 inc. premiumCondition ReportThe vase has a 1cm., firing hairline to the rim, minor nibbles to the base of the foot ring and light glaze scratches.
Lot 105
A CHINESE ‘FAMILLE-ROSE’ PORCELAIN ‘BOYS AT PLAY’ BOTTLE VASE, SIX CHARACTER SEAL MARK OF JIAQING清 粉彩百子圖賞瓶 《大清嘉慶年製》款Of mallet shape, the swelling lower body painted with a continuous landscape scene of boys at play on a garden terrace, the trumpet shaped neck set with two gui-dragon handles in iron-red and gilt, reserved against a yellow lotus-flower ground, within key-fret and ruyi head borders, the seal mark in iron-red against a turquoise groundHeight: 26cmProvenance: Previously sold at Bonhams, San Francisco, 28th June 2017, lot 6325, for $27,500, catalogued as ‘late Qing/Republic period’Condition ReportSince this finely enamelled vase was sold at Bonhams San Francisco in 2017, both lower sections of the handles have been restored. There is also evidence of further restoration to the handles where they join the body and to a possible crack running from the lower neck up alongside one handle to the rim.
Lot 117
TWO CHINESE CELADON JADE SNUFF BOTTLES, QING DYNASTY, EARLY 19TH CENTURY清 青玉童子持蓮鼻煙壺及 瓜形鼻煙壺 一組The first carved as a boy holding a flower vase, with russet inclusion to his back, the second of flattened quatre-lobed form (2)Applied collector’s paper labels, 16.6.26 and 21.4.20The tallest: 5.4cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThere is a 5mm bruise to the side of the neck and a minute nick to the rim of the ‘boy’ bottle. The quatre-lobed bottle is in good condition.
Lot 140
A CHINESE BLUE AND WHITE PORCELAIN ‘LANDSCAPE’ ROULEAU VASE, QING DYNASTY, KANGXI PERIOD, 1662 – 1722清 康熙 山水高士紋青花瓶一隻Painted in underglaze-blue with two scholars in a mountainous landscape accompanied by an attendant carrying a qin, another scholar seated in front of a riverside pagoda, the neck with ruji, key-fret and chevron bandsHeight: 48cmFrom an English private collectionA similar Kangxi rouleau ‘landscape’ vase was sold at Christie’s London, 17th May 2013, lot 1394 for £67,865Condition ReportThis brightly painted rouleau has a 2cm., wide shallow chip to the edge of the foot ring.
Lot 142
A CHINESE GILT-DECORATED POWDER-BLUE GROUND PORCELAIN YEN-YEN VASE, QING DYNASTY, KANGXI PERIOD, 1662 – 1722清康熙 藍地描金鳳尾尊Decorated in gilt with two rectangular views depicting Wang Bo’s Preface to Teguang tower and Su Shi’s Second Ode to the Red Cliffs, the reverse with two panels of Kaishu scriptApplied paper label to base, L. Michon, 156 Bd. Haussmann ParisHeight: 43cmFrom an English private collectionCondition ReportThe yenyen has overpainting to a circa 1cm depth of approximately half of the underside of the rim and over-spray to the interior, both probably concealing fritting, light rubbing and loss to the gilded decoration.
Lot 143
A CHINESE BLUE AND WHITE PORCELAIN ROULEAU VASE, QING DYNASTY, KANGXI PERIOD, 1662 – 1722清 康熙 青花山水高士紋棒槌瓶Painted in vibrant tones of underglaze-blue, with scholars gathering in a classical mountainous landscape, scattered with a waterfall, pagodas and a scholar in a riverside studio, observing two fishermen, the neck with bands of key-fret, scroll and chevron bandsHeight: 46cmFrom an English private collectionCondition ReportThis finely painted rouleau has been drilled through the base and restored. The neck and the body have been ‘luted’ together on the shoulder, where my finger is pointing to in the photographs. It might be reasonable to suggest the neck section is from another Kangxi vase of similar size, and they have been ‘grafted’ together. They fit well in terms of size ad colour.
Lot 151
A CHINESE ‘FAMILLE-VERTE’ PORCELAIN BALUSTER VASE, QING DYNASTY, KANGXI PERIOD, 1662 – 1722清 康熙 五彩觀音瓶Of shouldered ovoid form, painted with a continuous figural scene taken from the Romance of the Three Kingdoms with a high ranking official beneath a palanquin accompanied by eight gentlemen, being presented gifts, the neck with ruyi bandsHeight: 45cmFrom an English private collectionCondition ReportThe base of the vase has been drilled and restored and there is a circa 25cm hairline body crack running from the neck down the body.
