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A Royal Crown Derby vase and cover, dated 1896, of urn form with fluted neck in blue and gilt, the body decorated with a floral spray on a white ground; together with a Meissen two handled vase and a small spherical vase enriched with floral studies; and a Carlton Ware dragon vase. Crown Derby 23.5cm.
LUCY ELLEN MARK (1858-1931), Still life - a Chinese vase of flowers, lustre dishes and a dagger and scabbard on a ledge, signed and dated 1920, oil on canvas, 23" x 19 1/2". This lot is sold together with short biographical printed history and photograph of the artist who attended the Slade School in 1885 and exhibited twice at the Royal Academy and many other well known galleries until around 1923.
A pair of Caltagirone maiolica bottle vases 18th century each with a slightly different band of alternating marbled and blue trellis panels below bands of blue scrolling foliage to the shoulder and neck 23cm., 9in. typical minor glaze abrasions (2) A similar bottle vase is illustrated by A.Ragona, La maiolica siciliana dalle origini all'ottocento, ill.164.
A rare Vienna group of lovers in an arbour circa 1765 seated holding hands, within an elaborate pierced and moulded trelliswork arbour, modelled with scrollwork edged in gilding and purple and applied with flowering branches, a tree branch growing through from the rear and a putto hovering overhead holding a floral wreath, the high base similarly edged with scrollwork, a rococo flower vase to one side shield mark in underglaze-blue 29.5cm., 11.625;in. flower vase restuck, some chips
Meissen blue-ground topographical vase circa 1815 of amphora shape with two finely modelled gilt serpent handles, decorated with a rectangular topograhical view reserved on a blue ground scattered with stars and mounted on a gilt square base crossed swords and I in underglaze-blue, impressed 45 and 8 38cm., 15in. some wear.
A group of Sevres and Sevres-style teawares 18th and 19th centuries comprising: a Sevres bleu lapis-ground sugar bowl, circa 1780, painted by Micaud pere, each side reserved with an oval panel depicting a basket of fruit and flowers and a vase with flowers and fruit to one side, each on a ledge, gilt foliate scrollwork border with foliate swags to rim, interlaced LL monogram enclosing date letter cc, painter's mark and gilder's mark for Boulanger pere in blue; two miniature baskets, circa 1767, painted by Noel, the moulded weave coloured in blue and gilding, interlaced LL monogram, date letter o and painter's mark in blue; a bleu celeste-ground coffee can and saucer, probably later decorated, each painted with a cherub amidst clouds, gilt foliate borders, interlaced LL monogram enclosing date letter u and painter's mark GD in black, gilder's mark VD., incised marks; a Sevres-style blue-ground milk jug, 19th century, reserved with a panel of a bird on a fountain surported by scrollwork, gilt foliate border, gilt interlaced LL monogram; a Sevres-style c ffee can and saucer, late 19th century, the cup reserved with a kidney-shaped panel of merchants by a quayside, the saucer with a naval trophy, gilt floral and trellis pattern on a blue ground, interlaced LL monogram and dots in blue; a Sevres-style bleu celeste-ground cup, 19th century, reserved with a flower panel, gilt border of scrolling foliage, interlaced LL monogram, date code cc and painter's mark in blue; and a Sevres-style oval stand, 19th century, painted with floral trophies enclosed by a green ribbon band enclosed by gilt dot panels and blue-ground panels, interlaced LL monogram, date letter cc and painter's mark c.p. in blue the stand: 18.3cm., 7.25;in. minor wear (10)
A small Swansea pot pourri vase circa 1815-20 of urn shape with claw-footed stem and circular base, set with snake handles and moulded with two mask heads, painted possibly by Henry Morris with panels of flowers on a ledge, red script mark, 9.5cm., 3.75; in., cover lacking; and a Swansea pot pourri vase and cover, of campana form, painted with a band of summer flowers, unmarked, 12.5cm., 5in., handles lacking, chip to rim (3) Literature The smaller vase illustrated by W.D.John, Swansea Porcelain, ill.51A, top right.
A Swansea biscuit two-handled vase and cover circa 1815-20 of urn shape, the sides applied with flower garlands above moulded gadroons, the rim and circular foot with acanthus and beaded moulding, raised on a square base, pointed bud finial to the cover 15cm., 6in.high some losses to applied flowers, glued repair to one handle (2) For the form see A.E.( Jimmy ) Jones and Sir Leslie Joseph, Swansea Porcelain, Shapes and Decoration, p.131, 2.
