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Lot 264
MSP Coastal scene with beach coves, pencil drawing, artists monogram to lower right corner, 31x39.5cm mounted in glazed frame, and a late Victorian / early 20th century still life watercolour of an 18th century Chinese meat platter, tumbler vase of yellow flowers and a knife, unsigned 28x20cm, mounted in a glazed frame.Location:
Lot 1101
A CHINESE FAMILLE-ROSE YELLOW-GROUND ALTAR VASE, BENBAPING (2)Iron-red Jiaqing seal mark but later The globular body decorated with the bajixang and lotus sprays, the neck painted with multi-coloured panels, the separate cylindrical top with foliate sprays against a yellow ground, 28.5cm highThe ribbed neck and the cover has traces of a glue like substance, possibly cellotape to hold the two pieces together, which should be possible to remove.The style of painting on the cover is different to the vase so they may be associated. The neck of the cover has been slightly reduced. Overall minor wear to enamels and gilding
Lot 1149
A CHINESE GREEN-GLAZED CONG VASE (3)Of square section, moulded with the eight Trigrams, Collezione Prodan Roma paper label, 15cm high, wood stand, boxedGood conditionAge is probably late Qing DynastyProvenance: The Purple Shop – The Anthony Gardner Collection. See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 1089
A CHINESE WUCAI ROULEAU VASE (2)Transitional period Painted with a an official and two attendants in a fenced garden, 21cm high; also a famille-verte saucer dish enamelled with a bird amongst lotus, 21cm diameterRouleau vase- Neck has been reduced. Vertical crack to reverse of vase, approx. 14cm length. Two fine vertical haircracks to the reverse, the longest approx. 12cm lengthSaucer dish- extensively restored. Shallow chip to underside of rim
Lot 1136
A CHINESE PORCELAIN OVIFORM JAR ADAPTED AS A LAMPBlue six character Chengua mark but later Painted in underglaze blue and famille verte enamels with an official and attendants in a fenced garden, wood cover and stand, vase only 22cm highThe vase has been drilled through the mark on the base. Some light brown discolouration to the glaze in placesProvenance: An apartment on Eaton Square, Belgravia. Furnished by Colefax & Fowler.
Lot 1066
A PAIR OF CHINESE BLUE-GROUND AND GILT FAMILLE ROSE TWO-HANDLED VASES (4)Iron-red Jiaqing seal marks but probably later Of flattened pear form set with chilong handles, enamelled with panels of flowers and insects against a blue ground with gilt scattered flowers, 30.5cm high, boxed (4)Small restoration to one of the chilong's legs. Some restoration around bases. Some wear to the gilding. A UV lamp picks up extensive hairline cracks to the body of each vase. This is likely to have been done at the time of manufacture rather than later restoration
Lot 1085
FOUR ITEMS OF CHINESE PORCELAIN (4)Late 19th century and later Comprising; a Canton famille rose cylindrical vase painted with figure panels, 23cm high; a small globular vase painted with cockerels, hens and chicks, 8cm high; a pear shaped blue glazed vase moulded with a dragon, 25cm high and a wucai style cover of a box painted with boys, 33cm lengthCanton vase- chip and haircrack to the rim. Some typical wearChicken vase- overall in good conditionBlue glazed vase- rim chip,approx 0.75cm by 0.5cmBox cover- a tiny amount of wear
Lot 1073
TWO CHINESE FAMILLE ROSE VASES (3)The first of pear form enamelled with scattered medallions, iron red four character mark reading `Hall of Extended Remoteness', 24cm high, wood stand; the second of bottle form painted with three warriors on horseback, 25cm highThe first vase with a fine haircrack to the rim, approx. 1.5cm length.The second vase with minor wear to the gilding
Lot 1005
A CHINESE FAMILLE ROSE BALUSTER VASE AND COVER (3)Late 18th/ early 19th century Painted with a pheasant perched on blue rocks amidst flowering peony, 30cm high; also a Chinese yellow-ground dish, late 19th/early 20th century, painted with green flowers and shou characters inside a ruyi-head border, 40.5cm diameter (3)Vase and cover- vase with quite a number of haircracks around the rim. Chip to the rim approx. 1cm by 0.5cm. Minor chip to the inner rim. Some glaze impurities. Minor wear to the enamels. The cover with two chips and two haircracks to the rim. Extensive impurities to the glaze. Minor wear to the enamelsDish- three shallow chips around the rim. Some wear to the gilding. Some pitting and markings to the yellow ground.