Lot 152
A CHINESE FAMILLE VERTE PORCELAIN ‘TOUHU’ BRUSH POT, BITONG, QING DYNASTY, KANGXI PERIOD, 1662 - 1722清 康熙 1662-1722 五彩人物故事壺紋筆筒Height: 17cmOf cylindrical form with incised foliate scroll bands, unusually painted with a scene of ladies and officials assisted by a flying demon, playing a game of touhu with a massive arrow vase to the centre of the garden terrace, hidden within a bamboo groveProvenance: From an English private collection, Jakobowicz & Associes, France, 11th June 2018, lot 99Condition ReportIn good condition
Lot 154
A CHINESE FAMILLE-ROSE PORCELAIN ‘NINE PEACH’ VASE, LATE 19TH/EARLY 20TH CENTURY清 粉彩九桃天球瓶 十九世紀至二十世紀Boldly painted with bats, peaches and blossom, underglaze blue double-circle to baseHeight: 46cmFrom an English private collectionCondition ReportThe vase has a restored drill hole to the base, rubbing to the gilding on the rim and a very minor, circa 5mm., firing line to the underside of the rim.
Lot 16
A CHINESE WHITE JADE PIERCED PENDANT, QING DYNASTY, LATE 19TH CENTURY清 白玉掛件 十九世紀晚期Carved to both sides with a central vase flanked by sinuous dragons, with silk tassels with embroidered bat motifDiameter: the jade - 5.5cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe jade plaque is in good condition. There is loss to one side of the beaded decoration
Lot 169
Ω A GOOD CHINESE EXPORT ‘FAMILLE-ROSE’ PORCELAIN TEAPOT AND COVER, QING DYNASTY, YONGZHENG PERIOD, 1723 – 1735清 雍正 外销粉彩花卉紋茶壺Painted to either side with a central panel containing a kitten beside a vase of peony, within pink diaper borders, the cover with a moulded gilt lion-dog finial (2)Height: 12.5cmProvenance: From an American private collectionCondition ReportThere is a circa 3cm hair glaze line to the interior of the teapot and light wear to the gilded decoration on the tip of the spout and lion-dog finial.
Lot 172
Ω A RARE CHINESE DEHUA BLANC-DE-CHINE FIGURE OF THE MADONNA AND CHILD, QING DYNASTY, KANGXI PERIOD, CIRCA 1690清 康熙 德化聖母與聖子像Modelled standing holding the Christ child in her left arm, a rosary in his right hand, all upon a grimacing lion-dog baseHeight: 38cmProvenance: The Mujintang collection, TaipeiTO BE SOLD WITHOUT RESERVE沐錦堂私人珍藏 拍品號172至222A similar figure is in the British Museum, no: 1980,0728.91, previously in the P. J. Donnelly collection, illustrated and discussed by the author, BLANC DE CHINE, London, 1969, plate 122A, pp. 195-96. Another similar was in the Mottahedeh ollection, illustrated and discussed by D. Howard & J. Ayers, China for the West, vol. I, London, 1978, cat no. 50, p. 91. Another version of this figure is known, with the Christ child in the opposite arm, see Marchant, BLANC DE CHINE, (edited by John Ayers) London, 2006, plate 44., p.70, where the author states that ‘several variations of this model of a Christian subject are known. All were probably made to the order of Catholic missionaries brought to the East by the Portuguese or Spanish and perhaps copy carvings produced in Christian settlements in India or the Philippines. ‘Sancta Marias’ are named in the list of cargo loaded by the English East Indiaman, Dashwood at Amoy in 1701 and sold at auction in London in 1703 as recorded by Geoffrey Godden in Oriental Export Market Porcelain, p.266 who illustrates the other version from the P.J. Donnelly collection.’一件類似的德化聖母像收藏於大英博物館,藏品編號：1980，0728.91,P.J.Donnelly 舊藏,出版著錄於《BLANC DE CHINE》倫敦1969年,圖122a,頁195-96. 另一相似一例為Mottahedeh 收藏,出版著錄於《China for the West》圖冊一,作者D. Howard & J. Ayers 倫敦 1978,圖50,頁91. 另一件類似但聖子位於相反方位,見於Marchant,《BLANC DE CHINE》作者 John Ayers,倫敦 2006 圖44頁70.作者指出,“这种基督教主题造像的几种变体是已知的.所有这些都可能是按照葡萄牙人或西班牙人带到东方的天主教传教士的下令專門制作的,同時也可能是在印度或菲律宾的基督教定居点制作的复制雕刻品.從船貨的名單中可以得知“圣玛丽亚”的名稱為自英國東印度人Dashwood於1701所取,之後1703年售於位於倫敦的拍賣行,並且紀錄於《亞洲出口瓷器市場》一書中,圖266.作者Geoffrey Godden.Condition ReportThere is some minor fritting to the rim of one vase.
Lot 197
Ω A CHINESE EXPORT PORCELAIN ‘SWEDISH MARKET’ NEO-CLASSICAL VASE, QING DYNASTY, QIANLONG PERIOD, CIRCA 1780清 乾隆 外销粉彩瓶After a Swedish faience Marieberg original, painted to either side with grisaille scene of lovers, within moulded laurel leaf green and gilt cartouches, cover missingA similar pair of vases are in the coleção Ricardo do Espírito Santo Silva, Lisbon, illustrated in Porcelanas da China, Lisbon, 2002, cat no. 56, p.70.Height: 29.5cmProvenance: The Mujintang collection, TaipeiTO BE SOLD WITHOUT RESERVE沐錦堂私人珍藏 拍品號172至222Condition ReportWith the exception of some wear to the gilded decoration, the vase is in good condition.
