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A rare Carter & Company Poole Pottery lustre bowl decorated by Lily Gilham, flaring form, applied to the rim with a small terrapin and a lizard, covered in a red and golden lustre glaze fading to green, impressed Carter's Poole mark, 27cm. diam. Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 24 for a comparable vase and bowl with applied lizards.
A Carter's Poole Pottery lustre vase designed by Owen Carter, dated 1904, the swollen, gadrooned body with waisted neck, covered in a bright red lustre glaze, incised Carter's Poole 1904, flat chip to foot rim, 31cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for a comparable example illustrated. Jennifer Hawkins The Poole Potteries, Barrie & Jenkins, page 97 for an identical red lustre vase illustrated, also dated 1904.
A Carter's Poole Pottery lustre vase designed by Owen Carter, swollen form with tapering cylindrical neck and everted rim, covered in a red lustre glaze graduating to streaked golden lustre incised Carter's Poole 1906 to base, 28cm. high Literature Leslie Hayward and Paul Atterbury, Poole Pottery Richard Dennis Publications, page 25 for an example glazed in green lustre illustrated.
A Carter's Poole Pottery lustre vase designed by Owen Carter, dated 1906, the swollen, gadrooned body with waisted neck, covered in a streaked green lustre glaze incised Carter's 1906, restored, 32cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for a comparable example illustrated
A Carter's Poole Pottery tall lustre vase designed by Owen Carter, dated 1906, waisted, cylindrical form, covered in a streaked green lustre glaze over ruby lustre, incised Carter's Poole dated 1906, 46cm. high Provenance The Poole Pottery Archive, Christie's South Kensington, 31st March 2004, lot 15. Literature Jennifer Hawkins, The Poole Potteries, Barrie & Jenkins, page 97 for two comparable gadrooned lustre vases illustrated.
A rare Carter & Company Poole Pottery lustre bowl decorated by Lily Gilham, flaring form, applied to the rim with a dragonfly and a lizard, covered in a green streaked and lustrous glaze, impressed factory mark, 25cm. diam. Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 24 for a comparable vase and bowl with applied lizards.
An early Carter's Poole Pottery solifleur vase by Anne Hatchard, ovoid with slender neck painted with simple bands in purple and blue on a pale blue-white ground, another Carter's solifleur vase painted with simple flower sprays and a black glazed vase impressed mark and painted monogram, chip to rim of black vase, 28cm. high, (3) Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis page 31 for comparable vases.
A rare early Carter's Poole Pottery pot-pourri vase and cover probably designed by Owen Carter, pierced to the shoulder, covered in a green semi-lustrous glaze, impressed Carter's Poole mark, repaired chip and small frit to cover rim, 29cm. high (2) Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 29 for an example of this shape decorated by Joseph Roelants. The Poole Potteries Victoria & Albert Museum, 1978 front cover for a comparable vase and cover.
A Modernist Poole Pottery Everest Ware vase, flaring, ribbed form with inverted top rim, spray glazed with bands of grey, mushroom and cream on a black foot, another smaller and five other Poole Art Deco vases with experimental glazes, impressed marks, over-painting to foot rim, 15.5cm. high ( 7)
An unusual Aesthetic Movement Bretby Pottery lustre vase, model no.2098, waisted cylindrical form. moulded in relief with swallows swooping over water-lily pads, glazed red lustre, another Bretby Pottery Aesthetic Movement lustre vase and a pair of streaked pink lustre vases, impressed marks, 35cm. high, (4)
A Minton's Secessionist vase designed by Leon Solon and John Wadsworth, swollen cylindrical form, printed with a simple wild flower stem in yellow and olive on a streaked turquoise ground, and a Minton's Secessionist square dish printed and impressed marks, hairline to rim of dish, 21cm. high (vase), (2)
A Della Robbia Pottery vase by Jessie Sinclair, ovoid with loop handles, painted with angled foliate columns, in blue and white, highlighted in green on a brown ground, and another Della Robbia vase by James Hughes, incised marks and monogram and a painted monogram, restored, 10.5cm. high, (2)
A large Della Robbia Florentine vase by Ruth Bare, the pear-shaped body with applied dolphin handles, incised and painted with Art Nouveau flowers and foliage, incised marks and artist RB monogram, restored top rim and handles, 34cm. high Literature Della Robbia Pottery Birkenhead Williamson Art Gallery & Museum, figure 27 for a comparable vase.
