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Click here to subscribeThree small Oriental vases, largest approximately 13 cm [h].Condition: The vase without the cover has two chips around the rim approximately 5 mm x 2 mm, the vase with the ceramic cover has rubbing to the decoration in areas, no chips or cracks to the vase but the cover has a few small chips.The vase with the wooden cover has a chip to the rim approximately 7 mm x 2 mm and a couple of small chips to the base.
A COLLECTION OF ROYAL COPENHAGEN CERAMICS, to include a pair of cobalt blue ground waterlily pattern vases, 17cm high, a globular vase with swallow decoration, in original box, one other vase, a pin dish, a figurine of two lambs and one of three blue birds, all with factory marks
A DOULTON BURSLEM LUSCIAN WARE CERAMIC VASE of tapering form, with narrow fluted neck, hand-painted scene by W. Nunn, signed, depicting a blacksmith in his forge, factory marks to base and inscribed "The Smith, a mighty man is he - he hears his daugh ter's voice singing in the village choir", 31cm high
Late-Victorian mechanical/pop-up greetings card, New Year, opens to reveal children and swans on a lake with flowers. Together with a folding New Year card depicting lady on a swing (legs/skirt lift up when card opened); two pop-up/3-D greetings cards (one in the form of a table, the other as a vase of flowers); two Victorian greetings cards with floral design and embossed borders; two cigar fans (one mechanical with hand-printed floral pattern); two novelty 'Irish Whisky' bottles with pull-out fans (10)
Collection of Victorian Christmas/greetings cards and booklets comprising: Old China, illustrated by Helena Maguire, vase-shaped book, London: M. H. Nathan & Co., [c.1880]; Victorian chromolithographic birthday card with fringed silk edge and tassle, complete with original post protector advertising 'Stevens's New Silk Edged Perfumed Cards, Coventry and London', featuring registration diamond; four Christmas story booklets published by Marcus Ward (Christmas Dreams; Jack the Giant Killer's Christmas Conflict; Christmasse in ye Olden Tyme; A Fantasy in Four Phases); Bright Leaves and Ruddy Berries, illustrated by Bertha Maguire, die-cut/shaped binding, London: Raphael Tuck & Sons; three Christmas cards by Raphael Tuck in the form of four-panel screens, each bearing registration diamond; Christmas card by Marcus Ward in the form of triptych (panels detached) with two panels after Fra Angelico in similar style; a novelty "cheque" from the Pudding Lane Branch of the Bank of Good Cheer, 1891 (12)
Collection of mid-Victorian Valentines, comprising: Cut-out Valentine, snowflake-like pattern with doves and manuscript verse; needlecase, pierced paper with silk ties and handwritten verse to each side; sachet (sometimes scented sachets were sent instead of cards), c.1840, watercolour illustration of vase of flowers to each side; 'Lucky Bag of fairy brightness', embossed paper purse housing hidden printed message; five "opening doors" Valentines, one with handwritten captions to each window, one with enclosed manuscript verse dated 1847 (addressed to Mademoiselle Victorine Janson of Brighton) (9)
Collection of ten Victorian die-cut chromolithographic Christmas cards: Alice in Wonderland, pop-up design, accompanying verse, 'Twinkle, twinkle little bat, How I wonder what you're at, Up above the world you fly, Like a tea-tray in the sky, May you have a holiday as grand, As Alice had in Wonderland'; clown writing with chalk on a blackboard; boxing glove by Hildesheimer & Faulkner (unfolds to reveal comic illustration of turkey fighting a Christmas pudding); opera glasses; stocking by Hagelberg; belt with buckle depicting head of Father Christmas; blackboard illustrated with horse & cart by Raphael Tuck; teacup with biscuits; teacup by Hagelberg; oriental vase (10)
19th Century English School, botanical study of flowers with moths and flies, watercolour, framed & glazed, 28cm by 37cm. Together with an early-19th century silk embroidered picture depicting vase of flowers, and a silk embroidered study of flowers from a pole-screen, both framed & glazed (3)
A Royal Worcester Porcelain Vase and Cover, of globular two handled form with mask terminals, raised on a stepped square base, painted by Ricketts, signed, with ripening fruit on a mossy woodland bank, within gilt borders, shape number 2353, date code for 1922, 21cm high. (2)
A Late XIX Century Chinese Pottery Bottle Vase, the turquoise glaze moulded with an entwined dragon, 30cm high; A Plain Japanese Turquoise Glazed Bottle Vase, impressed Japan, 24.5cm high; A Chinese Vase, decorated in sang de boeuf glazes, six character mark to base, 19cm high and another Chinese vase, decorated with streaked blue and purple glazes, 22cm high. (4)
A Late XIX Century Japanese Three Section Rosewood Inro, lacquered in shades of gold and silver with stylised flowers and silver with stylised flowers and foliage, signed to top edge, 7.5cm long; A Small Japanese Cloisonné Enamel Vase, decorated with white and purple iris on a pale green ground, 9cm high. (2)
A Late XIX Century Japanese Satsuma Vase, of footed globular form with short tapered neck, painted with colourful dogs of fo amongst ribbons and chrysanthemums, dark blue and gilt borders, character mark to base, 18.5cm high; A Pair of Chinese Blue and White Shaped Oval Dishes and a Circular Bowl, decorated with dragons against an iron red ground and five Imari bowls. (9)
A Japanese Late XIX Century Satsuma Pottery Vase, of part fluted baluster form, decorated with a basket of flowers, signed, 18cm high (damages); A Japanese Miniature Kutani Ware Square Bowl, 3.5cm high; A Japanese Imari Ware Hot Water Dish, decorated with exotic birds and flowers, 24cm diameter and a similar plate. (4)
A Minton Ltd Pottery 'Secessionist' Chamberpot, painted with a tubelined design in shades of blue with stylised flowers, printed mark and No 7, 22.5cm diameter; A Barkers & Kent Two-Handled Blush Ivory Vase, decorated with swags and pink roses, printed marks, 36cm high. (2)
A Japanese Late XIX Century Satsuma Koro and Pierced Cover, with Dog of Fo finial, the square body raised on short feet and decorated with panels of phoenix and storks within chrysanthemum borders, signed, 14cm high; A hexagonal Satsuma jar (lacking cover), 9.5cm high and a two sectional cylindrical vase (lacking cover), decorated with figures in interior settings, 14cm high. (5)
A Royal Worcester Porcelain Basket, of ovoid form, decorated mainly in gilt with a tree in a mountainous landscape, the reverse with a flower, against a blush ivory ground, shape number 6/50, date code for 1904, 12cm high; A Royal Worcester Porcelain Blush Ivory Pot Pourri Vase, (lacking cover), 13cm high. (2)
A Modern Moorcroft Pottery Vase, of extended ovoid form, painted in the 'Crowning Glory' pattern against a dark blue ground, issued as an open edition available during 2007 at Collector's Club events only, impressed mark, signed in gold by the designer Rachel Bishop, shape number 101/7, 19cm high, boxed.
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