Lot 198
Ω A CHINESE EXPORT ‘FAMILLE-ROSE’ PORCELAIN TWO-HANDLED BOWL AND COVER, QING DYNASTY, QIANLONG PERIOD, CIRCA 1780清 乾隆 外销粉彩人物紋盌及蓋Painted with figures in Chinese estuary scenes, together with a quatre-lobed vase, painted with an archer to one side (3)Diameter: 17cmProvenance: The Mujintang collection, TaipeiTO BE SOLD WITHOUT RESERVE沐錦堂私人珍藏 拍品號172至222Condition ReportThe vase has some fritting to the side of the handles and rubbing and loss to the gilded ground decoration. The bowl has restoration to both handles, two hairline rim cracks (circa 3 and 6cm) and the cover has a 6mm shallow flake to the top of the rim and restoration to a circa 2cm wide crescent-shaped section of the rim and over-painting to a circa 18cm long section of the rim.
Lot 214
Ω A RARE PAIR OF CHINESE EXPORT ‘FAMILLE-ROSE’ PORCELAIN PORTUGUESE-MARKET BEAKER VASES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1790清 乾隆 外销粉彩紋章瓷花觚一对Of slender trumpet form, painted with the arms of Lisbon and Portugal, within blue and puce floral borders, together with another famille-rose trumpet spill vase(3)Height: 19cmProvenance: The Mujintang collection, TaipeiTO BE SOLD WITHOUT RESERVE沐錦堂私人珍藏 拍品號172至222For a discussion of these arms see A Porcelan Chinesa, e os Brasoes do Imperio, by Nuno de Castro, Porto, 1987, p.167, where the author records that this service was ordered by the St Augustinian order for the Convento de Sao Vicente de Fora.A beaker vase from the same garniture was sold Christie’s, London, 11th May 2010, lot 149Condition ReportOne of the Portuguese market vases has restoration to the top half of the body and rim, the other has been partially filled with plaster and lead shot, the spill vase has rubbing and loss to the gilding.
Lot 220
Ω A GROUP OF FOUR CHINESE BLANC-DE-CHINE DEHUA VESSELS, QING DYNASTY, KANGXI PERIOD, 1662 – 1722 清 康熙 德化瓷器一組 四件 Including a tripod Jue, a dragon and phoenix libation cup, a leaf-shaped butter boat and a miniature vase (4) The largest: 7cm Provenance: The Mujintang collection, Taipei TO BE SOLD WITHOUT RESERVE 沐錦堂私人珍藏 拍品號172至222Condition ReportThe leaf-shaped boat has old restoration to the bottom of the handle, the libation cup has a minute chip to the side of the foot, the jue has two circa 15mm., areas of polish to the rim with associated small rim chips visible, the miniature vase is in good condition.
Lot 55
A SINO-TIBETAN GILT BRONZE BUDDHA, QING DYNASTY, 18TH CENTURY清 銅鎏金无量寿佛像 十八世紀The Amitayus crowned figure seated in Dhyana Mudra holding the vase attribute, on a lotus throne with integral rectangular plinth, cast with a pair of peacocks, the figure framed by a flaming mandorla, separately cast and attached, together with a matched gilt-bronze stand, in the form of cart, and a painted red and gilt wooden temple stand (3)Height: the Buddha - 9.5cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe gilt-bronze Buddha is missing the base plate and has a tiny casting flaw hole to the front edge of the base, the base has been sealed with wax. The cart-shaped stand has rubbing to the gilding on the top surface and the base plate is sealed. The wood stand with surface scratches and minor nibbles to the edges.
Lot 61
A CHINESE FAMILLE-ROSE PORCELAIN ‘CONG’ VASE, LATE 19TH/EARLY 20TH CENTURY清 粉彩供瓶一件 十九至二十世紀初Of square section, each side painted with birds and flowers, including mandarin ducks and lotus, all within formal lotus borders, the interior and base with a turquoise glaze, apocryphal Qianlong seal mark in redHeight: 26cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe vase is in good condition except for some light rubbing and loss to the gilding on the rim.
Lot 82
A CHINESE BLUE AND WHITE PORCELAIN ROULEAU VASE, QING DYNASTY, KANGXI PERIOD, 1662 – 1722清 康熙 蓮塘紋棒槌瓶Finely painted with insects above a lotus pond, the neck with key-fret, chevron and ruyi bandsHeight: 27cmProvenance: The property of a gentlemanCondition ReportThe rouleau has restoration and over-painting to a circa 3cm section of the rim, and some very minor glaze firing imperfections including a burst glaze bubble.
Lot 9
A CHINESE EMBROIDERED ‘HUNDRED ANTIQUES’ SILK FAN CASE, QING DYNASTY, 19TH CENTURY 清 刺繡博古圖紋扇套 十九世紀Embroidered with the ‘hundred antiques’ design, to either side, including books, a bronze ding and vase with coralCase length: 31cmProvenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe ‘hundred antiques’ fan case has loss to one of the red beads on the handle and light discolouration to the silk commensurate with age.
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