Lot 1112
A PAIR OF CHINESE YELLOW-GROUND VASES (2)Iron-red six character Guangxu marks Of baluster form, each painted in in iron-red with dragons amongst cloud scrolls, 25cm high PROVENANCEProperty from the collection of the art critic, Terence Mullaly.ConditionOne vase in overall good conditionThe other vase with a crack running around the whole body
Lot 1165
A CHINESE BRASS TRIPOD CENSER (4)Sixteen character Xuande mark but later Of compressed form with outswept handles, 15cm wide; also a Japanese Imari ovoid vase, 32cm high and a pair of Chinese famille rose lobed bowls, 15.5cm wideCenser- polished but otherwise in overall good conditionImari vase- overall in good conditionPair Chinese bowls- one in overall good condition with minor nicks to the rim. The other with rim chips, haircracks and some flaking to the enamels
Lot 1125
TWO CERAMIC VASES (2)19th century Comprising; a Chinese porcelain flower vase for the Qajar market, painted with flowers and blue scrolls; and a Qajar relief moulded blue and white vase with floral and animal decoration, 16.5cm and 17.5cm high PROVENANCE:Property from the collection of the art critic, Terence Mullaly.ConditionChinese vase- some wear to the enamelsQajar vase- rim chip, approx. 2cm length be 0.5cm deep. Some discolouration and staining to the glaze
Lot 1100
A GROUP OF CHINESE CERAMICS (6)Various dates Comprising; two blue and white slender ovoid jars and covers, painted with vases on stands and Precious Objects, each approx. 34cm high; a pear shaped vase painted in underglaze red and blue with two confronting dragons, apochryphal six character Kangxi mark, 21cm high and a Ming style figure riding a Buddhist lion, 30cm high, wood standTwo blue and white jars and covers- some chips around rims of jars and covers. One with chip to the knop. Each with some surface markings, scuffing and glaze specking. One vase with a very fine haircrack to the base.Pear shaped vase- good conditionMing style figure- minor losses
Lot 1113
THREE PIECES OF JAPANESE SATSUMA (5)Meiji/Taisho period Comprising; a quatrelobed box and cover painted with bijin, signed Hodada with Shimazu crest, 11cm wide; a small ovoid vase painted with a procession of figures, unsigned, 9.5cm high; a small circular box and cover painted with a bird amongst bamboo and flowers, signed, 7.5cm diameter PROVENANCE: Property from the collection of the art critic, Terence Mullaly.Condition reportQuatrelobed box and cover- some staining to the crackled glaze. Some wear to the gilding.Small vase- some light staining to the glazeCircular box and cover-some staining to the glaze. Some wear to the gilding and enamels
Lot 349
John Adams for Poole Pottery CSA 'Chinese' blue glazed group of ceramics, comprising a pair of ginger jars and covers, with impressed marks to the base, 17cm high, a pedestal dish, incised '464' to the base with impressed marks, 11.5cm high x 20.5cm wide and a wide-shouldered vase, incised '422' to the base, 18cm high overall (4)Provenance: One of the blue ginger jars with covers was purchased from 'The Poole Pottery Museum and Archive' sale at Christie's South Kensington on 31st March 2004 and was lot 45, it comes with a photocopy of the accompanying invoice. The other item (Lustre vase) that is listed on the invoice is included in this sale. The ginger retains its original paper lot label. All with overall wear, marks, scratches, signs of age and use. One ginger jar lid with cracks. One ginger jar (Not the Archive sale example) with flaws to the footrim, we think this is a manufacturing/production fault, not damage. There is a similar fault to the footrim of the vase also. The pedestal bowl sounds dull when tapped, we have checked it under a UV light as a result and nothing shows. The Archive sale ginger jar has lots of sticky label/sellotape residue, but we think this would clean off with a gentle wash.