A rare Doulton Lambeth stoneware vase by Hannah Barlow, dated 1878, baluster form, incised with a pride of resting lions, between foliate bands and applied florets, glazed green and blue on a buff ground, impressed factory mark, date and unusual incised monogram, incised monogram to side of vase also, 19.5cm. high
A Doulton Lambeth stoneware Mouse Musician solifleur vase by George Tinworth, modelled as two mice, one playing a tuba the other a trumpet, glazed in shades of blue, ochre and green impressed marks, minor chips to base rim, 13.5cm. high Literature Peter Rose, George Tinworth Harrimann-Judd Collection, page 125 plate 98 for a menu holder entitled Cornet Blowers.
A Bernard Moore Bat vase, shouldered cylindrical form, painted with bats flying before a starry sky, in yellow and red on a red flambe ground, and another Bernard Moore vase similar covered in a flambe glaze BM monogram, 25cm. high, (2) Literature Aileen Dawson Bernard Moore Master Potter 1850-1935, Richard Dennis, page 60 fig.37 for a ginger jar and cover with comparable decoration.
A Pilkington's Royal Lancastrian wall charger by William S Mycock, dated 1936, incised and painted with a peacock, perched resting on a tree bough, painted in colours on a matt grey glaze, a vase and a bowl by Gladys Rogers and two other Pilkington's items, impressed and incised marks, 35cm. diam. (5) Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian vase by Gordon Forsyth, dated 1912, shouldered baluster form, painted with a simple border to the shouldered and streaked green lustre on a red lustre ground, a Pilkington's vase with applied tear lobes with streaked experimental glaze, a pair of flaring vase with strawberry pink glaze and four other Pilkington's pieces impressed marks, painted artist cipher and date code, minor chips to orange vase, 19.5cm. high (Forsyth vase), (8) Provenance The Collection of Mrs J Collier.
A Pilkington's Royal Lancastrian box and cover, circular section, covered in a streaked and veined turquoise and lavender experimental glaze, a small Pilkington's Royal Lancastrian vase with similar red and green glaze, a tall blue trumpet vase covered in a streaked blue glaze and fifteen other Pilkington's items, impressed marks, damages, 10cm. high (box and cover), (18) Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian vase by William S Mycock, dated 1912, ovoid with collar rim, painted with a hound chasing a deer, in bronze lustre on a vivid orange ground, the rim with stylised border in ruby lustre impressed factory mark, painted artist cipher and date code, 11.5cm. high Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian bottle vase by Charles Cundall, dated 1912, ovoid with cylindrical neck, painted with a frieze of scrolling Tudor rose, in ruby and bronze lustre on an orange ground, the neck with vertical columns of foliage impressed marks, painted artist cipher and date code, 22.5cm. high Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian vase by Richard Joyce, dated 1915, waisted cylindrical form, painted with columns of fruiting grape vine, in bronze and ruby lustre on a vivid orange ground, impressed marks, painted artist cipher and date code, 21cm. high Provenance The Collection of Mrs J Collier.
A Pilkington's Royal Lancastrian vase and cover by Richard Joyce, model no. 3152, the shouldered, cylindrical vase modelled in low relief with scaly fish amongst waterweed, the cover with moulded fish finial, covered in a golden and ruby lustre glaze, impressed mark to base, painted artist cipher, 15.5cm. high (2) Literature Anthony J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable, larger example by Joyce in the Manchester City Art Gallery collection. Provenance The Collection of Mrs J Collier.
A Pilkington's Lancastrian vase by Gordon Forsyth, dated 1909, shouldered form painted with heraldic shields of lion sejeant, divided by cypress trees and scrolling foliate borders in ruby and bronze lustre on a cream ground impressed marks, painted artist cipher and date mark (variant), 17cm. high Provenance Private collection
A Pilkington's Lancastrian vase by Gordon Forsyth, dated 1912, ovoid with solifleur neck, painted with two bands of scrolling foliage flanking inscription Noli Me Tangere (do not touch me) in gold and orange lustre on a cream ground impressed marks, painted artist cipher and date mark, 19cm. high Provenance Private collection
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650806 item(s)/page