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Click here to subscribeA YINGQING CUP-STAND, VASE AND DRAGON BOX AND COVER, SONG DYNASTY the cup-stand of flowerhead form with turnover rim on flared foot and covered in an attractive bluish or blue tinted glaze, on the box and vase stopping short of the foot, vase 12cm h ++The cup stand in fine condition and of a good quality porcelain body. The cover of the box with one or two surface hairlines, the vase slightly unevenly potted but undamaged, no restoration
SEVEN SAWANKHALOK WARES, C14TH CENTURY comprising three shoulder-handled vases in various glazes and two compressed circular boxes and covers painted with stylised floral bands of a panelled trellis pattern, a similar miniature vase and a figure of Sukhothai, largest vase 13cm h (9) ++Head of figure broken off at the neck and rejoined, miniature vase with heavily blistered glaze and adhered kiln sand, painted boxes and covers with wear to decoration
A PORCELAIN JAR AND COVER, LATE MING DYNASTY sketchily painted in greyish underglaze blue with lion dogs and lotus meander, 17cm h and an Annamese vase, meiping, 14th c, painted with lotus and tendrils (3) ++Ming jar with rim fritting and the glaze now slightly dull/matt; Annamese vase stained/discoloured
A STUDY COLLECTION OF EARLY CHINESE CERAMICS, SONG-MING DYNASTIES including a miniature Cizhou ware figure of a woman, a persimmon glazed vase, a Yue ware box and cover, Tang Dynasty, incised with leaves and various wares of later date, figure 9.5cm h (approximately 35) ++Some faults but in generally good condition and an attractive selection of small sized ceramics
FIVE TURNED TREEN OBJECTS comprising a ornamental boxwood wide based jar and cover, early 19th c, a finely patinated salt cellar, another of olive wood, a sycamore vase shaped caster and cover with pokerwork decoration and a lignum vitae mortar, 6-16cm h, late 18th c and later Comparative Literature: (caster) Levi, op cit, plt 6/8, second row Nos 1 and 7. ++Old shrinkage crack in the cover of the boxwood jar and in the mortar
A VICTORIAN TURNED MAHOGANY MIRROR the moulded frame 16cm diam, four part nests of painted light wood eggs, 19th c, a miniature turned and painted light wood box and cover, an oval basket and cover composed of overlapping strips of bark, a pair of turned mahogany spill vases and another vase of dense hardwood, flared at the ends (10) ++All in satisfactory original condition
COCONUT WARES. A SILVER-MOUNTED COCONUT SHELL BEAKER incised with a floral trellis pattern, 10cm h, 19th c, a penwork decorated shell with arabesques, a similar S. E. Asian teapot and cover, vase and pair of cups, 19th c (7) ++Minor cracks and other faults but in generally good condition
* A NEO CLASSICAL STYLE STEEL SERPENTINE FIREGATE ATTRIBUTED TO THOMAS ELSLEY & CO the breakarched and moulded back crested by an urn and swags, the pierced and beaded front with vase finials, on square tapered legs, 74cm h, 91cm h, early 20th c ++Complete and in good condition
A FRENCH GILT BRONZE MANTEL CLOCK the Louis XVI style cisélé case surmounted by a flower-filled vase on a pedestal flanked by the figures of reclining children with garlands, the enamel dial with blue chapters and signed MIROY FRES BREVETES PARIS/PRIZE MEDAL 1851, the movement striking on a bell, the eight pairs of Sèvres style bleu celeste ground porcelain plaques painted with putti and flowers, 47cm h, c1860 ++In fine, complete, original state, no damage or restoration. An excellent example
A NORTH ITALIAN WALNUT TABLE the quarter veneered top inlaid with an oval medallion of a vase of flowers and line inlaid throughout, fitted with a drawer, on square tapered legs, 78cm h; 49.5 x 59cm, the handwritten label on the underside of the drawer inscribed Tavola quadrata con cassetto No 1, early 19th c ++One or two old black scratches and stains on the top but in satisfactory unrestored condition
