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Click here to subscribeA Chinese famille rose canton vase, of baluster form with a pie crust rim, decorated with panels of court officials surrounded by flowers and birds, with bands of lappits to the base, applied lizard decoration and foo dog handles, 2nd half of the 19th century Condition Report:Vase has missing sections rim and reglued areas, wear to gilding
A collection of silver including a pair of bon bon dishes, of lobed form with pierced openwork sections, on three scroll bracket feet, byÊCornelius Desormeaux Saunders & James Francis Hollings, Birmingham 1918, a miniature silver tazza, with pierced openwork and a scrolling foliate rim (base weighted), Birmingham marks, and a silver specimen vase, by Mappin & Webb, Birmingham 1972, weighable silver 161gms (4) Condition Report:Available upon request
A late 19thC Royal Doulton Lambeth stoneware vase by Rosina Brown, of cylindrical tapering form with an elongated neck, decorated with blue and green flowering branches, with raised bead decorations against a two tone brown ground, model number 706, impressed marks and monogrammed RB, 33cm high.
A late 19thC Doulton Lambeth stoneware vase, decorated by L. Waters, with a band of scrolling flowers and leaves, above a further band of leaves, against a brown and blue ground, impressed and incised marks, 23cm high, together with a Doulton Lambeth stoneware two tone harvest jug, with a white metal rim, sprig moulded with humorous figures and cats, impressed marks, 18.5cm high, (2).
Three pieces of Continental glass, comprising a Bohemian ribbed cranberry to amber glass vase, 23cm high, a Chribska glass vase designed by Josef Hospodka, in green and cranberry with a white opaline glass rim, 17cm high, and a Bohemian glass bowl with cranberry and pale green decoration, 21cm wide. (3)
A large baluster form porcelain vase in the Qianlong style, decorated with five toed dragons amongst clouds to the body, flared neck and bearing Kangxi mark to the base, H: 28 cm. No chips or cracks. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)
Stephen Gillies & Kate Jones, Three 'Beautiful' bowls and a 'Ball' vase, circa 2015, Glass, Each inscribed 'Gillies, Jones, Rosedale' to underside, Red bowl :13cm high ; Leaf motif bowl : 12cm high ; Purple bowl : 11.5cm high ; Ball vase : 11.8cm high (4) (ARR) Please refer to department for condition report
Willem De Moor for Flygsfors vase, Art glass footed bowl, 1940, Clear glass with bubbles, Underside inscribed 'FLYGSFORS. W. de M 40', and number '133', 11cm high, 18.5cm diameterOverall minor general surface wear commensurate with age and handling, there are some fleabite scuffs to top of one circular knop, otherwise no cracks or damage, in generally good overall condition.
Hilton Mc Connico for Daum, a 'Carafe Night' decanter, from the 'Plumes Cheyenne' collection, designed as a rectangular vase in clear and frosted glass with squat neck, with stopper modelled as a feather plume in pate de verre, etched 'Daum France' and 'Hilton Mc Connico 46/99' to the lower edge of the decanter, with signed certificate of authenticity, in fitted box, the decanter and stopper 39.7cm highPlease refer to department for condition report
Studio Pottery, a collection of various vases, jugs and bowls to include: a large coil built lamp base, 26cm diameter; a Leonard Stockley of Weymouth small jug, Perranporth vase, various drip-glaze vases, two Bob Dawe vases and others (approx. 18 pieces)Please refer to department for condition report
Property from the estate of the late David Cornwell, best-known as the author John Le CarréA group of six pieces of studio pottery, late 20th century, comprising: a large slip glaze bowl, 31.5cm diameter; a shallow bowl with blue/green glazed interior, 24cm diameter; a jug with loop handle, 28cm high; a vase with brown stripe glaze; 25cm high; a squat vase with buff glaze, 17cm high; and a waisted vase by Tergurnon, 11cm high (6)Please refer to department for condition report
A group of various studio pottery, 20th century, to include: a large Gouda Pottery vase with stick-on label and backstamp, 32cm high, a Tessa Fuchs footed bowl in blue and green colour way with maker's mark to underside, 15.5cm diameter, a Rowan Pottery shaped dish with repeated circle-inset-square pattern, 32cm long, a Flora Holland vase with knopped neck, a St Ives pottery bowl, a Gollico Fayence pot and cover, a Cinque Ports Rye Pottery jug, and others, sixteen pieces in total (lot)Please refer to department for condition report
Rupert Spira (b.1960), Studio Pottery cylinder vase, circa 2000, Stoneware, deep red glaze with pale grey rim, Underside impressed ‘RS’, 27cm high Impact to rim has resulted in damage - apparent externally as chip 1cm x 4mm, and another 2mm chip with hairline crack approx 4cm to exterior, internally the two are joined and further glaze damage with crazing. 1-2mm nick to underside foot rim. Additional images available.
A group of studio pottery, 20th century, to include a Leach Pottery stoneware jug with brown glaze, mark for St Ives and impressed 'ENGLAND', 20cm high, a mottled buff coloured jug lacking cover, indistinctly marked, four pottery mugs signed 'Tomorrow' to underside, 9.5cm high, a Milland Pottery vase with painted decoration of ducks, a stoneware pilgrim flask, a mottled cream studio pottery cup and 4 saucers, and a bowl signed 'ROBYN' (lot)Please refer to department for condition report
Faith Kenworthy-Browne, British 1882-1973- Portrait of a lady seated full-length in an interior; oil on canvas, signed with initials (lower left), 61 x 45.5 cm.: together with another work by the same artist depicting an interior scene with flowers in a vase and paintings; oil on canvas, signed with initials and dated '1968' (lower right), 61 x 50.9 cm. (part unframed) (ARR) (2) Portrait of a lady: Framed, unexamined out of frame. Light marks and chips to the frame generally. Stretcher bar marks visible to the upper and right edges of the canvas. Fine and settled craquelure in areas. Two repair patches visible to the verso, one larger patch towards the upper centre of the canvas, and the other smaller patch towards the centre of the lower section of the canvas. Evidence of light abrasions and marks of surface dirt to the canvas generally. Areas of impasto are well-preserved. Interior scene: Unframed. Stretcher bar marks visible to the upper and lower edges. Light abrasions visible to the canvas, particularly towards the corners and edges but also generally across the canvas. Surface dirt across the canvas. Areas of impasto are well-preserved. Otherwise in fair condition overall.
