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Click here to subscribeVase, in der Art Emile Gallé, 1900/ 1904.Form mit beidseitig abgeflachtem Korpus, farbloses Glas mit gelbem Unterfang und verschiedenfarbigen Überfängen. Umlaufend geätzter landschaftlicher Dekor: Gebirgslandschaft mit Fluss und Baumstaffage, in Hochätzung signiert "Gallé". H. 12 cm. Art nouveau glass vase, Nancy, Emile Gallé, landscape decoration. Signed "Gallé". Ca. 1900/ 1904. H. 12 cm.
Vase/ Flasche, China, Song/ Yüan-Dynastie (13./ 14. Jh.)Steinzeug, schwarze Glasur, braune gepinselte Eisenoxyd-Bemalung. Am Hals gedrehter Doppelwulst. Randwulst min. alter Chip, am Standring zwei flache Abplatzungen. Chinesische Bodenetiketten. H. 22 cm. Provenienz: Sammlung Peer Hultberg (1935-2007), Hamburg. Stoneware bottle with black glaze and iron brown desing, black ware, China, Song/ Yüan dynasty. Collection Peer Hultberg (1935-2007), Hamburg. Minor chip to rim, two chippings to footrim. Chinese label stickers. H. 22 cm.
• ROSE HILTON (BRITISH 1931-2019) Rose Hilton (lots 175-182) You have to give a lot to painting. It's not something you can just dash off. You have to take risks - risk ruining it. You have to know when to stop. Rose Hilton Introduction Rose Hilton (née Phipps), along with her seven siblings, was brought up by strict Plymouth Brethren parents in Kent. Studying at Beckenham Art School after the Second World War she had been expected to go on to train as a teacher, but secretly applied to the Royal College of Art and was awarded a scholarship, much to the consteration of her parents. In her RCA cohort was Peter Blake; on the year above was Frank Auerbach. The college's focus on figurative work suited Hilton and she graduated in 1957 with a first class degree and prizes in painting and life-drawing. Rose fell for Roger Hilton in 1959, introduced by Sandra Blow. She called him her 'Jesus of the art world'. They had a son - Bo - in 1961, married in 1965 and set up home together in three 19th century crofters cottages high on the cliff tops at Botallack, West Cornwall. There, John Wells, Peter Lanyon, Terry Frost and Patrick Heron were in their circle of artist-friends. But Hilton decreed that there was only room for one artist in the household and forbid Rose to paint. Instead she focused on raising her family and supporting her husband. But following Hilton's death in 1975, Rose returned to painting and two years later had her first solo exhibition at the Newlyn Gallery. The house became a hive of activity, described as ‘chaotic’ by many, there were always people coming and going, and frequent parties. A conservatory was added which became her studio, providing the perfect light in which to work. The tranquility of the space suggested the luminous interiors of work by Bonnard, his use of light in his interiors greatly influencing Rose's style. As Ian Collins noted 'Rose had alsways loved the intimacy and accessibility of Bonnard's brilliantly lit domestic interiors... particularly the glowing and jewel-like effects that can be achieved through layers of underpainting, a technique she has always loved' (Collins, Rose Hilton, London, 2016). Although she used professional models, she preferred to ask friends and family to sit for her. Typically she focused on the shape of the person rather than their physical identity (lots 176-181). Much of her later figure work is more abstract, the figure not necessarily taking centre stage in the composition, but being one element of many.175ROSE HILTON (BRITISH 1931-2019)STILL LIFE WITH FLOWERS IN A VASEsigned Rose / Hilton lower right oil on canvas board 50.5 x 40.5cm; 19 3/4 x 15 3/4in (unframed)
• MARIE-LOUISE VON MOTESICZKY (AUSTRIAN-BRITISH 1906-1996) FRUIT AND ROSEoil on canvas50.5 x 35.5cm; 20 x 14in63 x 48cm; 24 3/4 x 19in (framed)Painted in 1991, a photograph, probably taken by the artist, records the present composition: a single rose in a vase with fruit and flowers in a basket arranged on the draining board adjacent to the sink in the scullery at Chesterford Road, Hampstead (Schlenker p. 501). The photograph, together with the domed wire-mesh food cover which can be glimpsed behind the fruit basket, are now in the Motesiczky Archive in Tate Britain. ExhibitedManchester, Manchester City Art Galleries, Marie-Louise von Motesiczky, Paintings 1925-1993, 1994, no. 34 (titled Still Life with White Rose)Schlenker no. 314
• MARIE-LOUISE VON MOTESICZKY (AUSTRIAN-BRITISH 1906-1996) DAFFODILS AND NARCISSIsigned and dated Motesiczky 1991 lower leftoil and charcoal on canvas51 x 76.5cm; 20 x 30in63 x 91cm; 26 x 36in (framed)Painted in 1991, the brushes placed against the round vase on the right suggest that the present work was painted in the artist's studio at Chesterford Gardens, Hampstead. ExhibitedManchester, Manchester City Art Galleries, Marie-Louise von Motesiczky, Paintings 1925-1993, 1994, no. 33 (titled Still Life with Narcissi)Schlenker no. 312
Two Chinese vases, blue-white with a Foo Dog, Famille Rose with a bird and flora. 19th/20th century.Condition report: - Famille Rose vase with a restoration on the upper rim, the interior of the upper rim repainted. - Blue-White vase in good condition. UV-checked. Dimensions: (H:43 x D:21 cm)