A WEDGWOOD VASE-BOUGH POT in yellow jasper-dip (`yellow porcelain`) and ornamented in blue jasper with classical figures framed by foliage between grapevine and stiff leaf borders, 20.5cm h, impressed WEDGWOOD, c1870 ++On the underside the central ring to prevent sagging of the base during firing with loss but this is not normally visible, the odd firing hairline which is practically invisible other than under magnification, a crisply decorated example in fine condition, no restoration
A WEDGWOOD VICTORIA WARE VASE AND COVER covered in deep blue slip and ornamented with swags and musical trophies enriched in gilt, the domed shoulder with gilt mask loop handles, on square foot, 23.5cm h, impressed marks and incised shape no, c1880 ++A good example of this relatively scarce ware and in good condition apart from some minor damage around the top of the socle where bolted to the body of the vase
A WEDGWOOD QUEEN`S WARE VASE AND COVER of inverted baluster shape, transfer printed in underglaze blue with dragons and waves on a yellow ground, 24cm h, impressed marks, c1880 ++Unusual and in fine condition apart from an insignificant faint hairline crack in the flange of the cover
A DERBY COBALT GROUND VASE of campana form with gilt snake handles, painted with a traveller in a wooded hilly landscape with distant castle in octagonal gilt frame flanked by palmettes and scrolling foliage, 21cm h, painted crown, crossed batons, D and title In Italy in red script, 32 and 51 in sepia and blue respectively, c1820 ++Gilding on the rims and handles worn in places
A Bohemian green glass twin-handled vase, with gilt handles and highlighted throughout in gilt, with oval overlay panel decorated a portrait of a young woman in a pink veil, 29cm (11.25") high, another Bohemian glass overlay vase and a cranberry glass vase decorated in gilt
A pair of Royal Worcester vases of lobed form, the rims with Greek Key design in gilt above floral decoration on a blush ivory ground, dated 1897, shape 1907, 7.5cm (3") high, another pair of vases, dated 1907, shape 991 and a Grainger`s Worcester vase dated 1893
A gilt mounted ebonised musical table clock by Benjamin Pyke, London, circa 1800, the shaped 7" engraved dial signed Benjn Pyke, London with annular calendar, subsidiary chimes/silent and chimes selection dials, the three-chain fusee and chain movement with verge escapement and trip repeat striking on a bell playing one of four tunes with eleven hammers on eleven bells, with foliate engraved backplate, the case with bell top, urn and pineapple finials, pierced vase and scroll frets above side carrying handles and foliate frets, the canted corners with caryatids, on scroll feet, 67.5cm (26.5") high/ see illustration
A ROYAL WORCESTER PORCELAIN TWO-HANDLED VASE BY H STINTON painted with highland cattle in a misty mountain landscape, signed, the ovoid body with everted rim, and moulded with a stiff leaf collar to the lower body and domed foot, highlighted in gilt, shape no. 2026 puce printed mark, circa 1903, 11.5cms (repaired)
A QUANTITY OF 18TH CENTURY CHINESE EXPORT FLUTED PORCELAIN TEAWARE PAINTED EN GRISAILLE AND GILT with the Valentine pattern depicting love birds upon a quiver of arrows and a lidded vase beneath the branches of a pine tree and swagged drapery, all beneath a running vine and shell border including a lidded cream jug, teacup, two tea bowls and three saucers, saucer dish and slop bowl (9)
A 19TH CENTURY CHINESE BLUE AND WHITE VASE of square outline, each side moulded with a raised rectangular panel, all over painted with four dragons amongst dense clouds above waves, circular neck painted with concentric circles and on a circular foot rim, painted four character mark to underside, 24cms high. See illustration
A MATCHED SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS each having a serpentine top rail carved with acanthus above a pierced interlocking vase-shaped splat, drop in seat, serpentine seat rail on square moulded legs joined by an `H` stretcher, comprising two carvers, six singles (four and two)
A PAIR OF YEW-WOOD BROAD ARM WINDSOR CHAIRS, YORKSHIRE c. 1850-90, having a fir-tree pierced central splat with four tapered spindles to either side, turned under-arm spindles and supports, elm seat and on turned legs with vase feet, joined by an `H` stretcher. See illustration
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