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Lot 246

A Carter's Poole Pottery lustre vase designed by Owen Carter, the swollen body with tapering modelled neck and everted rim, covered in a red lustre glaze, incised Carter's Poole and indistinct date, 28.5cm. high

Lot 250

A rare Carter & Company Poole Pottery lustre bowl decorated by Lily Gilham, flaring form, applied to the rim with a small terrapin and a lizard, covered in a red and golden lustre glaze fading to green, impressed Carter's Poole mark, 27cm. diam. Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 24 for a comparable vase and bowl with applied lizards.

Lot 251

A Carter's Poole Pottery lustre vase designed by Owen Carter, swollen ovoid form with collar rim, covered in a red lustre glaze, indistinct impressed roundel mark to base, 16.5cm. high

Lot 252

A Carter's Poole Pottery lustre vase probably designed by Owen Carter, dated 1904, slender, swollen cylindrical form covered in a rich red lustre with lavender streaks, incised Carter's Poole 1904, 38cm. high

Lot 253

A Carter's Poole Pottery lustre vase designed by Owen Carter, dated 1904, the swollen, gadrooned body with waisted neck, covered in a bright red lustre glaze, incised Carter's Poole 1904, flat chip to foot rim, 31cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for a comparable example illustrated. Jennifer Hawkins The Poole Potteries, Barrie & Jenkins, page 97 for an identical red lustre vase illustrated, also dated 1904.

Lot 254

A Carter's Poole Pottery lustre vase designed by Owen Carter, dated 1905, tapering square section with swollen neck rim, covered in a rich red lustre glaze, incised Carter's Poole 1905, professional restoration to base rim, 31.5cm. high

Lot 258

A Carter's Poole Pottery lustre vase designed by Owen Carter, swollen form with tapering cylindrical neck and everted rim, covered in a red lustre glaze graduating to streaked golden lustre incised Carter's Poole 1906 to base, 28cm. high Literature Leslie Hayward and Paul Atterbury, Poole Pottery Richard Dennis Publications, page 25 for an example glazed in green lustre illustrated.

Lot 259

A Carter's Poole Pottery lustre vase designed by Owen Carter, dated 1906, the swollen, gadrooned body with waisted neck, covered in a streaked green lustre glaze incised Carter's 1906, restored, 32cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for a comparable example illustrated

Lot 260

A rare Carter's Poole Pottery lustre vase probably designed by Owen Carter, ovoid with flaring neck and four bar handles, covered in a blue and green iridescent lustre glaze, unsigned, small chip to base rim, 19cm. high

Lot 262

A Carter's Poole Pottery tall lustre vase designed by Owen Carter, dated 1906, waisted, cylindrical form, covered in a streaked green lustre glaze over ruby lustre, incised Carter's Poole dated 1906, 46cm. high Provenance The Poole Pottery Archive, Christie's South Kensington, 31st March 2004, lot 15. Literature Jennifer Hawkins, The Poole Potteries, Barrie & Jenkins, page 97 for two comparable gadrooned lustre vases illustrated.

Lot 263

A rare Carter & Company Poole Pottery lustre bowl decorated by Lily Gilham, flaring form, applied to the rim with a dragonfly and a lizard, covered in a green streaked and lustrous glaze, impressed factory mark, 25cm. diam. Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 24 for a comparable vase and bowl with applied lizards.

Lot 265

An early Carter's Poole Pottery solifleur vase by Anne Hatchard, ovoid with slender neck painted with simple bands in purple and blue on a pale blue-white ground, another Carter's solifleur vase painted with simple flower sprays and a black glazed vase impressed mark and painted monogram, chip to rim of black vase, 28cm. high, (3) Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis page 31 for comparable vases.

Lot 267

A rare early Carter's Poole Pottery pot-pourri vase and cover probably designed by Owen Carter, pierced to the shoulder, covered in a green semi-lustrous glaze, impressed Carter's Poole mark, repaired chip and small frit to cover rim, 29cm. high (2) Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 29 for an example of this shape decorated by Joseph Roelants. The Poole Potteries Victoria & Albert Museum, 1978 front cover for a comparable vase and cover.