Lot 351
Truda Adams for Poole Pottery two large vases, the first decorated with a stylised bird and flowers, with 'NT' painted to the base, with impressed 11 mark, 25cm high overall, the second decorated with flowers and leaves, with 'NF' painted to the base, with impressed 11 mark, 29cm high (2) Overall wear, marks and scratches. Crazing to both. Some faults to the glaze in places. The bird vase with some peculiar-looking paint to the footrim, possibly restored, but there is no evidence of flaking that we can see. One small area of the footrim to the same vase shows under UV slightly. The floral vase appears generally ok with some pin-holes to the glaze.
Lot 381
Attributed to David Leach (1911-2005) at Leach Pottery celadon glazed preserve pot, decorated with an oak leaf to the lid, impressed Leach pottery mark to the footrim, 7.5cm high, a Marianne de Trey (1913-2016) bowl, with small running facet cuts to the exterior, impressed shell potters mark to the footrim, 10cm high x 11.5cm across, a Kenneth Quick (1931-1963) at Tregenna Hill Pottery small fluted vase, with impressed seal mark to the footrim, 7cm high (3) Overall wear, marks and scratches to all. All with minimal glaze and firing faults. The David Leach preserve pot has an underglaze chip to the rim, made when potted, not damaged. Otherwise seems ok.
Lot 347
Owen Carter for Carters Poole collection of four lustre vases, the tallest of square tapering form, with incised marks to the base and with Christie's lot number (See Provenance note), 31.5cm high, a red lustre baluster vase with impressed marks to the base and with Christie's lot number (See Provenance note), 22cm high, a Carters Poole red lustre bowl, with incised marks to the base, 20cm wide x 9cm high and a purple glazed twin handles vase, with incised marks to the base, 15cm high overall (4)Provenance: The two taller vases were purchased from 'The Poole Pottery Museum and Archive' sale at Christie's South Kensington on 31st March 2004 and were lot 1, they come with an accompanying invoice and catalogue. All with overall wear, marks and scratches. Consistent with age, display and use. All with crazing. The tallest example with some white to the corners and raised areas, this is wear to the finish, not damage. The baluster vase with some chips and a hairline crack. The bowl with minimal glaze faults, a pinhole to the glaze and with scratches. The purple vase with what looks like white paint on the surface?
Lot 433
David White (1934-2011) Three pieces of studio ceramics, porcelain with crackle glaze, the tallest tapering vase with impressed marks to the base, 18cm high, a blue crackle glaze vase with flaring neck, marked to the base, 13cm high and one other small vase with orange and yellow crackle glaze, unmarked, 11cm high (3) Overall minimal marks and signs of display wear, otherwise seems ok.
Lot 416
Collection of studio ceramics and pottery comprising: Louise Darby large studio ceramics vase with white bands on a black ground, impressed seal mark to the base, 22cm high, Mary Chappelhow ceramic vase with facet cut sides and a mottled glaze, unmarked, 25cm high overall, Pat Armstrong blue crackle glaze vase with flaring neck, label to the base, 17cm high and a studio pottery pedestal bowl with celadon crackle glaze, incised with hares, unmarked, 9cm high x 15cm wide overall (4) All with overall minimal display wear, otherwise seems ok.
Lot 423
Mike Dodd (b.1943) 'Pilgrim' flattened form vase, studio pottery, with incised decoration, impressed mark to the base, 25cm highProvenance: Vendor has purchased directly from the potter. Overall minimal glaze/firing faults as expected. Some resulting crazing. Tiny fleabite to the base, may be a production fault, otherwise seems ok.