Candélabre en métal argenté en forme de lampe à huileDe style néo-antique à décor ciselé à décor de feuillages stylisés, le binet supérieur en forme de vase, il présente quatre lumières, pince probablement rapportée. (usures)H. 65 cmSilver-plated metal candelabra in the form of an oil lampOf neo-antique style with chased decoration of stylised foliage, the upper vase-shaped socket, it has four lights, clamp probably attached. (wear)For further information on this lot please visit Bonhams.com
Paire de grandes consoles en fer forgé dans le goût du XVIIIe siècleCeinture ajourée d'enroulements et fleurons, quatre pieds cambrés à décor de feuilles d'acanthe réunis par une entretoise centré d'un vase antique à guirlandes de fruits H. 94,5 cm - L. 170,5 cm - P. 52 cmA pair of large wrought iron consoles in the 18th century style.An openwork décor with scrolls and fleurons, four cambered legs decorated with acanthus leaves, joined by a brace and centred on an antique vase with garlands of fruit.For further information on this lot please visit Bonhams.com
Vase en fonte patinée aux sphingesEn forme de vase antique à anses à enroulements, frise de fleurons, flanqué de figures ailées sur base circulaire.H. 52,5 cm - L. 38 cm - P. 30 cmA patinated cast iron vase with sphinxesIn the form of an antique vase with scrolled handles, with winged figures on a circular base.For further information on this lot please visit Bonhams.com
Grand vase de forme balustre en porcelaine craquelée et monture en bronze doré du XIXe siècleA fond vert céladon, il présente trois frises rehaussées d'or et deux prises en forme de tête. Riche monture en bronze doré et ciselé à décor d'agrafes, d'enroulements et de rinceaux feuillagés et fleuris.H. 62 cmA large 19th century craquelé porcelain baluster vase with a gilt bronze mountingWith a celadon green base, it features three friezes enhanced with gold and two head-shaped handles. A rich ormolu and chased frame decorated with clasps, scrolls and foliage and flowers.For further information on this lot please visit Bonhams.com
Pierre Signoretto et anonyme Ensemble de pièces en verre soufflé de MuranoIl se compose d'un grand vase H. 42 cm, deux mandarins, une paire de coupes fleurs et une coupe à bords ondulés.A set of Murano blown glass pieces by Pierre Signoretto and anonymousComprising a large vase H. 42 cm, two mandarins, a pair of flower bowls and a bowl with rippled edges.For further information on this lot please visit Bonhams.com
Vase de forme Médicis en terre cuite patinéeA décor de frises d'oves, de pampres de vigne, feuilles d'acanthe, il repose sur un piédouche cannelé sur une base quadrangulaire.H. 60 cm - D. 46 cmA patinated terracotta Medici vase Decorated with friezes of ovals, vine branches and acanthus leaves, it stands on a fluted pedestal on a quadrangular base.For further information on this lot please visit Bonhams.com
Grande table de milieu en bois de placage d'époque Napoléon IIIElle ouvre à un tiroir latéral, et présente un riche décor marqueté de corbeille fleurie et feuillagée dans des entourages de rinceaux en placage de palissandre, amarante, bois de rose et bois de violette. Elle repose sur quatre pieds fuselés et cannelés réunis par une entretoise en X surmontée d'un vase couvert. H. 77 cm - L. 127 cm - P. 77 cmA large Napoleon III veneered tableIt opens to a side drawer and features a rich inlaid decoration of floral and foliage baskets in rosewood, amaranth, tulipwood and kingswood veneers. It stands on four tapered and fluted legs joined by an X-shaped brace topped by a covered vase.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A Persian Sarouk rug, third quarter 20th century, the central field with vase of flowers design, on a beige and terracotta ground, contained by floral border, 200 x 138cm (VAT charged on hammer price) Condition Report: wear throughout, in need of a clean, complete loss of fringe, small tear to one corner,
A collection of Continental enamel plaques and mounts, 18th / 19th century, including: various elements from boxes depicting pastoral and Classical figures in landscapes; a roundel decorated with the equestrian monument to Fredrik V in Copenhagen; a box lid depicting a Dervish; two Limoges style plaques with cartouches SPE and SIO; a guilloche enamel box cover centred by a cameo of a Classical maiden; together with a Limoges enamel baluster vase, 19th century, decorated en grisaille with scrolling floral motifs (lot)
A Baccarat paperweight with vase attachment, mid-19th century, unmarked, the millefiori base with single central cane surrounded by an arrangement of five singular green canes within a garland of florets, the vase of bell shape in blue and white spiral stripe glass, 9cm highLiterature: Edith Mannoni, Classic French Paperweights, Santa Cruz: Paperweight Press, 1984: c.f. pg. 28. Footnotes: Note: The unusual vase attachment to this paperweight possibly had a practical function as a pen holder for the owner. A similar example was sold at Dr. Fischer Kunstauktionen, Heilbronn, 14th July 2023, lot 270 - 1,800 EUR. Condition Report: Small scratches and marks are present throughout the paperweight, especially to the base, the stem of the vase, and to the rim of the vase. A flat chip to the base. Additional images are available - click here.