Lot 268

An early Carter's Poole Pottery vase, shouldered ovoid form painted with simple geometric bands in purple and green on an off white ground, three similar and three Poole Portuguese Stripe vases, impressed marks, 25cm. high (7)

Lot 272

A Modernist Poole Pottery Everest Ware vase, flaring, ribbed form with inverted top rim, spray glazed with bands of grey, mushroom and cream on a black foot, another smaller and five other Poole Art Deco vases with experimental glazes, impressed marks, over-painting to foot rim, 15.5cm. high ( 7)

Lot 273

A Poole Pottery Contemporary vase, pattern PQB, waisted shouldered form painted with panels in mushroom with mint green bands, another pattern PRP, a PRP pattern solifleur bottle vase and three Black Panther glazed vases, printed and painted marks, 19.5cm. high (6)

Lot 275

A Poole Pottery Contemporary Carafe vase, pattern YCS, painted with foliate columns, in colours on a white ground, two other Carafe vases and two Contemporary waisted vases printed and painted marks, 20cm. high (5)

Lot 276

A Poole Pottery Contemporary vase, pattern PSL, painted with lime green bands and columns of grey squares, Carter's 1950s tile, a Troika Pottery cube vase and four other Poole items printed and painted marks, 15cm. high (7)

Lot 277

A Poole Pottery Studio vase, onion shaped, covered in a streaked green and blue glaze, two compressed vases similar and two Poole Pottery Atlantis pebble vases by Guy Sydenham, printed and impressed marks, 12cm. high (onion vase), (5)

Lot 278

A Poole Pottery Atlantis vase by Guy Sydenham ovoid with cylindrical neck, the body with incised vertical columns, covered in a speckled brown glaze, another similar with painted decoration by Alan White and a lamp base, impressed and incised marks, 29cm. high (3)

Lot 279

A Poole Pottery Atlantis vase by Jennie Haigh, pulled ovoid form with offset flower hole, glazed speckled olive, another with incised decoration, two other Atlantis ovoid vases and two modern Poole vases impressed marks, 8cm. high (6)

Lot 280

A Guy Sydenham vase, ovoid with pulled rim, incised with panels of abstract decoration and applied suckers, glazed white and blue on a burnished ground, and four other Guy Sydenham vases, impressed marks, 20cm. high (5)

Lot 282

A Poole Pottery Atlantis vase by Carol Kellett, ovoid with solifleur neck, incised with columns of fern decoration glazed oatmeal with turquoise highlights, another similar and a smaller pebble vase impressed and incised marks, 19cm. high (3)

Lot 284

A Poole Pottery Atlantis vase by Guy Sydenham, footed square section, incised with panels of stylised leaf motif, spray glazed , the interior orange, impressed marks, incised GS monogram, restored, 19.5cm. square

Lot 288

A Martin Brothers stoneware gourd vase by Edwin & Walter Martin, dated 1907, waisted cylindrical form with vertical ribs, covered in a blue and green glaze, and another Martin Brothers stoneware vase glazed black, incised 3-1907 Martin Bros London& Southall, restored, 13cm. high (2)

Lot 289

A Martin Brothers stoneware gourd vase by Edwin & Walter Martin, swollen square section with everted rim, covered in a pitted green and blue glaze, the top rim aubergine and brown, incised marks, 6-1911, Martin Bros London & Southall,

Lot 292

A large Martin Brothers stoneware gourd vase by Edwin & Walter Martin, dated 1891, tapering ovoid form with everted rim, incised with columns of foliage in green and ochre incised 9-1891, Martin Bros London & Southall, professional restoration to the top rim, 23cm. high

Lot 293

A Martin Brothers stoneware gourd vase, ovoid with twisted neck, incised decoration, covered in a royal blue glaze, incised Martinware Southall to base, 25.5cm. high

Lot 294

A Martin Brother stoneware gourd vase by Edwin & Walter Martin, dated 1893, ovoid with pushed in panels, incised decoration in brown, green and pale blue highlights incised Martin Brothers, London & Southall 5-1893, 20cm. high

Lot 296

A Martin Brothers stoneware Aquatic miniature vase by Edwin & Walter Martin, dated 1911, ovoid incised with grotesque swimming fish, glazed blue and green, incised 11 Martin Bros London, 5.5cm. high Provenance The Martin Brothers Potters, Richard Dennis Exhibition, number 602 or 572.