Lot 363
Guy Sydenham (1916-2005) for Poole Pottery 'Atlantis' range, a collection of vases, including a tall ribbed vase, with impressed marks to the base, 17cm high, a tall vase with brown sunflower style design, bearing marks for Beatrice Bolton to the base, 13.5cm high overall, a small bud vase with incised abstract designs on a light green speckled ground, impressed marks for Jennie Haigh to the base, 8.5cm high, a small pod vase with long carved lines, with a mottled green glaze, impressed marks for Carol Cutler (Kellett) to the base, 8cm high, a small seed pod vase with two rows of vertical incised lines, impressed marks for Susan Dipple to the base, 9cm high and one other small bulbous vase with narrow neck, impressed marks for Beatrice Bolton to the base, 10.5cm high (6) All with overall display wear, marks and some scratches, most notably to the bases. Surface dust and dirt to all. Minimal glaze faults in places.
Lot 355
Poole Pottery collection of red earthenware and later ceramics including: a large vase decorated with a rooster, birds and flowers, with painted, stamped and impressed marks to the base, 22cm high, a large bowl decorated with blue birds, flowers and leaves, faintly impressed marks to the base, 24cm across x 11cm high, a jug decorated with flowers with painted and impressed marks to the base, 14.5cm high overall, a small wide shouldered vase decorated with flowers with painted, impressed and incised marks to the base, 13.5cm high overall, a small twin handled vase, possibly designed by John Adams, decorated with a leaping deer by Ruth Paveley, with impressed, incised and painted marks to the base, 12cm high, a small jug with striped decoration and black rim, painted, incised and impressed marks to the base, 6.5cm high, a commemorative bowl with 'ER II' to the centre on blue ground, stamped marks to the base, 13cm across, a small tapering vase with flaring rim, decorated with geometric shapes, decorated by Margaret Atkins, painted and impressed marks to the base, 14cm high, a small bowl or part of cruet set decorated with a rooster, stamped marks to the base, 5cm high, egg cup with green, purple and blue, painted, incised, and impressed marks to the base, 12.5cm across, a small panel brooch, marked to the reverse, 5cm overall, a Bo Peep dish, decorated by Marian Heath (De'Ath), incised '142' with impressed and painted marks to the base, 20cm across and another nursery ware mug or tankard, with impressed and painted marks to the base, 7.5cm high (13) All with overall wear, marks and scratches. Crazing to the glaze of all pieces. Some discolouration to the crazing on some also. The leaping deer vase has a professionally restored (Very difficult to spot, even under a UV light) handle. The large bowl has a very small bruse/tiny glaze loss to the rim. The small striped jug has a small fault to the footrim, we think this is a manufacturing fault, not damage. Panel brooch with small chips. Some old adhesive marks to some which would come off with a gentle wash.
Lot 150
Roy Manby (20th Century School) two still life 'Vase of flowers' studies, one signed and dated 1966 lower left, 17.5cm x 13.5cm and one other by the same artist, unsigned, 18cm x 14cm (2)Provenance: Has come via direct descent. We also have ceramic pieces by the artist's mother later in this sale. Overall display and age related wear. Minor scuffs to the frames, otherwise seems ok.
Lot 348
John Adams for Poole Pottery CSA 'Chinese' blue glazed group of ceramics, comprising a pair of candlesticks, with impressed marks to the base, 23.5cm high overall, a ribbed vase with '694' incised to the base, 13cm high, a tapering bowl, with impressed marks to the base, 14.5cm wide x 8cm high, a small straight sided bowl with protruding rim, with impressed mark to the base, 12.5cm wide x 6.5cm high, a beaker or spill vase, with impressed marks to the base, 9cm high, a small saucer or dish, 12cm approx overall and two other vases, both with impressed marks to the base, one 10cm high, the other 8.5cm high (9) All with overall wear, marks and scratches. Some glaze faults and pin-holes in places. One of the candlesticks has a small repair to the top/sconce. The small beaker has a hairline crack. The wide squat vase on the far right of the picture has a hairline crack. The large vase has some faults to the footrim, which we think were made during the manufacturing.
