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Barn Owl a rare Royal Doulton Titanian Ware vase by Harry Allen, cylindrical form, painted with an owl perched on a bough above a string of five caught mice, in colours on a midnight blue ground, printed factory mark, painted title and H Allen signature, small glaze chip to the top rim, 26cm. high Literature Doulton Ware Lambeth Art Pottery Part II, Richard Dennis Gallery, 1975, catalogue number 422 for a comparable vase decorated by Harry Allen with owls.
A Doulton Burslem cabinet vase and cover by G White, the urn shaped vase with applied mask handles, painted with a classical woman in diaphanous robe sitting by a lake, the reverse with a swan swimming on the lake amongst flowering water-lily, in colours, highlighted in gilt, with peppermint green bands, printed factory mark, painted G White signature, 33cm. high
A Della Robbia Pottery vase by John Fogo, pear shaped with knopped neck, incised and painted with vertical columns of foliage in shades of green, turquoise and yellow, incised mark and artist cipher, painted PJ monogram, minor glaze frits to top rim, 21.5cm. high Provenance Private collection.
A Burmantofts Faience Partie-Colour vase, shouldered form modelled in low relief with panels of flag iris, glazed yellow, another smaller and a collection of Burmantofts Faience pottery impressed marks, 34cm. high (a lot). Provenance A private collection of Burmantofts Faience Pottery.
A large Burmantofts Faience Dragon vase, model no.676, the double gourd form applied with a scaly oriental dragon stalking a grotesque fish, in glazed in colours impressed marks, minor professional restoration, 60cm. high Provenance A private collection of Burmantofts Faience Pottery.
A Burmantofts Faience Anglo-Persian vase by Leonard King, shouldered form with knopped neck, painted with a leaping fish roundel, inside a border of Japoniste prunus and bamboo, the reverse with a shoal of fish roundel, in shades of blue, turquoise, aubergine and green on a cream ground, impressed marks, painted LK monogram and 983, small chip to top rim, 27cm. high Provenance A private collection of Burmantofts Faience Pottery.
A Burmantofts Faience Anglo-Persian vase by Leonard King, design number 113, shouldered form, painted with flowers and foliage in shades of blue, turquoise, green and aubergine on a white ground, impressed marks, painted monogram and model numbers, 23.5cm. high Provenance A private collection of Burmantofts Faience Pottery.
A Burmantofts Faience Anglo-Persian Pillar vase by Leonard King, pattern D.652, painted with a frieze of eagle and serpents in blue, turquoise, green and aubergine on a white ground, the neck with carnation flowers, impressed marks, painted LK monogram, 35cm. high Provenance A private collection of Burmantofts Faience Pottery.
A Burmantofts Faience Anglo-Persian Pillar vase by Leonard King, D.647, painted with winged and crowned heraldic lions, in blue, turquoise, green and aubergine on a white ground, the neck with stylised flowers, impressed marks, painted monogram, minor glaze loss to top rim, 35.5cm. high Provenance A private collection of Burmantofts Faience Pottery.
A small Burmantofts Faience Anglo-Persian vase by Leonard King, shouldered form with knopped neck, painted with overlapping scale design in blue and turquoise on a white ground, impressed and painted marks to base, 12.5cm. high Provenance A private collection of Burmantofts Faience Pottery.
A Burmantofts Faience Anglo-Persian vase by Leonard King, D.172, shouldered form, painted with panels of stylised flowers and foliage in blue, turquoise, green and aubergine on a white ground, and another smaller vase, impressed and painted marks, professional restoration, 21cm. high, (2)
A Burmantofts Faience Partie-Colour vase by Joseph Walmsley, compressed form with cylindrical neck, decorated in low relief with a pair of peacocks in a landscape, in colours on a cream ground impressed marks, 23.5cm. high Provenance A private collection of Burmantofts Faience Pottery.
A Burmantofts Faience lustre vase by Joseph Walmsley, compressed ovoid form with swollen cylindrical neck, painted with a band of scroll decoration, the neck with broad border of scales in golden lustre on a ruby lustre ground, impressed factory marks, painted JW and TL monograms, 18cm. high
A Burmantofts Faience vase by Joseph Walmsley, ovoid with swollen cylindrical neck, painted with scaly fish swimming, in golden lustre on a ruby lustre ground, impressed marks, painted feint JW monogram, 17.5cm. high Literature Malcolm Haslam, English Art Pottery 1865-1915, Antique Collector's Club, page 164 figure 123 this actual vase illustrated.
A Burmantofts Faience lustre vase by Joseph Walmsley, tapering cylindrical form, painted with scrolling foliate design between chevron borders, in golden lustre on a red lustre ground indistinct impressed marks, painted TWL mark, 12.5cm. high Provenance A private collection of Burmantofts Faience Pottery.
A good Burmantofts Faience lustre vase by Joseph Walmsley, waisted, tapering cylindrical form, painted with scaly fish swimming below a band of geometric foliage, in copper lustre on a rich ruby lustre ground, impressed marks, painted JW monogram, 17cm. high Literature Malcolm Haslam, English Art Pottery 1865-1915, Antique Collector's Club, page 163 figure 122 this actual vase illustrated.
'Eventide' a Moorcroft Pottery vase designed by William Moorcroft, shouldered tapering, cylindrical form, tubeline decorated with tall trees in green and blue, highlighted in yellow on a pale green ground, painted green signature, minor glaze loss to top and foot rim, 16.5cm. high
'Chrysanthemum' or 'Revived Cornflower' a Moorcroft Pottery vase designed by William Moorcroft, ovoid body with swollen neck and everted rim, painted with panels of flowers in shades of green, blue, red and ochre on a mottled green ground, painted green signature, impressed marks, fine stress line to top rim, 27.5cm. high
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653685 item(s)/page