Faith Kenworthy-Browne, British 1882-1973- Daffodils and Irises in a blue and white jug; oil on canvas, signed with initials and dated '1945' (lower left), bears label from the Society of Women Artists to the reverse of the frame, 53.5 x 42 cm: together with another work by the same artist depicting Honeysuckle in a vase; oil on canvasboard, signed with initials (lower right), 30.5 x 37.5 cm. (part unframed) (ARR) (2)Daffodils and Irises: Framed, and unexamined out of frame. Light marks, chips, and surface dirt to the frames generally. The canvas is slightly loose on the stretcher, with corresponding light undulations generally. Stretcher bar mark visible to the upper edge of the canvas. Light abrasions in areas, particularly towards the edges, due to contact with the frame. Minor dents, chips, and pinholes in areas, along with surface dirt generally. Otherwise in fair condition overall. Honeysuckle: Held in a mount, unexamined outside. Possible light abrasions and surface dirt in areas. Areas of impasto are well-preserved. Otherwise in good condition overall.
Tilly Moes, German 1899-1979- Still life with purple orchids in a vase; oil on canvas, signed 'Tilly Moes' (lower edge), 50 x 41 cm. (ARR) Framed, unexamined out of frame. General chips and losses to the frame, including a loss to the gesso lower left corner. Significant abrasions to the paint surface in areas across the canvas. A very small hole towards the upper right of the canvas. Otherwise in fair condition overall.
A quantity of miscellanea to include early/mid-20th century ceramics, blue and white teapot, a Beswick 'Happy Morn' commemorative wedding jug, a Wade decanter, stoneware jug, a Scotch roe deer antler shield key hanger, a Royal Doulton HN3087 'Charity', limited edition no.3606/9500, a Spode hand painted bone china Mallard Duck, a small quantity of glassware to include a hand-blown waisted vase and a cut glass bowl on long stem, to circular footed base, etc.
Various items of vintage and antique mixed metalware to include wine cooler, height 24cm, plated teapot, a pair of pewter candlesticks with push rods, hammered effect candlestick-style lamp, vases, table centrepiece, height 30cm, top diameter 26cm, photograph frame, etc, also a bronze Chinese vase (af), a circular disc with a square Chinese seal and a modern brass carriage clock.
A group of early/mid-20th century ceramics to include a vintage black and white hors d'oeuvres set, a part tea service with hand-painted floral decoration, to include cups, saucers, side plates, milk jug, etc, a brown lacquered tray, a Terracotta Army warrior figure, Wedgwood trinket pot, small Worcester vase, etc, also a Chinese ginger jar with figural decoration.
ROYAL ALBERT; approximately 122 pieces of 'Old Country Roses' pattern dinner ware, to include cups, saucers, side plates, soup bowls, teapots, coffee pots, plant holder, small vase, trinket boxes, ornamental swans and bells, baskets, wall clock, gateau plate, tablecloth, knives, etc.Qty: Approx. 122
A quantity of circa 1900 Spode dinnerware to include dinner plates, side plates and cake plates, pattern no.R436, white ground with cobalt blue and gilt-heightened border, a Coalport Shrewsbury pattern baluster vase, a 19th century crystal decanter, a 20th century cut glass decanter, a crystal candle holder, two 19th century Chinese Provincial blue and white ginger jars, two 19th century bat printed plates, a circa 1810-1820 Newhall example from the Mother and Child series, after Adam Buck, pattern 1129, and a Swansea creamware example, Brig of circa 1800 plate made 1831-1850 marked Dillwyn 8.Qty: 2
An early 20th century Vienna tulip-shaped vase with all-over hand painted flower sprig decoration and applied tulips supported by three putti, to a shaped base and a pair of blue and white ceramic candlesticks in the form of Chinese boys holding aloft acorn cup candle holders with acorn leaves, height of each 12cm.Qty: 3
A Berlin egg-shaped vase with raspberry pink ground and vignettes of couples in period costume to a tripartite outswept support, with cover, height 17cm, a French brass mounted twin-handled vase with green ground and vignettes of flora, within gilded scrolling and portrait of a lady in period costume to one side, height 15cm, a 19th century Crown Derby cup and saucer with white ground and pale green border gilt-heightened with swags of grapes and foliage, a circa 1782 Crown Derby cup in the Imari palette, with red marks to the base a single Bloor Derby plate, with red mark to base, a Sèvres saucer with hand painted Summer bloom decoration to the rim and gilt-heightened pattern to the base and a 19th century stand with deep raspberry pink ground and gilt-heightened urn and swag decoration, with beehive mark to the base.Qty: 8The single plate has some hairline cracks to the base and some chips to the rim.
Three Masons 'Mandalay' pattern ceramics comprising a ginger jar, twin-handled sucrier and an octagonal vase with cover, also a boxed Goebel Artis Orbis Vincent Van Gough L'andier vase in the Chinoiserie style, gold ground with cherry blossom decoration, a boxed Goebel vase in 'Almond Tree' pattern, a matching square shallow bowl and an Imperial Porcelain St Petersburg pin dish.Qty: 7
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