Lot 364
Guy Sydenham (1916-2005) for Poole Pottery small bud vase with bright red glaze, impressed marks to the base, 9cm high and a taller green glaze vase also by Guy Sydenham, with impressed marks to the base, 18cm high overall (2) Both with signs of overall age, wear and use. Some scratches. The red glazed vase has some chips and damages, both to the neck and footrim. The green glazed vase has a hairline crack to the interior of the rim.
Lot 352
Truda Adams for Carter Stabler Adams Poole collection of ceramics: comprising a twin handled vase decorated with a stylised bird and flowers PN, decorated by Ruth Paveley, with painted and impressed marks to the base, 17cm high, another twin handled vase decorated with stylised flower, LN, decorated by Ruth Paveley, with painted and impressed marks to the base, 17cm high, a tall vase in the manner of James Radley Young, with geometric decorations, painted, incised and impressed marks to the base, 23.5cm high, a small jug, possibly designed by Harold Stabler, decorated with a seagull by Ruth Paveley, with incised '304' to the base, painted and impressed marks to the base also, 11cm high, a small baluster vase with blue, yellow and grey decoration, incised '198' to the base, with painted and impressed marks to the base, 14.5cm high overall and a large mug or tankard, with geometric painted designs, impressed and painted marks to the base, 11.5cm high overall (6) All with overall wear, marks and scratches. Crazing to the glaze. Tallest vase with suspect area on the rim, no damage to see, but a small area of unusual paint. The jug with a bird has signs of damage/a crack to the handle. The large twin handled floral vase has a pin-hole fault to the glaze on one handle.
Lot 350
James Radley Young and Truda Adams for Carter Stabler Poole three pieces of ceramics, comprising a 'Portuguese stripe' jug in a purple colourway, incised '310' to the base, with handpainted decorators mark to the base, 14cm high, another smaller vase with stripes and dots on a grey ground, incised '353' to the base, with Ruth Paveley handpainted mark to the base and impressed marks, 9cm high and one other small sprig patterned vase, incised '344' to the base, with painted and impressed marks, 7cm high (3) Overall wear, marks, scratches with signs of age and use. Some crazing and minimal glaze/firing faults as expected. Minor area with loss of glaze to the handle, we think this is due to the manufacturing process and is not damage.
Lot 313
Susie Cooper (1902-1995) pottery jug, decorated with rams on a green ground, incised to the base, 'Susie Cooper 1932', 21cm high overall and a Clarice Cliff (1899-1972) vase, decorated with flowers on a yellow ground, stamped with 'Bizarre' mark to the base, 21cm high (2) Overall wear, marks, scratches and display wear. Bot with dirt and some discolouration to the interior. Crazing to the glaze, particularly on the yellow vase.
Lot 361
Guy Sydenham (1916-2005) for Poole Pottery 'Atlantis' range, vase with flaring rim on tapering base with textured designs, thrown by Guy Sydenham, decorated by Beatrice Bolton, with impressed marks to the base, 17cm high, a seed pod vase with decorated surface, with impressed marks for Carol Cutler (Kellett), 12cm high and a square vase with repeating abstract line motifs, impressed marks for Catherine Connett to the base, 11cm high (3) Overall wear, marks and some scratches to all. Surface dust and dirt to all. The tall flaring vase has a small bruise to the rim. The seed pod vase has a firing crack to the rim, it also has a small blemish to the foot, which we think is part of the manufacture. The squat vase has a small blemish to the footrim on the underside, we think this is part of the manufacture.
Lot 369
Collection of Poole Pottery 'Magnolia white' range, comprising a large globular vase with twin moulded handles, impressed marks to the base, 27cm high approx overall, a pair of bottle vases, with '698' and other impressed marks to the base, 40cm high overall, a small globular vase, with impressed marks to the base, 19cm high, a pair of small vases or pots, with '276' and other impressed marks to the base, 5cm high overall (6) Overall wear, marks, scratches to all. The two smallest pieces with tiny rough areas to the rim, in our opinion this is due to the manufacture rather than damage. They would benefit from a gentle clean. Otherwise seems ok.