A Swansea biscuit vase circa 1817-20 of urn form raised on a circular base, the ram's head handles above ribbons and applied with flower swags impressed mark with trident 14.5cm., 5.75;in. small losses an minor repair, firing crack to rim Literature Illustrated by E.Morton Nance, The Pottery & Porcelain of Swansea & Nantgarw, pl.CII, C, middle.
A Swansea vase circa 1815-20 the shouldered ovoid body set with `bee' handles, painted with a broad band of garden flowers between gilt foliate borders, the flared base similarly painted with flowers impressed SWANSEA and trident 17cm., 6.75;in. some restoration and repair to handles and socle A vase of similar form and decoration was sold Sotheby's, London, 9th June 1998, lot 130; and a pair illustrated by W.D.John, Swansea Porcelain, col.illus.13c.
A Swansea inkstand circa 1815-20 of shallow cylindrical form, the exterior painted in gilding with two groups of flowers against a pink ground, the interior with a central inkpot and liner and with three pen holders, faint red script mark, 13.5cm., 5.25;in.wide, cover lacking, minor wear to gilding; also a Swansea teacup and saucer, painted with flowers, some damage; and a Swansea spill vase, painted with flowers and foliate scrolls, some damage (4) Provenance The inkstand from the Sidney Heath Collection
A group of Swansea and Nantgarw porcelain circa 1815-23 comprising; a Swansea round inkstand, with three pen holders, the interior probably painted by Henry Morris, with flower sprays, red script mark, 15cm. 6in.wide, inkpot lacking, some wear; a Swansea slop bowl, painted with two landscape vignettes, red script mark, repaired; a Nantgarw cylindrical spill vase, probably painted by Pardoe, with flowers, 11cm., 4.25; in., cracks; a Nantgarw small cabinet cup, painted with a band of flowers, some wear (4)
A Swansea vase circa 1815-20 the flared neck with gilt eagle handles, painted by Henry Morris, with bouquets of summer flowers above a grey and blue marbled lower part and foot, raised on an hexagonal base unmarked 13.5cm., 5.25;in. glued chip and fine haircracks to rim, small nick to edge of foot, minor wear to gilding Literature Illustrated by A.E.Jones and Sir Leslie Joseph, Swansea Porcelain Shapes and Decoration, p.124, pl.2.
A Nantgarw cabinet cup and saucer circa 1820 with snake's head handle, painted with a vase of flowers on a ledge inside an oval gilt frame, against a magenta ground painted with deep pink foliate scrolls and white and gilt urns unmarked saucer 14.5cm., 5.75;in. minor wear to gilding (2)
An unusual Nantgarw spill vase 1820s of cylindrical form tapering towards the base, painted by Thomas Pardoe with sprays of flowers and insects between gilt line borders unmarked 11cm., 4.25;in. high some wear to gilding The more usual form of Nantgarw spill vase has a substantial base. An example of this present form where the base is narrower than the top is illustrated by W.D. John, Nantgarw Porcelain, col.illus. 22.
A Swansea two-handled rectangular dish circa 1815-20 with twig handles, painted in the Imari-style with a central vase of flowers against a deep blue ground reserved with flower panels, script mark and 236 in red, 28cm., 11in., restoration to rim; a Swansea shaped oval dish, painted with a continuous border of roses and peony, impressed mark, 29.25cm., 11.5; in., some wear; and a Swansea rectangular comport, painted with a flower bouquet and floral sprays, script mark in red, 32cm., 12.5; in., some restoration (3) Provenance The oval dish and the rectangular dish from the Elis Jenkins Collection, sold Sotheby's London, 8th July 1980, lots 136 and 148
A Nantgarw cylindrical spill vase circa 1820 London decorated, the lower half painted with scattered flowers, the upper part reserved with two flower panels inside gilt foliate frames against a bleu-celeste ground 11.5cm., 4.5;in. glazed over chip to foot, small chip to foot Provenance The B.A.Williams Collection
A black basalt neoclassical vase probably Wedgwood, late 18th century the ovoid body moulded with swags of fabric suspended from six rings, a band of laurel to the shoulders, the circular foot raised on a square base unmarked 37cm., 14.5;in. some losses to laurel A vase and cover with the same suspended fabric swags marked Wedgwood is illustrated by Captain M.H.Grant, The Makers of Black Basaltes, p.51, pl.XIII. Provenance The sale at Syon Park, Middlesex, Sotheby's, 14th, 15th and 16th May 1997, lot 685; George, 2nd Earl of Warwick.