Lot 298

A Martin Brothers stoneware vase with serpent handles by Edwin & Walter Martin, dated 1900, shouldered form applied with two loop handles, the body incised with gourd decoration, covered in a blue glaze with green highlights, incised 2-1900, Martin Bros London & Southall, 14.5cm. high

Lot 300

Three Burmantoft's Faience bottle vases, model no.454, ovoid with slender cylindrical solifleur neck, incised with simple foliate design, glazed, yellow, turquoise and green, a Bretby vase and a large raku sphere vase impressed marks, 27cm. high (5)

Lot 301

An unusual Aesthetic Movement Bretby Pottery lustre vase, model no.2098, waisted cylindrical form. moulded in relief with swallows swooping over water-lily pads, glazed red lustre, another Bretby Pottery Aesthetic Movement lustre vase and a pair of streaked pink lustre vases, impressed marks, 35cm. high, (4)

Lot 302

A C.H. Brannam Barum pottery vase, swollen cylindrical form with everted, fluted top rim and applied loop handles, slip decorated with a scaly fish, another smaller painted with fish swimming on a vivid pink ground and another vase, impressed and incised marks, 30cm. high, (3)

Lot 311

A Minton's Secessionist vase designed by Leon Solon and John Wadsworth, swollen cylindrical form, printed with a simple wild flower stem in yellow and olive on a streaked turquoise ground, and a Minton's Secessionist square dish printed and impressed marks, hairline to rim of dish, 21cm. high (vase), (2)

Lot 312

A Minton's Secessionist vase designed by Leon Solon and John Wadsworth, model no.50, shouldered, cylindrical form, tubeline decorated with flower sprays in red and green on a white ground, above a blue band, impressed and printed marks, 32cm. high

Lot 318

A Compton Potter's Art Guild bowl, modelled in low relief with Classical dolphins, glazed in colours, another Compton square section bowl decorated with entrelac, a box and cover and two twin-handled vases, unsigned, one vase repaired, 24cm. diam, (dolphin bowl), (6)

Lot 321

A small Sunflower Pottery vase by Sir Edmund Elton, swollen form with three pinched rims, slip decorated with simple flower repeat in red and blue on a streaked red and blue ground, painted Elton, minor glaze loss to top rim, 13cm. wide.

Lot 327

A rare Sunflower Pottery vase by Sir Edmund Elton, shouldered form on three modelled grotesque feet, covered in a crackled golden lustre glaze over olive green painted Elton signature, top rim reduced probably in the pottery, repair to feet, 41cm. high

Lot 328

A Sunflower Pottery vase designed by Sir Edmund Elton, swollen cylindrical form, cast to the base with cherub and cross panels, covered in a crackled golden glaze, painted Elton mark, repaired chips to base rim, 24cm. high

Lot 329

A Della Robbia Pottery vase by Jessie Sinclair, ovoid with loop handles, painted with angled foliate columns, in blue and white, highlighted in green on a brown ground, and another Della Robbia vase by James Hughes, incised marks and monogram and a painted monogram, restored, 10.5cm. high, (2)

Lot 330

A Della Robbia Pottery twin-handled vase by Ruth Bare, painted with a simple foliate cartouche in pink-red on a yellow ground, and a small Della Robbia dish by LW, painted marks, repaired handle, 26cm. high, (2)

Lot 331A

A large Della Robbia Florentine vase by Ruth Bare, the pear-shaped body with applied dolphin handles, incised and painted with Art Nouveau flowers and foliage, incised marks and artist RB monogram, restored top rim and handles, 34cm. high Literature Della Robbia Pottery Birkenhead Williamson Art Gallery & Museum, figure 27 for a comparable vase.

Lot 356

A fine and tall Doulton Lambeth stoneware vase by Elisa Simmance, tapering, cylindrical form, slip decorated with fish swimming amongst waterweed, with applied air bubble and shells, glazed green and brown highlighted in white impressed mark, incised artist monogram, 49.5cm. high

Lot 357

A rare Doulton Lambeth stoneware vase by Hannah Barlow, dated 1878, baluster form, incised with a pride of resting lions, between foliate bands and applied florets, glazed green and blue on a buff ground, impressed factory mark, date and unusual incised monogram, incised monogram to side of vase also, 19.5cm. high

Lot 361

A Doulton Lambeth stoneware Mouse Musician solifleur vase by George Tinworth, modelled as two mice, one playing a tuba the other a trumpet, glazed in shades of blue, ochre and green impressed marks, minor chips to base rim, 13.5cm. high Literature Peter Rose, George Tinworth Harrimann-Judd Collection, page 125 plate 98 for a menu holder entitled Cornet Blowers.

Lot 388

A Bernard Moore flambe vase, ovoid with collar neck, painted with cloud motif in red flambe, and three other Bernard Moore flambe vases, printed Bernard Moore mark, 8cm. high, (4)

Lot 392

A Bernard Moore Bat vase, shouldered cylindrical form, painted with bats flying before a starry sky, in yellow and red on a red flambe ground, and another Bernard Moore vase similar covered in a flambe glaze BM monogram, 25cm. high, (2) Literature Aileen Dawson Bernard Moore Master Potter 1850-1935, Richard Dennis, page 60 fig.37 for a ginger jar and cover with comparable decoration.