Lot 353
Truda Adams for Carter Stabler Adams Poole collection of ceramics to include a large jar with two lug handles, decorated in green blue and purple, decorated by Ruth Paveley, impressed and painted marks to the base, 28cm overall, a similar large shallow bowl, decorated by Ruth Paveley, impressed and painted marks to the base, 27cm across, 8cm high, a similar oval dish, with grey glaze to the underside, with painted and impressed marks, 31cm wide x 24cm, a cylinder vase decorated with sprigs in purple and green, impressed and painted marks to the base, 26cm high, a bowl decorated with flowers, with impressed 14 or 15 mark, 18.5cm across, a small bowl with green rim, decorated with flowers, with impressed and painted marks to the base, 12.5cm across, a pedestal egg cup and two pedestal bowls with dishes (9) All with signs of age, wear and use. Some crazing to all, some with discoloured crazing. Minimal glaze faults in places. The large vase is damaged and restored throughout.
Lot 426
Dylan Bowen (b.1967) collection of studio pottery comprising a slip glazed bud vase, signed to the underside, 11.5cm high, and two slipware small plates or dishes with abstract trailed slipware design, each signed to the base, 17cm across (3) Overall minimal glaze/firing faults, some scratches. Otherwise seems ok.
Lot 444
Marianne de Trey (1913-2016) collection of studio pottery, comprising of a large incised vase, with triangular mark to the footrim, 19.5cm high, a red glazed bowl, with triangular mark to the base, 10.5cm high overall, another bowl with original paper label which reads 'Marianne de Trey Bristol Guild 1984', 16.5cm x 10cm high and a small studio pottery spade shaped vase, with incised detailing to the foot, triangular mark to the footrim, 15cm high (4) All with overall display wear and minor scratches. Crazing to the glaze of the red bowl. The red glazed bowl also had a Bristol Guild label which has detached from the bowl. Otherwise seems ok.
Lot 334
Collection of Moorcroft vases comprising a large 'leaf and berry' tapering vase on blue ground, impressed marks and signature to the base, 21cm high overall, a Moorcroft 'Freesia' vase in flambé colourway, with original label and impressed marks to the base, 12cm high, a small 'Pansy' vase on blue ground, with original paper label to the side and impressed marks to the base, 9cm high overall and one other miniature baluster vase, impressed marks to the base, 9cm high overall (4) All with overall signs of wear, age and use. Minimal crazing to the glaze. Some small scratches in places.
Lot 430
Dylan Bowen (b.1967) Three slipware vases, one squat example with yellow and brown decoration, signed to the base, 11cm high x 16cm wide, a taller with two green stripes near the base, signed to the base, 13cm high and the largest vase with diagonal stripes, signed to the base, 17cm high (3) Overall wear, marks and general display wear as expected. Minimal glaze/firing faults. Otherwise seems ok.
Lot 436
Geoffrey Eastop (1921-2014) three studio ceramic pieces, one of small vase with large flaring rim, signed to the base, 11.5cm high overall, a gourd fruit shaped vase with bottleneck, signed to the base, 13.5cm overall and one larger vase, signed to the base, 20cm high (3) All with overall signs of display marks, age and wear. All with scratches. The small vase with a flaring neck has been damaged and repaired/reglued. The largest vase has some very small chips in places.
Lot 317
ELL for Della Robbia Pottery ceramic vase, with garlic neck, decorated with Art Nouveau stylised plant design in pink and green colourway, signed ELL, coloured by Hannah Jones with painters mark and incised Della Robbia mark to the base, 34cm high Overall display wear, marks and scratches, consistent with age. Crazing to the glaze. Minimal losses to the glaze in places. Overall glaze imperfections as expected due to the firing.
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