A group of Worcester scale-blue ground wares circa 1770 painted with gilt scroll-edged mirror and vase-shaped panels enclosing flowers or exotic birds, comprising: two shell-shaped dishes, a butter tub and cover and a teacup and saucer fretted square and crescent marks dishes 19cm., 7.5;in. (6)
Six Worcester dishes with wavy rims circa 1770 painted with gilt scroll-edged mirror and vase-shaped panels enclosing flowers against a scale-blue ground, fretted square, crescent and blue-painted marks, 19cm.,. 7.5;in.; together with a larger dish, similarly decorated with a knotched rim fretted square mark 25.5cm., 10in. (7)
A Derby campana vase circa 1810 painted with a continuous view depicting figures fishing by a bridge and two other figures fishing before a ruin, between cobalt-blue bands gilt with vases and stylised shells flanked by foliate scrollwork, twin gilt loop handles, raised on a circular foot red-painted crown above crossed batons, dots and D 23cm., 9in. one handle re-gilt
A large Mason's ironstone vase and cover circa 1830-35 the tapering hexagonal body decorated with an assortment of Chinoiserie prints extracted from larger patterns, including Muscovy Duck and Chinese Vista, between pink borders edged in gilt and heightened with foliate scrollwork and panels of prunus, the similarly decorated domed cover surmounted by a three-headed dragon pink-printed marks 81cm., 32in. restored (2)
A pair of Royal Worcester vases circa 1907 painted by H.Martin, signed, with a peacock and peahen perched on the branch of a fir tree, the reverse decorated with a stem of fir above berries, flanked by green angular handles beneath a flared cylindrical neck, puce-printed marks, shape number 1920, 21.5cm., 8.5;in.; together with a Royal Worcester Hadley Ware pot pourri vase and cover, circa 1905, painted by H.W.Martin, signed, with a male and female pheasant walking amidst undergrowth, the pierced cover with pointed finial green-printed marks 17.8cm., 7in. finial glued (4)
A group of four enamel objects with silver mounts, Vienna, circa 1880-1900 comprising: a small box in the form of a piano, Ludwig Pollitzer, the lid painted with a fete champetre, the sides with musical trophies and flowers, length 8cm, 3 1/8 in; a two-handled footed bowl, Ludwig Politzer, painted with classical figures reserved within raised gilt scrolls, height 9.5cm, 3 3/4 in; an oval snuff box, Hermann BÅ¡hm, painted with 18th century figures engaged in various pursuits, width 7.7cm, 3in; and a miniature goblet, Hermann BÅ¡hm, with classical figures above alternating panels of polychrome scrolls and masks, the domed foot with putti, height 11.6cm, 4 1/2 in; and an enamel vase, possibly Vienna, circa 1900, painted with stylised flowerheads and scrolls on a dotted pink ground, height 12cm, 4 3/4 in; and a Renaissance-style enamelled gilt-metal and agate bowl, Hungarian. (6)
A group of objects in Eastern taste comprising: two silver cigarette cases, probably Indian, early 20th century, widths 10.5 and 8.5cm, 4 1/8 and 3 3/8 in; a pair of gilt and enamel two-handle vases, 12.2cm, 4 3/4 in; a hardstone and enamel vase, 12.5cm, 4 7/8 in; a turned ivory vase with foliate scroll handles, 11.5cm, 4 1/2 in; a cloisonne enamel silver scent flask, Russian, mid 20th century, 5.8cm, 2 1/4 in; two figures of elephants; and three further items (12)
A group of five Chinese textiles, comprising a silk apron front finely embroidered in silk stain stitch and Peking knot, the main panel with a vase, decorated with a large shou character, standing on a bamboo table and containing a single large peony blossom, surrounded by flowers and various motifs including a crane, butterflies, fish and, most unusually in the lower right corner, a domestic cat; two pairs of joined sleeve bands, one finely worked on satin in predominantly Peking knot within fine gold brocade outlines; the fragment of a robe in red silk finely worked in gold and silver brocading with a phoenix above a ‘wave mountain’, set into blue, cream and black silk ‘borders’ with silk embroidery and metal brocade; and a cream satin panel, embroidered in silk satin stitch with a ky’lin at the base of a flowering prunus with birds. All second half 19th century. Four framed, three glazed (glass of one broken), fifth mounted on wood stretcher. Sold as a collection with all faults not subject to return. (5)
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653833 item(s)/page