A fine Turkish silk Hereke rug, second quarter 20th century, the mihrab field with vase, bird and floral motifs, on a blue and ivory ground, contained by stylised floral border with Arabic calligraphy, 198 x 129cm Condition Report: was used as a wall hanging most of its life so minimal wear, no rips or visible repairs, very minor stains, all fringe looks to be intact.
A pair of Chinese famille verte beaker vases, mounted as lamps, 19th / 20th century, each lamp decorated with birds in a rocky garden with blossoming prunus trees, the bases drilled, with shades, 36cm high, exc fitments; together with a Chinese famille noire baluster vase, mounted as a lamp, with shade, 53cm high exc fitment (3)Provenance: Christie's, London, Gloria: Property from the late Dowager Countess Bathurst, lot 181.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Photograph: © Christie's ImagesCondition Report: Each porcelain vase appears to be in good condition with no chips or cracks detected, examination under UV light reveals extensive surface dirt to all three vases, possibly hiding some overpainting. The lamp conversions need to be re-done for wiring and secured properly - the brass fittings are somewhat loose. It is the buyer's responsibility to ensure electrical items are professionally rewired for use. Additional images are available - click here
A pair of George IV lacquered-brass Argand oil lamps, second quarter 19th century, the shades by Robert Kime Ltd, each with vase-shaped reservoir decorated with stiff-leaves, the single branch above a spreading base with a band of scrolling foliage, on fluted bun feet, with replaced cream pleated shades, adapted for electricity, 40cm high, including shade 28cm wide, 15cm deep (2)Provenance: Christie's, London, Wilton Crescent: A Robert Kime Interior, 23 July 2020, lot 94.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Photograph: © Christie's Images Condition Report: One lamp has a minor wobble due to one foot not sitting flush with the other three, and the stem is slightly bent and does not stand straight. The shade supports are both warped and both have evidence of verdigris to the brass. The shade ring of one lamp is stuck to the socket, therefore the shade support is also stuck in place. The brass has overall tarnishing, light scratches and marks, and general surface dirt all consistent with age. There is some minor verdigris noticeable to the leaves issuing from the stem of one lamp. The shades are in good condition. The wiring is internal and intact, with a switch and old-style three pin plug. The lamps have not been tested for working capability. It is the buyer's responsibility to ensure electrical items are professionally re-wired for use. Additional images are available - click here.
A SET OF FOUR SILVER CANDLESTICKS HAMPTON UTILITIES, BIRMINGHAM 1965 With square sconces, tapering stems and octagonal bases 16cm (6 1/4in) high Loaded A silver thistle shaped vase by J Zeving (or Joseph Zweig), Chester1919, with a knopped stem and on a circular pedestal foot, 13.5cm (5 1/4in) high; Together with the following electro-plated items: an entree dish; a bottle coaster; a sauce boar; a pair of candle snuffers; a shaped circular waiter; and other items 51g (1.65 oz) weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
AN AUSTRIAN SILVER AND ENAMEL TWIN HANDLED SHAPED OVAL DISH MAKER'S MARK JW, POSSIBLY JAKOB WASSERBERGER, VIENNA CIRCA 1866 With twin winged bust scroll handles, a spill vase to the centre, painted with dancing figures to the interior, on a chased foliate oval foot 18cm (7in) long 213g (6.85 oz) gross
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