Lot 396

A Pilkington's Royal Lancastrian wall charger by William S Mycock, dated 1936, incised and painted with a peacock, perched resting on a tree bough, painted in colours on a matt grey glaze, a vase and a bowl by Gladys Rogers and two other Pilkington's items, impressed and incised marks, 35cm. diam. (5) Provenance The Collection of Mrs J Collier.

Lot 397

A Pilkington's Lancastrian vase by Gordon Forsyth, dated 1912, shouldered baluster form, painted with a simple border to the shouldered and streaked green lustre on a red lustre ground, a Pilkington's vase with applied tear lobes with streaked experimental glaze, a pair of flaring vase with strawberry pink glaze and four other Pilkington's pieces impressed marks, painted artist cipher and date code, minor chips to orange vase, 19.5cm. high (Forsyth vase), (8) Provenance The Collection of Mrs J Collier.

Lot 398

A Pilkington's Royal Lancastrian box and cover, circular section, covered in a streaked and veined turquoise and lavender experimental glaze, a small Pilkington's Royal Lancastrian vase with similar red and green glaze, a tall blue trumpet vase covered in a streaked blue glaze and fifteen other Pilkington's items, impressed marks, damages, 10cm. high (box and cover), (18) Provenance The Collection of Mrs J Collier.

Lot 399

A Pilkington's Lancastrian vase by William S Mycock, dated 1912, ovoid with collar rim, painted with a hound chasing a deer, in bronze lustre on a vivid orange ground, the rim with stylised border in ruby lustre impressed factory mark, painted artist cipher and date code, 11.5cm. high Provenance The Collection of Mrs J Collier.

Lot 400

A Pilkington's Lancastrian bottle vase by Charles Cundall, dated 1912, ovoid with cylindrical neck, painted with a frieze of scrolling Tudor rose, in ruby and bronze lustre on an orange ground, the neck with vertical columns of foliage impressed marks, painted artist cipher and date code, 22.5cm. high Provenance The Collection of Mrs J Collier.

Lot 401

A Pilkington's Lancastrian vase by Richard Joyce, dated 1915, waisted cylindrical form, painted with columns of fruiting grape vine, in bronze and ruby lustre on a vivid orange ground, impressed marks, painted artist cipher and date code, 21cm. high Provenance The Collection of Mrs J Collier.

Lot 402

A Pilkington's Royal Lancastrian vase and cover by Richard Joyce, model no. 3152, the shouldered, cylindrical vase modelled in low relief with scaly fish amongst waterweed, the cover with moulded fish finial, covered in a golden and ruby lustre glaze, impressed mark to base, painted artist cipher, 15.5cm. high (2) Literature Anthony J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable, larger example by Joyce in the Manchester City Art Gallery collection. Provenance The Collection of Mrs J Collier.

Lot 403

A Pilkington's Lancastrian vase by Richard Joyce, dated 1917, ovoid with everted rim, painted with fish swimming amongst waterweed in golden lustre on a blue ground, impressed marks, painted artist cipher and date code, small re-stuck chip to top rim, 11.5cm. high

Lot 405

A Pilkington's Lancastrian vase by Gordon Forsyth, dated 1909, shouldered form painted with heraldic shields of lion sejeant, divided by cypress trees and scrolling foliate borders in ruby and bronze lustre on a cream ground impressed marks, painted artist cipher and date mark (variant), 17cm. high Provenance Private collection

Lot 406

A Pilkington's Royal Lancastrian vase by William S Mycock, dated 1922, shouldered cylindrical form, painted with flower stems in ruby and golden lustre on a blue ground, impressed marks, painted cipher and date mark, 16cm. high

Lot 407

A Pilkington's Lancastrian vase by Gordon Forsyth, dated 1912, ovoid with solifleur neck, painted with two bands of scrolling foliage flanking inscription Noli Me Tangere (do not touch me) in gold and orange lustre on a cream ground impressed marks, painted artist cipher and date mark, 19cm. high Provenance Private collection

Lot 408

A Cobridge Stoneware high-fired baluster vase, slender form covered in a running blue and green crystalline glaze, a Cobridge Stoneware sang de boeuf glaze vase by SS and eleven other Cobridge experimental glaze vases impressed and painted marks, 29.5cm. high (13)

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